Notes .../Twisted Every Way Lyrics
| Song | Notes .../Twisted Every Way |
| Artist | Michael Reed |
| Artist | Original London Cast |
| Album | Phantom Of The Opera (25th Anniversary Box Set: 4CD) |
| Download | Image LRC TXT |
| [00:00.816] | ANDRE: |
| [00:01.637] | Ludicrous! Have you seen the score? |
| [00:04.051] | FIRMIN: |
| [00:04.476] | Simply ludicrous! |
| [00:05.500] | ANDRE: |
| [00:05.801] | It's the final straw! |
| [00:06.633] | FIRMIN: |
| [00:06.898] | This is lunacy! Well, you know my views |
| [00:09.059] | ANDRE: |
| [00:09.304] | ...Utter lunacy! |
| [00:10.289] | FIRMIN: |
| [00:10.511] | But we daren't refuse ... |
| [00:12.198] | ANDRE: |
| [00:12.479] | Not another chandelier |
| [00:14.836] | FIRMIN: |
| [00:15.086] | Look, my friend, what we have here |
| [00:18.588] | ANDRE: |
| [00:18.973] | "Dear Andre, |
| [00:20.446] | Re my orchestrations: |
| [00:22.887] | We need another first bassoon |
| [00:25.615] | Get a player with tone |
| [00:27.301] | And that third trombone |
| [00:29.151] | Has to go! |
| [00:30.610] | The man could not be deafer |
| [00:32.011] | So please preferably one who plays in tune!" |
| [00:34.010] | FIRMIN: |
| [00:34.235] | "Dear Firmin, |
| [00:34.848] | Vis a vis my opera: |
| [00:37.112] | Some chorus members must be sacked |
| [00:39.970] | If you could, find out which |
| [00:41.390] | Has a sense of pitch |
| [00:43.336] | Wisely, though |
| [00:44.843] | I've managed to assign a rather minor role to those who cannot act!" |
| [00:48.607] | CARLOTTA: |
| [00:48.815] | Outrage! |
| [00:49.554] | FIRMIN: |
| [00:49.722] | What is it now? |
| [00:50.379] | CARLOTTA: |
| [00:50.605] | This whole affair is an outrage! |
| [00:52.308] | FIRMIN: |
| [00:52.529] | Signora, please |
| [00:53.380] | ANDRE: |
| [00:53.556] | Now what's the matter? |
| [00:54.377] | CARLOTTA: |
| [00:54.555] | Have you seen the size of my part? |
| [00:56.258] | ANDRE: |
| [00:56.426] | Signora, listen ... |
| [00:57.131] | PIANGI: |
| [00:57.307] | It's an insult! |
| [00:58.122] | FIRMIN: |
| [00:58.296] | Not you as well! |
| [00:59.046] | PIANGI: |
| [00:59.269] | Just look at this—it's an insult! |
| [01:01.069] | FIRMIN: |
| [01:01.257] | Please understand |
| [01:01.918] | ANDRE: |
| [01:02.127] | Signor! Signora! |
| [01:03.130] | CARLOTTA: |
| [01:03.288] | The things I have to do for my art! |
| [01:04.851] | PIANGI: |
| [01:05.026] | If you can call this gibberish "art" |
| [01:07.119] | CARLOTTA: |
| [01:07.544] | Ah! Here's our little flower! |
| [01:10.181] | FIRMIN: |
| [01:10.369] | Ah, Miss Daaé, quite the lady of the hour! |
| [01:12.728] | ANDRE: |
| [01:12.912] | You have secured the largest role in this "Don Juan" |
| [01:15.858] | CARLOTTA: |
| [01:16.021] | Christine Daaé? She doesn't have the voice! |
| [01:17.807] | FIRMIN: |
| [01:17.965] | Signora, please! |
| [01:19.211] | RAOUL: |
| [01:19.382] | Then I take it you're agreeing |
| [01:21.232] | CARLOTTA: |
| [01:21.407] | She's behind this... |
| [01:22.397] | ANDRE: |
| [01:22.563] | It appears we have no choice |
| [01:23.856] | CARLOTTA: |
| [01:23.989] | She's the one behind this! |
| [01:25.636] | Christine Daaé! |
| [01:26.857] | CHRISTINE: |
| [01:27.004] | How dare you? |
| [01:28.012] | CARLOTTA: |
| [01:28.161] | I'm not a fool! |
| [01:28.781] | CHRISTINE: |
| [01:28.935] | You evil woman! |
| [01:29.699] | How dare you? |
| [01:30.936] | CARLOTTA: |
| [01:31.099] | You think I'm blind? |
| [01:31.744] | CHRISTINE: |
| [01:31.899] | This isn't my fault! |
| [01:33.040] | I don't want any part in this plot! |
| [01:34.595] | FIRMIN: |
| [01:34.754] | Miss Daaé, surely... |
| [01:35.531] | ANDRE: |
| [01:35.690] | But why not? |
| [01:36.796] | PIANGI: |
| [01:36.957] | What does she say? |
| [01:37.518] | FIRMIN: |
| [01:37.790] | It's your decision, but why not? |
| [01:39.843] | CARLOTTA: |
| [01:40.020] | She's backing out! |
| [01:40.674] | ANDRE: |
| [01:40.839] | You have a duty! |
| [01:41.828] | CHRISTINE: |
| [01:41.961] | I cannot sing it, duty or not |
| [01:43.819] | RAOUL: |
| [01:44.021] | Christine, Christine... |
| [01:47.357] | You don't have to... |
| [01:48.871] | They can't make you... |
| [01:51.149] | GIRY: |
| [01:51.433] | Please, monsieur—another note |
| [01:57.224] | "Fondest greetings to you all! |
| [02:01.611] | A few instructions just before rehearsal starts: |
| [02:08.372] | GIRY/PHANTOM: |
| [02:08.578] | Carlotta must be taught to act |
| [02:11.244] | PHANTOM: |
