|
[ti:] |
|
[ar:] |
|
[al:] |
| [00:02.00] |
Hey You |
| [00:10.05] |
|
| [00:35.60] |
Hey you, out there in the cold |
| [00:39.60] |
Getting lonely, getting old |
| [00:41.90] |
Can you feel me? |
| [00:46.15] |
Hey you, standing in the aisles |
| [00:50.30] |
With itchy feet and fading smiles |
| [00:52.69] |
Can you feel me? |
| [00:58.00] |
Hey you, don't help them to bury the light |
| [01:08.35] |
Don't give in without a fight |
| [01:20.40] |
Hey you, out there on your own |
| [01:24.60] |
Sitting naked by the phone |
| [01:26.76] |
Would you touch me? |
| [01:30.97] |
Hey you, with you ear against the wall |
| [01:35.10] |
Waiting for someone to call out |
| [01:37.45] |
Would you touch me? |
| [01:42.55] |
Hey you, would you help me to carry the stone? |
| [01:53.00] |
Open your heart, I'm coming home |
| [02:01.49] |
|
| [02:57.30] |
But it was only fantasy |
| [03:04.20] |
The wall was too high |
| [03:06.20] |
As you can see |
| [03:11.50] |
No matter how he tried |
| [03:13.30] |
He could not break free |
| [03:19.00] |
And the worms ate into his brain |
| [03:29.00] |
|
| [03:54.80] |
Hey you, out there on the road |
| [03:59.16] |
Always doing what you're told |
| [04:01.44] |
Can you help me? |
| [04:05.63] |
Hey you, out there beyond the wall |
| [04:09.87] |
Breaking bottles in the hall |
| [04:12.10] |
Can you help me? |
| [04:17.50] |
Hey you, don't tell me there's no hope at all |
| [04:27.46] |
Together we stand, divided we fall |
| [04:41.88][Click of TV being turned on] |
|
| [04:43.85] |
"Well, only got an hour of daylight left. Better get started." |
| [04:48.10] |
"Isn't it unsafe to travel at night?" |
| [04:50.90] |
"It'll be a lot less safe to stay here. You're father's gunna pick up our trail before long." |
| [04:54.50] |
"Can Loca ride?" |
| [04:57.38] |
"Yeah, I can ride... Magaret, time to go! Maigret, thank you for everything." |
| [05:08.32] |
|
| [05:09.70] |
Is there anybody out there? |
| [05:13.80] |
|
| [05:17.60] |
"Goodbye Chenga" |
| [05:20.50] |
"Goodbye miss ..." |
| [05:22.50] |
Is there anybody out there? |
| [05:31.40] |
"I'll be back." |
| [05:34.00] |
Is there anybody out there? |
| [05:48.18] |
Is there anybody out there? |
| [06:06.30] |
|
| [07:14.00] |
Nobody Home |
| [07:15.34] |
|
| [07:18.00] |
"Alright, I'll take care of them part of the time, but there's somebody else that needs taking care of in Washington." |
| [07:26.50] |
"Who's that?" |
| [07:27.60] |
"Rose Pilchitt!""Rose Pilchitt? Who's that?" |
| [07:30.62] |
"Shut Up!" |
| [07:32.30] |
"36-24-36" |
| [07:33.80] |
"Oi! I've got a little black book with me poems in!" |
| [07:37.20] |
"Does that answer your question?" |
| [07:39.90] |
"Who's she?, she was 'Miss Armoured Division' in 1961 ... " |
| [07:52.40] |
I've got a little black book with my poems in |
| [07:57.10] |
Got a bag with a toothbrush and a comb in |
| [08:01.50] |
When I'm a good dog, they sometimes throw me a bone in |
| [08:10.00] |
I got elastic bands keepin my shoes on |
| [08:14.65] |
Got those swollen hand blues |
| [08:19.10] |
I've got thirteen channels of shit on the TV to choose from |
| [08:28.08] |
I've got electric light |
