| Song | Git Bizzy |
| Artist | Big Daddy Kane |
| Album | Prince of Darkness |
| 作词 : Big Daddy Kane | |
| Set it off | |
| Kane (go, go) get busy (go, go) * repeat 8 | |
| X * [Big Daddy Kane] | |
| Who's that smooth fellow flowin to this tune? * | |
| Mister Cee scratches "Big Daddy" * | |
| Back so soon? | |
| The fact is, | |
| I never left | |
| Cause I'm everlastin and my rhymes keep blastin | |
| Soon as I pick up the pen and relate it to paper that's the beginning | |
| And for you | |
| Filthy McNasty | |
| MC's, that's the ending | |
| Cause when | |
| I grab the microphone just like a gun | |
| You know them doo-run-run-run, them doo-run-run | |
| Heh, I'm not your ordinary lyricist | |
| None'll compare at this, as far as raps, pssh, | |
| I'm takin care of this | |
| I work the stage like a slavehand | |
| And keep the girls screamin just like | |
| Captain Caveman | |
| I did shows at the same arena that held | |
| Ike and Tina and the | |
| Chi-Lites, song have you seein her puttin me on after | |
| Jennifer Holiday, ain't no thing | |
| Because I still come off, after the fat lady sings | |
| Set it off | |
| Kane, get busy * repeat 4 | |
| X * [Big Daddy Kane] | |
| Here we go, | |
| Shalamar style | |
| That means the | |
| Second Time | |
| Around so pump the sound | |
| As I progress to bless the mic and strike the stage | |
| Enraged arouse the crowd to jump and pump their fists and twist their waists with grace and clap and snap and move and groove cause | |
| I'm still, so, smooth | |
| If you compare the | |
| Big Daddy to a | |
| Caddy I'd be an | |
| Allante, suave as | |
| Belafonte | |
| Interplanetary and extraordinary (hmm, what about poetic?) | |
| Mmm, very! | |
| I've even heard it said that | |
| I was the ultimate | |
| Welllll.. maybe just a little bit | |
| And competition | |
| I'll explain to them that this don't even pertain to them to try to flow like this will crack your cranium | |
| So to the rear and let the | |
| Prince of | |
| Darkness spark this like a vampire, bloodthirsty, uhh, have mercy | |
| Set it off | |
| Kane, get busy * repeat 4 | |
| X * .. [Big Daddy Kane] | |
| As we enter into the third half, for this paragraph | |
| I wanna take all of the people that's leaping along with this tune to another plateau they never been too -- as | |
| I continue with somethin funky to get into | |
| Give me a | |
| James Brown, | |
| Funkadelic, or | |
| Prince beat | |
| And watch me turn the microphone to minced meat | |
| I tear the roof off the mother as soon as my lips pucker cause | |
| I'm a bad mother * | |
| TWEET!!* Set it off | |
| Kane, get busy * repeat 8 | |
| X * [Kane] | |
| I'm a baaaad man! |
| zuò cí : Big Daddy Kane | |
| Set it off | |
| Kane go, go get busy go, go repeat 8 | |
| X Big Daddy Kane | |
| Who' s that smooth fellow flowin to this tune? | |
| Mister Cee scratches " Big Daddy" | |
| Back so soon? | |
| The fact is, | |
| I never left | |
| Cause I' m everlastin and my rhymes keep blastin | |
| Soon as I pick up the pen and relate it to paper that' s the beginning | |
| And for you | |
| Filthy McNasty | |
| MC' s, that' s the ending | |
| Cause when | |
| I grab the microphone just like a gun | |
| You know them doorunrunrun, them doorunrun | |
| Heh, I' m not your ordinary lyricist | |
| None' ll compare at this, as far as raps, pssh, | |
| I' m takin care of this | |
| I work the stage like a slavehand | |
| And keep the girls screamin just like | |
| Captain Caveman | |
| I did shows at the same arena that held | |
| Ike and Tina and the | |
| ChiLites, song have you seein her puttin me on after | |
| Jennifer Holiday, ain' t no thing | |
| Because I still come off, after the fat lady sings | |
| Set it off | |
| Kane, get busy repeat 4 | |
| X Big Daddy Kane | |
| Here we go, | |
| Shalamar style | |
| That means the | |
| Second Time | |
| Around so pump the sound | |
| As I progress to bless the mic and strike the stage | |
| Enraged arouse the crowd to jump and pump their fists and twist their waists with grace and clap and snap and move and groove cause | |
| I' m still, so, smooth | |
| If you compare the | |
| Big Daddy to a | |
| Caddy I' d be an | |
| Allante, suave as | |
| Belafonte | |
| Interplanetary and extraordinary hmm, what about poetic? | |
| Mmm, very! | |
| I' ve even heard it said that | |
| I was the ultimate | |
| Welllll.. maybe just a little bit | |
| And competition | |
| I' ll explain to them that this don' t even pertain to them to try to flow like this will crack your cranium | |
| So to the rear and let the | |
| Prince of | |
| Darkness spark this like a vampire, bloodthirsty, uhh, have mercy | |
| Set it off | |
| Kane, get busy repeat 4 | |
| X .. Big Daddy Kane | |
| As we enter into the third half, for this paragraph | |
| I wanna take all of the people that' s leaping along with this tune to another plateau they never been too as | |
| I continue with somethin funky to get into | |
| Give me a | |
| James Brown, | |
| Funkadelic, or | |
| Prince beat | |
| And watch me turn the microphone to minced meat | |
| I tear the roof off the mother as soon as my lips pucker cause | |
| I' m a bad mother | |
| TWEET!! Set it off | |
| Kane, get busy repeat 8 | |
| X Kane | |
| I' m a baaaad man! |