| Song | Sapokanikan |
| Artist | Joanna Newsom |
| Album | Divers |
| Download | Image LRC TXT |
| [00:01.40] | The cause is Ozymandian |
| [00:06.52] | The map of Sapokanikan |
| [00:11.92] | Is sanded and bevelled |
| [00:14.57] | The land lone and levelled |
| [00:18.15] | By some unrecorded and powerful hand |
| [00:23.19] | Which plays along the monument |
| [00:28.33] | And drums upon a plastic bag |
| [00:34.81] | The brave-men-and-women-so-dear-to-God- |
| [00:39.58] | And-famous-to-all-of-the-ages rag |
| [00:45.95] | Saying: Do you love me? |
| [00:51.57] | Will you remember? |
| [00:56.85] | The snow falls above me |
| [01:02.55] | The renderer renders: |
| [01:07.11] | The event is in the hand of God |
| [01:12.79] | Beneath a patch of grass, her |
| [01:17.68] | Bones the old Dutch master hid |
| [01:22.90] | While elsewhere Tobias |
| [01:25.71] | And the angel disguise |
| [01:28.30] | What the scholars surmise was a mother and kid |
| [01:35.40] | Interred with other daughters |
| [01:40.30] | In dirt in other potters' fields |
| [01:45.10] | Above them, parades |
| [01:48.31] | Mark the passing of days |
| [01:49.64] | Through parks where pale colonnades arch in marble and steel |
| [01:56.54] | Where all of the twenty-thousand attending your footfall |
| [02:02.43] | And the causes they died for are lost in the idling bird calls |
| [02:07.54] | And the records they left are cryptic at best |
| [02:11.14] | Lost in obsolescence |
| [02:13.47] | The text will not yield, nor x-ray reveal |
| [02:15.60] | With any fluorescence |
| [02:18.42] | Where the hand of the master begins and ends |
| [02:22.94] | I fell, I tried to do well but I won't be |
| [02:29.12] | Will you tell the one that I love to remember and hold me |
| [02:34.93] | I call and call for the doctor |
| [02:40.20] | But the snow swallows me whole with ol' Florry Walker |
| [02:45.59] | And the event lives only in print |
| [02:50.77] | He said: |
| [02:53.42] | "It's alright" |
| [02:54.57] | And "It's all over now" |
| [02:56.00] | And boarded the plane |
| [02:58.44] | His belt unfastened |
| [03:00.70] | The boy was known to show unusual daring |
| [03:05.17] | And, called a "boy" |
| [03:07.38] | This alderman, confounding Tammany Hall |
| [03:11.61] | In whose employ King Tamanend himself preceeded John’s fall |
| [03:17.53] | So we all raise a standard |
| [03:20.38] | To which the wise and honest soul may repair |
| [03:25.80] | To which a hunter |
| [03:27.38] | A hundred years from now,?may look and despair |
| [03:32.31] | And see with wonder |
| [03:33.96] | The tributes we have left to rust in the parks |
| [03:37.69] | Swearing that our hair stood on end |
| [03:40.87] | To see John Purroy Mitchel depart |
| [03:44.81] | For the Western Front |
| [03:52.55] | Where work might count |
| [03:53.49] | All exeunt! All go out! |
| [03:59.30] | Await the hunter, to decipher the stone |
| [04:05.79] | (and what lies under, now) |
| [04:08.82] | The city is gone |
| [04:24.35] | Look and despair |
| [04:30.39] | Look and despair |
| [00:01.40] | The cause is Ozymandian |
| [00:06.52] | The map of Sapokanikan |
| [00:11.92] | Is sanded and bevelled |
| [00:14.57] | The land lone and levelled |
| [00:18.15] | By some unrecorded and powerful hand |
| [00:23.19] | Which plays along the monument |
| [00:28.33] | And drums upon a plastic bag |
| [00:34.81] | The bravemenandwomensodeartoGod |
| [00:39.58] | Andfamoustoalloftheages rag |
| [00:45.95] | Saying: Do you love me? |
| [00:51.57] | Will you remember? |
| [00:56.85] | The snow falls above me |
| [01:02.55] | The renderer renders: |
| [01:07.11] | The event is in the hand of God |
| [01:12.79] | Beneath a patch of grass, her |
| [01:17.68] | Bones the old Dutch master hid |
| [01:22.90] | While elsewhere Tobias |
| [01:25.71] | And the angel disguise |
| [01:28.30] | What the scholars surmise was a mother and kid |
| [01:35.40] | Interred with other daughters |
| [01:40.30] | In dirt in other potters' fields |
| [01:45.10] | Above them, parades |
| [01:48.31] | Mark the passing of days |
| [01:49.64] | Through parks where pale colonnades arch in marble and steel |
| [01:56.54] | Where all of the twentythousand attending your footfall |
| [02:02.43] | And the causes they died for are lost in the idling bird calls |
| [02:07.54] | And the records they left are cryptic at best |
| [02:11.14] | Lost in obsolescence |
| [02:13.47] | The text will not yield, nor xray reveal |