| [08:34.20] |
And I've got second sight |
| [08:37.20] |
I've got amazing powers of observation |
| [08:48.00] |
And that is how I know |
| [08:52.20] |
When I try to get through |
| [08:56.71] |
On the telephone to you |
| [09:03.20] |
There'll be nobody home |
| [09:13.20] |
I've got the obligatory Hendrix perm |
| [09:18.10] |
And the inevitable pinhole burns |
| [09:23.40] |
All down the front of my favorite satin shirt |
| [09:31.57] |
I've got nicotine stains on my fingers |
| [09:36.10] |
I've got a silver spoon on a chain |
| [09:40.60] |
I've got a grand piano to prop up my mortal remains |
| [09:49.49] |
I've got wild staring eyes |
| [09:55.00] |
And I've got a strong urge to fly |
| [10:01.44] |
But I got nowhere to fly to |
| [10:13.09] |
Ooooh, babe when I pick up the phone |
| [10:22.50] |
"Surprise, surprise, surprise..." --from Gomer Pyle show |
| [10:24.80] |
There's still nobody home |
| [10:34.87] |
I've got a pair of Gohills boots |
| [10:39.50] |
And I got fading roots |
| [10:46.10] |
"Where the hell are you?" |
| [10:47.30] |
"Over 47 german planes were destroyed with the loss of only 15 of our own aircraft." |
| [10:49.45] |
"Where the hell are you Simon?" |
| [10:50.80][Machine gun sound, followed by plane crashing] |
|
| [10:53.10] |
|
| [10:54.80] |
Vera |
| [11:07.40] |
|
| [11:09.20] |
Does anybody here remember Vera Lynn? |
| [11:19.89] |
Remember how she said that |
| [11:23.65] |
We would meet again |
| [11:26.60] |
Some sunny day? |
| [11:53.80] |
Vera! Vera! |
| [12:01.20] |
What has become of you? |
| [12:08.90] |
Does anybody else here |
| [12:12.81] |
Feel the way I do? |
| [12:17.73] |
|
| [12:26.00] |
Bring the Boys Back Home |
| [12:32.54] |
|
| [12:33.80] |
Bring the boys back home |
| [12:42.87] |
Bring the boys back home |
| [12:51.60] |
Don't leave the children on their own, no, no |
| [13:03.35] |
Bring the boys back home |
| [13:12.00] |
"Wrong! Do it again!" |
| [13:17.40] |
Knock, knock, knock "Time to go!" |
| [13:21.80] |
"Are you feeling okay?" |
| [13:24.75] |
"There's a man answering, but he keeps hanging up!" |
| [13:40.50] |
Is there anybody out there? |
| [13:43.00] |
|
| [13:45.80] |
Comfortably Numb |
| [13:49.72] |
|
| [13:53.29] |
Hello? |
| [13:55.75] |
Is there anybody in there? |
| [13:59.65] |
Just nod if you can hear me |
| [14:04.30] |
Is there anyone at home? |
| [14:08.48] |
Come on, now |
| [14:11.50] |
I hear you're feeling down |
| [14:15.80] |
Well I can ease your pain |
| [14:18.94] |
Get you on your feet again |
| [14:23.65] |
Relax |
| [14:25.90] |
I'll need some information first |
| [14:31.10] |
Just the basic facts |
| [14:34.30] |
Can you show me where it hurts? |
| [14:39.05] |
There is no pain you are receding |
| [14:46.50] |
A distant ship, smoke on the horizon. |
| [14:53.90] |
You are only coming through in waves |
| [15:01.00] |
Your lips move but I can't hear what you're saying |
| [15:08.50] |
When I was a child I had a fever |
| [15:15.87] |
My hands felt just like two balloons |
| [15:23.80] |
Now I've got that feeling once again |
| [15:28.30] |
I can't explain you would not understand |
| [15:33.20] |
This is not how I am |
| [15:39.16] |
