| [00:09.796] |
JOE: |
| [00:10.747] |
Hi there, Myron |
| [00:11.786] |
MYRON: |
| [00:12.257] |
How's it hanging? |
| [00:13.295] |
JOE: |
| [00:13.628] |
I've got a date with Sheldrake |
| [00:14.954] |
MYRON: |
| [00:16.054] |
I'm shooting a Western down at Fox |
| [00:18.067] |
JOE: |
| [00:18.330] |
How can you work with Darryl? |
| [00:20.087] |
MYRON: |
| [00:20.791] |
We should talk |
| [00:21.387] |
JOE: |
| [00:21.696] |
Gotta run |
| [00:22.733] |
BOTH: |
| [00:22.909] |
Let's have lunch |
| [00:23.889] |
MARY: |
| [00:24.001] |
Hi, Mr. Gillis |
| [00:25.165] |
JOE: |
| [00:25.336] |
You look great! |
| [00:26.304] |
MARY: |
| [00:26.636] |
I'm up for an audition |
| [00:28.289] |
JOE: |
| [00:28.854] |
Sheldrake is driving me insane |
| [00:31.226] |
MARY: |
| [00:31.651] |
Don't forget me when you're casting |
| [00:33.223] |
JOE: |
| [00:33.659] |
We should talk |
| [00:34.349] |
MARY: |
| [00:34.635] |
Gotta run |
| [00:35.464] |
BOTH: |
| [00:35.854] |
Let's have lunch |
| [00:36.670] |
JOE: |
| [00:37.184] |
Morning, Joanna |
| [00:37.935] |
MARY: |
| [00:38.440] |
Hi, there Myron |
| [00:39.328] |
JOANNA: |
| [00:39.647] |
Who are you meeting? |
| [00:40.489] |
MYRON: |
| [00:40.762] |
You look great |
| [00:41.569] |
JOE: |
| [00:41.725] |
Sheldrake, but do I need it |
| [00:43.332] |
MARY: |
| [00:43.524] |
I've spent the last month fasting |
| [00:44.309] |
JOANNA: |
| [00:44.859] |
I'm handing in my second draft |
| [00:45.550] |
MYRON: |
| [00:46.520] |
I'm shooting a Western down at Fox |
| [00:46.770] |
JOE: |
| [00:48.783] |
I'd really love to read it |
| [00:49.233] |
MARY: |
| [00:50.246] |
Don't forget me when you're casting |
| [00:51.996] |
JOANNA: |
| [00:52.243] |
We should talk |
| [00:52.843] |
MYRON: |
| [00:52.939] |
We should talk |
| [00:53.795] |
JOE: |
| [00:53.880] |
Gotta run |
| [00:54.621] |
MARY: |
| [00:55.283] |
Gotta run |
| [00:55.897] |
ALL FOUR: |
| [00:56.118] |
Let's have lunch |
| [00:56.505] |
JOE (spoken): |
| [00:57.364] |
Yeah, I had an appointment with Mr. Sheldrake |
| [00:58.491] |
JONES (spoken): |
| [00:59.024] |
Name? |
| [00:59.592] |
JOE (spoken): |
| [00:59.988] |
Gillis. Joseph Gillis |
| [01:01.032] |
JONES (spoken): |
| [01:01.694] |
All right, sir, you know your way? |
| [01:02.912] |
JOE (spoken): |
| [01:03.714] |
Yeah |
| [01:06.106] |
FIRST FINANCEMAN: |
| [01:06.489] |
We want the keys to your car |
| [01:07.732] |
SECOND FINANCEMAN: |
| [01:08.684] |
You're way behind with the payments |
| [01:10.204] |
FIRST FINANCEMAN: |
| [01:10.646] |
Don't give us any fancy footwork |
| [01:13.489] |
SECOND FINANCEMAN: |
| [01:13.664] |
Give us the keys |
| [01:15.671] |
JOE: |
| [01:16.009] |
I only wish I could help |
| [01:18.272] |
I loaned it to my accountant |
| [01:21.023] |
He has an important client down in Palm Springs |
| [01:25.784] |
Felt like shooting the breeze |
| [01:28.385] |
FIRST FINANCEMAN: |
| [01:28.605] |
Are you telling us you walked here? |
| [01:31.263] |
JOE: |
| [01:31.426] |
I believe in self-denial |
| [01:33.806] |
I'm in training for the priesthood |
| [01:36.326] |
SECOND FINANCEMAN: |
| [01:37.127] |
OK, wise guy, three hundred bucks |
| [01:38.972] |
FIRST FINANCEMAN: |
| [01:39.192] |
Or we're taking the car |
| [01:40.412] |
SECOND FINANCEMAN: |
| [01:40.795] |
We have a court order |
| [01:42.118] |
JOE (spoken): |
| [01:42.317] |
I love it when you talk dirty |
| [02:28.069] |
SAMMY: |
| [02:28.231] |
Bless you, Joseph |
| [02:29.172] |
JOE: |
| [02:29.357] |
That you, Sammy? |
| [02:30.749] |
SAMMY: |
| [02:30.913] |
How do you like my harem? |
| [02:32.829] |
JOE: |
| [02:32.968] |
How come you get such lousy breaks? |
| [02:35.475] |
SAMMY: |
| [02:35.614] |
One learns to grin and bear 'em |
| [02:37.507] |
GIRLS: |
| [02:37.670] |
This is the biggest film ever made |
| [02:41.071] |