| [02:11.465] | Not her normal trick of strutting 'round the stage |
| [02:18.905] | Our Don Juan must lose some weight— |
| [02:21.870] | It's not healthy in a man of Piangi's age |
| [02:28.474] | And my managers must learn |
| [02:31.939] | That their place is in an office, not the arts |
| [02:38.786] | As for Miss Christine Daaé |
| [02:44.195] | No doubt she'll do her best— |
| [02:47.528] | It's true her voice is good |
| [02:51.309] | She knows, though, should she wish to excel |
| [02:57.015] | She has much still to learn |
| [03:00.840] | If pride will let her return to me, her teacher |
| [03:09.867] | Her teacher... |
| [03:16.029] | Your obedient friend |
| [03:17.716] | GIRY: |
| [03:18.188] | "...and Angel" |
| [03:20.573] | RAOUL: |
| [03:20.946] | We have all been blind— |
| [03:23.886] | And yet the answer is staring us in the face |
| [03:27.335] | This could be the chance to ensnare our clever friend |
| [03:31.802] | ANDRE: |
| [03:31.978] | We're listening |
| [03:32.300] | FIRMIN: |
| [03:32.444] | Go on |
| [03:33.712] | RAOUL: |
| [03:34.206] | We shall play his game |
| [03:36.665] | Perform his work, but remember we hold the ace |
| [03:40.160] | For, if Miss Daaé sings, he is certain to attend |
| [03:44.378] | ANDRE: |
| [03:44.540] | We make certain the doors are barred |
| [03:45.728] | FIRMIN: |
| [03:45.900] | We make certain our men are there |
| [03:47.232] | RAOUL: |
| [03:47.428] | We make certain they're armed |
| [03:49.126] | ANDRE/FIRMIN/RAOUL: |
| [03:49.288] | The curtain falls, his reign will end! |
| [03:52.325] | GIRY: |
| [03:52.560] | Madness! |
| [03:53.558] | ANDRE: |
| [03:53.733] | I'm not so sure |
| [03:54.253] | FIRMIN: |
| [03:54.406] | Not if it works |
| [03:54.995] | GIRY: |
| [03:55.185] | This is madness! |
| [03:56.179] | ANDRE: |
| [03:56.349] | The tide will turn! |
| [03:57.042] | GIRY: |
| [03:57.218] | Monsieur, believe me— |
| [03:58.278] | There is no way of turning the tide! |
| [04:00.330] | FIRMIN: |
| [04:00.463] | You stick to ballet! |
| [04:01.207] | RAOUL: |
| [04:01.358] | Then help us! |
| [04:02.412] | GIRY: |
| [04:02.547] | Monsieur, I can't |
| [04:03.382] | RAOUL: |
| [04:03.535] | Instead of warning us |
| [04:04.289] | RAOUL/ANDRE/FIRMIN: |
| [04:04.451] | Help us! |
| [04:05.157] | GIRY: |
| [04:05.304] | I wish I could |
| [04:05.845] | RAOUL/ANDRE/FIRMIN: |
| [04:06.035] | Don't make excuses! |
| [04:07.047] | RAOUL: |
| [04:07.203] | Or could it be that you're on his side? |
| [04:10.272] | GIRY: |
| [04:10.441] | Monsieur, believe me |
| [04:11.371] | I intend no ill |
| [04:12.661] | But Messieurs, be careful— |
| [04:14.252] | We have seen him kill! |
| [04:15.110] | ANDRE/FIRMIN: |
| [04:15.258] | We say he'll fall and fall he will! (PIANGI: This is the truth! Christine Daaé!} |
| [04:15.957] | CARLOTTA: |
| [04:16.104] | She's the one behind this! Christine! (RAOUL: This is his undoing!) |
| [04:18.800] | This is all a ploy! |
| [04:20.458] | RAOUL: |
| [04:21.954] | Angel of Music (ANDRE/FIRMIN: If you succeed, you free us all) |
| [04:24.042] | Fear my fury! (ANDRE/FIRMIN: This so-called "angel" has to fall!) |
| [04:26.522] | GIRY: |
| [04:26.763] | Hear my warning! |
| [04:27.158] | CARLOTTA: |
| [04:27.657] | What glory can she hope to gain? (PIANGI: She is crazy! She is raving) |
| [04:29.441] | RAOUL: |
| [04:29.978] | Here is where you fall! (ANDRE: Christine sings, we'll get our man/GIRY: Fear his fury) |
| [04:30.493] | CARLOTTA: |
| [04:30.771] | It's clear to all the girl's insane! (GIRY: Monsieur, I beg you) |
| [04:31.289] | RAOUL: |
| [04:31.634] | Say your prayers (FIRMIN: If Christine helps us in this plan) |
| [04:31.942] | Black Angel of Death (ANDRE: If Christine won't, then no one can/GIRY: Do not do this) |
| [04:32.415] | CARLOTTA/PIANGI: Gran Dio! Che imbroglio (ANDRE/FIRMIN: This will seal his fate!) |
| [04:36.181] | CHRISTINE: |
| [04:36.335] | Please don't! If you don't stop, I'll go mad! |
| [04:38.379] | Raoul, I'm frightened— |
| [04:40.166] | Don't make me do this |
| [04:43.212] | Raoul, it scares me— |
| [04:45.597] | Don't put me through this ordeal by fire |
| [04:50.529] | He'll take me, I know |
| [04:52.570] | We'll be parted forever |
| [04:55.564] | He won't let me go |
| [04:59.064] | What I once used to dream, I now dread |
| [05:03.244] | If he finds me, it won't ever end |
| [05:07.312] | And he'll always be there, singing songs in my head |
| [05:12.282] | He'll always be there, singing songs in my head |
