Song | The Heist |
Artist | Kate Tempest |
Album | Everybody Down |
[00:09.54] | It’s midnight in the metropolis |
[00:11.19] | Winter is coming |
[00:12.25] | Harry’s in the hallway |
[00:13.58] | Counting out his money |
[00:14.99] | Leon’s in the kitchen |
[00:16.26] | Sharpening knives |
[00:17.46] | The moonlight whispers |
[00:18.79] | In the dark of the skies |
[00:19.89] | Leon and Harry |
[00:21.46] | Friends since before they could say the word ‘friend’ |
[00:23.76] | Two sides of the same coin |
[00:25.19] | Two-man industry, they play it very cool |
[00:26.75] | Harry’s got the plans, Leon’s got the heavy tools |
[00:30.35] | Sell at high price to discerning clientele |
[00:32.67] | But tonight Harry’s worried, though |
[00:34.38] | ‘Cause Leon’s high as hell |
[00:35.52] | With an unfamiliar glimmer in his eye |
[00:37.19] | Looks like it might be a difficult night |
[00:40.84] | You’ve got to take it as it comes |
[00:42.20] | You’ve got to do what you’ve got to do |
[00:44.28] | Until you get it done |
[00:45.64] | You’ve got to know what you’re in it for |
[00:47.83] | And don’t stop ‘til you got what you’re living for |
[00:50.10] | It’s horrible in Paradise |
[00:52.32] | Harry’s at the bar, sipping lager |
[00:53.97] | Leon’s in the corner with a Pina Colada |
[00:56.40] | And two girls, Rachel and Renata |
[00:58.52] | Keeping one eye on Harry |
[00:59.92] | And the other on the dancefloor |
[01:01.25] | Sounds of laughter |
[01:02.93] | Harry stares ahead of him |
[01:03.77] | The guy standing next him |
[01:04.97] | Turns to him and he says to him: |
[01:06.32] | ‘I’m a friend of Pico’s, I heard you need the medicine’ |
[01:08.84] | Harry looks him up and down, like |
[01:10.37] | I don’t like the stench of him |
[01:11.67] | Without saying anything, Harry’s on his feet |
[01:14.21] | Walking to the back room, trying to look discreet |
[01:16.50] | The guy that he’s following is flabby round the middle |
[01:18.89] | Wearing a blue suit, pink tie, new boots |
[01:21.21] | Slick hair to the side, little ‘tache |
[01:23.35] | And he walks with a limp |
[01:24.71] | He talks with a sort of distorted lisp |
[01:26.50] | Leon’s on his feet, staying hidden |
[01:29.45] | As they step into the back room, he slips in with them |
[01:31.94] | You’ve got to take it as it comes |
[01:33.61] | You’ve got to do what you’ve got to do |
[01:35.46] | Until you get it done |
[01:36.80] | You’ve got to know what you’re in it for |
[01:39.13] | And don’t stop ‘til you got what you’re living for |
[01:41.35] | You’ve got to take it as it comes |
[01:43.58] | You’ve got to do what you’ve got to do |
[01:45.65] | Until you get it done |
[01:46.97] | You’ve got to know what you’re in it for |
[01:49.18] | And keep on, even when it all goes wrong |
[01:52.27] | The guy says, ‘Call me Joey |
[01:53.72] | This here is my place |
[01:55.13] | I’m the King to Pico’s Ace |
[01:56.57] | And I hope for your sake mate that you ain’t no joker.’ |
[01:59.48] | Harry says nothing |
[02:01.33] | Joey beckons to the sofa |
[02:02.54] | They sit either side of a glass-topped tank |
[02:05.04] | There’s a baby shark inside, about a metre long |
[02:07.47] | The room is dim lit and the walls are blank |
[02:10.07] | Joey says, ‘Now we both know that Pico’s gone |
[02:12.57] | Away for a little while |
[02:14.18] | Before he left, he said you was a good guy |
[02:16.70] | No funny business.’ |
[02:18.07] | Joey takes a package from the chest by the desk |
[02:20.36] | And he puts it on the tank and |
[02:22.29] | His eyes shine vicious and cold |
[02:23.48] | Now he’s pouring out a brandy |
[02:25.15] | Saying, ‘This is premium quality |
