The Fairy Queen, Z. 629, Suite I: I. Air
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The Fairy Queen, Z. 629, Suite I: II. Rondeau
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The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies
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The Fairy Queen, Z. 629, Suite I: IV. Hornpipe
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The Fairy Queen, Z. 629, Suite I: V. Jig
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The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance
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The Fairy Queen, Z. 629, Suite II: IV. Chaconne
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues
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The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732
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The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733
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The Fantasias for Viol, Four-Voice Fantasia No. 6, in A Minor, Z. 740
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The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742
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The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743
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The Fantasias for Viol, In Nomine of 7 Part, Z. 747
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Big Purcell Box
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Rejoice in the Lord Alway (The Bell Anthem), Z. 49
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Big Purcell Box
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Musick's Handmaid, Lessons 7-12: ii. A New Ground in E Minor, Z. T682
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Musick's Handmaid, Lessons 7-12: iii. A New Irish Tune, Z. 646
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Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653
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Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656
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Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688
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My Beloved Spake, Z. 28: Symphony
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My Beloved Spake, Z. 28: My Beloved Spake
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My Beloved Spake, Z. 28: For, Lo, the Winter is Past
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My Beloved Spake, Z. 28: The Fig Tree
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My Beloved Spake, Z. 28: Arise
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Harpsichord Suite No. 6 in D Major: II. Allemande
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Big Purcell Box
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The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair
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The Masque in Dioclesian, Z. 627: Paspe (Passepied)
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The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love
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The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame
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The Masque in Dioclesian, Z. 627: Tell me why, my charming fair
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The Masque in Dioclesian, Z. 627: Dance
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The Masque in Dioclesian, Z. 627: All our days and nights
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The Masque in Dioclesian, Z. 627: Instrumental Interlude
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune
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82 The Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune
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The Masque in Dioclesian, Z. 627: Country Dance
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Chaconne in G Minor, Z. 730
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Fantasia in G minor, Z.735
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Fantasia in F major, Z.737
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Fantasia in C minor, Z.738
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Fantasia in D minor, Z.739
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Fantasia in A minor, Z.740
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Fantasia in E minor, Z.741
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Fantasia in G major, Z.742
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each tree
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Soul of the World
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Wond'rous Machine
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): The Airy Violin
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): In Vain the Am'rous Flute
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): The Fife and all the Harmony of War
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. In a Consort of Voices
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Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture
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Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau
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Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air
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Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet
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Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air
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The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe
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The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air
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The Married Beau, or the Curious Impertinent, Z. 603: VII. March
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The Married Beau, or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground
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The Gordian Knot Untied, Z. 597: I. Overture
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The Gordian Knot Untied, Z. 597: III. Rondeau Minuet
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The Gordian Knot Untied, Z. 597: IV. Air
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The Gordian Knot Untied, Z. 597: V. Jig
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The Gordian Knot Untied, Z. 597: VIII. Minuet
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The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture
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Oedipus (1692), Z. 583 “Music for a While”
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I Love and I Must, Z. 382
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The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines
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The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186
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King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling"
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Pausanias, Z. 585 “Sweeter than Roses"
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Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar”
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The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly"
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Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom”
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Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro
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Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio
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Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave
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Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro
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Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace
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The Faerie Queen, Z. 629: Secrecie’s Song
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The Faerie Queen, Z. 629: Mystery’s Song
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Cantata “If ever I more riches did desire,” Z. 544 – Here let my life
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Dioclesian, Z. 627 – Since from my dear Astrea’s sight
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Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring
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Dido and Aeneas, Z. 626, Act 1: VIII. Cupid only throws the dart
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Dido and Aeneas, Z. 626, Act 1: XII. The Triumphing Dance
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Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright
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Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill
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Dido and Aeneas, Z. 626, Act 2: VI. The Queen of Carthage, whom we hate
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Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform
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Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha
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Dido and Aeneas, Z. 626, Act 2: VIII. But ere we this perform
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Dido and Aeneas, Z. 626, Act 2: IX. In our deep-vaulted cell
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Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies
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Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales
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Dido and Aeneas, Z. 626, Act 2: XIII. Off she visits this lov’d mountain
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Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear
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Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town