| [05:16.565] | CARLOTTA: |
| [05:16.716] | She's mad... |
| [05:20.475] | RAOUL: |
| [05:20.726] | You said yourself—he was nothing but a man |
| [05:33.225] | Yet while he lives, he will haunt us 'til we're dead |
| [05:46.239] | CHRISTINE: |
| [05:48.461] | Twisted every way, what answer can I give? |
| [05:53.090] | Am I to risk my life to win the chance to live? |
| [05:58.655] | Can I betray the man who once inspired my voice? |
| [06:04.084] | Do I become his prey? |
| [06:06.754] | Do I have any choice? |
| [06:09.375] | He kills without a thought. |
| [06:11.810] | He murders all that's good |
| [06:14.391] | I know I can't refuse |
| [06:16.758] | And yet, I wish I could |
| [06:19.729] | Oh God, if I agree |
| [06:22.689] | What horrors wait for me |
| [06:25.785] | In this, the Phantom's opera? |
| [06:30.955] | RAOUL: |
| [06:31.999] | Christine, Christine, don't think that I don't care |
| [06:40.114] | But every hope, and every prayer rests on you now |
| [07:06.639] | So, it is to be war between us! |
| [07:08.820] | But this time, clever friend, the disaster will be yours! |
| [07:22.863] | "Rehersal" |
| [07:24.422] | REYER: |
| [07:24.677] | Don Juan—Signor Piangi—here is the phrase: |
| [07:28.447] | "Those who tangle with Don Juan..." |
| [07:31.522] | If you please? |
| [07:32.407] | PIANGI: |
| [07:32.743] | Those who tangle with Don Juan |
| [07:35.217] | REYER: |
| [07:35.475] | No, no. Nearly—but no |
| [07:37.369] | "Those who tan–, tan–, tan–..." |
| [07:39.468] | PIANGI: |
| [07:39.673] | Those who tangle with Don Juan |
| [07:42.539] | CARLOTTA: |
| [07:43.087] | His way is better. |
| [07:44.199] | At least he make it sound like music! |
| [07:46.974] | GIRY: |
| [07:47.159] | Signora—would you speak that way in the presence of the composer? |
| [07:49.904] | CARLOTTA: |
| [07:50.113] | The composer is not here. |
| [07:52.055] | And if he were here, I would say to him— |
| [07:52.418] | GIRY: |
| [07:52.583] | Are you certain of that, Signora? |
| [07:54.388] | REYER: |
| [07:54.594] | So, once again—after seven |
| [07:57.185] | Five, six, seven |
| [07:59.109] | PIANGI: |
| [07:59.342] | Those who tangle with Don Juan |
| [08:01.990] | CARLOTTA: |
| [08:02.234] | Ah, piu non posso! (PIANGI: Is right?/GIRY: Have patience, Signora) |
| [08:05.603] | No one will care if it is right or if it is wrong (CHRISTINE: Not quite, Signor, listen: "Those who tan– tan–" You see?) |
| [08:08.991] | REYER: Settle down now, settle down! |
| [08:12.986] | CARLOTTA: Those who tangle with Don Juan! (PIANGI: I do no understand, I no understand/REYER: Senor Piangi, may I suggest...) |
| [08:15.022] | (Piano plays by itself) |
| [08:19.552] | ALL EXCEPT CHRISTINE: |
| [08:22.600] | Poor young maiden! |
| [08:24.123] | For the thrill on your tongue of stolen sweets, you will have to pay the bill tangled in the winding sheets! |
| [08:38.652] | (Violin solo) |
| [08:50.132] | CHRISTINE: |
| [08:51.549] | In sleep he sang to me |
| [08:56.075] | In dreams he came |
| [09:00.889] | That voice which calls to me |
| [09:05.675] | And speaks my name |
| [00:00.816] | ANDRE: |
| [00:01.637] | Ludicrous! Have you seen the score? |
| [00:04.051] | FIRMIN: |
| [00:04.476] | Simply ludicrous! |
| [00:05.500] | ANDRE: |
| [00:05.801] | It' s the final straw! |
| [00:06.633] | FIRMIN: |
| [00:06.898] | This is lunacy! Well, you know my views |
| [00:09.059] | ANDRE: |
| [00:09.304] | . . . Utter lunacy! |
| [00:10.289] | FIRMIN: |
| [00:10.511] | But we daren' t refuse. . . |
| [00:12.198] | ANDRE: |
| [00:12.479] | Not another chandelier |
| [00:14.836] | FIRMIN: |
| [00:15.086] | Look, my friend, what we have here |
| [00:18.588] | ANDRE: |
| [00:18.973] | " Dear Andre, |
| [00:20.446] | Re my orchestrations: |
| [00:22.887] | We need another first bassoon |
| [00:25.615] | Get a player with tone |
| [00:27.301] | And that third trombone |
| [00:29.151] | Has to go! |
| [00:30.610] | The man could not be deafer |
| [00:32.011] | So please preferably one who plays in tune! " |
| [00:34.010] | FIRMIN: |
| [00:34.235] | " Dear Firmin, |
| [00:34.848] | Vis a vis my opera: |
| [00:37.112] | Some chorus members must be sacked |
| [00:39.970] | If you could, find out which |
| [00:41.390] | Has a sense of pitch |
| [00:43.336] | Wisely, though |
| [00:44.843] | I' ve managed to assign a rather minor role to those who cannot act! " |
| [00:48.607] | CARLOTTA: |
| [00:48.815] | Outrage! |
| [00:49.554] | FIRMIN: |
| [00:49.722] | What is it now? |
