Song | God, That's Good! |
Artist | Stephen Sondheim |
Album | Sweeney Todd: The Demon Barber of Fleet Street (2005 Broadway Revival Cast - With New Orchestrations by Sarah Travis) |
Download | Image LRC TXT |
TOBIAS: | |
Ladies and gentlemen, | |
May I have your attention, perlease? | |
Are your nostrils aquiver and tingling as well | |
At that delicate, luscious ambrosial smell? | |
Yes they are, I can tell. | |
Well, ladies and gentlemen, | |
That aroma enriching the breeze | |
Is like nothing compared to its succulent source, | |
As the gourmets among you will tell you, of course. | |
Ladies and gentlemen, | |
You can't imagine the rapture in store | |
(Indicating the shop) | |
Just inside of this door! | |
(Beating his usual drum) | |
There you'll sample | |
Mrs. Lovett's meat pies, | |
Savory and sweet pies, | |
As you'll see. | |
You who eat pies, | |
Mrs. Lovett's meat pies | |
Conjure up the treat pies | |
Used to be! | |
(TOBIAS and customers sing, overlapping) | |
1ST MAN: | |
Over here, boy, how about some ale? | |
2ND MAN: | |
Let me have another, laddie! | |
1ST WOMAN: | |
Tell me, are they flavorsome? | |
2ND WOMAN: | |
They are. | |
3RD WOMAN: | |
Isn't this delicious? | |
TOBIAS (To 2ND MAN): | |
Right away. | |
4THMAN: | |
Could we have some service over here, boy? | |
4TH WOMAN: | |
Could we have some service, waiter? | |
3RD MAN: | |
Could we have some service? | |
2ND and 3RD WOMAN: | |
Yes, they are. | |
1ST MAN: | |
God, that's good! | |
2ND MAN: | |
What about that pie, boy? | |
1ST WOMAN: | |
Tell me, are they spicy? | |
2ND WOMAN: | |
God, that's good! | |
5TH WOMAN: | |
How much are you charging? | |
TOBIAS: | |
Thruppence. | |
3RD WOMAN: | |
Yes, what about the pie, boy? | |
4TH WOMAN: | |
I never tasted anything so ... | |
1ST and 5TH woman: | |
Thruppence? | |
5TH MAN: | |
Thruppence for a meat pie? | |
1ST and 2ND man: | |
Where's the ale I asked you for, boy? | |
TOBIAS: | |
|_ Ladies and gentlemen ! | |
MRS. LOVETT (Ringing a bell to attract TOBIAS 's attention) | |
Toby! | |
(She starts into the garden with a tray of pies)(To a customer) | |
TOBIAS: | |
Coming! | |
'Scuse me . . . | |
MRS. LOVETT (Indicating a beckoning customer): | |
Ale there! | |
TOBIAS: | |
Right, mum! | |
(He runs inside, picks up a jug of ale, whisks back out into the garden and starts filling tankards) | |
MRS. LOVETT: | |
Quick, now! | |
CUSTOMER (Licking their fingers): | |
God, that's good! | |
MRS. LOVETT (A bundle of activity, serving pies, collecting money, giving orders, addressing each of the patrons | |
individually and with equal insincerity): | |
Nice to see you, dearie . . | |
How have you been keeping? ... | |
Cor, me bones is weary! | |
Toby! | |
(Indicating a customer) | |
One for the gentleman . . . | |
Hear the birdies cheeping | |
Helps to keep it cheery . . . | |
(Spying the BEGGAR WOMAN) | |
Toby! | |
Throw the old woman out! | |
customers: | |
God, that's good! | |
(TOBIAS shoos the BEGGAR WOMAN away, but she soon | |
comes back, sniffing) | |
MRS. LOVETT (To other customers, without breaking rhythm): | |
What's your pleasure, dearie? ... | |
No, we don't cut slices . . | |
Cor, me eyes is bleary! . . . | |
(As TOBIAS is about to pour for a plastered customer) | |
Toby! | |
None for the gentleman! . . . | |
I could up me prices | |
I'm a little leery ... | |
Business | |
Couldn't be better, though | |
CUSTOMER: | |
God, that's good! | |
MRS. LOVETT: | |
Knock on wood. | |
(She does) | |
TODD (Leaning out of window): | |
Psst! | |
MRS. LOVETT (To a customer): | |
Excuse me ... | |
TODD: | |
Psst! | |
MRS. LOVETT (To TOBIAS): | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT (Moving toward him): | |
Yes, what, love? | |
Quick, though, the trade is brisk. | |
TODD: | |
But it's six o'clock! | |
MRS. LOVETT: | |
So it's six o'clock. | |
TODD: | |
It was due to arrive | |
At a quarter to five | |
MRS. LOVETT: | |
TODD: | |
And it's six o'clock! | |
I've been waiting all day! | |
But it should have been here | |
By now! | |
And it's probably already | |
Down the block! | |
It'll be here, it'll be here! | |
Have a beaker of beer | |
And stop worrying, dear. | |
Now, now . . . | |
CUSTOMERS: | |
More hot pies! | |
MRS. LOVETT (Looking back, agitated at being pulled in two directions): Gawd. | |
(To TODD, moving back to the garden) | |
Will you wait there, TODD: | |
Coolly, You'll come back | |
'Cos my customers truly When it comes? | |
Are getting unruly. | |
(Circulating again in the garden) | |
And what's your pleasure, dearie? | |
(Spilling ale) | |
Oops! I beg your pardon! | |
Just me hands is smeary | |
(Spotting a would-be freeloader) | |
Toby! | |
Run for the gentleman! | |
(TOBIAS catches him, collects the money; MRS. LOVETT | |
