Song | The Charm of Innocence |
Artist | Momus |
Album | Tender Pervert |
Download | Image LRC TXT |
作词 : Momus | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit's claw | |
Sometimes an albatross | |
It began at a school that turned boys into gentlemen | |
Then turned them on to debauchery | |
I was forced to my knees in front of these gentlemen | |
If I refused they would torture me | |
On Sundays I'd stalk the Botanical Garden | |
And under my uniform something would harden | |
Whenever I passed a girl of my own age | |
Or did it begin with au pair girls from Germany | |
Paid by the hour to look after us? | |
Did it begin with that first opportunity | |
To corner a stranger with nakedness? | |
Maybe the clinical way they undressed me | |
Stayed with me and deeply distressed me | |
I think, at heart, I'm something of a prude | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit's claw | |
Sometimes an albatross | |
Then at 18 I decided I wanted | |
To be a commercial photographer | |
I rented a studio down by the docks | |
Which I shared with a friendly pornographer | |
I photographed models in fluorescent light | |
Whose veins were so blue and whose breasts were so white | |
I assumed, like the moon, women were blue cheese | |
When I left home I already had five years | |
Of self abuse under my belt | |
I found certain women who'd let me try anything | |
Just to find out how it felt | |
In some garish hotel room with vile decoration | |
The wallpaper witnessed my first pollination | |
The paisley patterns witnessed an abortion | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit's claw | |
Sometimes an albatross | |
In the army they taught me to share the abuse | |
That I'd kept up 'til then to myself | |
There's nothing like killing | |
For coaxing a shy boy of twenty-one out of his shell | |
In the dark continent with a peace-keeping force | |
I fell in with a bunch of Algerian whores | |
And promised them I'd try and keep in touch | |
We met up again in the 18th arrondisement | |
I remember them well | |
Their lank stringy hair and their big bulbous noses | |
Their unmistakable smell | |
I'd approach all the ugliest, seediest jerks | |
And ask them to keep a young model in work | |
Some men, thank Christ, don't discriminate at all | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit's claw | |
Sometimes an albatross | |
I will pass my old age by a pale two-bar fire | |
Patiently waiting to die | |
Twitching the lace as the schoolgirls go past | |
Tracing a page of Bataille | |
And if you catch sight of my secondhand coat | |
Leaving behind it a faint whiff of goat | |
Remember both of us are naked underneath | |
I thought it would end with the first obscene phone call | |
The second professional kill | |
But somehow detached from my actual behaviour | |
This innocence burdens me still | |
Up in the attic I pick up the brush | |
Paint in the crow's feet, paint out the blush | |
The face this portrait is of is still capable of | |
The face this portrait is supposed to be of is still capable of | |
The face this portrait is of is still capable of (Paint out the blush of shame) | |
The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) | |
The face this portrait is of is still capable of (Paint out the blush of shame) | |
The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) | |
The face this portrait is of is still capable of (Paint out the blush of shame) | |
The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) | |
(Paint out the blush of shame) | |
(Paint out the blush of shame) | |
(Paint out the blush of shame) |
zuo ci : Momus | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
It began at a school that turned boys into gentlemen | |
Then turned them on to debauchery | |
I was forced to my knees in front of these gentlemen | |
If I refused they would torture me | |
On Sundays I' d stalk the Botanical Garden | |
And under my uniform something would harden | |
Whenever I passed a girl of my own age | |
Or did it begin with au pair girls from Germany | |
Paid by the hour to look after us? | |
Did it begin with that first opportunity | |
To corner a stranger with nakedness? | |
Maybe the clinical way they undressed me | |
Stayed with me and deeply distressed me | |
I think, at heart, I' m something of a prude | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
Then at 18 I decided I wanted | |
To be a commercial photographer | |
I rented a studio down by the docks | |
Which I shared with a friendly pornographer | |
I photographed models in fluorescent light | |
Whose veins were so blue and whose breasts were so white | |
I assumed, like the moon, women were blue cheese | |
When I left home I already had five years | |
Of self abuse under my belt | |
I found certain women who' d let me try anything | |
Just to find out how it felt | |
In some garish hotel room with vile decoration | |
The wallpaper witnessed my first pollination | |
The paisley patterns witnessed an abortion | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
In the army they taught me to share the abuse | |
That I' d kept up ' til then to myself | |
There' s nothing like killing | |
