| [00:03.530] |
- Hey. - Hi. - |
| [00:06.770] |
Phoebe, what's wrong? |
| [00:08.440] |
I'm just so exhausted from dragging around this huge engagement ring. |
| [00:12.140] |
- Oh, my God. - Congratulations. - |
| [00:15.080] |
So did he get on one knee? Did he have a speech prepared? |
| [00:18.280] |
Oh, did he cry? |
| [00:22.220] |
Yeah, big surprise, I like proposals. |
| [00:26.120] |
Well, it was really sweet, and, like, the most romantic thing ever. |
| [00:30.490] |
Here's to Phoebe, who's found the greatest guy in the world. |
| [00:33.960] |
To Phoebe and.. |
| [00:35.300] |
I want to say "Mike"? |
| [00:38.000] |
- To Phoebe and Mike. - Hey. - |
| [00:40.670] |
Thank you. Oh, and I have something for you. |
| [00:43.510] |
It's my little black book. It's got the numbers of all the guys I've dated. |
| [00:47.340] |
Oh, Phoebe, that's nice, but you know what? I think I'm okay. |
| [00:51.910] |
Give it to one of your other single girlfriends. |
| [00:54.250] |
I would, but you're the last one. |
| [00:58.350] |
Give me the book! |
| [01:01.360] |
"Pablo Diaz. |
| [01:03.390] |
Brady Smith. |
| [01:06.090] |
Guy in Van"? |
| [01:08.000] |
Oh, my first love. |
| [01:11.300] |
What is the red X next to Bob Gremore's name mean? |
| [01:14.740] |
Dead. |
| [01:17.870] |
Oh, it's okay. No, he was old. Yeah. |
| [01:21.510] |
And he lived a full life. He was in the first wave at Omaha Beach. I should've given you guys my black book when I got married. |
| [01:26.310] |
And he lived a full life. He was in the first wave at Omaha Beach. I should've given you guys my black book when I got married. |
| [01:29.350] |
Although, it wasn't so much a book as a napkin.. |
| [01:33.660] |
With Janice's phone number on it. ...。 |
| [01:36.760] |
Phoebe, isn't Jethro Tull a band? |
| [01:43.830] |
Oh, yes, they are. |
| [02:35.980] |
Hey, honey. |
| [02:38.390] |
Hey, sweetie. |
| [02:40.520] |
- Is Monica not here? - No. |
| [02:42.360] |
Then I'll tell you. My agency was bidding for a big account, and they got it. |
| [02:46.290] |
- It's my first national commercial. - Cool |
| [02:48.900] |
And I don't want to brag, but a lot of the ideas were mine. |
| [02:52.100] |
Hell, you weren't there. All the ideas were mine |
| [02:55.570] |
That's great. Hey, can you cast me in it? |
| [02:59.540] |
I really don't think you're right for the part. .. |
| [03:02.280] |
What do you mean? I can do anything. I'm a chameleon. |
| [03:07.350] |
I'm old. |
| [03:10.920] |
I'm tired. |
| [03:12.790] |
Oh, I am hot. I'm cold. Come on, what can't I do? |
| [03:18.790] |
First of all, bravo. |
| [03:22.030] |
But I don't think you're right for this. The part's a stuffy college professor. |
| [03:26.130] |
I can do that. Hello, I'm your professor. |
| [03:30.310] |
When I'm not busy thinking of important things, or professing.. |
| [03:36.140] |
I like to use.. What's the product? |
| [03:38.310] |
Software that facilitates inter-business networking e-solutions. |
| [03:47.020] |
I'm cold. |
| [03:51.530] |
- Hey. - Hey. |
| [03:53.230] |
Guess who's a finalist for a huge research grant? |
| [03:55.900] |
I'll give you a hint. He's looking right at you. |
| [03:59.270] |
Well, unless it's the creepy guy with his hand up his kilt.. |
| [04:02.640] |
I'm gonna say, "Congratulations |
| [04:05.340] |
I'm so excited. Apparently, I beat out hundreds of other applicants.. |
