| [00:12.924] | It seems I'm only meeting sleep |
| [00:14.621] | Are we meeting |
| [00:15.312] | dream at the concrete bottom of the brody garage bridge you just jumped from |
| [00:19.270] | who would've ever thought art school could be so sickening |
| [00:21.867] | wearing a werewolf mask, you tuck your shirt in |
| [00:24.017] | you said its nice to look like you just stepped out of a movie |
| [00:26.774] | and sure, you look cinematic |
| [00:28.730] | silhouette in the edge of a roof of a car parked |
| [00:30.849] | under the orange sun set sky |
| [00:32.080] | with an empty sketch pad and a werewolf mask |
| [00:36.126] | we always meet too late after you done did it |
| [00:38.926] | put cracks in concrete fifty feet from where I first saw you stand |
| [00:43.098] | a pack of little birds peck at your flesh and your monster mask |
| [00:46.537] | as I reach to touch your shoes to track the trail of where you've been |
| [01:06.681][Hook] | (x3) |
| [01:07.314] | The ram's crumpled horn, an empty turtle shell |
| [01:10.495] | Sunset is an all day process, |
| [01:12.159] | Sunset is an all day process |
| [01:27.835][Interlude] | |
| [02:55.631] | We seem to be sinking deeper into a vat of honey glaze |
| [02:58.608] | Shall we live, |
| [02:59.719] | Or shall we laminate ourselves into a standard appetizing position |
| [03:03.134] | That's the next order on the supply list |
| [03:06.112] | Calls for reynold's wrap and contact paper |
| [03:08.969] | Report covers and lacquer amd I here to something something |
| [03:12.478] | I'll start a dead butterfly collection |
| [03:15.940] | William Howard Taft is appalled that as an artist |
| [03:19.213] | I wouldn't want to overindulge in a set of |
| [03:22.013] | Highly toxic and rare natural pigments |
| [03:24.434] | Or beautiful paper to waste the rainforest with |
| [03:28.370] | But friends, we no longer a need for glitzy masters |
| [03:32.502] | Who paint gold leafs holy babies at the backs of cathedrals |
| [03:37.913][Outro] |