turns to another customer) | |
Don't you love a garden? | |
Always makes me teary . . | |
(Looking back at the freeloader) | |
Must be one of them foreigners | |
customers: | |
God, that's good that is delicious! | |
(During the following a huge crate appears high on a crane and moves slowly downstage to the tonsorial parlor. TODD sees it) | |
MRS. LOVETT: | |
What's my secret? | |
(To a woman) | |
Frankly, dear forgive my candor | |
Family secret, | |
All to do with herbs. | |
Things like being | |
Careful with your coriander, | |
That's what makes the gravy grander ! | |
CUSTOMER: | |
More hot pies! | |
(MRS. LOVETT hastens into the shop and loads the tray again) | |
More hot! | |
More pies! | |
TODD (Out the window): | |
Psst! | |
MRS. LOVETT (To a customer in the shop): | |
Excuse me ... | |
TODD: | |
Psst! | |
MRS. LOVETT (To TOBIAS): | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT: | |
Yes, what, love? | |
Quick, though, the trade is brisk. | |
TODD: | |
But it's here! | |
MRS. LOVETT: | |
It's where? | |
TODD: | |
Coming up the stair! | |
MRS. LOVETT: | |
(Holding up the tray) | |
I'll get rid of this lot | |
As they're still pretty hot | |
And then I'll be there! | |
TODD: | |
It's about to be opened | |
Or don't you care? | |
No, I'll be there! | |
I will be there! | |
But they'll never be sold | |
If I let 'em get cold | |
But we have to prepare! | |
(During the/allowing, the crate is lowered to the tonsorial parlor) | |
MRS. LOVETT (Without pausing for breath, smiling to a customer): | |
Oh, and | |
Incidentally, dearie, | |
You know Mrs. Mooney. | |
Sales've been so dreary | |
(Spots the BEGGAR WOMAN again) | |
Toby! | |
(To the same customer) | |
Poor thing is penniless. | |
(Indicating BEGGAR WOMAN, to TOBIAS) | |
What about that loony? | |
(To the same customer, as TOBIAS shoos the BEGGAR WOMAN away again) | |
Lookin' sort of beery | |
Oh well, got her comeuppance | |
(Hawklike, to a rising customer) | |
And that'll be thruppence and | |
CUSTOMERS: | |
(Singing with mouths/till) | |
MRS. LOVETT: | |
So she should. | |
God, that's good that is de have you | |
Licious ever tasted smell such | |
Oh my God what more that's pies good! | |
(MRS. LOVETT goes up to the tonsorial parlor, entering as TODD opens the crate, revealing an elaborate barber chair) | |
TODD and MRS. LOVETT (Swooning with admiration): | |
Oooohhhh! Oooohhhh! | |
(The empty crate swings away on the crane) | |
TODD: | |
Is that a chair fit for a king, | |
A wondrous neat | |
And most particular chair? | |
You tell me where | |
Is there a seat | |
Can half compare | |
With this particular thing! | |
I have a few | |
Minor adjustments | |
To make | |
They'll take | |
A moment. | |
I'll call you . . | |
MRS. LOVETT: | |
It's gorgeous! | |
It's gorgeous! | |
It's perfect! | |
It's gorgeous! | |
You make your few | |
Minor adjustments. | |
You take your time, | |
I'll go see to the customers. | |
TODD (Looking at the chair, as MRS. LOVETT goes back to the garden): | |
I have another friend . . | |
TOBIAS: | |
(To the customers) | |
Is that a pie fit for a king, | |
A wondrous sweet | |
And most delectable thing? | |
You see, ma'am, why | |
There is no meat | |
MRS. LOVETT: | |
It's gorgeous! | |
It's gorgeous! | |
Pie can compete It's perfect! | |
With this delectable It's gorgeous! | |
Pie. | |
customers {Simultaneously with above): | |
Yum! | |
Yum! | |
Yum! | |
TOBIAS and MRS. LOVETT: | |
The crust all velvety and wavy, | |
That glaze, those crimps . . . | |
And then, the thick, succulent gravy. . | |
One whiff, one glimpse . . . | |
customers {Simultaneously with above): | |
Yum! Yum! | |
Yum! Yum! | |
Yum! Yum! | |
Yum! Yum! | |
TODD: | |
And now to test | |
This best of barber chairs . . | |
MRS. LOVETT: | |
So rich, | |
So thick | |
It makes you sick . . . | |
TOBIAS: | |
So tender | |
That you surrender . . | |
customers {Simultaneously with above): | |
Yum! | |
Yum! | |
Yum! Yum! | |
TODD: | |
It's rime . . | |
It's rime . . | |
Psst! | |
MRS. LOVETT (To the customers): | |
Excuse me . . | |
TODD {From above): | |
Psst! | |
MRS. LOVETT (to TOBIAS): | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT {Moving toward him): | |
Yes, what, love? | |
TODD: | |
Quick, now! | |
MRS. LOVETT: | |
Me heart's aflutter ! | |
TODD: | |
When I pound the floor, | |
It's a signal to show | |
That I'm ready to go, | |
When I pound the floor! | |
I just want to be sure. | |
When I'm certain that you're | |
In place | |
MRS. LOVETT: | |
When you pound the floor, | |
Yes, you told me, I know, | |
You'll be ready to go | |
When you pound the floor | |
Will you trust me? | |
Will you trust me? | |
I'll be waiting below | |
For the whistle to blow . . | |
TODD: | |
I'll pound three rimes. | |
