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how are ya? |
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I' m good, better now. |
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Good stuff, so, you know the story has been told, over and over again, |
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in a record amount of time, in the shortest time possible, it' s insane, |
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so I just want to talk about now, |
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and just talk about your interests, |
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talk about what you want to talk about, what do you want to talk about? |
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Me? I' d like to talk about anything other than myself, |
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Yeah, I know, what a crazy few months you had huh? |
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It has been different, yeah. |
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You have said |
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one of the things I really like has been a constant throw out the press |
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that you' ve had to do is that you said |
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this has always been something you wanted to do, to make music, |
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that It really lives and dies with the music, that' s it, the rest is whatever. Right? |
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I like writing and I like singing, um, |
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but I' m passionate about it because I enjoy the craft of it, |
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but I do actually have a big outside life, outside music, |
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Included in that, in those interests, um film, |
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I mean, you you are really into the ardour that feels really cinematic, |
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I mean when you listen to it. |
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Well, I' m definitely interested in like having a cinematic soundscape, |
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like having a record, and I do, I do like film, yeah, I do. |
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Did it kind of play any role at all, On the album Born to Die? |
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I mean did you you mean it' s impossible to make cinematic sound of music |
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without having a scene in your head, right? |
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That' s true, you know I think when I wrote the songs, |
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I was sort of looking back to moments in my past |
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and trying to paint pictures with my words about the way that things used to be. |
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And when I met Emile Haynie |
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who sort of been the famous hip pop producer for the last 10 years, |
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Could I just stop you there and also point out for those who are listening that |
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he' s probably the classiest beat maker in New York City. Emile Haynie |
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He' s really classy, you know when I met him, when I met Justin Parker, |
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I feel like I met, um, my music soul mate, |
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and you know, Emile' s beat plus Larry Gold' s string composition really sort of |
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started to make it cohesive, kind of gorgeous sound for the entire record. |
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Because, you know, Emile makes modern day hiphop soul music, I think. |
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Yeah, like when I found Emile we were sort of an unlikely duel, |
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but he knew exactly what I was talking about when |
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I describe the sound of the record I was trying to bring out, |
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and we' ve just been, God we are together so much, you know. |
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I bet you there' ve been times recently where you wish |
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you were back in the studio in that safe place with him and just making beats. |
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Yeah I do, a lot of the time, but you know, |
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I' ve really found like a musical family within the three producers that I met |
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and you know Emile' s been amazing, really supportive like, Emile |
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he' s not even moving on to another project yet, |
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we' re still working on like a mix tape to release in the summer. |
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Awesome, fantastic, we' re gonna continue to talk to Lana Del Rey, |
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and we' re gonna play right now the track from her new album born to die. |
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just kinda how cool is made of that all, by the way? |
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Just gorgeous, it was crazy. |
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Amazing, isn' t it? It smells of music in that. |
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It does, the band was just like in heaven, |
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Did they check out the Bing Crosby plaque on the wall? |
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I don' t know if they saw that. |
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We spoke briefly when you were in New York City once, |
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shopping on 5th avenue |
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I wasn' t shopping, I was like sitting on the corner, |
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and they were all like, oh she now have fancy, |
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|
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You fancy, you think you get fancy huh?" |
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I was like, great |
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So you' re back up here in the UK, |
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and I suppose given that it was very recent, |
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we should give you a chance to talk about |
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what happened last night with the Maccabees, |
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you know, it' s early for to be not doing a show, |
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and it never hurts anybody more than a musician |
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than has to cancel so what happened? |
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No one wants to cancel but I just really wasn' t feeling very well |
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and you know I was I did the Meadville sessions earlier and afternoon, |
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pretty much by the end of that I was pretty certain |
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I couldn' t really go on stage |
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but like I said I could' ve but you know never really had to cancel the show before |
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It' s gone to serious, you hear that? |
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All of a sudden it got too serious there for a second |