I have become comfortably numb |
| [15:50.51] |
|
| [16:31.73] |
O.K. |
| [16:34.77] |
Just a little pinprick |
| [16:38.27] |
There'll be no more aaaaaaaaah! |
| [16:42.60] |
But you may feel a little sick |
| [16:46.61] |
Can you stand up? |
| [16:49.60] |
I do believe it's working, good |
| [16:53.45] |
That'll keep you going through the show |
| [16:58.20] |
Come on it's time to go |
| [17:02.61] |
There is no pain you are receding |
| [17:10.10] |
A distant ship, smoke on the horizon |
| [17:17.60] |
You are only coming through in waves |
| [17:24.23] |
Your lips move but I can't hear what you're saying |
| [17:32.26] |
When I was a child |
| [17:35.03] |
I caught a fleeting glimpse |
| [17:40.29] |
Out of the corner of my eye |
| [17:47.82] |
I turned to look but it was gone |
| [17:51.89] |
I cannot put my finger on it now |
| [17:56.70] |
The child is grown |
| [17:58.39] |
The dream is gone |
| [18:02.55] |
I have become comfortably numb |
| [18:17.00] |
|
| [20:03.29] |
The Show Must Go On |
| [20:06.80] |
|
| [20:08.50] |
Ooooh |
| [20:30.72] |
Ooooh Ma, Oooh Pa |
| [20:36.20] |
Must the show go on? |
| [20:45.54] |
Ooooh, Pa. Take me home |
| [20:53.00] |
Ooooh, Ma. Let me go |
| [21:01.00] |
There must be some mistake |
| [21:02.50] |
I didn't mean to let them |
| [21:04.70] |
Take away my soul |
| [21:06.55] |
Am I too old, is it too late? |
| [21:16.26] |
Ooooh, Ma, Ooooh Pa |
| [21:22.03] |
Where has the feeling gone? |
| [21:23.76] |
Ooooh, Ma, Ooooh Pa |
| [21:29.31] |
Will I remember the songs? |
| [21:36.70] |
The show must go on |
| [21:45.30] |
|
| [21:47.50] |
In The Flesh |
| [22:43.80] |
|
| [23:41.30] |
So ya |
| [23:42.45] |
Thought ya |
| [23:43.66] |
Might like to |
| [23:45.41] |
Go to the show |
| [23:50.75] |
To feel that warm thrill of confusion |
| [23:54.60] |
That space cadet glow |
| [24:00.19] |
I've got some bad news for you sunshine |
| [24:04.70] |
Pink isn't well, he stayed back at the hotel |
| [24:08.80] |
And they sent us along as a surrogate band |
| [24:14.05] |
We're gonna find out where you folks really stand |
| [24:19.16] |
Are there any queers in the theater tonight? |
| [24:23.50] |
Get them up against the wall! |
| [24:28.60] |
There's one in the spotlight, he don't look right to me |
| [24:33.00] |
Get him up against the wall! |
| [24:38.00] |
And that one looks Jewish! |
| [24:40.48] |
And that one's a coon! |
| [24:43.04] |
Who let all of this riff-raff into the room? |
| [24:47.06] |
There's one smoking a joint |
| [24:49.86] |
And another with spots! |
| [24:52.50] |
If I had my way |
| [24:55.30] |
I'd have all of you shot! |
| [24:57.37] |
|
| [25:36.49] |
Run Like Hell |
| [25:57.20] |
|
| [25:59.13] |
"Pink Floyd, Pink Floyd" |
| [26:14.94] |
|
| [26:55.70] |
Run, Run, Run, Run, Run, Run, Run, Run |
| [27:04.01] |
Run, Run, Run, Run, Run, Run, Run, Run |
| [27:11.50] |
You better make your face up in your favorite disguise |
| [27:16.00] |
With your button down lips and your roller blind eyes |
| [27:19.80] |
With your empty smile and your hungry heart |
| [27:24.18] |
Feel the bile rising from your guilty past |
| [27:28.18] |
With your nerves in tatters |