(He demonstrates on the frame of the window) | |
Three rimes. | |
(He does it again; she nods impatiently) | |
And then you | |
(She knocks at the air two times) | |
Three rimes | |
(She knocks heavily and wearily on the wall) | |
If you | |
(She knocks again, rolling her eyes skyward) | |
Exactly. | |
customers: | |
More hot pies! | |
MRS. LOVETT: | |
Gawd! | |
CUSTOMERS: | |
More hot! | |
MRS. LOVETT (Over her shoulder to them): | |
Right! | |
CUSTOMERS: | |
More pies! | |
TODD (Seeing her attention waver): | |
Psst! | |
CUSTOMERS: | |
More! | |
MRS. LOVETT: | |
Wait! | |
(She runs into the bakehouse, which we see for the first time. Upstage are the large baking ovens. Downstage is a | |
butcher's-block table, on which stands a bizarre meat-grinding machine. In the wall is the mouth of a chute leading down from | |
the tonsorial parlor. Upstage is a trap door leading down to an invisible cellar. While music continues under, TODD takes a | |
stack of books tied together, puts it in the chair, then pounds three times on the floor. MRS. LOVETT responds by knocking | |
three times on the mouth of the chute. TODD pulls a lever in the arm of the chair. The chair becomes a slide and the books | |
disappear through a trap. Music. The books reappear from the hole in the bakehouse wall and plop on the floor. The chair | |
resumes its normal position. MRS. LOVETT knocks three times excitedly on the chute; TODD responds by pounding on the floor | |
three times) | |
CUSTOMER: | |
More hot pies! | |
(MRS. LOVETT hurries out of the bakehouse) | |
More hot! More pies! | |
(TODD resumes tinkering happily with the chair) | |
More! Hot! Pies! | |
MRS. LOVETT and TOBIAS (To the customers): | |
Eat them slow and | |
Feel the crust, how thin I (she) rolled it! | |
Eat them slow, 'cos | |
Every one's a prize! | |
Eat them slow, 'cos | |
That's the lot and now we've sold it! | |
(She hangs up a \"Sold Out\" sign) | |
Come again tomorrow ! | |
MRS. LOVETT (Spotting something along the street): | |
Hold it | |
CUSTOMERS: | |
More hot pies! | |
MRS. LOVETT: | |
Bless my eyes ! | |
(For she sees the man with cap, from Act I, approaching the barber sign. He looks up and rings TODD 's bell three times) | |
Fresh supplies! | |
(TODD leans out, sees the man, beckons him up; the man starts up the steps. TODD holds his razor. They both freeze. MRS. | |
LOVETT takes down the \"Sold Out\" sign and turns back to the customers) | |
MRS. LOVETT: | |
How about it, dearie? | |
Be here in a twinkling! | |
Just confirms my theory | |
Toby! | |
God watches over us. | |
Didn't have an inkling . . . | |
Positively eerie . . . | |
TOBIAS: | |
Is that a pie | |
Fit for a king, | |
A wondrous sweet | |
And most delectable | |
Thing? | |
You see, ma'am, why | |
There is no meat pie | |
CUSTOMER (Simultaneously with above): | |
Yum! | |
Yum! | |
Yum! | |
Yum! Yum! | |
Yum! | |
Yum! | |
MRS. LOVETT (Spotting the BEGGAR WOMAN again): | |
Toby! | |
Throw the old woman out! | |
(As TOBIAS leads the BEGGAR WOMAN off again, Mrs. Lovett runs back to the pie-shop) | |
CUSTOMERS (Starting with their mouths full, gradually swallowing and singing clearly): | |
God, that's good that is de have you | |
Licious ever tasted smell such | |
Oh my God what perfect more that's | |
Pies such flavor | |
(MRS. LOVETT relaxes in thepie-shop with a mug of ale) | |
God, that's good! |
TOBIAS: | |
Ladies and gentlemen, | |
May I have your attention, perlease? | |
Are your nostrils aquiver and tingling as well | |
At that delicate, luscious ambrosial smell? | |
Yes they are, I can tell. | |
Well, ladies and gentlemen, | |
That aroma enriching the breeze | |
Is like nothing compared to its succulent source, | |
As the gourmets among you will tell you, of course. | |
Ladies and gentlemen, | |
You can' t imagine the rapture in store | |
Indicating the shop | |
Just inside of this door! | |
Beating his usual drum | |
There you' ll sample | |
Mrs. Lovett' s meat pies, | |
Savory and sweet pies, | |
As you' ll see. | |
You who eat pies, | |
Mrs. Lovett' s meat pies | |
Conjure up the treat pies | |
Used to be! | |
TOBIAS and customers sing, overlapping | |
1ST MAN: | |
Over here, boy, how about some ale? | |
2ND MAN: | |
Let me have another, laddie! | |
1ST WOMAN: | |
Tell me, are they flavorsome? | |
2ND WOMAN: | |
They are. | |
3RD WOMAN: | |
Isn' t this delicious? | |
TOBIAS To 2ND MAN: | |
Right away. | |
4THMAN: | |
Could we have some service over here, boy? | |
4TH WOMAN: | |
Could we have some service, waiter? | |
3RD MAN: | |
Could we have some service? | |
2ND and 3RD WOMAN: | |
Yes, they are. | |
1ST MAN: | |
God, that' s good! | |
2ND MAN: | |
What about that pie, boy? | |
1ST WOMAN: | |
Tell me, are they spicy? | |
2ND WOMAN: | |
God, that' s good! | |
