Song | Lots of Love for Logan |
Artist | The Speed of Sound in Seawater |
Album | First Contact |
Download | Image LRC TXT |
Act natural | |
Be interesting | |
Don’t overthink | |
The night inside a box | |
The actors vignetted, the camera zooms in on her every time that she talks | |
depth of field shrinks | |
With each additional drink | |
So cinematic | |
The sets look fantastic | |
The script is dramatic | |
anticlimactic | |
Now the second act | |
A shot reverse shot shows two characters talking | |
The second one is trapped | |
framed in profile | |
She wears a forced smile | |
So stylistic | |
This shot’s so artistic | |
The script is realistic | |
so pessimistic |
Act natural | |
Be interesting | |
Don' t overthink | |
The night inside a box | |
The actors vignetted, the camera zooms in on her every time that she talks | |
depth of field shrinks | |
With each additional drink | |
So cinematic | |
The sets look fantastic | |
The script is dramatic | |
anticlimactic | |
Now the second act | |
A shot reverse shot shows two characters talking | |
The second one is trapped | |
framed in profile | |
She wears a forced smile | |
So stylistic | |
This shot' s so artistic | |
The script is realistic | |
so pessimistic |
Act natural | |
Be interesting | |
Don' t overthink | |
The night inside a box | |
The actors vignetted, the camera zooms in on her every time that she talks | |
depth of field shrinks | |
With each additional drink | |
So cinematic | |
The sets look fantastic | |
The script is dramatic | |
anticlimactic | |
Now the second act | |
A shot reverse shot shows two characters talking | |
The second one is trapped | |
framed in profile | |
She wears a forced smile | |
So stylistic | |
This shot' s so artistic | |
The script is realistic | |
so pessimistic |