| [00:50.379] | CARLOTTA: |
| [00:50.605] | This whole affair is an outrage! |
| [00:52.308] | FIRMIN: |
| [00:52.529] | Signora, please |
| [00:53.380] | ANDRE: |
| [00:53.556] | Now what' s the matter? |
| [00:54.377] | CARLOTTA: |
| [00:54.555] | Have you seen the size of my part? |
| [00:56.258] | ANDRE: |
| [00:56.426] | Signora, listen. . . |
| [00:57.131] | PIANGI: |
| [00:57.307] | It' s an insult! |
| [00:58.122] | FIRMIN: |
| [00:58.296] | Not you as well! |
| [00:59.046] | PIANGI: |
| [00:59.269] | Just look at this it' s an insult! |
| [01:01.069] | FIRMIN: |
| [01:01.257] | Please understand |
| [01:01.918] | ANDRE: |
| [01:02.127] | Signor! Signora! |
| [01:03.130] | CARLOTTA: |
| [01:03.288] | The things I have to do for my art! |
| [01:04.851] | PIANGI: |
| [01:05.026] | If you can call this gibberish " art" |
| [01:07.119] | CARLOTTA: |
| [01:07.544] | Ah! Here' s our little flower! |
| [01:10.181] | FIRMIN: |
| [01:10.369] | Ah, Miss Daa, quite the lady of the hour! |
| [01:12.728] | ANDRE: |
| [01:12.912] | You have secured the largest role in this " Don Juan" |
| [01:15.858] | CARLOTTA: |
| [01:16.021] | Christine Daa? She doesn' t have the voice! |
| [01:17.807] | FIRMIN: |
| [01:17.965] | Signora, please! |
| [01:19.211] | RAOUL: |
| [01:19.382] | Then I take it you' re agreeing |
| [01:21.232] | CARLOTTA: |
| [01:21.407] | She' s behind this. . . |
| [01:22.397] | ANDRE: |
| [01:22.563] | It appears we have no choice |
| [01:23.856] | CARLOTTA: |
| [01:23.989] | She' s the one behind this! |
| [01:25.636] | Christine Daa! |
| [01:26.857] | CHRISTINE: |
| [01:27.004] | How dare you? |
| [01:28.012] | CARLOTTA: |
| [01:28.161] | I' m not a fool! |
| [01:28.781] | CHRISTINE: |
| [01:28.935] | You evil woman! |
| [01:29.699] | How dare you? |
| [01:30.936] | CARLOTTA: |
| [01:31.099] | You think I' m blind? |
| [01:31.744] | CHRISTINE: |
| [01:31.899] | This isn' t my fault! |
| [01:33.040] | I don' t want any part in this plot! |
| [01:34.595] | FIRMIN: |
| [01:34.754] | Miss Daa, surely. . . |
| [01:35.531] | ANDRE: |
| [01:35.690] | But why not? |
| [01:36.796] | PIANGI: |
| [01:36.957] | What does she say? |
| [01:37.518] | FIRMIN: |
| [01:37.790] | It' s your decision, but why not? |
| [01:39.843] | CARLOTTA: |
| [01:40.020] | She' s backing out! |
| [01:40.674] | ANDRE: |
| [01:40.839] | You have a duty! |
| [01:41.828] | CHRISTINE: |
| [01:41.961] | I cannot sing it, duty or not |
| [01:43.819] | RAOUL: |
| [01:44.021] | Christine, Christine. . . |
| [01:47.357] | You don' t have to. . . |
| [01:48.871] | They can' t make you. . . |
| [01:51.149] | GIRY: |
| [01:51.433] | Please, monsieur another note |
| [01:57.224] | " Fondest greetings to you all! |
| [02:01.611] | A few instructions just before rehearsal starts: |
| [02:08.372] | GIRY PHANTOM: |
| [02:08.578] | Carlotta must be taught to act |
| [02:11.244] | PHANTOM: |
| [02:11.465] | Not her normal trick of strutting ' round the stage |
| [02:18.905] | Our Don Juan must lose some weight |
| [02:21.870] | It' s not healthy in a man of Piangi' s age |
| [02:28.474] | And my managers must learn |
| [02:31.939] | That their place is in an office, not the arts |
| [02:38.786] | As for Miss Christine Daa |
| [02:44.195] | No doubt she' ll do her best |
| [02:47.528] | It' s true her voice is good |
| [02:51.309] | She knows, though, should she wish to excel |
| [02:57.015] | She has much still to learn |
| [03:00.840] | If pride will let her return to me, her teacher |
| [03:09.867] | Her teacher. . . |
| [03:16.029] | Your obedient friend |
| [03:17.716] | GIRY: |
| [03:18.188] | ". . . and Angel" |
| [03:20.573] | RAOUL: |
| [03:20.946] | We have all been blind |
| [03:23.886] | And yet the answer is staring us in the face |
| [03:27.335] | This could be the chance to ensnare our clever friend |
| [03:31.802] | ANDRE: |
| [03:31.978] | We' re listening |
| [03:32.300] | FIRMIN: |
| [03:32.444] | Go on |
| [03:33.712] | RAOUL: |
| [03:34.206] | We shall play his game |
| [03:36.665] | Perform his work, but remember we hold the ace |
| [03:40.160] | For, if Miss Daa sings, he is certain to attend |
| [03:44.378] | ANDRE: |
| [03:44.540] | We make certain the doors are barred |
| [03:45.728] | FIRMIN: |
| [03:45.900] | We make certain our men are there |
| [03:47.232] | RAOUL: |
| [03:47.428] | We make certain they' re armed |
| [03:49.126] | ANDRE FIRMIN RAOUL: |
| [03:49.288] | The curtain falls, his reign will end! |
| [03:52.325] | GIRY: |
