Art Under Capitalism at Best Offers Us Escapism
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Above All Appearance and Before All Phenomena
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Cock-Watcher
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Green’s Creek, Summer 1995
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Liquid Grid, Thawing
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Lines of Force, Crossed
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Night Train
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Dissonant lLght
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Big Rip
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Flexible Is the New Rigid
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Kitsch Was Ideal for Stirring Up False Sentiment
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Not Exemplary but Merely Different
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Drunk Formalism(s)
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Valewood Crescent / Sounds Unlikely
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
5 Arlington
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Bent Teleologies
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Lake at Dusk
|
Ross Birdwise
|
Drunk Formalism(s)
|
|
Isle of the Dead
|
Ross Birdwise
|
Drunk Formalism(s)
|
|