JOE: |
| [02:41.187] |
What're you playing? |
| [02:42.114] |
ANITA: |
| [02:42.336] |
Temple virgin |
| [02:43.671] |
DAWN: |
| [02:43.810] |
Handmaiden to Delilah |
| [02:44.995] |
JOE: |
| [02:45.215] |
Let's have lunch |
| [02:47.073] |
Gotta run |
| [02:49.453] |
You've got to find me a job |
| [02:51.856] |
I'm way behind with my payments |
| [02:54.352] |
I thought you were meant to be my agent |
| [02:57.092] |
I need some work |
| [02:58.914] |
MORINO: |
| [02:59.216] |
I only wish I could help |
| [03:01.666] |
This town is dead at the moment |
| [03:04.232] |
There's been this slowdown in production |
| [03:08.330] |
JOE (spoken): |
| [03:08.528] |
Who is this jerk? |
| [03:09.931] |
MORINO: |
| [03:10.152] |
He's my wunderkind from Broadway |
| [03:13.253] |
Every major studio wants him |
| [03:15.946] |
YOUNGER MAN: |
| [03:16.132] |
Playing one against the other |
| [03:18.047] |
JOE: |
| [03:18.349] |
What I need is three hundred bucks |
| [03:21.530] |
MORINO (spoken): |
| [03:21.832] |
Maybe what you need is a new agent |
| [03:26.974] |
JOE: |
| [03:27.405] |
Hello, Artie |
| [03:28.229] |
ARTIE: |
| [03:28.472] |
Joe, you bastard! |
| [03:29.528] |
JOE: |
| [03:29.750] |
You never call me any more |
| [03:31.874] |
ARTIE: |
| [03:32.093] |
Found a cuter dancing partner |
| [03:35.427] |
How are things? |
| [03:36.251] |
JOE: |
| [03:37.029] |
Not so great |
| [03:37.887] |
ARTIE: |
| [03:38.583] |
Will this help? |
| [03:39.373] |
Twenty bucks? |
| [03:40.174] |
JOE (spoken): |
| [03:40.384] |
Thanks, you're a pal |
| [03:41.893] |
ALL (spoken): |
| [03:42.508] |
Good morning, Mr. DeMille |
| [03:45.217] |
Hi Mr. DeMille |
| [03:46.908] |
SHELDRAKE: |
| [03:47.245] |
This is Sheldrake |
| [03:48.325] |
Bring some water |
| [03:49.683] |
Get me that shithead Nolan |
| [03:52.365] |
Nolan, sweetheart |
| [03:53.788] |
Great to talk |
| [03:54.786] |
This draft is so much brighter |
| [03:57.120] |
You're the best |
| [03:58.003] |
Even so |
| [03:58.885] |
I've hired another writer |
| [04:01.292] |
SECRETARY (spoken): |
| [04:01.884] |
Mr. Gillis |
| [04:03.068] |
SHELDRAKE: |
| [04:03.289] |
Joe! What the fuck brings you here? |
| [04:04.787] |
JOE (spoken): |
| [04:05.170] |
You wanted to see me |
| [04:06.006] |
SHELDRAKE (spoken): |
| [04:06.203] |
I did? What about? |
| [04:06.748] |
JOE (spoken): |
| [04:06.945] |
"Bases Loaded." It's an outline for a baseball picture |
| [04:07.747] |
SHELDRAKE (spoken): |
| [04:08.637] |
So, pitch |
| [04:08.930] |
JOE (spoken): |
| [04:09.929] |
It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight |
| [04:13.807] |
SHELDRAKE (spoken): |
| [04:14.404] |
Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on... |
| [04:17.522] |
JOE (spoken): |
| [04:18.502] |
"Bases Loaded." |
| [04:19.008] |
SHELDRAKE (spoken): |
| [04:19.442] |
..."Bases Loaded." |
| [04:19.953] |
JOE (spoken): |
| [04:20.208] |
They're pretty hot for it over at Twentieth |
| [04:21.086] |
SHELDRAKE (spoken): |
| [04:22.282] |
Good! |
| [04:22.989] |
JOE (spoken): |
| [04:23.292] |
But can you see Ty Power as a shortstop? |
| [04:25.161] |
ENSEMBLE: |
| [04:25.405] |
Let's have lunch |
| [04:26.902] |
BETTY (spoken) |
| [04:27.169] |
Here's that "Bases Loaded" material, Mr. Sheldrake |
| [04:28.911] |
I made a two-page synopsis for you, |
| [04:30.606] |
but I wouldn't bother to read it |
| [04:32.265] |
SHELDRAKE (spoken): |
| [04:32.405] |
Why not? |
| [04:33.589] |
BETTY (spoken): |
| [04:33.763] |
It's just a rehash of something |
| [04:34.623] |
that wasn't very good to begin with |
| [04:36.283] |
SHELDRAKE (spoken): |
| [04:36.549] |
Meet Mr. Gillis. He wrote it |
| [04:37.967] |
ENSEMBLE: |
| [04:38.547] |
We should talk |
| [04:40.683] |
SHELDRAKE |
| [04:40.904] |
(spoken) |
| [04:41.101] |
This is Miss Kramer |
| [04:42.088] |
BETTY (spoken) |