| [04:10.040] |
including five guys I went to graduate school with.。 |
| [04:12.880] |
Not that I'm keeping score, or anything. Five. |
| [04:16.750] |
- Wow, that's great. - Yeah. |
| [04:18.590] |
- So tell me about the grant. - Well, okay, it's for $25,000. |
| [04:21.990] |
And if I get it, I'll be able to complete my field research. |
| [04:25.360] |
And there will be an article about me in the Paleontology Review. |
| [04:29.400] |
It'll be the first time my name is in there.. |
| [04:31.870] |
without people raising serious questions about my work. |
| [04:35.740] |
- Are you talking about the Dewer Grant? - Yeah. Why? |
| [04:39.070] |
Benjamin Hobart is administering that grant. |
| [04:41.410] |
- Your ex-boyfriend? - Yeah. |
| [04:43.710] |
So your ex-boyfriend is gonna determine if your new boyfriend gets this grant? |
| [04:48.280] |
Wow, your new boyfriend is screwed. |
| [04:51.320] |
No. No, we ended on great terms. |
| [04:53.820] |
If anything, I think this could help you. You know what? |
| [04:56.920] |
Why don't we all go out to dinner, and I can introduce you. |
| [04:59.960] |
- If you think it'd help. - Yeah, absolutely. I'll call him. |
| [05:03.030] |
Now, is there anything I could do to butter him up? |
| [05:05.930] |
Anything he really likes? |
| [05:08.970] |
He does have a pretty serious latex fetish. |
| [05:11.310] |
We'll see how dinner goes. |
| [05:17.380] |
- Hey. - Hey, you want to go see a movie? |
| [05:20.650] |
I told you I had to spend all day clearing out stuff so Mike could move in. |
| [05:24.420] |
- Oh, right. - Yeah. - |
| [05:26.120] |
Now that I'm here, I might as well help with the cleaning and organizing. |
| [05:30.790] |
I just happen to have my label maker. |
| [05:34.700] |
Oh, it's so hard to get rid of stuff. |
| [05:37.300] |
Did you and Chandler make compromises when you moved in together? |
| [05:40.940] |
Chandler did. |
| [05:43.440] |
- What does he want you to give up? - A bunch of stuff. - |
| [05:46.040] |
And the worst one, he wants me to get rid of Gladys |
| [05:49.680] |
Who's Gladys? |
| [05:55.650] |
What a tragic loss. |
| [05:58.120] |
Yeah, I really hate to give her up. Oh, I know. Oh, you should take her. 就是说。我真的不 |
| [06:06.890] |
I don't know.... |
| [06:08.630] |
- What, you don't like her? - Of course I do. What's not to like? - |
| [06:15.000] |
I'd take her in a minute. |
| [06:17.540] |
But I think that you're giving up too easy. 但 |
| [06:19.840] |
Honey, I think that you need to fight for her. |
| [06:23.240] |
- Really, you think? - Absolutely. |
| [06:25.610] |
You say to him, "I'm sorry, Mike, I can't live without her. |
| [06:28.780] |
She means too much to me." |
| [06:31.250] |
Okay, I'll fight for her. Okay. |
| [06:34.820] |
Oh, wait. I just realized, if I do that, that means you don't get her. |
| [06:38.530] |
Damn it, I did not think this through. |
| [06:44.530] |
Emma, mom's got a snack for you. |
| [06:53.610] |
You know, every now and then, she might like some barbecue potato chips. |
| [06:59.150] |
- Hey, guys. - Hey. |
| [07:01.020] |
- Hi. - Hey, baby. |
| [07:02.520] |
Oh, any word on casting yet? |
| [07:04.550] |
- I told you, you're not right for the part. - What do you mean? |
| [07:07.890] |
Rach, don't I seem like a professor you'd buy some kind of e-crap from? |
| [07:13.130] |
I'm sorry, this sounds like something I'm never gonna be interested in |
