Song | From the Safe House |
Artist | Peter Hammill |
Album | Everyone You Hold |
Download | Image LRC TXT |
作词 : Hammill | |
This is not the final call, | |
and this is not a ghostly guide | |
and these are not the words for which we've waited; | |
still we're glued to the headsets | |
while the world's collapsed outside... | |
is it all really over now? | |
It doesn't matter if no-one else will hear. | |
Now you can say what you want, all outspoken. | |
Oh no, it doesn't matter, no-one can get near us now... | |
so we can send in clear. | |
The storm cloud's broken and the old rule's fallen down; | |
the winds of history whip us naked. | |
Nothing's familiar on the streets of the old town | |
and chaos is the currency. | |
It doesn't matter if no-one else can hear us now... | |
It's time to send in clear, | |
send in clear. | |
(Here in the Safe House, | |
fear in the Safe House.) | |
No messages for coding, no sense in subterfuge... | |
all hope's in flight, but here we are and here it's ending. | |
Last secrets to be whispered and the dying of the light | |
are all that we have left now. | |
It doesn't matter if no-one else can hear, | |
now we can say what we want, all is open. | |
At last it doesn't matter, no-one can get near us now... | |
It's time to send in clear. | |
(Here in the Safe House... | |
all clear.) | |
And they're coming for you now, if you're ready or you're not | |
and they're coming for you now – are you ready? | |
No, you're not and they're here. |
zuo ci : Hammill | |
This is not the final call, | |
and this is not a ghostly guide | |
and these are not the words for which we' ve waited | |
still we' re glued to the headsets | |
while the world' s collapsed outside... | |
is it all really over now? | |
It doesn' t matter if noone else will hear. | |
Now you can say what you want, all outspoken. | |
Oh no, it doesn' t matter, noone can get near us now... | |
so we can send in clear. | |
The storm cloud' s broken and the old rule' s fallen down | |
the winds of history whip us naked. | |
Nothing' s familiar on the streets of the old town | |
and chaos is the currency. | |
It doesn' t matter if noone else can hear us now... | |
It' s time to send in clear, | |
send in clear. | |
Here in the Safe House, | |
fear in the Safe House. | |
No messages for coding, no sense in subterfuge... | |
all hope' s in flight, but here we are and here it' s ending. | |
Last secrets to be whispered and the dying of the light | |
are all that we have left now. | |
It doesn' t matter if noone else can hear, | |
now we can say what we want, all is open. | |
At last it doesn' t matter, noone can get near us now... | |
It' s time to send in clear. | |
Here in the Safe House... | |
all clear. | |
And they' re coming for you now, if you' re ready or you' re not | |
and they' re coming for you now are you ready? | |
No, you' re not and they' re here. |
zuò cí : Hammill | |
This is not the final call, | |
and this is not a ghostly guide | |
and these are not the words for which we' ve waited | |
still we' re glued to the headsets | |
while the world' s collapsed outside... | |
is it all really over now? | |
It doesn' t matter if noone else will hear. | |
Now you can say what you want, all outspoken. | |
Oh no, it doesn' t matter, noone can get near us now... | |
so we can send in clear. | |
The storm cloud' s broken and the old rule' s fallen down | |
the winds of history whip us naked. | |
Nothing' s familiar on the streets of the old town | |
and chaos is the currency. | |
It doesn' t matter if noone else can hear us now... | |
It' s time to send in clear, | |
send in clear. | |
Here in the Safe House, | |
fear in the Safe House. | |
No messages for coding, no sense in subterfuge... | |
all hope' s in flight, but here we are and here it' s ending. | |
Last secrets to be whispered and the dying of the light | |
are all that we have left now. | |
It doesn' t matter if noone else can hear, | |
now we can say what we want, all is open. | |
At last it doesn' t matter, noone can get near us now... | |
It' s time to send in clear. | |
Here in the Safe House... | |
all clear. | |
And they' re coming for you now, if you' re ready or you' re not | |
and they' re coming for you now are you ready? | |
No, you' re not and they' re here. |