| Song | Beware, Brother, Beware |
| Artist | B.B. King |
| Album | Let The Good Times Roll: The Music Of Louis Jordan |
| Download | Image LRC TXT |
| 作词 : Adams, Lasco, Moore | |
| Hey, fellas, yes you fellas, listen to me | |
| I got somethin' to tell you | |
| And I want you to listen to every word | |
| And govern yourselves accordingly | |
| Now, you see these girls with these fine diamonds | |
| Fine furs and fine clothes | |
| Well, they're lookin' for a husband | |
| And you're listening to a man who knows | |
| They ain't foolin', and if you fool around with them | |
| You're gonna get yourself a schoolin' | |
| Now listen, if she saves you dough | |
| And won't go to the show, beware | |
| If she's easy to kiss and won't resist | |
| Beware, I said beware | |
| If you go for a walk | |
| And she listens while you talk | |
| She's tryin' to hook you | |
| Ain't nobody lookin' she asks you to taste her cookin' | |
| Don't do it, don't do it | |
| And if you go for a show | |
| And she wants to sit back in the back row | |
| Bring her down front, bring her home down front | |
| If you wanna go for a snack | |
| And she wanna sit in a booth in the back | |
| Beware, brother | |
| And listen, if she's used to caviar and fine silk | |
| And when you go out with her | |
| She want a hot dog and a malted milk | |
| She's trying to get you brother | |
| If you're used to goin' to | |
| Carnegie hall | |
| But when you take her out night clubbing | |
| All she wants one meatball | |
| You better take it easy, [Incomprehensible] take it easy | |
| If she grabs your hand and says"Darling, you’re such a nice man" | |
| Beware, I’m telling you | |
| Should I tell 'em a little more? | |
| Tell 'em a little more? | |
| AlrightYou better listen to me ’cause | |
| I’m telling you what’s being put down | |
| And you better be [pickin'] up on it | |
| If her sister calls your brother | |
| You better get further | |
| I’m telling you, you gotta watch it | |
| You better get on [down] | |
| And if she’s acting kind of wild, and says"Darling, give me a trial" | |
| Don’t you do it, don’t be weak, don’t give it to her | |
| And if she smiles in your face | |
| And just melts into place | |
| Let her melt, forget it, let her melt | |
| Should I tell 'em a little more? | |
| Tell 'em everything? | |
| AlrightNow listen, if she calls you on the phone, and says"Darling, are you all alone? " | |
| Tell her, "No, I've got two or three women with me" | |
| Don’t pay no attention to women | |
| Stand up for your right, be a man, be a man | |
| Are you listening? | |
| Are you listening? | |
| Put on that [lotto] step and listen to me | |
| If you turn out the lights and she don’t fight | |
| That’s the end, it’s too late now | |
| She’s got you hooked, you might as well stick with her | |
| Should I tell 'em a little more? | |
| Give 'em a little more? | |
| AlrightIf you get home about two | |
| And don’t know what to do | |
| You pull back the curtains | |
| And the whole family’s looking at you | |
| Get your business straight | |
| Set the date, don’t be late, yeah | |
| Brother, beware, beware, beware | |
| Brother, you better beware |
| zuo ci : Adams, Lasco, Moore | |
| Hey, fellas, yes you fellas, listen to me | |
| I got somethin' to tell you | |
| And I want you to listen to every word | |
| And govern yourselves accordingly | |
| Now, you see these girls with these fine diamonds | |
| Fine furs and fine clothes | |
| Well, they' re lookin' for a husband | |
| And you' re listening to a man who knows | |
| They ain' t foolin', and if you fool around with them | |
| You' re gonna get yourself a schoolin' | |
| Now listen, if she saves you dough | |
| And won' t go to the show, beware | |
| If she' s easy to kiss and won' t resist | |
| Beware, I said beware | |
| If you go for a walk | |
| And she listens while you talk | |
| She' s tryin' to hook you | |
| Ain' t nobody lookin' she asks you to taste her cookin' | |
| Don' t do it, don' t do it | |
| And if you go for a show | |
| And she wants to sit back in the back row | |
| Bring her down front, bring her home down front | |
| If you wanna go for a snack | |
| And she wanna sit in a booth in the back | |
| Beware, brother | |
| And listen, if she' s used to caviar and fine silk | |
| And when you go out with her | |
| She want a hot dog and a malted milk | |
| She' s trying to get you brother | |
| If you' re used to goin' to | |
| Carnegie hall | |
| But when you take her out night clubbing | |
| All she wants one meatball | |
| You better take it easy, Incomprehensible take it easy | |
| If she grabs your hand and says" Darling, you' re such a nice man" | |