| [03:52.560] | Madness! |
| [03:53.558] | ANDRE: |
| [03:53.733] | I' m not so sure |
| [03:54.253] | FIRMIN: |
| [03:54.406] | Not if it works |
| [03:54.995] | GIRY: |
| [03:55.185] | This is madness! |
| [03:56.179] | ANDRE: |
| [03:56.349] | The tide will turn! |
| [03:57.042] | GIRY: |
| [03:57.218] | Monsieur, believe me |
| [03:58.278] | There is no way of turning the tide! |
| [04:00.330] | FIRMIN: |
| [04:00.463] | You stick to ballet! |
| [04:01.207] | RAOUL: |
| [04:01.358] | Then help us! |
| [04:02.412] | GIRY: |
| [04:02.547] | Monsieur, I can' t |
| [04:03.382] | RAOUL: |
| [04:03.535] | Instead of warning us |
| [04:04.289] | RAOUL ANDRE FIRMIN: |
| [04:04.451] | Help us! |
| [04:05.157] | GIRY: |
| [04:05.304] | I wish I could |
| [04:05.845] | RAOUL ANDRE FIRMIN: |
| [04:06.035] | Don' t make excuses! |
| [04:07.047] | RAOUL: |
| [04:07.203] | Or could it be that you' re on his side? |
| [04:10.272] | GIRY: |
| [04:10.441] | Monsieur, believe me |
| [04:11.371] | I intend no ill |
| [04:12.661] | But Messieurs, be careful |
| [04:14.252] | We have seen him kill! |
| [04:15.110] | ANDRE FIRMIN: |
| [04:15.258] | We say he' ll fall and fall he will! PIANGI: This is the truth! Christine Daa! |
| [04:15.957] | CARLOTTA: |
| [04:16.104] | She' s the one behind this! Christine! RAOUL: This is his undoing! |
| [04:18.800] | This is all a ploy! |
| [04:20.458] | RAOUL: |
| [04:21.954] | Angel of Music ANDRE FIRMIN: If you succeed, you free us all |
| [04:24.042] | Fear my fury! ANDRE FIRMIN: This so-called " angel" has to fall! |
| [04:26.522] | GIRY: |
| [04:26.763] | Hear my warning! |
| [04:27.158] | CARLOTTA: |
| [04:27.657] | What glory can she hope to gain? PIANGI: She is crazy! She is raving |
| [04:29.441] | RAOUL: |
| [04:29.978] | Here is where you fall! ANDRE: Christine sings, we' ll get our man GIRY: Fear his fury |
| [04:30.493] | CARLOTTA: |
| [04:30.771] | It' s clear to all the girl' s insane! GIRY: Monsieur, I beg you |
| [04:31.289] | RAOUL: |
| [04:31.634] | Say your prayers FIRMIN: If Christine helps us in this plan |
| [04:31.942] | Black Angel of Death ANDRE: If Christine won' t, then no one can GIRY: Do not do this |
| [04:32.415] | CARLOTTA PIANGI: Gran Dio! Che imbroglio ANDRE FIRMIN: This will seal his fate! |
| [04:36.181] | CHRISTINE: |
| [04:36.335] | Please don' t! If you don' t stop, I' ll go mad! |
| [04:38.379] | Raoul, I' m frightened |
| [04:40.166] | Don' t make me do this |
| [04:43.212] | Raoul, it scares me |
| [04:45.597] | Don' t put me through this ordeal by fire |
| [04:50.529] | He' ll take me, I know |
| [04:52.570] | We' ll be parted forever |
| [04:55.564] | He won' t let me go |
| [04:59.064] | What I once used to dream, I now dread |
| [05:03.244] | If he finds me, it won' t ever end |
| [05:07.312] | And he' ll always be there, singing songs in my head |
| [05:12.282] | He' ll always be there, singing songs in my head |
| [05:16.565] | CARLOTTA: |
| [05:16.716] | She' s mad. . . |
| [05:20.475] | RAOUL: |
| [05:20.726] | You said yourself he was nothing but a man |
| [05:33.225] | Yet while he lives, he will haunt us ' til we' re dead |
| [05:46.239] | CHRISTINE: |
| [05:48.461] | Twisted every way, what answer can I give? |
| [05:53.090] | Am I to risk my life to win the chance to live? |
| [05:58.655] | Can I betray the man who once inspired my voice? |
| [06:04.084] | Do I become his prey? |
| [06:06.754] | Do I have any choice? |
| [06:09.375] | He kills without a thought. |
| [06:11.810] | He murders all that' s good |
| [06:14.391] | I know I can' t refuse |
| [06:16.758] | And yet, I wish I could |
| [06:19.729] | Oh God, if I agree |
| [06:22.689] | What horrors wait for me |
| [06:25.785] | In this, the Phantom' s opera? |
| [06:30.955] | RAOUL: |
| [06:31.999] | Christine, Christine, don' t think that I don' t care |
| [06:40.114] | But every hope, and every prayer rests on you now |
| [07:06.639] | So, it is to be war between us! |
| [07:08.820] | But this time, clever friend, the disaster will be yours! |
| [07:22.863] | " Rehersal" |
| [07:24.422] | REYER: |
| [07:24.677] | Don Juan Signor Piangi here is the phrase: |
| [07:28.447] | " Those who tangle with Don Juan. . . " |
| [07:31.522] | If you please? |
| [07:32.407] | PIANGI: |
| [07:32.743] | Those who tangle with Don Juan |
| [07:35.217] | REYER: |
| [07:35.475] | No, no. Nearly but no |
| [07:37.369] | " Those who tan, tan, tan. . . " |
| [07:39.468] | PIANGI: |
| [07:39.673] | Those who tangle with Don Juan |