5TH WOMAN: | |
How much are you charging? | |
TOBIAS: | |
Thruppence. | |
3RD WOMAN: | |
Yes, what about the pie, boy? | |
4TH WOMAN: | |
I never tasted anything so ... | |
1ST and 5TH woman: | |
Thruppence? | |
5TH MAN: | |
Thruppence for a meat pie? | |
1ST and 2ND man: | |
Where' s the ale I asked you for, boy? | |
TOBIAS: | |
_ Ladies and gentlemen ! | |
MRS. LOVETT Ringing a bell to attract TOBIAS ' s attention | |
Toby! | |
She starts into the garden with a tray of pies To a customer | |
TOBIAS: | |
Coming! | |
' Scuse me . . . | |
MRS. LOVETT Indicating a beckoning customer: | |
Ale there! | |
TOBIAS: | |
Right, mum! | |
He runs inside, picks up a jug of ale, whisks back out into the garden and starts filling tankards | |
MRS. LOVETT: | |
Quick, now! | |
CUSTOMER Licking their fingers: | |
God, that' s good! | |
MRS. LOVETT A bundle of activity, serving pies, collecting money, giving orders, addressing each of the patrons | |
individually and with equal insincerity: | |
Nice to see you, dearie . . | |
How have you been keeping? ... | |
Cor, me bones is weary! | |
Toby! | |
Indicating a customer | |
One for the gentleman . . . | |
Hear the birdies cheeping | |
Helps to keep it cheery . . . | |
Spying the BEGGAR WOMAN | |
Toby! | |
Throw the old woman out! | |
customers: | |
God, that' s good! | |
TOBIAS shoos the BEGGAR WOMAN away, but she soon | |
comes back, sniffing | |
MRS. LOVETT To other customers, without breaking rhythm: | |
What' s your pleasure, dearie? ... | |
No, we don' t cut slices . . | |
Cor, me eyes is bleary! . . . | |
As TOBIAS is about to pour for a plastered customer | |
Toby! | |
None for the gentleman! . . . | |
I could up me prices | |
I' m a little leery ... | |
Business | |
Couldn' t be better, though | |
CUSTOMER: | |
God, that' s good! | |
MRS. LOVETT: | |
Knock on wood. | |
She does | |
TODD Leaning out of window: | |
Psst! | |
MRS. LOVETT To a customer: | |
Excuse me ... | |
TODD: | |
Psst! | |
MRS. LOVETT To TOBIAS: | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT Moving toward him: | |
Yes, what, love? | |
Quick, though, the trade is brisk. | |
TODD: | |
But it' s six o' clock! | |
MRS. LOVETT: | |
So it' s six o' clock. | |
TODD: | |
It was due to arrive | |
At a quarter to five | |
MRS. LOVETT: | |
TODD: | |
And it' s six o' clock! | |
I' ve been waiting all day! | |
But it should have been here | |
By now! | |
And it' s probably already | |
Down the block! | |
It' ll be here, it' ll be here! | |
Have a beaker of beer | |
And stop worrying, dear. | |
Now, now . . . | |
CUSTOMERS: | |
More hot pies! | |
MRS. LOVETT Looking back, agitated at being pulled in two directions: Gawd. | |
To TODD, moving back to the garden | |
Will you wait there, TODD: | |
Coolly, You' ll come back | |
' Cos my customers truly When it comes? | |
Are getting unruly. | |
Circulating again in the garden | |
And what' s your pleasure, dearie? | |
Spilling ale | |
Oops! I beg your pardon! | |
Just me hands is smeary | |
Spotting a wouldbe freeloader | |
Toby! | |
Run for the gentleman! | |
TOBIAS catches him, collects the money MRS. LOVETT | |
turns to another customer | |
Don' t you love a garden? | |
Always makes me teary . . | |
Looking back at the freeloader | |
Must be one of them foreigners | |
customers: | |
God, that' s good that is delicious! | |
During the following a huge crate appears high on a crane and moves slowly downstage to the tonsorial parlor. TODD sees it | |
MRS. LOVETT: | |
What' s my secret? | |
To a woman | |
Frankly, dear forgive my candor | |
Family secret, | |
All to do with herbs. | |
Things like being | |
Careful with your coriander, | |
That' s what makes the gravy grander ! | |
CUSTOMER: | |
More hot pies! | |
MRS. LOVETT hastens into the shop and loads the tray again | |
More hot! | |
More pies! | |
TODD Out the window: | |
Psst! | |
MRS. LOVETT To a customer in the shop: | |
Excuse me ... | |
TODD: | |
Psst! | |
MRS. LOVETT To TOBIAS: | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT: | |
Yes, what, love? | |
Quick, though, the trade is brisk. | |
TODD: | |
But it' s here! | |
MRS. LOVETT: | |
It' s where? | |
TODD: | |
Coming up the stair! | |
MRS. LOVETT: | |
Holding up the tray | |
I' ll get rid of this lot | |
As they' re still pretty hot | |
And then I' ll be there! | |
TODD: | |
It' s about to be opened | |
Or don' t you care? | |
No, I' ll be there! | |
I will be there! | |
But they' ll never be sold | |
If I let ' em get cold | |
But we have to prepare! | |
During the allowing, the crate is lowered to the tonsorial parlor | |
MRS. LOVETT Without pausing for breath, smiling to a customer: | |
Oh, and | |
Incidentally, dearie, | |
You know Mrs. Mooney. | |
Sales' ve been so dreary | |
Spots the BEGGAR WOMAN again | |