| [07:17.430] |
Look, come on, please? It's not like I'm asking you for some crazy favor. |
| [07:21.970] |
This is what I do for a living. I am a professional actor. |
| [07:25.010] |
Man, I'm two hours late for work. |
| [07:28.840] |
Here's my reel. It's got all the commercials that I've been in. |
| [07:32.280] |
- Joe.. - Just watch it. |
| [07:34.080] |
If you don't like it, don't pass it on to your bosses. |
| [07:37.050] |
- Fine. - Thank you. |
| [07:43.930] |
- Work, Joe. - Damn it. |
| [07:49.930] |
- What am I gonna do now? - Just pass the tape along. |
| [07:52.600] |
He's not right for the part. |
| [07:54.600] |
If I suggest him, my bosses will think I'm an idiot. |
| [07:57.240] |
And that's something they should learn on their own. |
| [08:00.040] |
Just tell Joey that you watched the tape.. |
| [08:02.440] |
and you liked it, but your bosses didn't. |
| [08:04.610] |
Then you're the good guy, and they're the bad guy. |
| [08:07.220] |
That's good. I liked it, they didn't.。 |
| [08:11.990] |
Joey, for God's sake, go to work. |
| [08:20.060] |
I can't believe I'm about to meet Benjamin Hobart. |
| [08:23.060] |
I've always thought of him as someone I'd invite.. |
| [08:25.670] |
to my fantasy dinner party. |
| [08:29.100] |
Do you think there's any chance he'll bring Christie Brinkley or C-3PO? |
| [08:34.380] |
Sorry, it looks like it's just him. |
| [08:38.780] |
Charlie. |
| [08:42.580] |
My God, you look absolutely stunning.。 |
| [08:46.550] |
Well, I am having a good hair day. |
| [08:50.490] |
- It's so good to see you. - Oh, you too. 。 |
| [08:57.900] |
I'm okay. |
| [09:00.130] |
I'm sorry. Ross Geller, Benjamin Hobart. |
| [09:03.640] |
It's an honor to meet you. I can't tell you how long.. |
| [09:06.940] |
I've been an admirer of your work. I mean, that Nobel Prize. |
| [09:13.550] |
I mean, I have to tell you that you're one of the reasons I got into the field. |
| [09:18.250] |
Well, likewise |
| [09:21.090] |
Not likewise. I'd never heard of you until this morning. |
| [09:24.060] |
But it's nice to be nice. |
| [09:27.730] |
- Shall we? - Yeah. Thank you. - |
| [09:33.940] |
I can't believe that you chose this restaurant. |
| [09:37.610] |
- Do you remember the night? - Oh, my God. I completely forgot. |
| [09:41.840] |
Oh, my God, I can't believe they let us back in this place. |
| [09:54.160] |
You weren't there. |
| [09:57.160] |
No, but, you know, it's just a funny image. |
| [10:00.530] |
You know, the two of you in this restaurant with the.. .. |
| [10:07.640] |
Ross, why don't you tell Benji about your proposal while I go to the ladies' room |
| [10:14.640] |
So tell me about it. |
| [10:16.480] |
Okay. Well, I would like to do a dig in the Painted Desert. |
| [10:21.080] |
There are still several areas that haven't been fully excavated |
| [10:24.450] |
- Break up with Charlie. - What? |
| [10:25.950] |
What? |
| [10:28.420] |
Did you just say, "Break up with Charlie"? |
| [10:33.590] |
Well, yes and no. Yes, I did say it. And no, I didn't not say it. |
| [10:40.070] |
- Kind of inappropriate, don't you think? - Listen, I'm sorry. |
| [10:44.140] |
I just haven't seen her for so long, all these feelings are rushing back |
| [10:47.910] |
I'm starting to realize how much I've missed her. |
| [10:50.410] |
And I'm gonna need you to break up with her. |
| [10:54.950] |
- Are you serious? - If you say, yes, then I'm serious. |
