| But Harold, always conservative in his tactics, refused to allow others to follow. So at this point, he seems to have lost momentary control of his own troops, who couldn't resist following the horsemen, elated by the thought that the Duke of Normandy was lost. But William threw back his helmet to prove he was very much alive. He rallied the ranks of the Norman centre around the rear of the pursuing Saxons and set about slicing them to pieces. The battle wasn't over yet. It was gonna take at least six hours to decide. The Bayeux Tapestry is shockingly explicit in exposing the extent of the carnage and mutilation. But it was the English army that was eventually, and very, very slowly, ground down. William began exploiting weak points, settling into an alternating rhythm of archers and cavalry. The arrows now shot high into the air and fell, not onto the front line but the heads of the unprotected men behind them. | |
| 但是贯以保守著称的哈罗德，下令禁止其余的士兵一同追击。在这个时刻，他似乎对他的军队失去了掌控，他的手下忍不住杀欲，前去追赶骑兵，满心鼓舞，以为诺曼底公爵打了败仗。但威廉重新带上头盔，证明自己还活着。他率领诺曼士兵，包围了追击出来的撒克逊士兵，将他们全部歼灭。战斗尚未结束，还将进行漫长的六个小时。贝叶挂毯十分露骨地，展示了屠杀和毁尸的细节，最终是英格兰军队。渐渐地，十分缓慢地被击退，威廉开始利用对方的弱点，反复利用弓箭手和骑兵进行交替攻击。弓箭向高处射出，急坠之后，越过前排士兵，直中后方没有头盔的士兵。 |
| But Harold, always conservative in his tactics, refused to allow others to follow. So at this point, he seems to have lost momentary control of his own troops, who couldn' t resist following the horsemen, elated by the thought that the Duke of Normandy was lost. But William threw back his helmet to prove he was very much alive. He rallied the ranks of the Norman centre around the rear of the pursuing Saxons and set about slicing them to pieces. The battle wasn' t over yet. It was gonna take at least six hours to decide. The Bayeux Tapestry is shockingly explicit in exposing the extent of the carnage and mutilation. But it was the English army that was eventually, and very, very slowly, ground down. William began exploiting weak points, settling into an alternating rhythm of archers and cavalry. The arrows now shot high into the air and fell, not onto the front line but the heads of the unprotected men behind them. | |
| dan shi guan yi bao shou zhu cheng de ha luo de, xia ling jin zhi qi yu di shi bing yi tong zhui ji. zai zhe ge shi ke, ta si hu dui ta de jun dui shi qu le zhang kong, ta de shou xia ren bu zhu sha yu, qian qu zhui gan qi bing, man xin gu wu, yi wei nuo man di gong jue da le bai zhang. dan wei lian chong xin dai shang tou kui, zheng ming zi ji hai huo zhe. ta shuai ling nuo man shi bing, bao wei le zhui ji chu lai de sa ke xun shi bing, jiang ta men quan bu jian mie. zhan dou shang wei jie shu, hai jiang jin xing man chang de liu ge xiao shi. bei ye gua tan shi fen lu gu di, zhan shi le tu sha he hui shi de xi jie, zui zhong shi ying ge lan jun dui. jian jian di, shi fen huan man di bei ji tui, wei lian kai shi li yong dui fang de ruo dian, fan fu li yong gong jian shou he qi bing jin xing jiao ti gong ji. gong jian xiang gao chu she chu, ji zhui zhi hou, yue guo qian pai shi bing, zhi zhong hou fang mei you tou kui di shi bing. |
| But Harold, always conservative in his tactics, refused to allow others to follow. So at this point, he seems to have lost momentary control of his own troops, who couldn' t resist following the horsemen, elated by the thought that the Duke of Normandy was lost. But William threw back his helmet to prove he was very much alive. He rallied the ranks of the Norman centre around the rear of the pursuing Saxons and set about slicing them to pieces. The battle wasn' t over yet. It was gonna take at least six hours to decide. The Bayeux Tapestry is shockingly explicit in exposing the extent of the carnage and mutilation. But it was the English army that was eventually, and very, very slowly, ground down. William began exploiting weak points, settling into an alternating rhythm of archers and cavalry. The arrows now shot high into the air and fell, not onto the front line but the heads of the unprotected men behind them. | |
| dàn shì guàn yǐ bǎo shǒu zhù chēng de hā luó dé, xià lìng jìn zhǐ qí yú dí shì bīng yī tóng zhuī jī. zài zhè gè shí kè, tā sì hū duì tā de jūn duì shī qù le zhǎng kòng, tā de shǒu xià rěn bú zhù shā yù, qián qù zhuī gǎn qí bīng, mǎn xīn gǔ wǔ, yǐ wéi nuò màn dǐ gōng jué dǎ le bài zhàng. dàn wēi lián chóng xīn dài shàng tou kuī, zhèng míng zì jǐ hái huó zhe. tā shuài lǐng nuò màn shì bīng, bāo wéi le zhuī jī chū lái de sā kè xùn shì bīng, jiāng tā men quán bù jiān miè. zhàn dòu shàng wèi jié shù, hái jiāng jìn xíng màn cháng de liù ge xiǎo shí. bèi yè guà tǎn shí fēn lù gǔ dì, zhǎn shì le tú shā hé huǐ shī de xì jié, zuì zhōng shì yīng gé lán jūn duì. jiàn jiàn dì, shí fēn huǎn màn dì bèi jī tuì, wēi lián kāi shǐ lì yòng duì fāng de ruò diǎn, fǎn fù lì yòng gōng jiàn shǒu hé qí bīng jìn xíng jiāo tì gōng jī. gōng jiàn xiàng gāo chù shè chū, jí zhuì zhī hòu, yuè guò qián pái shì bīng, zhí zhōng hòu fāng méi yǒu tóu kuī dí shì bīng. |
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