Toby! | |
To the same customer | |
Poor thing is penniless. | |
Indicating BEGGAR WOMAN, to TOBIAS | |
What about that loony? | |
To the same customer, as TOBIAS shoos the BEGGAR WOMAN away again | |
Lookin' sort of beery | |
Oh well, got her comeuppance | |
Hawklike, to a rising customer | |
And that' ll be thruppence and | |
CUSTOMERS: | |
Singing with mouths till | |
MRS. LOVETT: | |
So she should. | |
God, that' s good that is de have you | |
Licious ever tasted smell such | |
Oh my God what more that' s pies good! | |
MRS. LOVETT goes up to the tonsorial parlor, entering as TODD opens the crate, revealing an elaborate barber chair | |
TODD and MRS. LOVETT Swooning with admiration: | |
Oooohhhh! Oooohhhh! | |
The empty crate swings away on the crane | |
TODD: | |
Is that a chair fit for a king, | |
A wondrous neat | |
And most particular chair? | |
You tell me where | |
Is there a seat | |
Can half compare | |
With this particular thing! | |
I have a few | |
Minor adjustments | |
To make | |
They' ll take | |
A moment. | |
I' ll call you . . | |
MRS. LOVETT: | |
It' s gorgeous! | |
It' s gorgeous! | |
It' s perfect! | |
It' s gorgeous! | |
You make your few | |
Minor adjustments. | |
You take your time, | |
I' ll go see to the customers. | |
TODD Looking at the chair, as MRS. LOVETT goes back to the garden: | |
I have another friend . . | |
TOBIAS: | |
To the customers | |
Is that a pie fit for a king, | |
A wondrous sweet | |
And most delectable thing? | |
You see, ma' am, why | |
There is no meat | |
MRS. LOVETT: | |
It' s gorgeous! | |
It' s gorgeous! | |
Pie can compete It' s perfect! | |
With this delectable It' s gorgeous! | |
Pie. | |
customers Simultaneously with above: | |
Yum! | |
Yum! | |
Yum! | |
TOBIAS and MRS. LOVETT: | |
The crust all velvety and wavy, | |
That glaze, those crimps . . . | |
And then, the thick, succulent gravy. . | |
One whiff, one glimpse . . . | |
customers Simultaneously with above: | |
Yum! Yum! | |
Yum! Yum! | |
Yum! Yum! | |
Yum! Yum! | |
TODD: | |
And now to test | |
This best of barber chairs . . | |
MRS. LOVETT: | |
So rich, | |
So thick | |
It makes you sick . . . | |
TOBIAS: | |
So tender | |
That you surrender . . | |
customers Simultaneously with above: | |
Yum! | |
Yum! | |
Yum! Yum! | |
TODD: | |
It' s rime . . | |
It' s rime . . | |
Psst! | |
MRS. LOVETT To the customers: | |
Excuse me . . | |
TODD From above: | |
Psst! | |
MRS. LOVETT to TOBIAS: | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT Moving toward him: | |
Yes, what, love? | |
TODD: | |
Quick, now! | |
MRS. LOVETT: | |
Me heart' s aflutter ! | |
TODD: | |
When I pound the floor, | |
It' s a signal to show | |
That I' m ready to go, | |
When I pound the floor! | |
I just want to be sure. | |
When I' m certain that you' re | |
In place | |
MRS. LOVETT: | |
When you pound the floor, | |
Yes, you told me, I know, | |
You' ll be ready to go | |
When you pound the floor | |
Will you trust me? | |
Will you trust me? | |
I' ll be waiting below | |
For the whistle to blow . . | |
TODD: | |
I' ll pound three rimes. | |
He demonstrates on the frame of the window | |
Three rimes. | |
He does it again she nods impatiently | |
And then you | |
She knocks at the air two times | |
Three rimes | |
She knocks heavily and wearily on the wall | |
If you | |
She knocks again, rolling her eyes skyward | |
Exactly. | |
customers: | |
More hot pies! | |
MRS. LOVETT: | |
Gawd! | |
CUSTOMERS: | |
More hot! | |
MRS. LOVETT Over her shoulder to them: | |
Right! | |
CUSTOMERS: | |
More pies! | |
TODD Seeing her attention waver: | |
Psst! | |
CUSTOMERS: | |
More! | |
MRS. LOVETT: | |
Wait! | |
She runs into the bakehouse, which we see for the first time. Upstage are the large baking ovens. Downstage is a | |
butcher' sblock table, on which stands a bizarre meatgrinding machine. In the wall is the mouth of a chute leading down from | |
the tonsorial parlor. Upstage is a trap door leading down to an invisible cellar. While music continues under, TODD takes a | |
stack of books tied together, puts it in the chair, then pounds three times on the floor. MRS. LOVETT responds by knocking | |
three times on the mouth of the chute. TODD pulls a lever in the arm of the chair. The chair becomes a slide and the books | |
disappear through a trap. Music. The books reappear from the hole in the bakehouse wall and plop on the floor. The chair | |
resumes its normal position. MRS. LOVETT knocks three times excitedly on the chute TODD responds by pounding on the floor | |
three times | |
CUSTOMER: | |
More hot pies! | |
MRS. LOVETT hurries out of the bakehouse | |
More hot! More pies! | |
TODD resumes tinkering happily with the chair | |
More! Hot! Pies! | |
MRS. LOVETT and TOBIAS To the customers: | |