| [10:57.790] |
If you say, no, then I'm joking. |
| [11:01.420] |
- No. - Joking it is. |
| [11:07.460] |
- Hi, sorry I'm late. - Hey, how'd it go with Mike? |
| [11:10.500] |
- Is he gonna let you keep the painting? - No, he really hates it. |
| [11:14.600] |
But he's gonna let me keep my box of human hair. |
| [11:18.770] |
So you gotta pick your battles. But the good news is, Gladys is yours |
| [11:25.910] |
Wow, what's the bad news? |
| [11:28.780] |
- Who's Gladys? - Oh, she's that work of art I made. |
| [11:32.220] |
You know, with the woman coming out of the frame. |
| [11:35.820] |
And Monica gets to keep her? |
| [11:39.760] |
In her house? I am so jealous. |
| [11:44.970] |
I didn't know you wanted her too. |
| [11:49.070] |
Well, I mean, sure, of course. |
| [11:53.010] |
But you already gave that to Monica, so.. 但.. |
| [11:55.340] |
- You know, I would give her up for you. - No, I couldn't let you do that. |
| [11:59.310] |
- No, but I want to. - But I don't want you to. - |
| [12:01.820] |
- But I insist. - But I insist harder. |
| [12:07.560] |
Girls. Girls. Stop. Okay, we'll flip a coin. |
| [12:10.020] |
Heads, she's Rachel's. Tails, she's Monica's. |
| [12:15.660] |
- Tails. Monica, she's yours. - No, that landed in your food. |
| [12:20.530] |
No, no, that's okay. You won fair and square. I'm so sad |
| [12:27.040] |
Then the little red squirrel took all of his acorns.. |
| [12:31.310] |
and put them in his little satchel and set off for.. |
| [12:36.350] |
Okay. Someone's getting a little fussy. I think it's time for bed. |
| [12:40.490] |
Where's the little red squirrel going? |
| [12:47.230] |
Hey, Joe? |
| [12:53.600] |
Oh, that's so sweet. |
| [12:57.610] |
- What's up? - Bad news. |
| [12:59.070] |
I watched the tape and passed it along to my bosses and they weren't interested. |
| [13:05.080] |
I'm sorry, man. |
| [13:08.950] |
- But you watched the tape? - Yeah, I liked it. |
| [13:14.290] |
But my bosses didn't go for it. Stupid sons of bitches. |
| [13:24.400] |
- You didn't watch the tape. - What? Of course I did. |
| [13:29.170] |
Look, it's one thing not to cast me, but to lie to me? |
| [13:32.170] |
- I'm not lying to you. I watched it. - You lied again. - |
| [13:35.480] |
- I watched it. - Keep going, Pinocchio. - |
| [13:39.810] |
- I did. - No, you didn't. |
| [13:41.850] |
I'm telling you, I watched the tape.。 |
| [13:45.920] |
- Did you watch the tape? - No. - |
| [13:53.190] |
Hi. Look, I realize only one of us can get this grant. |
| [13:57.130] |
And I just wanted to wish both of you the best of luck. |
| [14:00.600] |
Are you crossing your fingers? |
| [14:03.870] |
What, this? No. This.. That's just the result of a childhood injury. |
| [14:10.710] |
I'm cured! 治好了！ |
| [14:15.520] |
Good morning, everybody. |
| [14:16.780] |
If you go ahead and take your seats we can get started. |
| [14:19.690] |
Actually, Dr. Hobart, can I have a word with you? |
| [14:22.420] |
And you are? |
| [14:25.760] |
- Ross. - I know. I'm kidding. |
| [14:30.630] |
Listen, I just want to say, last night.. |
| [14:33.030] |
Dinner was a little awkward. |
| [14:35.270] |
- I just wanna make sure we're okay. - Oh, yeah. Absolutely. |
| [14:38.610] |
- You didn't tell Charlie what I said, did you? - Oh, no. Of course not. - |
| [14:42.180] |
Well, thank you. I want you to know, I respect your decision not to give her up. |