| [02:15.60] | With any fluorescence |
| [02:18.42] | Where the hand of the master begins and ends |
| [02:22.94] | I fell, I tried to do well but I won' t be |
| [02:29.12] | Will you tell the one that I love to remember and hold me |
| [02:34.93] | I call and call for the doctor |
| [02:40.20] | But the snow swallows me whole with ol' Florry Walker |
| [02:45.59] | And the event lives only in print |
| [02:50.77] | He said: |
| [02:53.42] | " It' s alright" |
| [02:54.57] | And " It' s all over now" |
| [02:56.00] | And boarded the plane |
| [02:58.44] | His belt unfastened |
| [03:00.70] | The boy was known to show unusual daring |
| [03:05.17] | And, called a " boy" |
| [03:07.38] | This alderman, confounding Tammany Hall |
| [03:11.61] | In whose employ King Tamanend himself preceeded John' s fall |
| [03:17.53] | So we all raise a standard |
| [03:20.38] | To which the wise and honest soul may repair |
| [03:25.80] | To which a hunter |
| [03:27.38] | A hundred years from now,? may look and despair |
| [03:32.31] | And see with wonder |
| [03:33.96] | The tributes we have left to rust in the parks |
| [03:37.69] | Swearing that our hair stood on end |
| [03:40.87] | To see John Purroy Mitchel depart |
| [03:44.81] | For the Western Front |
| [03:52.55] | Where work might count |
| [03:53.49] | All exeunt! All go out! |
| [03:59.30] | Await the hunter, to decipher the stone |
| [04:05.79] | and what lies under, now |
| [04:08.82] | The city is gone |
| [04:24.35] | Look and despair |
| [04:30.39] | Look and despair |
| [00:01.40] | The cause is Ozymandian |
| [00:06.52] | The map of Sapokanikan |
| [00:11.92] | Is sanded and bevelled |
| [00:14.57] | The land lone and levelled |
| [00:18.15] | By some unrecorded and powerful hand |
| [00:23.19] | Which plays along the monument |
| [00:28.33] | And drums upon a plastic bag |
| [00:34.81] | The bravemenandwomensodeartoGod |
| [00:39.58] | Andfamoustoalloftheages rag |
| [00:45.95] | Saying: Do you love me? |
| [00:51.57] | Will you remember? |
| [00:56.85] | The snow falls above me |
| [01:02.55] | The renderer renders: |
| [01:07.11] | The event is in the hand of God |
| [01:12.79] | Beneath a patch of grass, her |
| [01:17.68] | Bones the old Dutch master hid |
| [01:22.90] | While elsewhere Tobias |
| [01:25.71] | And the angel disguise |
| [01:28.30] | What the scholars surmise was a mother and kid |
| [01:35.40] | Interred with other daughters |
| [01:40.30] | In dirt in other potters' fields |
| [01:45.10] | Above them, parades |
| [01:48.31] | Mark the passing of days |
| [01:49.64] | Through parks where pale colonnades arch in marble and steel |
| [01:56.54] | Where all of the twentythousand attending your footfall |
| [02:02.43] | And the causes they died for are lost in the idling bird calls |
| [02:07.54] | And the records they left are cryptic at best |
| [02:11.14] | Lost in obsolescence |
| [02:13.47] | The text will not yield, nor xray reveal |
| [02:15.60] | With any fluorescence |
| [02:18.42] | Where the hand of the master begins and ends |
| [02:22.94] | I fell, I tried to do well but I won' t be |
| [02:29.12] | Will you tell the one that I love to remember and hold me |
| [02:34.93] | I call and call for the doctor |
| [02:40.20] | But the snow swallows me whole with ol' Florry Walker |
| [02:45.59] | And the event lives only in print |
| [02:50.77] | He said: |
| [02:53.42] | " It' s alright" |
| [02:54.57] | And " It' s all over now" |
| [02:56.00] | And boarded the plane |
| [02:58.44] | His belt unfastened |
| [03:00.70] | The boy was known to show unusual daring |
| [03:05.17] | And, called a " boy" |
| [03:07.38] | This alderman, confounding Tammany Hall |
| [03:11.61] | In whose employ King Tamanend himself preceeded John' s fall |
| [03:17.53] | So we all raise a standard |
| [03:20.38] | To which the wise and honest soul may repair |
| [03:25.80] | To which a hunter |
| [03:27.38] | A hundred years from now,? may look and despair |
| [03:32.31] | And see with wonder |
| [03:33.96] | The tributes we have left to rust in the parks |
| [03:37.69] | Swearing that our hair stood on end |
| [03:40.87] | To see John Purroy Mitchel depart |
| [03:44.81] | For the Western Front |
| [03:52.55] | Where work might count |
| [03:53.49] | All exeunt! All go out! |
| [03:59.30] | Await the hunter, to decipher the stone |
| [04:05.79] | and what lies under, now |
| [04:08.82] | The city is gone |
| [04:24.35] | Look and despair |
| [04:30.39] | Look and despair |