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all of a sudden it was like the end of The Incredible Hulk for a second, |
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I would start crying, and you would start crying, and Craig would start crying, |
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and everyone would cry a little bit, |
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and we' ve thought better of the end we don' t wanna go there. |
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Hahaha |
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Now that we' re talking about the live thing, |
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because not everybody necessarily I think should feel |
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once they make a record they need to rush on and perform it, |
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I mean if you think about yourself |
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and the essence of what you are trying to do with your art, with your craft, |
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and you feel very comfortable in the studio |
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working with your producers and the people around you, |
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you know for instance some people when they think about public speaking |
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it make them wanna throw up |
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Yeah, most people. |
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Yeah, I mean how do you feel when |
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I mean there' re some musicians for instance, |
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if I say Dave Grohl one of the thing |
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you know you look forward to most about being foo fighter is |
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he goes " pull up and play alive man"!" |
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But how do you feel when you think about the idea, |
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if you see your manager come and say " at least do a tour", |
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how does it make you feel right now? |
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Well it kind of depend on the day for me |
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like obviously like I' m sort of more, you know, like I do well in the studio, |
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because I like putting things together kind of with my producers and things like that, |
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but you know ever since I went on the road |
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and I realized how many people were out there, |
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I actually feel pretty good you know on the road, I like to travel |
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but you know I also really like Brooklyn I like being in New York so I miss home |
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and I you know it really depends on the show, |
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like if it was I probably wouldn' t play a really giant show, |
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I would probably you know but so long as they are kind of small I |
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I have a good time. |
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Yeah right, and many who' ve gone before here |
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whether it' s Neil Young or Bob Dylan or most recently Adele, |
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these are the artists that say |
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" look, if there' s nothing interesting what I have to do live, " |
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then I' m gonna pick and chose how I present that" |
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have you thought about like making it more special for you in the future? |
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Yeah, definitely, I mean everyone on my team is totally aware |
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that I like to cap every venue of 900 people |
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so yeah those artists are good examples, |
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people who did things on their own terms, |
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and I think that people that I involved with like they are involved with me |
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' cause I' ll do things the way I want, |
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what I really cared about was that the record was good, and so I mean |
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Too good now, huh? |
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I know, it' s Ellen, off to their races. |
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There you go, that horse is bolted, welcome to the modern world. |
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And this has been an really interesting experience, I wanna talk about that in a sec, |
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but let just make it light again and let talk about A AP Rocky, |
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this guy is just a real breath of fresh air for American rap music, |
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and I know what a beagle you are as well. |
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Well, I mean, you know I like the best of the best, |
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I don' t like it all, but I mean you know like I feel like |
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energized by yeah like good rap music. |
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You are a very intriguing character, |
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you know I just started see your music in the way you know |
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you are the kind of subject matter of your song I think |
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you find yourself meeting a hero in some |
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pretty interesting environments you know. |
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Oh I like that prediction. |
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Right. And this' s been an fascinating experiment |
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watching this all happen from my point of view, |
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for one very specific reason which is the music that you' ve made, |
| [06:51.80] |
the art that you' ve tested along all the videos and photographs, |
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the way that you' ve present yourself be honest or otherwise, |
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that' s your, that' s entirely your business by the way, |
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but I believe it' s absolutely honest, |
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but what is done is it conjured up an essence of time that' s come before us, |
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and yet it' s found it' s way to people in the most modern way imaginable. |
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Right |
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Have you thought about that? And if not, can you now? |
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Well when I was putting the clips together |
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like I wasn' t really going necessarily for a vintage feel, |
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I just knew that I love the quality of vintage film, |
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but I didn' t think that people would really |
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think that like a hearkened back to bygone eras so much. |
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When did you sort of become a digital kid? |