| [14:47.410] |
It was the biggest mistake I ever made in my whole life. |
| [14:50.220] |
Well, that and tattooing her name on my shoulder. |
| [14:54.460] |
last night stupidly. |
| [14:58.160] |
Seriously? |
| [14:59.330] |
My Nobel Prize was not for moving on. |
| [15:04.470] |
- So no hard feelings? - None at all. Good luck today. |
| [15:07.330] |
- Thank you. - Okay. - 谢谢 - 不客气 |
| [15:09.170] |
All right. The selection committee has chosen the three of you as our finalists. |
| [15:14.110] |
The ultimate decision will be based on the answers you give to the questions I ask. |
| [15:19.210] |
We're gonna go ahead and start with Dr. Li. |
| [15:21.650] |
You claim the field is too reliant on the Linnaean taxonomic system. |
| [15:25.990] |
How do you propose to correct this problem? |
| [15:28.320] |
Well, I believe that the answers lie in the osteological evidence |
| [15:31.630] |
- I plan to begin there. - Interesting. |
| [15:33.930] |
I guess. |
| [15:36.630] |
Dr. Biely, your proposal includes some fieldwork. Where might that take place? |
| [15:40.730] |
Primarily in the Pierre Shale region of South Dakota |
| [15:43.600] |
Certainly. Very well. And Dr. Geller, when is my birthday? |
| [15:54.350] |
What? I.. |
| [15:58.250] |
Care to venture a guess? |
| [16:02.920] |
- May 12? - That's not even kind of close. |
| [16:07.960] |
Dr. Li, how many graduate students will you need? |
| [16:10.560] |
- Half a dozen. - I see. And Dr. Biely? - |
| [16:12.670] |
Three for excavation, and two for analysis. |
| [16:15.140] |
Certainly. Dr. Geller, which 1965 Shirelles hit.. |
| [16:19.370] |
was later covered by a popular British Invasion band? |
| [16:26.080] |
What? I need six graduate students. 什么...？ |
| [16:28.750] |
No, I'm sorry. We were looking for "Baby It's You." |
| [16:32.720] |
"Baby It's You." |
| [16:35.720] |
What? Wait just a minute. |
| [16:38.190] |
None of my questions have anything to do with paleontology. |
| [16:41.530] |
You're right, I apologize. Scratch the last question. |
| [16:44.160] |
Spell "Boscodictiasaur." |
| [16:48.670] |
I've never heard of a "Boscodictiasaur." |
| [16:52.170] |
Yeah, I just made it up. Spell it.。 |
| [16:57.340] |
- Okay. B-O.. - No, it starts with a silent M. |
| [17:00.980] |
Oh, come on! |
| [17:09.560] |
I can't believe Joey. I hate being called a liar. |
| [17:13.230] |
But you are a liar. |
| [17:16.000] |
What did I just say? |
| [17:19.330] |
- Are you still here? - Yes. |
| [17:20.800] |
And I'm not just hurt, I'm insulted. When I tell somebody I did something.. |
| [17:25.770] |
Okay, hold on, let me just stop you right there, okay? First, you lied. Right? |
| [17:29.780] |
Then you lied about lying, okay? |
| [17:32.510] |
Then you lied about lying about lying, okay? |
| [17:35.580] |
So before you lie about lying about lying about lying about lying.. |
| [17:42.990] |
Stop lying. |
| [17:45.030] |
Why are you so sure I didn't watch this tape? |
| [17:47.830] |
You wanna know why? You wanna know why? |
| [17:50.460] |
Well, this is going well. |
| [17:53.800] |
Here's how I know you didn't watch. |
| [17:55.670] |
If you had seen what was on this tape, believe me, you'd have some comments.。 |
| [18:00.710] |
All right, remember, I got paid a lot of money for this.. |
| [18:03.680] |
and it only aired in Japan. |
| [18:06.780] |
Ichiban. |
| [18:09.850] |
Ichiban, lipstick for men. |