Eat them slow and | |
Feel the crust, how thin I she rolled it! | |
Eat them slow, ' cos | |
Every one' s a prize! | |
Eat them slow, ' cos | |
That' s the lot and now we' ve sold it! | |
She hangs up a " Sold Out" sign | |
Come again tomorrow ! | |
MRS. LOVETT Spotting something along the street: | |
Hold it | |
CUSTOMERS: | |
More hot pies! | |
MRS. LOVETT: | |
Bless my eyes ! | |
For she sees the man with cap, from Act I, approaching the barber sign. He looks up and rings TODD ' s bell three times | |
Fresh supplies! | |
TODD leans out, sees the man, beckons him up the man starts up the steps. TODD holds his razor. They both freeze. MRS. | |
LOVETT takes down the " Sold Out" sign and turns back to the customers | |
MRS. LOVETT: | |
How about it, dearie? | |
Be here in a twinkling! | |
Just confirms my theory | |
Toby! | |
God watches over us. | |
Didn' t have an inkling . . . | |
Positively eerie . . . | |
TOBIAS: | |
Is that a pie | |
Fit for a king, | |
A wondrous sweet | |
And most delectable | |
Thing? | |
You see, ma' am, why | |
There is no meat pie | |
CUSTOMER Simultaneously with above: | |
Yum! | |
Yum! | |
Yum! | |
Yum! Yum! | |
Yum! | |
Yum! | |
MRS. LOVETT Spotting the BEGGAR WOMAN again: | |
Toby! | |
Throw the old woman out! | |
As TOBIAS leads the BEGGAR WOMAN off again, Mrs. Lovett runs back to the pieshop | |
CUSTOMERS Starting with their mouths full, gradually swallowing and singing clearly: | |
God, that' s good that is de have you | |
Licious ever tasted smell such | |
Oh my God what perfect more that' s | |
Pies such flavor | |
MRS. LOVETT relaxes in thepieshop with a mug of ale | |
God, that' s good! |
TOBIAS: | |
Ladies and gentlemen, | |
May I have your attention, perlease? | |
Are your nostrils aquiver and tingling as well | |
At that delicate, luscious ambrosial smell? | |
Yes they are, I can tell. | |
Well, ladies and gentlemen, | |
That aroma enriching the breeze | |
Is like nothing compared to its succulent source, | |
As the gourmets among you will tell you, of course. | |
Ladies and gentlemen, | |
You can' t imagine the rapture in store | |
Indicating the shop | |
Just inside of this door! | |
Beating his usual drum | |
There you' ll sample | |
Mrs. Lovett' s meat pies, | |
Savory and sweet pies, | |
As you' ll see. | |
You who eat pies, | |
Mrs. Lovett' s meat pies | |
Conjure up the treat pies | |
Used to be! | |
TOBIAS and customers sing, overlapping | |
1ST MAN: | |
Over here, boy, how about some ale? | |
2ND MAN: | |
Let me have another, laddie! | |
1ST WOMAN: | |
Tell me, are they flavorsome? | |
2ND WOMAN: | |
They are. | |
3RD WOMAN: | |
Isn' t this delicious? | |
TOBIAS To 2ND MAN: | |
Right away. | |
4THMAN: | |
Could we have some service over here, boy? | |
4TH WOMAN: | |
Could we have some service, waiter? | |
3RD MAN: | |
Could we have some service? | |
2ND and 3RD WOMAN: | |
Yes, they are. | |
1ST MAN: | |
God, that' s good! | |
2ND MAN: | |
What about that pie, boy? | |
1ST WOMAN: | |
Tell me, are they spicy? | |
2ND WOMAN: | |
God, that' s good! | |
5TH WOMAN: | |
How much are you charging? | |
TOBIAS: | |
Thruppence. | |
3RD WOMAN: | |
Yes, what about the pie, boy? | |
4TH WOMAN: | |
I never tasted anything so ... | |
1ST and 5TH woman: | |
Thruppence? | |
5TH MAN: | |
Thruppence for a meat pie? | |
1ST and 2ND man: | |
Where' s the ale I asked you for, boy? | |
TOBIAS: | |
_ Ladies and gentlemen ! | |
MRS. LOVETT Ringing a bell to attract TOBIAS ' s attention | |
Toby! | |
She starts into the garden with a tray of pies To a customer | |
TOBIAS: | |
Coming! | |
' Scuse me . . . | |
MRS. LOVETT Indicating a beckoning customer: | |
Ale there! | |
TOBIAS: | |
Right, mum! | |
He runs inside, picks up a jug of ale, whisks back out into the garden and starts filling tankards | |
MRS. LOVETT: | |
Quick, now! | |
CUSTOMER Licking their fingers: | |
God, that' s good! | |
MRS. LOVETT A bundle of activity, serving pies, collecting money, giving orders, addressing each of the patrons | |
individually and with equal insincerity: | |
Nice to see you, dearie . . | |
How have you been keeping? ... | |
Cor, me bones is weary! | |
Toby! | |
Indicating a customer | |
One for the gentleman . . . | |
Hear the birdies cheeping | |
Helps to keep it cheery . . . | |
Spying the BEGGAR WOMAN | |
Toby! | |
Throw the old woman out! | |
customers: | |
God, that' s good! | |
TOBIAS shoos the BEGGAR WOMAN away, but she soon | |
comes back, sniffing | |
MRS. LOVETT To other customers, without breaking rhythm: | |
What' s your pleasure, dearie? ... | |
No, we don' t cut slices . . | |
Cor, me eyes is bleary! . . . | |
As TOBIAS is about to pour for a plastered customer | |
Toby! | |
None for the gentleman! . . . | |
I could up me prices | |