| Beware, I' m telling you | |
| Should I tell ' em a little more? | |
| Tell ' em a little more? | |
| AlrightYou better listen to me ' cause | |
| I' m telling you what' s being put down | |
| And you better be pickin' up on it | |
| If her sister calls your brother | |
| You better get further | |
| I' m telling you, you gotta watch it | |
| You better get on down | |
| And if she' s acting kind of wild, and says" Darling, give me a trial" | |
| Don' t you do it, don' t be weak, don' t give it to her | |
| And if she smiles in your face | |
| And just melts into place | |
| Let her melt, forget it, let her melt | |
| Should I tell ' em a little more? | |
| Tell ' em everything? | |
| AlrightNow listen, if she calls you on the phone, and says" Darling, are you all alone? " | |
| Tell her, " No, I' ve got two or three women with me" | |
| Don' t pay no attention to women | |
| Stand up for your right, be a man, be a man | |
| Are you listening? | |
| Are you listening? | |
| Put on that lotto step and listen to me | |
| If you turn out the lights and she don' t fight | |
| That' s the end, it' s too late now | |
| She' s got you hooked, you might as well stick with her | |
| Should I tell ' em a little more? | |
| Give ' em a little more? | |
| AlrightIf you get home about two | |
| And don' t know what to do | |
| You pull back the curtains | |
| And the whole family' s looking at you | |
| Get your business straight | |
| Set the date, don' t be late, yeah | |
| Brother, beware, beware, beware | |
| Brother, you better beware |
| zuò cí : Adams, Lasco, Moore | |
| Hey, fellas, yes you fellas, listen to me | |
| I got somethin' to tell you | |
| And I want you to listen to every word | |
| And govern yourselves accordingly | |
| Now, you see these girls with these fine diamonds | |
| Fine furs and fine clothes | |
| Well, they' re lookin' for a husband | |
| And you' re listening to a man who knows | |
| They ain' t foolin', and if you fool around with them | |
| You' re gonna get yourself a schoolin' | |
| Now listen, if she saves you dough | |
| And won' t go to the show, beware | |
| If she' s easy to kiss and won' t resist | |
| Beware, I said beware | |
| If you go for a walk | |
| And she listens while you talk | |
| She' s tryin' to hook you | |
| Ain' t nobody lookin' she asks you to taste her cookin' | |
| Don' t do it, don' t do it | |
| And if you go for a show | |
| And she wants to sit back in the back row | |
| Bring her down front, bring her home down front | |
| If you wanna go for a snack | |
| And she wanna sit in a booth in the back | |
| Beware, brother | |
| And listen, if she' s used to caviar and fine silk | |
| And when you go out with her | |
| She want a hot dog and a malted milk | |
| She' s trying to get you brother | |
| If you' re used to goin' to | |
| Carnegie hall | |
| But when you take her out night clubbing | |
| All she wants one meatball | |
| You better take it easy, Incomprehensible take it easy | |
| If she grabs your hand and says" Darling, you' re such a nice man" | |
| Beware, I' m telling you | |
| Should I tell ' em a little more? | |
| Tell ' em a little more? | |
| AlrightYou better listen to me ' cause | |
| I' m telling you what' s being put down | |
| And you better be pickin' up on it | |
| If her sister calls your brother | |
| You better get further | |
| I' m telling you, you gotta watch it | |
| You better get on down | |
| And if she' s acting kind of wild, and says" Darling, give me a trial" | |
| Don' t you do it, don' t be weak, don' t give it to her | |
| And if she smiles in your face | |
| And just melts into place | |
| Let her melt, forget it, let her melt | |
| Should I tell ' em a little more? | |
| Tell ' em everything? | |
| AlrightNow listen, if she calls you on the phone, and says" Darling, are you all alone? " | |
| Tell her, " No, I' ve got two or three women with me" | |
| Don' t pay no attention to women | |
| Stand up for your right, be a man, be a man | |
| Are you listening? | |
| Are you listening? | |
| Put on that lotto step and listen to me | |
| If you turn out the lights and she don' t fight | |
| That' s the end, it' s too late now | |
| She' s got you hooked, you might as well stick with her | |
| Should I tell ' em a little more? | |
| Give ' em a little more? | |
| AlrightIf you get home about two | |
| And don' t know what to do | |
| You pull back the curtains | |
| And the whole family' s looking at you | |
| Get your business straight | |
| Set the date, don' t be late, yeah | |
| Brother, beware, beware, beware | |
| Brother, you better beware |