[02:26.52] | Do you understand me? |
[02:28.31] | Since Pico’s departure, the prices have risen |
[02:30.44] | It’s double what it used to be |
[02:32.34] | Ok?’ |
[02:33.22] | Sitting there quietly |
[02:34.14] | Harry opens up his suitcase |
[02:35.89] | ‘I’ll pay you what I paid him.’ |
[02:37.27] | Joey smiles like his tooth aches |
[02:38.45] | All lop-sided and strange |
[02:40.04] | He says, ‘You’ll pay me what I ask for |
[02:42.09] | Or you walk away with nothing |
[02:43.60] | You know full well |
[02:44.65] | It’s the best coke in the country |
[02:46.12] | You either deal with me or your customers go hungry |
[02:48.45] | What’s the matter, Harry? You look a little jumpy |
[02:50.96] | Cat got your tongue or something?’ |
[02:53.26] | Leon’s watching from the corner |
[02:55.06] | Wondering if he’s bluffing |
[02:56.22] | Joey’s waiting |
[02:57.03] | Harry’s saying, ‘No |
[02:57.75] | No negotiating.’ |
[02:58.81] | Joey says: ‘It’s more pure |
[03:00.08] | Than what you’ve had before |
[03:01.34] | This is straight off the boat |
[03:02.64] | No joke |
[03:03.35] | Where’s the notes?’ |
[03:04.06] | In a breath, Leon’s out from his hiding place |
[03:07.72] | Steel toes, hurricane hands, calm face |
[03:10.22] | Joey drops suddenly |
[03:11.53] | Like a kid with his first pill |
[03:12.76] | Harry’s at the stash |
[03:14.07] | Getting the cash |
[03:14.96] | Leon works ‘til |
[03:15.74] | Joey’s just a pattern in the carpet |
[03:17.31] | Harry shakes his head and puts the package in his jacket |
[03:20.80] | ‘What?’ says Leon |
[03:21.70] | ‘Ain’t worth doing nothing half-hearted.’ |
[03:23.01] | Harry buttons his coat and tries to settle his |
[03:25.28] | Panic |
[03:36.63] | You’ve got know what you’re in it for |
[03:38.12] | And keep on, right? |
[03:39.13] | Even when it all goes wrong? |
[00:09.54] | It' s midnight in the metropolis |
[00:11.19] | Winter is coming |
[00:12.25] | Harry' s in the hallway |
[00:13.58] | Counting out his money |
[00:14.99] | Leon' s in the kitchen |
[00:16.26] | Sharpening knives |
[00:17.46] | The moonlight whispers |
[00:18.79] | In the dark of the skies |
[00:19.89] | Leon and Harry |
[00:21.46] | Friends since before they could say the word ' friend' |
[00:23.76] | Two sides of the same coin |
[00:25.19] | Twoman industry, they play it very cool |
[00:26.75] | Harry' s got the plans, Leon' s got the heavy tools |
[00:30.35] | Sell at high price to discerning clientele |
[00:32.67] | But tonight Harry' s worried, though |
[00:34.38] | ' Cause Leon' s high as hell |
[00:35.52] | With an unfamiliar glimmer in his eye |
[00:37.19] | Looks like it might be a difficult night |
[00:40.84] | You' ve got to take it as it comes |
[00:42.20] | You' ve got to do what you' ve got to do |
[00:44.28] | Until you get it done |
[00:45.64] | You' ve got to know what you' re in it for |
[00:47.83] | And don' t stop ' til you got what you' re living for |
[00:50.10] | It' s horrible in Paradise |
[00:52.32] | Harry' s at the bar, sipping lager |
[00:53.97] | Leon' s in the corner with a Pina Colada |
[00:56.40] | And two girls, Rachel and Renata |
[00:58.52] | Keeping one eye on Harry |
[00:59.92] | And the other on the dancefloor |
[01:01.25] | Sounds of laughter |
[01:02.93] | Harry stares ahead of him |
[01:03.77] | The guy standing next him |
[01:04.97] | Turns to him and he says to him: |
[01:06.32] | ' I' m a friend of Pico' s, I heard you need the medicine' |
[01:08.84] | Harry looks him up and down, like |
[01:10.37] | I don' t like the stench of him |
[01:11.67] | Without saying anything, Harry' s on his feet |
[01:14.21] | Walking to the back room, trying to look discreet |