| [07:42.539] | CARLOTTA: |
| [07:43.087] | His way is better. |
| [07:44.199] | At least he make it sound like music! |
| [07:46.974] | GIRY: |
| [07:47.159] | Signora would you speak that way in the presence of the composer? |
| [07:49.904] | CARLOTTA: |
| [07:50.113] | The composer is not here. |
| [07:52.055] | And if he were here, I would say to him |
| [07:52.418] | GIRY: |
| [07:52.583] | Are you certain of that, Signora? |
| [07:54.388] | REYER: |
| [07:54.594] | So, once again after seven |
| [07:57.185] | Five, six, seven |
| [07:59.109] | PIANGI: |
| [07:59.342] | Those who tangle with Don Juan |
| [08:01.990] | CARLOTTA: |
| [08:02.234] | Ah, piu non posso! PIANGI: Is right? GIRY: Have patience, Signora |
| [08:05.603] | No one will care if it is right or if it is wrong CHRISTINE: Not quite, Signor, listen: " Those who tan tan" You see? |
| [08:08.991] | REYER: Settle down now, settle down! |
| [08:12.986] | CARLOTTA: Those who tangle with Don Juan! PIANGI: I do no understand, I no understand REYER: Senor Piangi, may I suggest. . . |
| [08:15.022] | Piano plays by itself |
| [08:19.552] | ALL EXCEPT CHRISTINE: |
| [08:22.600] | Poor young maiden! |
| [08:24.123] | For the thrill on your tongue of stolen sweets, you will have to pay the bill tangled in the winding sheets! |
| [08:38.652] | Violin solo |
| [08:50.132] | CHRISTINE: |
| [08:51.549] | In sleep he sang to me |
| [08:56.075] | In dreams he came |
| [09:00.889] | That voice which calls to me |
| [09:05.675] | And speaks my name |
| [00:00.816] | ANDRE: |
| [00:01.637] | Ludicrous! Have you seen the score? |
| [00:04.051] | FIRMIN: |
| [00:04.476] | Simply ludicrous! |
| [00:05.500] | ANDRE: |
| [00:05.801] | It' s the final straw! |
| [00:06.633] | FIRMIN: |
| [00:06.898] | This is lunacy! Well, you know my views |
| [00:09.059] | ANDRE: |
| [00:09.304] | . . . Utter lunacy! |
| [00:10.289] | FIRMIN: |
| [00:10.511] | But we daren' t refuse. . . |
| [00:12.198] | ANDRE: |
| [00:12.479] | Not another chandelier |
| [00:14.836] | FIRMIN: |
| [00:15.086] | Look, my friend, what we have here |
| [00:18.588] | ANDRE: |
| [00:18.973] | " Dear Andre, |
| [00:20.446] | Re my orchestrations: |
| [00:22.887] | We need another first bassoon |
| [00:25.615] | Get a player with tone |
| [00:27.301] | And that third trombone |
| [00:29.151] | Has to go! |
| [00:30.610] | The man could not be deafer |
| [00:32.011] | So please preferably one who plays in tune! " |
| [00:34.010] | FIRMIN: |
| [00:34.235] | " Dear Firmin, |
| [00:34.848] | Vis a vis my opera: |
| [00:37.112] | Some chorus members must be sacked |
| [00:39.970] | If you could, find out which |
| [00:41.390] | Has a sense of pitch |
| [00:43.336] | Wisely, though |
| [00:44.843] | I' ve managed to assign a rather minor role to those who cannot act! " |
| [00:48.607] | CARLOTTA: |
| [00:48.815] | Outrage! |
| [00:49.554] | FIRMIN: |
| [00:49.722] | What is it now? |
| [00:50.379] | CARLOTTA: |
| [00:50.605] | This whole affair is an outrage! |
| [00:52.308] | FIRMIN: |
| [00:52.529] | Signora, please |
| [00:53.380] | ANDRE: |
| [00:53.556] | Now what' s the matter? |
| [00:54.377] | CARLOTTA: |
| [00:54.555] | Have you seen the size of my part? |
| [00:56.258] | ANDRE: |
| [00:56.426] | Signora, listen. . . |
| [00:57.131] | PIANGI: |
| [00:57.307] | It' s an insult! |
| [00:58.122] | FIRMIN: |
| [00:58.296] | Not you as well! |
| [00:59.046] | PIANGI: |
| [00:59.269] | Just look at this it' s an insult! |
| [01:01.069] | FIRMIN: |
| [01:01.257] | Please understand |
| [01:01.918] | ANDRE: |
| [01:02.127] | Signor! Signora! |
| [01:03.130] | CARLOTTA: |
| [01:03.288] | The things I have to do for my art! |
| [01:04.851] | PIANGI: |
| [01:05.026] | If you can call this gibberish " art" |
| [01:07.119] | CARLOTTA: |
| [01:07.544] | Ah! Here' s our little flower! |
| [01:10.181] | FIRMIN: |
| [01:10.369] | Ah, Miss Daa, quite the lady of the hour! |
| [01:12.728] | ANDRE: |
| [01:12.912] | You have secured the largest role in this " Don Juan" |
| [01:15.858] | CARLOTTA: |
| [01:16.021] | Christine Daa? She doesn' t have the voice! |
| [01:17.807] | FIRMIN: |
| [01:17.965] | Signora, please! |
| [01:19.211] | RAOUL: |
| [01:19.382] | Then I take it you' re agreeing |
| [01:21.232] | CARLOTTA: |
| [01:21.407] | She' s behind this. . . |
| [01:22.397] | ANDRE: |
| [01:22.563] | It appears we have no choice |
| [01:23.856] | CARLOTTA: |
| [01:23.989] | She' s the one behind this! |
| [01:25.636] | Christine Daa! |