I' m a little leery ... | |
Business | |
Couldn' t be better, though | |
CUSTOMER: | |
God, that' s good! | |
MRS. LOVETT: | |
Knock on wood. | |
She does | |
TODD Leaning out of window: | |
Psst! | |
MRS. LOVETT To a customer: | |
Excuse me ... | |
TODD: | |
Psst! | |
MRS. LOVETT To TOBIAS: | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT Moving toward him: | |
Yes, what, love? | |
Quick, though, the trade is brisk. | |
TODD: | |
But it' s six o' clock! | |
MRS. LOVETT: | |
So it' s six o' clock. | |
TODD: | |
It was due to arrive | |
At a quarter to five | |
MRS. LOVETT: | |
TODD: | |
And it' s six o' clock! | |
I' ve been waiting all day! | |
But it should have been here | |
By now! | |
And it' s probably already | |
Down the block! | |
It' ll be here, it' ll be here! | |
Have a beaker of beer | |
And stop worrying, dear. | |
Now, now . . . | |
CUSTOMERS: | |
More hot pies! | |
MRS. LOVETT Looking back, agitated at being pulled in two directions: Gawd. | |
To TODD, moving back to the garden | |
Will you wait there, TODD: | |
Coolly, You' ll come back | |
' Cos my customers truly When it comes? | |
Are getting unruly. | |
Circulating again in the garden | |
And what' s your pleasure, dearie? | |
Spilling ale | |
Oops! I beg your pardon! | |
Just me hands is smeary | |
Spotting a wouldbe freeloader | |
Toby! | |
Run for the gentleman! | |
TOBIAS catches him, collects the money MRS. LOVETT | |
turns to another customer | |
Don' t you love a garden? | |
Always makes me teary . . | |
Looking back at the freeloader | |
Must be one of them foreigners | |
customers: | |
God, that' s good that is delicious! | |
During the following a huge crate appears high on a crane and moves slowly downstage to the tonsorial parlor. TODD sees it | |
MRS. LOVETT: | |
What' s my secret? | |
To a woman | |
Frankly, dear forgive my candor | |
Family secret, | |
All to do with herbs. | |
Things like being | |
Careful with your coriander, | |
That' s what makes the gravy grander ! | |
CUSTOMER: | |
More hot pies! | |
MRS. LOVETT hastens into the shop and loads the tray again | |
More hot! | |
More pies! | |
TODD Out the window: | |
Psst! | |
MRS. LOVETT To a customer in the shop: | |
Excuse me ... | |
TODD: | |
Psst! | |
MRS. LOVETT To TOBIAS: | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT: | |
Yes, what, love? | |
Quick, though, the trade is brisk. | |
TODD: | |
But it' s here! | |
MRS. LOVETT: | |
It' s where? | |
TODD: | |
Coming up the stair! | |
MRS. LOVETT: | |
Holding up the tray | |
I' ll get rid of this lot | |
As they' re still pretty hot | |
And then I' ll be there! | |
TODD: | |
It' s about to be opened | |
Or don' t you care? | |
No, I' ll be there! | |
I will be there! | |
But they' ll never be sold | |
If I let ' em get cold | |
But we have to prepare! | |
During the allowing, the crate is lowered to the tonsorial parlor | |
MRS. LOVETT Without pausing for breath, smiling to a customer: | |
Oh, and | |
Incidentally, dearie, | |
You know Mrs. Mooney. | |
Sales' ve been so dreary | |
Spots the BEGGAR WOMAN again | |
Toby! | |
To the same customer | |
Poor thing is penniless. | |
Indicating BEGGAR WOMAN, to TOBIAS | |
What about that loony? | |
To the same customer, as TOBIAS shoos the BEGGAR WOMAN away again | |
Lookin' sort of beery | |
Oh well, got her comeuppance | |
Hawklike, to a rising customer | |
And that' ll be thruppence and | |
CUSTOMERS: | |
Singing with mouths till | |
MRS. LOVETT: | |
So she should. | |
God, that' s good that is de have you | |
Licious ever tasted smell such | |
Oh my God what more that' s pies good! | |
MRS. LOVETT goes up to the tonsorial parlor, entering as TODD opens the crate, revealing an elaborate barber chair | |
TODD and MRS. LOVETT Swooning with admiration: | |
Oooohhhh! Oooohhhh! | |
The empty crate swings away on the crane | |
TODD: | |
Is that a chair fit for a king, | |
A wondrous neat | |
And most particular chair? | |
You tell me where | |
Is there a seat | |
Can half compare | |
With this particular thing! | |
I have a few | |
Minor adjustments | |
To make | |
They' ll take | |
A moment. | |
I' ll call you . . | |
MRS. LOVETT: | |
It' s gorgeous! | |
It' s gorgeous! | |
It' s perfect! | |
It' s gorgeous! | |
You make your few | |
Minor adjustments. | |
You take your time, | |
I' ll go see to the customers. | |
TODD Looking at the chair, as MRS. LOVETT goes back to the garden: | |
I have another friend . . | |
TOBIAS: | |
To the customers | |
Is that a pie fit for a king, | |
A wondrous sweet | |
And most delectable thing? | |
You see, ma' am, why | |
There is no meat | |
MRS. LOVETT: | |
It' s gorgeous! | |
It' s gorgeous! | |
Pie can compete It' s perfect! | |
With this delectable It' s gorgeous! | |
Pie. | |