| [27:30.24] |
When the cockleshell shatters |
| [27:32.25] |
And the hammers batter |
| [27:34.78] |
Down the door |
| [27:36.00] |
You'd better run |
| [27:45.05] |
|
| [28:01.48] |
Run, Run, Run, Run, Run, Run, Run, Run |
| [28:09.65] |
Run, Run, Run, Run, Run, Run, Run, Run |
| [28:17.11] |
You better run all day and run all night |
| [28:21.34] |
Keep your dirty feelings deep inside |
| [28:25.60] |
And if you're taking your girlfriend out tonight |
| [28:29.50] |
You'd better park the car well out of sight |
| [28:33.50] |
Cause if they catch you in the back seat |
| [28:35.90] |
Trying to pick her locks |
| [28:37.70] |
They're gonna send you back to mother |
| [28:40.00] |
In a cardboard box |
| [28:41.80] |
You better run |
| [28:50.71] |
|
| [29:38.50] |
"Hey, open up! HaHaHaHaHaaaaaaaaaa! |
| [29:44.25][sound of car skidding, followed by loud scream] |
|
| [30:13.85] |
"Hammer, Hammer" |
| [30:19.55] |
|
| [30:21.07] |
Waiting for the Worms |
| [30:22.55] |
|
| [30:24.10] |
"Eins, zwei, drei, alle!" |
| [30:27.16] |
|
| [30:31.60] |
Ooooh, you cannot reach me now |
| [30:39.43] |
Ooooh, no matter how you try |
| [30:46.20] |
Goodbye, cruel world, it's over |
| [30:51.71] |
Walk on by |
| [30:58.76] |
Sitting in a bunker here behind my wall |
| [31:12.25] |
Waiting for the worms to come |
| [31:23.70] |
In perfect isolation here behind my wall |
| [31:37.37] |
Waiting for the worms to come |
| [31:44.20] |
We're waiting to succeed and going to convene outside Brixton Town Hall where we're going to be... |
| [31:49.90] |
Waiting to cut out the deadwood |
| [31:52.91] |
Waiting to clean up the city |
| [31:56.00] |
Waiting to follow the worms |
| [31:59.32] |
Waiting to put on a black shirt |
| [32:02.43] |
Waiting to weed out the weaklings |
| [32:05.57] |
Waiting to smash in their windows and kick in their doors |
| [32:10.25] |
Waiting for the final solution to strengthen the strain |
| [32:15.00] |
Waiting to follow the worms |
| [32:18.20] |
Waiting to turn on the showers and fire the ovens |
| [32:22.88] |
Waiting for the queens and the coons and the reds and the jews |
| [32:27.66] |
Waiting to follow the worms |
| [32:34.43] |
Would you like to see Britannia rule again, my friend? |
| [32:47.09] |
All you have to do is follow the worms |
| [32:59.69] |
Would you like to send our colored cousins home again, my friend? |
| [33:12.33] |
All you need to do is follow the worms |
| [33:16.55] |
The worms will convene outside Brixton Bus Station |
| [33:19.50] |
We'll be moving along at about 12 o'clock down Stockwell Road... Abbot's Road... |
| [33:29.00] |
Twelve minutes to three we'll be moving along Lambeth Road towards Vauxhall Bridge |
| [33:37.00] |
Now when we get to the other side of Vauxhall Bridge we're in Westminster Borough area |
| [33:42.00] |
It's quite possible we may encounter some... by the way we go..." |
| [33:55.97] |
|
| [34:08.52] |
Stop |
| [34:14.76] |
|
| [34:20.26] |
Stop! |
| [34:23.66] |
I wanna go home |
| [34:26.90] |
Take off this uniform |
| [34:29.17] |
And leave the show |
| [34:32.35] |
But I'm waiting in this cell |
| [34:34.65] |
Because I have to know |
| [34:39.50] |