| [01:26.857] | CHRISTINE: |
| [01:27.004] | How dare you? |
| [01:28.012] | CARLOTTA: |
| [01:28.161] | I' m not a fool! |
| [01:28.781] | CHRISTINE: |
| [01:28.935] | You evil woman! |
| [01:29.699] | How dare you? |
| [01:30.936] | CARLOTTA: |
| [01:31.099] | You think I' m blind? |
| [01:31.744] | CHRISTINE: |
| [01:31.899] | This isn' t my fault! |
| [01:33.040] | I don' t want any part in this plot! |
| [01:34.595] | FIRMIN: |
| [01:34.754] | Miss Daa, surely. . . |
| [01:35.531] | ANDRE: |
| [01:35.690] | But why not? |
| [01:36.796] | PIANGI: |
| [01:36.957] | What does she say? |
| [01:37.518] | FIRMIN: |
| [01:37.790] | It' s your decision, but why not? |
| [01:39.843] | CARLOTTA: |
| [01:40.020] | She' s backing out! |
| [01:40.674] | ANDRE: |
| [01:40.839] | You have a duty! |
| [01:41.828] | CHRISTINE: |
| [01:41.961] | I cannot sing it, duty or not |
| [01:43.819] | RAOUL: |
| [01:44.021] | Christine, Christine. . . |
| [01:47.357] | You don' t have to. . . |
| [01:48.871] | They can' t make you. . . |
| [01:51.149] | GIRY: |
| [01:51.433] | Please, monsieur another note |
| [01:57.224] | " Fondest greetings to you all! |
| [02:01.611] | A few instructions just before rehearsal starts: |
| [02:08.372] | GIRY PHANTOM: |
| [02:08.578] | Carlotta must be taught to act |
| [02:11.244] | PHANTOM: |
| [02:11.465] | Not her normal trick of strutting ' round the stage |
| [02:18.905] | Our Don Juan must lose some weight |
| [02:21.870] | It' s not healthy in a man of Piangi' s age |
| [02:28.474] | And my managers must learn |
| [02:31.939] | That their place is in an office, not the arts |
| [02:38.786] | As for Miss Christine Daa |
| [02:44.195] | No doubt she' ll do her best |
| [02:47.528] | It' s true her voice is good |
| [02:51.309] | She knows, though, should she wish to excel |
| [02:57.015] | She has much still to learn |
| [03:00.840] | If pride will let her return to me, her teacher |
| [03:09.867] | Her teacher. . . |
| [03:16.029] | Your obedient friend |
| [03:17.716] | GIRY: |
| [03:18.188] | ". . . and Angel" |
| [03:20.573] | RAOUL: |
| [03:20.946] | We have all been blind |
| [03:23.886] | And yet the answer is staring us in the face |
| [03:27.335] | This could be the chance to ensnare our clever friend |
| [03:31.802] | ANDRE: |
| [03:31.978] | We' re listening |
| [03:32.300] | FIRMIN: |
| [03:32.444] | Go on |
| [03:33.712] | RAOUL: |
| [03:34.206] | We shall play his game |
| [03:36.665] | Perform his work, but remember we hold the ace |
| [03:40.160] | For, if Miss Daa sings, he is certain to attend |
| [03:44.378] | ANDRE: |
| [03:44.540] | We make certain the doors are barred |
| [03:45.728] | FIRMIN: |
| [03:45.900] | We make certain our men are there |
| [03:47.232] | RAOUL: |
| [03:47.428] | We make certain they' re armed |
| [03:49.126] | ANDRE FIRMIN RAOUL: |
| [03:49.288] | The curtain falls, his reign will end! |
| [03:52.325] | GIRY: |
| [03:52.560] | Madness! |
| [03:53.558] | ANDRE: |
| [03:53.733] | I' m not so sure |
| [03:54.253] | FIRMIN: |
| [03:54.406] | Not if it works |
| [03:54.995] | GIRY: |
| [03:55.185] | This is madness! |
| [03:56.179] | ANDRE: |
| [03:56.349] | The tide will turn! |
| [03:57.042] | GIRY: |
| [03:57.218] | Monsieur, believe me |
| [03:58.278] | There is no way of turning the tide! |
| [04:00.330] | FIRMIN: |
| [04:00.463] | You stick to ballet! |
| [04:01.207] | RAOUL: |
| [04:01.358] | Then help us! |
| [04:02.412] | GIRY: |
| [04:02.547] | Monsieur, I can' t |
| [04:03.382] | RAOUL: |
| [04:03.535] | Instead of warning us |
| [04:04.289] | RAOUL ANDRE FIRMIN: |
| [04:04.451] | Help us! |
| [04:05.157] | GIRY: |
| [04:05.304] | I wish I could |
| [04:05.845] | RAOUL ANDRE FIRMIN: |
| [04:06.035] | Don' t make excuses! |
| [04:07.047] | RAOUL: |
| [04:07.203] | Or could it be that you' re on his side? |
| [04:10.272] | GIRY: |
| [04:10.441] | Monsieur, believe me |
| [04:11.371] | I intend no ill |
| [04:12.661] | But Messieurs, be careful |
| [04:14.252] | We have seen him kill! |
| [04:15.110] | ANDRE FIRMIN: |
| [04:15.258] | We say he' ll fall and fall he will! PIANGI: This is the truth! Christine Daa! |
| [04:15.957] | CARLOTTA: |
| [04:16.104] | She' s the one behind this! Christine! RAOUL: This is his undoing! |
| [04:18.800] | This is all a ploy! |
| [04:20.458] | RAOUL: |
| [04:21.954] | Angel of Music ANDRE FIRMIN: If you succeed, you free us all |
| [04:24.042] | Fear my fury! ANDRE FIRMIN: This so-called " angel" has to fall! |
| [04:26.522] | GIRY: |