| [18:24.800] |
Ichiban, lipstick for men. |
| [18:31.540] |
And that's how I know you didn't watch the tape. |
| [18:37.010] |
He really is a chameleon. |
| [18:46.350] |
Well, Gladys, say hello to your new home. |
| [18:53.730] |
- Oh, my. - Wow. |
| [18:56.560] |
Oh, she is so nice and big. |
| [19:01.670] |
Oh, Monica, where are you going to display Gladys, oh, so proudly? |
| [19:08.880] |
- I haven't really settled on a spot yet. - How about right above the TV? |
| [19:13.310] |
That way, it will be the first thing that you see when you walk in the door. |
| [19:18.920] |
Yeah, yeah, and you can get rid of that French poster. |
| [19:22.620] |
- I like that poster. - Really? |
| [19:25.030] |
It doesn't have anything coming out of it. |
| [19:28.230] |
Or maybe there's someplace for her in your bedroom? |
| [19:30.860] |
- There's nothing above your bed. - Are you still here? |
| [19:38.240] |
Stupid Nobel Prize winner. |
| [19:47.810] |
Oh, hi. Hello. |
| [19:49.820] |
Have you come to ask me some more paleontology-related questions? |
| [19:54.420] |
Your grandmother's nickname, perhaps? Ann-Margret's pant size? |
| [20:00.960] |
I've come here to apologize. I think I may have let my feelings. |
| [20:05.770] |
for Charlie interfere with the interview process. |
| [20:08.600] |
No. Stop. |
| [20:11.410] |
Anyway, I decided to offer you the grant. |
| [20:16.010] |
- Really? - There is just one small stipulation. |
| [20:20.980] |
- I have to break up with Charlie? - Hey, you got one right. |
| [20:26.450] |
- You're crazy. - Crazy or romantic? |
| [20:31.360] |
Crazy. |
| [20:35.130] |
- Or? - Get out! |
| [20:43.770] |
Oh, my God. |
| [20:46.970] |
- What? - Joey, what is this thing doing here? |
| [20:51.510] |
I got her from Monica. She sold it to me for a very reasonable price. |
| [20:56.480] |
- Joey, we're not keeping this. - But it's an original Buffay. |
| [21:03.290] |
All right, fine. You can keep it. |
| [21:06.190] |
As long as you don't mind that she's haunted. |
| [21:08.730] |
Hey, what? What? |
| [21:10.660] |
Well, legend has it, Joey, that she comes alive when you're asleep. |
| [21:17.500] |
She climbs out of the frame.. |
| [21:20.670] |
and then drags her half-a-body across the floor.. |
| [21:25.150] |
just looking for legs to steal. |
| [21:28.480] |
And then with her one good hand.. |
| [21:30.950] |
she slowly reaches up.. |
| [21:35.090] |
and turns your doorknob. |
| [21:37.490] |
Get that legless witch out of here! |
| [21:46.730] |
- Hey, I sold that to Joey. - Yeah, well, I told him it's haunted. |
| [21:50.070] |
- Two can play at this game. - Too late. You can't give it back. |
| [21:53.070] |
- Oh, yes, I can. - No, you can't, she's yours. - |
| [21:55.440] |
- She's yours. - She's yours. |
| [21:57.010] |
- She's yours. - Hey. |
| [22:00.950] |
- She's mine. - She's mine. |
| [22:02.650] |
- She's mine. - She's mine. ！ |
| [22:04.690] |
You guys, you don't have to fight over her anymore. |
| [22:08.320] |
Whoever doesn't get Gladys, gets Glynnis. |
| [22:19.730] |
- I want Gladys. - She's mine. |
| [22:22.070] |
- She's mine. - She's mine. |
| [22:31.850] |
No, no. You don't get to do that. |
| [22:33.650] |
I know. Look, I'm sorry I didn't give them your tape. |
| [22:37.120] |
And I promise next time to submit you, whether I think you're right or not. |
| [22:41.320] |
That's not the point, Chandler. The point is that you lied. |
