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One of the most unforgettable details in the entire Bayeux Tapestry is this seemingly incidental detail of a mother and child turned refugee, fleeing from their burning house, maybe even Hastings, resigned to their fate, not looking back. This is the first of the images that will echo through European art, through Rubens, Goya and Picasso' s Guernica, of the victims of war, of civilians, of innocence. But William soon discovered there was no easy route to get from Pevensey to London. The country behind the town was waterlogged, crossed by little river valleys that fed into the sea. But there was one old AngloSaxon trail that could take him to the Roman road going north through Kent, and it was for mastery of this ancient, muddy, rutted track, for the most gruelling battle in early British history would be fought. |
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bèi yè guà tǎn zhōng zuì lìng rén nán wàng de yí gè xì jié jiù shì, zhè kàn sì ǒu rán de qíng jǐng, yī duì mǔ zǐ biàn chéng le nàn mín cóng tā men zháo huǒ de jiā zhōng táo chū, yǒu kě néng shì hēi sī tíng sī zhàn yì de xìng cún zhě, dī tóu rèn mìng, cóng cǐ bèi jǐng lí xiāng. zhè shì dì yī fú yǐng xiǎng le zhěng gè ōu zhōu yì shù jiè de zuò pǐn, yǐng xiǎng le lǔ bīn sī gē yǎ, bì jiā suǒ de gé ěr ní jiā, zhàn zhēng zhōng nèi xiē wú gū bǎi xìng de bēi cǎn mìng yùn. dàn shì hěn kuài wēi lián jiù fā xiàn, cóng pèi wén xī dá huí lún dūn méi yǒu jié jìng, zhèn zi hòu miàn dí cūn zhuāng yǐ jīng bèi shuǐ yān mò, héng chuān cūn zhuāng de shān jiàn zhí zhù rù dà hǎi. dàn shì yǒu yī tiáo gǔ lǎo de àng gé lǔ sā kè xùn xiǎo lù, néng gòu xiàng běi chuān guò kěn tè, dào dá luó mǎ yì dào, wèi zhēng duó zhàn lǐng zhè tiáo gǔ lǎo ér ní nìng de xiǎo lù. zǎo qī bù liè diān shǐ shàng zuì cǎn liè de áo zhàn, jí jiāng zài cǐ dǎ xiǎng. |