Have I been guilty all this time? |
| [34:45.59] |
|
| [34:50.91] |
The Trial |
| [34:58.90] |
|
| [35:20.50] |
Good morning, Worm your honor |
| [35:23.50] |
The crown will plainly show |
| [35:25.76] |
The prisoner who now stands before you |
| [35:29.64] |
Was caught red-handed showing feelings |
| [35:34.80] |
Showing feelings of an almost human nature |
| [35:40.55] |
This will not do |
| [35:43.80] |
Call the schoolmaster! |
| [35:46.80] |
I always said he'd come to no good |
| [35:49.40] |
In the end your honor |
| [35:51.80] |
If they'd let me have my way |
| [35:54.41] |
I could have flayed him into shape |
| [35:58.54] |
But my hands were tied |
| [36:01.67] |
The bleeding hearts and artists |
| [36:04.20] |
Let him get away with murder |
| [36:07.50] |
Let me hammer him today |
| [36:13.16] |
Crazy |
| [36:16.20] |
Toys in the attic I am crazy |
| [36:22.71] |
Truly gone fishing |
| [36:29.30] |
They must have taken my marbles away |
| [36:35.76] |
Crazy |
| [36:38.86] |
Toys in the attic he is crazy |
| [36:49.50] |
You little shit you're in it now |
| [36:52.50] |
I hope they throw away the key |
| [36:55.84] |
You should have talked to me more often than you did |
| [37:00.39] |
But no! You had to go your own way |
| [37:03.86] |
Have you broken any homes up lately? |
| [37:07.85] |
Just five minutes, Worm your honor |
| [37:11.01] |
Him and me, alone |
| [37:15.36] |
Baaaaaaaaaabe! |
| [37:21.59] |
Come to mother baby |
| [37:24.00] |
let me hold you in my arms |
| [37:27.43] |
M'lud I never wanted him to get in any trouble |
| [37:33.04] |
Why'd he ever have to leave me? |
| [37:36.30] |
Worm, your honor, let me take him home |
| [37:42.16] |
Crazy |
| [37:45.50] |
Over the rainbow, I am crazy |
| [37:51.54] |
Bars in the window |
| [37:57.84] |
There must have been a door there in the wall |
| [38:03.40] |
When I came in |
| [38:05.16] |
Crazy |
| [38:08.24] |
Over the rainbow, he is crazy |
| [38:18.15] |
The evidence before the court is incontrovertible |
| [38:24.20] |
There's no need for the jury to retire. |
| [38:30.28] |
In all my years of judging I have never heard before |
| [38:36.60] |
Of someone more deserving of the full penalty of the law |
| [38:43.10] |
The way you made them suffer |
| [38:45.70] |
Your exquisite wife and mother |
| [38:49.53] |
Fills me with the urge to defecate! |
| [38:53.27] |
"Hey Judge! Shit on him!" |
| [38:55.78] |
Since, my friend, you have revealed your deepest fear |
| [39:01.54] |
I sentence you to be exposed before your peers |
| [39:08.24] |
Tear down the wall! |
| [39:11.30] |
|
| [40:11.30] |
Outside the Wall |
| [40:30.00] |
|
| [40:32.23] |
All alone, or in two's |
| [40:37.31] |
The ones who really love you |
| [40:43.61] |
Walk up and down outside the wall |
| [40:53.62] |
Some hand in hand |
| [40:57.60] |
And some gathered together in bands |
| [41:04.05] |
The bleeding hearts and artists |
| [41:09.10] |
Make their stand |
| [41:15.55] |
And when they've given you their all |
| [41:18.28] |
Some stagger and fall, after all it's not easy |
| [41:25.84] |
Banging your heart against some mad bugger's wall |
| [41:36.00] |
|
| [41:52.50] |
"Isn't this where...." |
