| Song | No Time For Love |
| Artist | Christy Moore |
| Album | Christy Moore - The Box Set 1964-2004 |
| Download | Image LRC TXT |
| 作词 : Jack Warshaw | |
| 作曲 : Jack Warshaw | |
| You call it the law, we call it apartheid, internment | |
| Conscription, partition and silence | |
| It's the law that they make to keep you and me where | |
| They think we belong | |
| The hide behind steel and bullet-proof glass, machine | |
| Guns and spies | |
| And tell us who suffer the tear gas and the torture | |
| That we're in the wrong | |
| CHORUS | |
| No time for love if they come in the morning | |
| No time to show tears or for fears in the morning | |
| No time for goodbye, no time to ask why | |
| And the sound of the siren's the cry of the morning | |
| They suffered the torture they rotted in cells, went | |
| Crazy, wrote letters and died | |
| The limits of pain they endured - the loneliness got | |
| Them instead | |
| And the courts gave them justice as justice is given by | |
| Well-mannered thugs | |
| Sometimes they fought for the will to survive but more | |
| Times they just wished they were dead | |
| CHORUS | |
| They took away Sacco, Vanzetti, Connolly and Pearce in | |
| Their time | |
| They came for Newton and Seal, Bobby Sands and some of | |
| His friends | |
| In Boston, Chicago, Saigon, Santiago, Warsaw and | |
| Belfast | |
| And places that never make headlines, the list never | |
| Ends | |
| CHORUS | |
| The boys in blue are only a few of the everyday cops on | |
| The beat | |
| The C.I.D., Branchmen, informers and spies do their | |
| Jobs just as well; | |
| Behind them the men who tap phones, take photos | |
| Program computers and files | |
| And the man who tells them when to come and take you to | |
| Your cell | |
| CHORUS | |
| All of you people who give to your sisters and brothers | |
| The will to fight on | |
| They say you can get used to a war, that doesn't mean | |
| That the war isn't on | |
| The fish need the sea to survive, just like your people | |
| Need you | |
| And the death squad can only get through to them if | |
| First they can get through to you | |
| CHORUS |
| zuo ci : Jack Warshaw | |
| zuo qu : Jack Warshaw | |
| You call it the law, we call it apartheid, internment | |
| Conscription, partition and silence | |
| It' s the law that they make to keep you and me where | |
| They think we belong | |
| The hide behind steel and bulletproof glass, machine | |
| Guns and spies | |
| And tell us who suffer the tear gas and the torture | |
| That we' re in the wrong | |
| CHORUS | |
| No time for love if they come in the morning | |
| No time to show tears or for fears in the morning | |
| No time for goodbye, no time to ask why | |
| And the sound of the siren' s the cry of the morning | |
| They suffered the torture they rotted in cells, went | |
| Crazy, wrote letters and died | |
| The limits of pain they endured the loneliness got | |
| Them instead | |
| And the courts gave them justice as justice is given by | |
| Wellmannered thugs | |
| Sometimes they fought for the will to survive but more | |
| Times they just wished they were dead | |
| CHORUS | |
| They took away Sacco, Vanzetti, Connolly and Pearce in | |
| Their time | |
| They came for Newton and Seal, Bobby Sands and some of | |
| His friends | |
| In Boston, Chicago, Saigon, Santiago, Warsaw and | |
| Belfast | |
| And places that never make headlines, the list never | |
| Ends | |
| CHORUS | |
| The boys in blue are only a few of the everyday cops on | |
| The beat | |
| The C. I. D., Branchmen, informers and spies do their | |
| Jobs just as well | |
| Behind them the men who tap phones, take photos | |
| Program computers and files | |
| And the man who tells them when to come and take you to | |
| Your cell | |
| CHORUS | |
| All of you people who give to your sisters and brothers | |
| The will to fight on | |
| They say you can get used to a war, that doesn' t mean | |
| That the war isn' t on | |
| The fish need the sea to survive, just like your people | |
| Need you | |
| And the death squad can only get through to them if | |
| First they can get through to you | |
| CHORUS |
| zuò cí : Jack Warshaw | |
| zuò qǔ : Jack Warshaw | |
| You call it the law, we call it apartheid, internment | |
| Conscription, partition and silence | |
| It' s the law that they make to keep you and me where | |
| They think we belong | |
| The hide behind steel and bulletproof glass, machine | |
| Guns and spies | |
| And tell us who suffer the tear gas and the torture | |
| That we' re in the wrong | |
| CHORUS | |
| No time for love if they come in the morning | |
| No time to show tears or for fears in the morning | |
| No time for goodbye, no time to ask why | |
| And the sound of the siren' s the cry of the morning | |
| They suffered the torture they rotted in cells, went | |
| Crazy, wrote letters and died | |
| The limits of pain they endured the loneliness got | |
| Them instead | |
| And the courts gave them justice as justice is given by | |
| Wellmannered thugs | |
| Sometimes they fought for the will to survive but more | |
| Times they just wished they were dead | |
| CHORUS | |
| They took away Sacco, Vanzetti, Connolly and Pearce in | |
| Their time | |
| They came for Newton and Seal, Bobby Sands and some of | |
| His friends | |
| In Boston, Chicago, Saigon, Santiago, Warsaw and | |
| Belfast | |
| And places that never make headlines, the list never | |
| Ends | |
| CHORUS | |
| The boys in blue are only a few of the everyday cops on | |
| The beat | |
| The C. I. D., Branchmen, informers and spies do their | |
| Jobs just as well | |
| Behind them the men who tap phones, take photos | |
| Program computers and files | |
| And the man who tells them when to come and take you to | |
| Your cell | |
| CHORUS | |
| All of you people who give to your sisters and brothers | |
| The will to fight on | |
| They say you can get used to a war, that doesn' t mean | |
| That the war isn' t on | |
| The fish need the sea to survive, just like your people | |
| Need you | |
| And the death squad can only get through to them if | |
| First they can get through to you | |
| CHORUS |