Song | Queen Tut |
Artist | Chief Kamachi |
Album | Radio Raheem |
Download | Image LRC TXT |
I call a slick chick the ruler… | |
Queen Tut, the first female African jeweler | |
Neck full of emeralds, respected by the criminals | |
Try to tell these sewer rats… | |
Statues of the queen in Africa look identical | |
The pale version of Nefertiti subliminal | |
They playing cover girl, caught up in another world | |
My hands on a real black oyster with a mother pearl | |
She shake a little knowledge to the drummer roll | |
She do her thing…look like summer gold | |
Her energy could brighten up a dark day | |
She doing crazy over posers… | |
Puff a little old school herb on her off day | |
Writing in her poetry journal, sipping a coffee | |
Every time she speak I think she lost me | |
Chill, you ain’t Lauryn Hill, killing me softly | |
Yeah, Queen Tut | |
She ain’t caught up in the TV or the peer pressure | |
….they say beauty in the eye of beholders | |
Her daddy called her the queen every time he would hold her | |
Now she only pick real men when she got older | |
Ain’t jealous on no women, they ain’t no chip on her shoulder | |
…all those lip injections and hip corrections | |
Black Madonna and the child, no disconnection… | |
Every time she speak I think she lost me | |
Chill, you ain’t Lauryn Hill, killing me softly | |
Yeah, Queen Tut |
I call a slick chick the ruler | |
Queen Tut, the first female African jeweler | |
Neck full of emeralds, respected by the criminals | |
Try to tell these sewer rats | |
Statues of the queen in Africa look identical | |
The pale version of Nefertiti subliminal | |
They playing cover girl, caught up in another world | |
My hands on a real black oyster with a mother pearl | |
She shake a little knowledge to the drummer roll | |
She do her thing look like summer gold | |
Her energy could brighten up a dark day | |
She doing crazy over posers | |
Puff a little old school herb on her off day | |
Writing in her poetry journal, sipping a coffee | |
Every time she speak I think she lost me | |
Chill, you ain' t Lauryn Hill, killing me softly | |
Yeah, Queen Tut | |
She ain' t caught up in the TV or the peer pressure | |
. they say beauty in the eye of beholders | |
Her daddy called her the queen every time he would hold her | |
Now she only pick real men when she got older | |
Ain' t jealous on no women, they ain' t no chip on her shoulder | |
all those lip injections and hip corrections | |
Black Madonna and the child, no disconnection | |
Every time she speak I think she lost me | |
Chill, you ain' t Lauryn Hill, killing me softly | |
Yeah, Queen Tut |
I call a slick chick the ruler | |
Queen Tut, the first female African jeweler | |
Neck full of emeralds, respected by the criminals | |
Try to tell these sewer rats | |
Statues of the queen in Africa look identical | |
The pale version of Nefertiti subliminal | |
They playing cover girl, caught up in another world | |
My hands on a real black oyster with a mother pearl | |
She shake a little knowledge to the drummer roll | |
She do her thing look like summer gold | |
Her energy could brighten up a dark day | |
She doing crazy over posers | |
Puff a little old school herb on her off day | |
Writing in her poetry journal, sipping a coffee | |
Every time she speak I think she lost me | |
Chill, you ain' t Lauryn Hill, killing me softly | |
Yeah, Queen Tut | |
She ain' t caught up in the TV or the peer pressure | |
. they say beauty in the eye of beholders | |
Her daddy called her the queen every time he would hold her | |
Now she only pick real men when she got older | |
Ain' t jealous on no women, they ain' t no chip on her shoulder | |
all those lip injections and hip corrections | |
Black Madonna and the child, no disconnection | |
Every time she speak I think she lost me | |
Chill, you ain' t Lauryn Hill, killing me softly | |
Yeah, Queen Tut |