| [04:26.763] | Hear my warning! |
| [04:27.158] | CARLOTTA: |
| [04:27.657] | What glory can she hope to gain? PIANGI: She is crazy! She is raving |
| [04:29.441] | RAOUL: |
| [04:29.978] | Here is where you fall! ANDRE: Christine sings, we' ll get our man GIRY: Fear his fury |
| [04:30.493] | CARLOTTA: |
| [04:30.771] | It' s clear to all the girl' s insane! GIRY: Monsieur, I beg you |
| [04:31.289] | RAOUL: |
| [04:31.634] | Say your prayers FIRMIN: If Christine helps us in this plan |
| [04:31.942] | Black Angel of Death ANDRE: If Christine won' t, then no one can GIRY: Do not do this |
| [04:32.415] | CARLOTTA PIANGI: Gran Dio! Che imbroglio ANDRE FIRMIN: This will seal his fate! |
| [04:36.181] | CHRISTINE: |
| [04:36.335] | Please don' t! If you don' t stop, I' ll go mad! |
| [04:38.379] | Raoul, I' m frightened |
| [04:40.166] | Don' t make me do this |
| [04:43.212] | Raoul, it scares me |
| [04:45.597] | Don' t put me through this ordeal by fire |
| [04:50.529] | He' ll take me, I know |
| [04:52.570] | We' ll be parted forever |
| [04:55.564] | He won' t let me go |
| [04:59.064] | What I once used to dream, I now dread |
| [05:03.244] | If he finds me, it won' t ever end |
| [05:07.312] | And he' ll always be there, singing songs in my head |
| [05:12.282] | He' ll always be there, singing songs in my head |
| [05:16.565] | CARLOTTA: |
| [05:16.716] | She' s mad. . . |
| [05:20.475] | RAOUL: |
| [05:20.726] | You said yourself he was nothing but a man |
| [05:33.225] | Yet while he lives, he will haunt us ' til we' re dead |
| [05:46.239] | CHRISTINE: |
| [05:48.461] | Twisted every way, what answer can I give? |
| [05:53.090] | Am I to risk my life to win the chance to live? |
| [05:58.655] | Can I betray the man who once inspired my voice? |
| [06:04.084] | Do I become his prey? |
| [06:06.754] | Do I have any choice? |
| [06:09.375] | He kills without a thought. |
| [06:11.810] | He murders all that' s good |
| [06:14.391] | I know I can' t refuse |
| [06:16.758] | And yet, I wish I could |
| [06:19.729] | Oh God, if I agree |
| [06:22.689] | What horrors wait for me |
| [06:25.785] | In this, the Phantom' s opera? |
| [06:30.955] | RAOUL: |
| [06:31.999] | Christine, Christine, don' t think that I don' t care |
| [06:40.114] | But every hope, and every prayer rests on you now |
| [07:06.639] | So, it is to be war between us! |
| [07:08.820] | But this time, clever friend, the disaster will be yours! |
| [07:22.863] | " Rehersal" |
| [07:24.422] | REYER: |
| [07:24.677] | Don Juan Signor Piangi here is the phrase: |
| [07:28.447] | " Those who tangle with Don Juan. . . " |
| [07:31.522] | If you please? |
| [07:32.407] | PIANGI: |
| [07:32.743] | Those who tangle with Don Juan |
| [07:35.217] | REYER: |
| [07:35.475] | No, no. Nearly but no |
| [07:37.369] | " Those who tan, tan, tan. . . " |
| [07:39.468] | PIANGI: |
| [07:39.673] | Those who tangle with Don Juan |
| [07:42.539] | CARLOTTA: |
| [07:43.087] | His way is better. |
| [07:44.199] | At least he make it sound like music! |
| [07:46.974] | GIRY: |
| [07:47.159] | Signora would you speak that way in the presence of the composer? |
| [07:49.904] | CARLOTTA: |
| [07:50.113] | The composer is not here. |
| [07:52.055] | And if he were here, I would say to him |
| [07:52.418] | GIRY: |
| [07:52.583] | Are you certain of that, Signora? |
| [07:54.388] | REYER: |
| [07:54.594] | So, once again after seven |
| [07:57.185] | Five, six, seven |
| [07:59.109] | PIANGI: |
| [07:59.342] | Those who tangle with Don Juan |
| [08:01.990] | CARLOTTA: |
| [08:02.234] | Ah, piu non posso! PIANGI: Is right? GIRY: Have patience, Signora |
| [08:05.603] | No one will care if it is right or if it is wrong CHRISTINE: Not quite, Signor, listen: " Those who tan tan" You see? |
| [08:08.991] | REYER: Settle down now, settle down! |
| [08:12.986] | CARLOTTA: Those who tangle with Don Juan! PIANGI: I do no understand, I no understand REYER: Senor Piangi, may I suggest. . . |
| [08:15.022] | Piano plays by itself |
| [08:19.552] | ALL EXCEPT CHRISTINE: |
| [08:22.600] | Poor young maiden! |
| [08:24.123] | For the thrill on your tongue of stolen sweets, you will have to pay the bill tangled in the winding sheets! |
| [08:38.652] | Violin solo |
| [08:50.132] | CHRISTINE: |
| [08:51.549] | In sleep he sang to me |
| [08:56.075] | In dreams he came |
| [09:00.889] | That voice which calls to me |
| [09:05.675] | And speaks my name |
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