customers Simultaneously with above: | |
Yum! | |
Yum! | |
Yum! | |
TOBIAS and MRS. LOVETT: | |
The crust all velvety and wavy, | |
That glaze, those crimps . . . | |
And then, the thick, succulent gravy. . | |
One whiff, one glimpse . . . | |
customers Simultaneously with above: | |
Yum! Yum! | |
Yum! Yum! | |
Yum! Yum! | |
Yum! Yum! | |
TODD: | |
And now to test | |
This best of barber chairs . . | |
MRS. LOVETT: | |
So rich, | |
So thick | |
It makes you sick . . . | |
TOBIAS: | |
So tender | |
That you surrender . . | |
customers Simultaneously with above: | |
Yum! | |
Yum! | |
Yum! Yum! | |
TODD: | |
It' s rime . . | |
It' s rime . . | |
Psst! | |
MRS. LOVETT To the customers: | |
Excuse me . . | |
TODD From above: | |
Psst! | |
MRS. LOVETT to TOBIAS: | |
Dear, see to the customers. | |
TODD: | |
Psst! | |
MRS. LOVETT Moving toward him: | |
Yes, what, love? | |
TODD: | |
Quick, now! | |
MRS. LOVETT: | |
Me heart' s aflutter ! | |
TODD: | |
When I pound the floor, | |
It' s a signal to show | |
That I' m ready to go, | |
When I pound the floor! | |
I just want to be sure. | |
When I' m certain that you' re | |
In place | |
MRS. LOVETT: | |
When you pound the floor, | |
Yes, you told me, I know, | |
You' ll be ready to go | |
When you pound the floor | |
Will you trust me? | |
Will you trust me? | |
I' ll be waiting below | |
For the whistle to blow . . | |
TODD: | |
I' ll pound three rimes. | |
He demonstrates on the frame of the window | |
Three rimes. | |
He does it again she nods impatiently | |
And then you | |
She knocks at the air two times | |
Three rimes | |
She knocks heavily and wearily on the wall | |
If you | |
She knocks again, rolling her eyes skyward | |
Exactly. | |
customers: | |
More hot pies! | |
MRS. LOVETT: | |
Gawd! | |
CUSTOMERS: | |
More hot! | |
MRS. LOVETT Over her shoulder to them: | |
Right! | |
CUSTOMERS: | |
More pies! | |
TODD Seeing her attention waver: | |
Psst! | |
CUSTOMERS: | |
More! | |
MRS. LOVETT: | |
Wait! | |
She runs into the bakehouse, which we see for the first time. Upstage are the large baking ovens. Downstage is a | |
butcher' sblock table, on which stands a bizarre meatgrinding machine. In the wall is the mouth of a chute leading down from | |
the tonsorial parlor. Upstage is a trap door leading down to an invisible cellar. While music continues under, TODD takes a | |
stack of books tied together, puts it in the chair, then pounds three times on the floor. MRS. LOVETT responds by knocking | |
three times on the mouth of the chute. TODD pulls a lever in the arm of the chair. The chair becomes a slide and the books | |
disappear through a trap. Music. The books reappear from the hole in the bakehouse wall and plop on the floor. The chair | |
resumes its normal position. MRS. LOVETT knocks three times excitedly on the chute TODD responds by pounding on the floor | |
three times | |
CUSTOMER: | |
More hot pies! | |
MRS. LOVETT hurries out of the bakehouse | |
More hot! More pies! | |
TODD resumes tinkering happily with the chair | |
More! Hot! Pies! | |
MRS. LOVETT and TOBIAS To the customers: | |
Eat them slow and | |
Feel the crust, how thin I she rolled it! | |
Eat them slow, ' cos | |
Every one' s a prize! | |
Eat them slow, ' cos | |
That' s the lot and now we' ve sold it! | |
She hangs up a " Sold Out" sign | |
Come again tomorrow ! | |
MRS. LOVETT Spotting something along the street: | |
Hold it | |
CUSTOMERS: | |
More hot pies! | |
MRS. LOVETT: | |
Bless my eyes ! | |
For she sees the man with cap, from Act I, approaching the barber sign. He looks up and rings TODD ' s bell three times | |
Fresh supplies! | |
TODD leans out, sees the man, beckons him up the man starts up the steps. TODD holds his razor. They both freeze. MRS. | |
LOVETT takes down the " Sold Out" sign and turns back to the customers | |
MRS. LOVETT: | |
How about it, dearie? | |
Be here in a twinkling! | |
Just confirms my theory | |
Toby! | |
God watches over us. | |
Didn' t have an inkling . . . | |
Positively eerie . . . | |
TOBIAS: | |
Is that a pie | |
Fit for a king, | |
A wondrous sweet | |
And most delectable | |
Thing? | |
You see, ma' am, why | |
There is no meat pie | |
CUSTOMER Simultaneously with above: | |
Yum! | |
Yum! | |
Yum! | |
Yum! Yum! | |
Yum! | |
Yum! | |
MRS. LOVETT Spotting the BEGGAR WOMAN again: | |
Toby! | |
Throw the old woman out! | |
As TOBIAS leads the BEGGAR WOMAN off again, Mrs. Lovett runs back to the pieshop | |
CUSTOMERS Starting with their mouths full, gradually swallowing and singing clearly: | |
God, that' s good that is de have you | |
Licious ever tasted smell such | |
Oh my God what perfect more that' s | |
Pies such flavor | |
MRS. LOVETT relaxes in thepieshop with a mug of ale | |
God, that' s good! |