| [04:42.587] |
Schaefer. Betty Schaefer. |
| [04:43.585] |
And right now, |
| [04:44.085] |
I'd like to crawl into a hole and pull it in after me |
| [04:46.301] |
JOE (spoken) |
| [04:46.465] |
If I could be of any help... |
| [04:47.730] |
BETTY (spoken) |
| [04:47.882] |
I'm sorry, Mr. Gillis, I couldn't see the point of it |
| [04:50.504] |
JOE (spoken) |
| [04:50.667] |
What sort of material do you suggest? |
| [04:52.502] |
James Joyce? Dostoyevsky? |
| [04:52.710] |
BETTY (spoken) |
| [04:54.626] |
I think pictures should at least try to say a little something |
| [04:57.006] |
JOE (spoken) |
| [04:57.168] |
I see you're one of the message kids |
| [04:58.945] |
I expect you'd have turned down "Gone With the Wind" |
| [05:00.385] |
SHELDRAKE (spoken) |
| [05:00.605] |
No, that was me |
| [05:01.743] |
ENSEMBLE: |
| [05:02.045] |
Gotta run |
| [05:03.588] |
BETTY (spoken): |
| [05:03.925] |
And I guess I was disappointed |
| [05:05.620] |
I've read some of your other work |
| [05:07.048] |
and I thought you had some real talent |
| [05:09.219] |
JOE (spoken): |
| [05:09.347] |
Yeah, that was last year. This year I felt like eating |
| [05:11.180] |
BETTY (spoken): |
| [05:11.343] |
Well, I'm sorry, Mr. Gillis |
| [05:12.064] |
SHELDRAKE (spoken): |
| [05:12.261] |
Thank you, Miss Kramer |
| [05:14.907] |
Well, looks like Zanuck's got himself a baseball picture |
| [05:18.565] |
ENSEMBLE: |
| [05:19.540] |
We should talk |
| [05:20.329] |
Gotta run |
| [05:21.269] |
Let's have lunch |
| [05:22.582] |
JOE: |
| [05:22.779] |
You've got to give me some work |
| [05:25.089] |
I'll take whatever's on offer |
| [05:27.388] |
There must be some shit that needs a rewrite |
| [05:29.884] |
Throw it my way |
| [05:31.521] |
SHELDRAKE: |
| [05:31.718] |
I only wish I could help |
| [05:34.388] |
There's no spare shit at the moment |
| [05:36.885] |
Remember the greatest writers starved in garretts |
| [05:40.843] |
Didn't care about pay |
| [05:42.945] |
JOE: |
| [05:43.258] |
Are you trying to be funny? |
| [05:45.487] |
SHELDRAKE: |
| [05:45.719] |
I believe in self-denial |
| [05:48.506] |
Gives a man some moral backbone |
| [05:50.688] |
JOE: |
| [05:51.105] |
Can you loan me three hundred bucks? |
| [05:53.602] |
SHELDRAKE: |
| [05:53.800] |
I'm sorry, Gillis. Good-bye |
| [05:55.378] |
JOE: |
| [05:56.672] |
I just love Hollywood |
| [06:00.209] |
CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) : |
| [06:01.301] |
Morning, Joanna / Where've you been hiding? / Hi there, Lisa |
| [06:04.087] |
I hate this weather / You look great / What're you doing? |
| [06:06.989] |
This is the biggest film ever made / I'm trying to make my mind up |
| [06:09.543] |
Guess I was born to play her/ They're talking nominations |
| [06:12.563] |
What is my motivation? / You should go work for Warners / Is your new script with Sheldrake? |
| [06:15.603] |
We shoot next month / Let's drive to Vegas this weekend |
| [06:18.447] |
I'm handing in my second draft / It's between me and Dietrich |
| [06:21.199] |
I'd really love to read it / I'd know just how to light you |
| [06:23.521] |
It won't work / I've landed a big Broadway show/ I'd know just how to light you |
| [06:24.573] |
We should talk |
| [06:26.093] |
Gotta run |
| [06:27.312] |
Let's have lunch! |
| [06:28.554] |
Hi, good morning |
| [06:29.820] |
Aren't we lucky? |
| [06:31.074] |
Going to work with Cukor |
| [06:34.533] |
Paramount is paradise |
| [06:39.936] |
Movies from A to Zukor |
| [06:42.617] |
We should talk, gotta run |
| [06:44.603] |
Let's have lunch |
| [06:45.775] |
We should talk |
| [06:46.843] |
Gotta run |
| [06:47.841] |
Let's have lunch! |
| [06:49.803] |
JOE(spoken, to BETTY): |
| [06:51.045] |
Come to get your knife back? |
| [06:52.857] |
It's still right there, |
| [06:53.937] |
Right between my shoulder blades |
