|
Some writers venture into less predictable plots, which might even seem to be plotless. Some authors complicate the structure of their plots with the use of flashbacks and flashforwards with the frame of a story within a story or with subplots or double plots which means two or more equally important narratives progressing simultaneously. Besides, another unique technique called deliberate ambiguity or openendedness is a plot feature found in many modern stories. The surprise endings of French author Guy de Maupassant, as in his 1884 story The Necklace, influenced many commercial writers but also some literary ones. At the turn of the century, American author O. Henry became famous for his paradoxical style and surprise endings, such as in A Gift of the Magi. |
|
yī xiē zuò zhě shǐ yòng shǎn huí hé shǎn qián shǐ qíng jié hé jié gòu fù zá huà yǒu de shǐ yòng xì zhōng xì de jié gòu hái yǒu de shǐ yòng cì yào qíng jié huò shuāng qíng jié, yì wèi zhe liǎng gè huò liǎng gè yǐ shàng de tóng děng zhòng yào de xù shì tóng shí jìn zhǎn. cǐ wài, lìng yí gè dú tè de jì shù chēng wéi xù yì qí yì huò kāi fàng xìng, shì zài xǔ duō xiàn dài xiǎo shuō zhōng suǒ shǐ yòng de yí gè qíng jié tè diǎn. fǎ guó zuò jiā jū yī dé mò bó sāng de zuò pǐn yǒu xǔ duō lìng rén jīng yà de jié wěi, xiàng 1884 de xiǎo shuō xiàng liàn, yǐng xiǎng le xǔ duō shāng yè zuò jiā yǐ jí yī xiē wén xué zuò jiā. zài 19 shì jì zhī jiāo, měi guó zuò jiā ōu hēng lì máo dùn de fēng gé hé chū rén yì liào de jié jú wén míng yú shì, rú mài qí de lǐ wù yī wén. |