| [22:44.490] |
I know. You're right. What's it gonna take for you to forgive me? |
| [22:49.260] |
Oh, my God. |
| [22:54.600] |
Excellent. |
| [22:57.600] |
Now what do you say? |
| [23:00.210] |
Lying is wrong. |
| [23:02.580] |
And? And?？ |
| [23:06.850] |
I'm a pretty little girl. |
| [23:11.280] |
I knew it. |
| [23:20.360] |
Your ex-boyfriend is insane. |
| [23:24.400] |
- He is a character. - No, no, no. |
| [23:26.400] |
Charles Nelson Reilly is a character. |
| [23:30.070] |
- Who? - Charles Nelson Reilly. - |
| [23:32.710] |
The Ghost and Mrs. Muir? Match Game? The Ghost and Mrs. Muir? Match Game? |
| [23:37.480] |
Were you never sick as a child? |
| [23:40.610] |
- Whatever. Did you get the grant? - No. And you wanna know why? |
| [23:43.980] |
Because your ex-boyfriend is still in love with you. |
| [23:47.420] |
- What? - Yeah. |
| [23:48.620] |
He refused me because I wouldn't give you up. |
| [23:51.160] |
Benji isn't in love with me. I mean, he broke up with me. |
| [23:54.590] |
- And besides, he's a very ethical man. - Really? |
| [23:59.670] |
Is it ethical to ask someone in a grant review: |
| [24:02.600] |
"Who was the voice of Underdog?" |
| [24:05.310] |
I'm sure he was just joking. |
| [24:07.040] |
If you don't believe me, let's go talk to him. |
| [24:09.410] |
I'm telling you, he didn't ask me one paleontological question. |
| [24:12.650] |
- Seriously? - Oh, I'm sorry. No, he did ask me one: |
| [24:15.750] |
"How do you spell Boscodictiasaur?" |
| [24:18.250] |
Well, if it's like the Lake Mbosco in Congo, then M-B-O.. . |
| [24:21.960] |
Damn it. |
| [24:26.760] |
Dr. Geller. Charlie, what are you doing here? |
| [24:30.160] |
I want you to tell her everything. |
| [24:32.230] |
About the deal you tried to make with me, about the crazy questions you.. |
| [24:36.240] |
Wally Cox. That's the voice of Underdog. |
| [24:42.180] |
Like I tried to tell you in the interview.. |
| [24:44.440] |
this grant is not based on your knowledge of pretty useless trivia. |
| [24:48.550] |
No, don't do that. I want you to look her in the eyes and tell her the truth. |
| [24:54.750] |
Benji? |
| [24:57.060] |
All right. It's true. I behaved horribly, but it's only because I still love you. |
| [25:02.060] |
And I would do anything to have you back in my life. |
| [25:05.170] |
Too little, too late, Benji. |
| [25:08.900] |
- I can't believe this. - I never should've broken up with you. |
| [25:13.210] |
I think about you all the time. Do you ever still think about me? |
| [25:18.410] |
No. |
| [25:20.780] |
- Yes. - What?? |
| [25:23.920] |
I don't know what to say, Benji. This is all so... |
| [25:28.050] |
romantic. |
| [25:30.620] |
Or? |
| [25:34.900] |
I know I may be way out of bounds here.. |
| [25:37.260] |
but is there any chance you would take me back? |
| [25:43.270] |
Maybe.. |
| [25:45.570] |
Sweetie, this conversation is starting to make me a little uncomfortable. |
| [25:51.140] |
Oh, God. I am so sorry, but.. |
| [25:55.080] |
I mean, there's so much history between us, you know? |
| [26:00.050] |
I'm sorry too. |
| [26:10.600] |
- I love you. - I love you too. |
| [26:16.270] |
Okay, that's it, we are seeing other people. |
| [26:39.090] |
Gladys? 格拉达斯? |
| [26:47.130] |
For the third time this week. Man, this does not get old. |
| [26:52.370] |
- You're mean! - Oh, don't be such a baby. Please. |