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Dido and Aeneas, Z. 626, Act 3: III. The Sailors Dance
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Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight
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Dido and Aeneas, Z. 626, Act 3: VII. The Witches Brew
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Dido and Aeneas, Z. 626, Act 3: VIII. Your counsel all is urg’d in vain
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Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves
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Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth
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Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come
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The Fairy Queen, Z. 629, Suite II: I. Prelude
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The Fairy Queen, Z. 629, Suite II: III. Air
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio)
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise)
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: The Day that Such a Blessing
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms
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Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing
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The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734
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The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739
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The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735
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The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741
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The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736
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The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737
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The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738
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The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744
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The Fantasias for Viol, In Nomine of 6 Parts, Z. 746
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Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694
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Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648
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Musick's Handmaid, Lessons 1-6: iv. New Minuet In D Minor, Z.T689
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Musick's Handmaid, Lessons 1-6: vi. Minuet in A Minor, Z.650
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Musick's Handmaid, Lessons 7-12: i. A New Scotch Tune in G Major, Z. 655
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My Beloved Spake, Z. 28: The Time of Singing
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My Beloved Spake, Z. 28: And the Voice of the Turtle
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My Beloved Spake, Z. 28: My Beloved is Mine
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Harpsichord Suite No. 6 in D Major: I. Prelude
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Harpsichord Suite No. 6 in D Major: III. Hornpipe
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The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns
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The Masque in Dioclesian, Z. 627: Come, come away
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The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods
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The Masque in Dioclesian, Z. 627: Make room for the great God
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The Masque in Dioclesian, Z. 627: I’m here with my jolly crew
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The Masque in Dioclesian, Z. 627: Dance of the Bacchanals
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The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring
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The Masque in Dioclesian, Z. 627: Can Drusilla give me no more?
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The Masque in Dioclesian, Z. 627: Canaries
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The Masque in Dioclesian, Z. 627: Triumph Victorious Love
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, The Chair Dance
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The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance
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Fantasia in B-flat major, Z.736
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Fantasia on One Note, Z.745
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Fantasia in D minor, Z.743
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture)
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia
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Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo)
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Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love
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Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air
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Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig
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Abdelazer or the Moor’s Revenge Suite, Z.570: VIII. Hornpipe
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Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air
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The Married Beau, or the Curious Impertinent, Z. 603: I. Overture
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The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air
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The Married Beau, or the Curious Impertinent, Z. 603: V. Jig
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The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe
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The Gordian Knot Untied, Z. 597: II. Air
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The Gordian Knot Untied, Z. 597: VI. Chaconne
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The Gordian Knot Untied, Z. 597: VII. Air
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The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air
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The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe
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The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II
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The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro
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Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731
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The Fairy Queen – Epithalalmium “Thrice Happy Lovers”
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“If Music Be the Food of Love", 1st Version, Z 379A
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Not All My Torments, Z. 400
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Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184
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The Fatal Hour Comes on Apace, Z. 421
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Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?"
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The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs"
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Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro
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Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato
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Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione
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Ode on St. Cecilia’s Day, Z. 339 “Welcome to All the Pleasures” – Here the Deities approve
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The Faerie Queen, Z. 629: The Plaint
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Dido and Aeneas, Z. 626: Overture
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Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow
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Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d
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Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment
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Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state
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Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue
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Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears
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Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake
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Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love
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Dido and Aeneas, Z. 626, Act 1: XI. To the hills and vales
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Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches
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Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha
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Dido and Aeneas, Z. 626, Act 2: XI. Ritornello
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Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command
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Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors
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Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors
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Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling
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Dido and Aeneas, Z. 626, Act 3: V. Our next motion
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Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me
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