Song | Righthand Heart |
Artist | Momus |
Album | Tender Pervert |
Download | Image LRC TXT |
作词 : Currie | |
I meet this girl with a righthand heart | |
I notice nothing until we start to kiss | |
And my hand goes beneath her dress | |
To the lefthand breast | |
Downstairs the party's going full swing | |
The people we came with haven't noticed a thing | |
As I tease the teat with my teeth | |
I feel nothing underneath | |
She puts my ear across her chest | |
Rests my head against the righthand breast | |
Sure enough her heart is there | |
Loud and clear | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of her body | |
And though I know there's nothing dangerous in it | |
I'm feeling queasy, getting worse by the minute | |
Wondering how to escape this nightmare | |
When up the stair | |
Comes this boy with no heart at all | |
Him and her they make the perfect couple | |
Him so blind in his rapacity | |
That he doesn't even see it | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of her body | |
And as I contemplate this mating of rapacity and sickness | |
Of which I am the fascinated, unwilling witness | |
I see he couldn't care where her heart might be | |
And I say "what the hell is wrong with me? | |
Am I just too pure and too proud?" | |
And as the bed creaks I ask myself aloud | |
"Could it be that what makes me a freak Is my contempt for freaks?" | |
I start to sweat, I feel it approach | |
Familiar self-hate, familiar self-reproach | |
And under my guard again it beats so hard | |
My righthand heart | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of my body | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on |
zuo ci : Currie | |
I meet this girl with a righthand heart | |
I notice nothing until we start to kiss | |
And my hand goes beneath her dress | |
To the lefthand breast | |
Downstairs the party' s going full swing | |
The people we came with haven' t noticed a thing | |
As I tease the teat with my teeth | |
I feel nothing underneath | |
She puts my ear across her chest | |
Rests my head against the righthand breast | |
Sure enough her heart is there | |
Loud and clear | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of her body | |
And though I know there' s nothing dangerous in it | |
I' m feeling queasy, getting worse by the minute | |
Wondering how to escape this nightmare | |
When up the stair | |
Comes this boy with no heart at all | |
Him and her they make the perfect couple | |
Him so blind in his rapacity | |
That he doesn' t even see it | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of her body | |
And as I contemplate this mating of rapacity and sickness | |
Of which I am the fascinated, unwilling witness | |
I see he couldn' t care where her heart might be | |
And I say " what the hell is wrong with me? | |
Am I just too pure and too proud?" | |
And as the bed creaks I ask myself aloud | |
" Could it be that what makes me a freak Is my contempt for freaks?" | |
I start to sweat, I feel it approach | |
Familiar selfhate, familiar selfreproach | |
And under my guard again it beats so hard | |
My righthand heart | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of my body | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on |
zuò cí : Currie | |
I meet this girl with a righthand heart | |
I notice nothing until we start to kiss | |
And my hand goes beneath her dress | |
To the lefthand breast | |
Downstairs the party' s going full swing | |
The people we came with haven' t noticed a thing | |
As I tease the teat with my teeth | |
I feel nothing underneath | |
She puts my ear across her chest | |
Rests my head against the righthand breast | |
Sure enough her heart is there | |
Loud and clear | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of her body | |
And though I know there' s nothing dangerous in it | |
I' m feeling queasy, getting worse by the minute | |
Wondering how to escape this nightmare | |
When up the stair | |
Comes this boy with no heart at all | |
Him and her they make the perfect couple | |
Him so blind in his rapacity | |
That he doesn' t even see it | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of her body | |
And as I contemplate this mating of rapacity and sickness | |
Of which I am the fascinated, unwilling witness | |
I see he couldn' t care where her heart might be | |
And I say " what the hell is wrong with me? | |
Am I just too pure and too proud?" | |
And as the bed creaks I ask myself aloud | |
" Could it be that what makes me a freak Is my contempt for freaks?" | |
I start to sweat, I feel it approach | |
Familiar selfhate, familiar selfreproach | |
And under my guard again it beats so hard | |
My righthand heart | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on | |
The wrong side of my body | |
Beat, beating, beating on | |
The right side of oblivion | |
Beat, beating, beating on |