For coaxing a shy boy of twentyone out of his shell | |
In the dark continent with a peacekeeping force | |
I fell in with a bunch of Algerian whores | |
And promised them I' d try and keep in touch | |
We met up again in the 18th arrondisement | |
I remember them well | |
Their lank stringy hair and their big bulbous noses | |
Their unmistakable smell | |
I' d approach all the ugliest, seediest jerks | |
And ask them to keep a young model in work | |
Some men, thank Christ, don' t discriminate at all | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
I will pass my old age by a pale twobar fire | |
Patiently waiting to die | |
Twitching the lace as the schoolgirls go past | |
Tracing a page of Bataille | |
And if you catch sight of my secondhand coat | |
Leaving behind it a faint whiff of goat | |
Remember both of us are naked underneath | |
I thought it would end with the first obscene phone call | |
The second professional kill | |
But somehow detached from my actual behaviour | |
This innocence burdens me still | |
Up in the attic I pick up the brush | |
Paint in the crow' s feet, paint out the blush | |
The face this portrait is of is still capable of | |
The face this portrait is supposed to be of is still capable of | |
The face this portrait is of is still capable of Paint out the blush of shame | |
The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
The face this portrait is of is still capable of Paint out the blush of shame | |
The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
The face this portrait is of is still capable of Paint out the blush of shame | |
The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
Paint out the blush of shame | |
Paint out the blush of shame | |
Paint out the blush of shame |
zuò cí : Momus | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
It began at a school that turned boys into gentlemen | |
Then turned them on to debauchery | |
I was forced to my knees in front of these gentlemen | |
If I refused they would torture me | |
On Sundays I' d stalk the Botanical Garden | |
And under my uniform something would harden | |
Whenever I passed a girl of my own age | |
Or did it begin with au pair girls from Germany | |
Paid by the hour to look after us? | |
Did it begin with that first opportunity | |
To corner a stranger with nakedness? | |
Maybe the clinical way they undressed me | |
Stayed with me and deeply distressed me | |
I think, at heart, I' m something of a prude | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
Then at 18 I decided I wanted | |
To be a commercial photographer | |
I rented a studio down by the docks | |
Which I shared with a friendly pornographer | |
I photographed models in fluorescent light | |
Whose veins were so blue and whose breasts were so white | |
I assumed, like the moon, women were blue cheese | |
When I left home I already had five years | |
Of self abuse under my belt | |
I found certain women who' d let me try anything | |
Just to find out how it felt | |
In some garish hotel room with vile decoration | |
The wallpaper witnessed my first pollination | |
The paisley patterns witnessed an abortion | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
In the army they taught me to share the abuse | |
That I' d kept up ' til then to myself | |
There' s nothing like killing | |
For coaxing a shy boy of twentyone out of his shell | |
In the dark continent with a peacekeeping force | |
I fell in with a bunch of Algerian whores | |
And promised them I' d try and keep in touch | |
We met up again in the 18th arrondisement | |
I remember them well | |
Their lank stringy hair and their big bulbous noses | |
Their unmistakable smell | |
I' d approach all the ugliest, seediest jerks | |
And ask them to keep a young model in work | |
Some men, thank Christ, don' t discriminate at all | |
I was born with the charm of innocence | |
On my back like a cross | |
Thorns upon my forehead | |
Round my neck I wore it | |
Sometimes a rabbit' s claw | |
Sometimes an albatross | |
I will pass my old age by a pale twobar fire | |
Patiently waiting to die | |
Twitching the lace as the schoolgirls go past | |
Tracing a page of Bataille | |
And if you catch sight of my secondhand coat | |
Leaving behind it a faint whiff of goat | |
Remember both of us are naked underneath | |
I thought it would end with the first obscene phone call | |
The second professional kill | |
But somehow detached from my actual behaviour | |
This innocence burdens me still | |
Up in the attic I pick up the brush | |
Paint in the crow' s feet, paint out the blush | |
The face this portrait is of is still capable of | |
The face this portrait is supposed to be of is still capable of | |
The face this portrait is of is still capable of Paint out the blush of shame | |
The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
The face this portrait is of is still capable of Paint out the blush of shame | |
The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
The face this portrait is of is still capable of Paint out the blush of shame | |
The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
Paint out the blush of shame | |
Paint out the blush of shame | |
Paint out the blush of shame |