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Because you grew up in the middle of nowhere, |
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the internet' s become something that' s changed the way |
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you know, everything' s distributed and discovered, |
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but predominantly music has been completely transformed |
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and the industry has redefined itself, |
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I mean when did you sort of become a digital kid |
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and discovered that it could work for you as an artist. |
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I mean like in terms of being a digital kid, I had different phases of it, |
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like I remember when I was 14 years old, |
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instant messenger came about so like we all met our bf over instant messenger. |
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It' s like carry a pager of digital isn' t it? |
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Yeah, I just remembered when that happened |
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it' s like you just can freaking believe it, |
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you' re like talking to like the most popular senior in high school |
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and like " can you sneak the house to meet down the block", |
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that was crazy, and then you know, |
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I didn' t really pay attention to the internet |
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like I' ve always been a big believer in the internet |
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know a lot of people who are sort of you know trying to use it |
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to unify the world in a good way, and make our world one, you know, one small globe community |
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where information could travel quickly and you know help could travel quickly, |
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so I mean I never actually thought about in terms of like furthering my music, |
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I was always putting up music videos on Youtube since I was really young, |
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just because it was a passion of mine, |
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I liked editing and things like that, |
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but I always thought like if anything went well |
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it' s because someone came to one of my shows, |
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The traditional approach, " hey that' s good music, I' ll tell someone about it" |
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Yeah you know I mean that was how I read about |
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other people sort of getting their music heard, but |
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It' s interesting though because now |
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that' s just a given these days in how we discover music, |
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but this is a superb saga way here I just come up with in my head, |
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this is on some broadcasting, this is classic broadcasting material. |
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Back in the day, you have to rely on classic singer songwriters like |
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Bob Dylan or John Byer to get the message across you know, |
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they were the modern day information carriers, back in the day. |
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Maybe. |
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They were, I mean that' s to a certain extant how things change works to a song, |
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you got a track with Bobby Womack on his forthcoming new album, |
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with Damon Albarn and Richard Russell. |
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I do |
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How was that experience for you, working with legend? |
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It was good, I mean I think they want me to come in after, |
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like the day they saw me on Jewels, |
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so really they just you know |
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Bobby wanted me to freestyle on just some of the tracks he had, Bobby |
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he wanted me to just make a chorus, |
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so that' s why I did, and it' s been a while now, but it was beautiful. |
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Well I' ve heard the track |
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Oh have you? |
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Yeah, and I can tell you that it' s incredible, |
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and there' s a note you hit on that song where you go hiiiiiii |
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and your voice cracks, and I was like " this sounds like Bobby", |
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and it' s not, it' s you |
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Oh shoot |
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There you go |
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Hey that' s I haven' t heard it, |
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I' m glad they' re gonna use it, you know. |
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Well fingers crossed, I think it' s amazing, fantastic, |
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I can' t wait for people to hear that side of you with that track, |
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it' s gonna be good, interesting. |
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Lot of things to look forward to, you know, |
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in terms of this year, ideally having achieved so much in terms of what' s conventionally successful |
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with lots of people watching Video Games, listening to the songs and the album, |
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you know, you made it, you did it, congratulations, |
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you' re a modern day hero, |
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what do you want to look back on 2012? 2012 |
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And what do you ideally want to have achieved? |
| [10:56.54] |
I mean I think the same thing, as I sort of wanna achieve every year, |
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which is just to have no regrets, and live gracefully, |
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and I wanted to make a good record, and I did that, so that' s cool. |
| [11:08.77] |
Yeah, you did, and you know I hope you enjoy that process of getting it out, |
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and the way people react to the music, |
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' cause you know as well as I do that' s what really matters, |
| [11:17.95] |
and thank you very much for your time Lana Del Rey. |
| [11:20.77] |
Thank you. |
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And we' ll catch up with you when the time' s right, |
| [11:23.89] |
you' ve started planning any show out here again in the summer |
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or is it too early to say? |
| [11:27.48] |
Um, thinking about festivals, kind of have to figure it out. |
| [11:31.18] |
It' s nice to talk with you. |