| The actual construction itself was a, you know, a work of art and a great work of science. Ironically, things that the team complained about was seasickness because the model actually began to sway as they were applying the colour and the external characteristics so in order to prevent the guys feeling seasick, they actually had to block the model up to stop it from moving. Seasickness aside, the exhibit opened in December 1938 to great public acclaim. The initial reaction from people was just complete and utter awe. 70 years later, the blue whale has lost none of its power. Even Richard is still bewitched, acknowledging the model as the inspiration for his career. I visited on a school trip here in 1976, and I stood pretty much in this spot and I do remember the sense of fascination and complete shock, I think. I just couldn't quite get it into my head that something could grow so large and I'd no idea that I'd ever end up working in a place like this and let alone be responsible for the model. | |
| 实际建造不仅是艺术工作，更是科学工作、有趣的是，队员们居然抱怨晕船。因为在开始上色，刻画外部特点时，模型开始摇晃。为了防止晕船感，他们需要固定住模型不让它摇晃。撇开晕船不提，展览在1938年10月开放，获得了大众高度的称赞。那时所有参观者都目瞪口呆，70年后，蓝鲸的魅力丝毫不减，理查德自己也沉迷其中。他说是这个模型吸引他入行的。 1976年我随学校来这儿参观，我在它面前站了很久，那种新奇和震惊感，现在仍记忆犹新，我无法想象，如此巨大生物的存在，也从未想过我以后会在这里工作。更不用说负责护理它了。 |
| The actual construction itself was a, you know, a work of art and a great work of science. Ironically, things that the team complained about was seasickness because the model actually began to sway as they were applying the colour and the external characteristics so in order to prevent the guys feeling seasick, they actually had to block the model up to stop it from moving. Seasickness aside, the exhibit opened in December 1938 to great public acclaim. The initial reaction from people was just complete and utter awe. 70 years later, the blue whale has lost none of its power. Even Richard is still bewitched, acknowledging the model as the inspiration for his career. I visited on a school trip here in 1976, and I stood pretty much in this spot and I do remember the sense of fascination and complete shock, I think. I just couldn' t quite get it into my head that something could grow so large and I' d no idea that I' d ever end up working in a place like this and let alone be responsible for the model. | |
| shi ji jian zao bu jin shi yi shu gong zuo, geng shi ke xue gong zuo you qu de shi, dui yuan men ju ran bao yuan yun chuan. yin wei zai kai shi shang se, ke hua wai bu te dian shi, mo xing kai shi yao huang. wei le fang zhi yun chuan gan, ta men xu yao gu ding zhu mo xing bu rang ta yao huang. pie kai yun chuan bu ti, zhan lan zai 1938 nian 10 yue kai fang, huo de le da zhong gao du de cheng zan. na shi suo you can guan zhe dou mu deng kou dai, 70 nian hou, lan jing de mei li si hao bu jian, li cha de zi ji ye chen mi qi zhong. ta shuo shi zhe ge mo xing xi yin ta ru xing de. 1976 nian wo sui xue xiao lai zhe er can guan, wo zai ta mian qian zhan le hen jiu, na zhong xin qi he zhen jing gan, xian zai reng ji yi you xin, wo wu fa xiang xiang, ru ci ju da sheng wu de cun zai, ye cong wei xiang guo wo yi hou hui zai zhe li gong zuo. geng bu yong shuo fu ze hu li ta le. |
| The actual construction itself was a, you know, a work of art and a great work of science. Ironically, things that the team complained about was seasickness because the model actually began to sway as they were applying the colour and the external characteristics so in order to prevent the guys feeling seasick, they actually had to block the model up to stop it from moving. Seasickness aside, the exhibit opened in December 1938 to great public acclaim. The initial reaction from people was just complete and utter awe. 70 years later, the blue whale has lost none of its power. Even Richard is still bewitched, acknowledging the model as the inspiration for his career. I visited on a school trip here in 1976, and I stood pretty much in this spot and I do remember the sense of fascination and complete shock, I think. I just couldn' t quite get it into my head that something could grow so large and I' d no idea that I' d ever end up working in a place like this and let alone be responsible for the model. | |
| shí jì jiàn zào bù jǐn shì yì shù gōng zuò, gèng shì kē xué gōng zuò yǒu qù de shì, duì yuán men jū rán bào yuàn yùn chuán. yīn wèi zài kāi shǐ shàng sè, kè huà wài bù tè diǎn shí, mó xíng kāi shǐ yáo huàng. wèi le fáng zhǐ yùn chuán gǎn, tā men xū yào gù dìng zhù mó xíng bù ràng tā yáo huàng. piē kāi yùn chuán bù tí, zhǎn lǎn zài 1938 nián 10 yuè kāi fàng, huò dé le dà zhòng gāo dù de chēng zàn. nà shí suǒ yǒu cān guān zhě dōu mù dèng kǒu dāi, 70 nián hòu, lán jīng de mèi lì sī háo bù jiǎn, lǐ chá dé zì jǐ yě chén mí qí zhōng. tā shuō shì zhè gè mó xíng xī yǐn tā rù xíng de. 1976 nián wǒ suí xué xiào lái zhè ér cān guān, wǒ zài tā miàn qián zhàn le hěn jiǔ, nà zhǒng xīn qí hé zhèn jīng gǎn, xiàn zài réng jì yì yóu xīn, wǒ wú fǎ xiǎng xiàng, rú cǐ jù dà shēng wù de cún zài, yě cóng wèi xiǎng guò wǒ yǐ hòu huì zài zhè lǐ gōng zuò. gèng bù yòng shuō fù zé hù lǐ tā le. |
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