[01:16.50] | The guy that he' s following is flabby round the middle |
[01:18.89] | Wearing a blue suit, pink tie, new boots |
[01:21.21] | Slick hair to the side, little ' tache |
[01:23.35] | And he walks with a limp |
[01:24.71] | He talks with a sort of distorted lisp |
[01:26.50] | Leon' s on his feet, staying hidden |
[01:29.45] | As they step into the back room, he slips in with them |
[01:31.94] | You' ve got to take it as it comes |
[01:33.61] | You' ve got to do what you' ve got to do |
[01:35.46] | Until you get it done |
[01:36.80] | You' ve got to know what you' re in it for |
[01:39.13] | And don' t stop ' til you got what you' re living for |
[01:41.35] | You' ve got to take it as it comes |
[01:43.58] | You' ve got to do what you' ve got to do |
[01:45.65] | Until you get it done |
[01:46.97] | You' ve got to know what you' re in it for |
[01:49.18] | And keep on, even when it all goes wrong |
[01:52.27] | The guy says, ' Call me Joey |
[01:53.72] | This here is my place |
[01:55.13] | I' m the King to Pico' s Ace |
[01:56.57] | And I hope for your sake mate that you ain' t no joker.' |
[01:59.48] | Harry says nothing |
[02:01.33] | Joey beckons to the sofa |
[02:02.54] | They sit either side of a glasstopped tank |
[02:05.04] | There' s a baby shark inside, about a metre long |
[02:07.47] | The room is dim lit and the walls are blank |
[02:10.07] | Joey says, ' Now we both know that Pico' s gone |
[02:12.57] | Away for a little while |
[02:14.18] | Before he left, he said you was a good guy |
[02:16.70] | No funny business.' |
[02:18.07] | Joey takes a package from the chest by the desk |
[02:20.36] | And he puts it on the tank and |
[02:22.29] | His eyes shine vicious and cold |
[02:23.48] | Now he' s pouring out a brandy |
[02:25.15] | Saying, ' This is premium quality |
[02:26.52] | Do you understand me? |
[02:28.31] | Since Pico' s departure, the prices have risen |
[02:30.44] | It' s double what it used to be |
[02:32.34] | Ok?' |
[02:33.22] | Sitting there quietly |
[02:34.14] | Harry opens up his suitcase |
[02:35.89] | ' I' ll pay you what I paid him.' |
[02:37.27] | Joey smiles like his tooth aches |
[02:38.45] | All lopsided and strange |
[02:40.04] | He says, ' You' ll pay me what I ask for |
[02:42.09] | Or you walk away with nothing |
[02:43.60] | You know full well |
[02:44.65] | It' s the best coke in the country |
[02:46.12] | You either deal with me or your customers go hungry |
[02:48.45] | What' s the matter, Harry? You look a little jumpy |
[02:50.96] | Cat got your tongue or something?' |
[02:53.26] | Leon' s watching from the corner |
[02:55.06] | Wondering if he' s bluffing |
[02:56.22] | Joey' s waiting |
[02:57.03] | Harry' s saying, ' No |
[02:57.75] | No negotiating.' |
[02:58.81] | Joey says: ' It' s more pure |
[03:00.08] | Than what you' ve had before |
[03:01.34] | This is straight off the boat |
[03:02.64] | No joke |
[03:03.35] | Where' s the notes?' |
[03:04.06] | In a breath, Leon' s out from his hiding place |
[03:07.72] | Steel toes, hurricane hands, calm face |
[03:10.22] | Joey drops suddenly |
[03:11.53] | Like a kid with his first pill |
[03:12.76] | Harry' s at the stash |
[03:14.07] | Getting the cash |
[03:14.96] | Leon works ' til |
[03:15.74] | Joey' s just a pattern in the carpet |
[03:17.31] | Harry shakes his head and puts the package in his jacket |
[03:20.80] | ' What?' says Leon |
[03:21.70] | ' Ain' t worth doing nothing halfhearted.' |
[03:23.01] | Harry buttons his coat and tries to settle his |
[03:25.28] | Panic |
[03:36.63] | You' ve got know what you' re in it for |
[03:38.12] | And keep on, right? |
[03:39.13] | Even when it all goes wrong? |