|
Well she's not bleeding on the ballroom floor |
|
Just for the attention 'cause that's just ridiculously on |
|
Well she sure is gonna get it, here's the setting |
|
Fashion magazines line the walls now |
|
The walls line the bullet holes |
|
Have some composure |
|
Where is your posture? Oh, no, no |
|
You're pulling the trigger |
|
Pulling the trigger, all wrong |
|
Have some composure |
|
Where is your posture? Oh, no, no |
|
You're pulling the trigger |
|
Pulling the trigger, all wrong |
|
Give me envy, give me malice, give me your attention |
|
Give me envy, give me malice, baby give me a break |
|
When I say shotgun, you say wedding |
|
Shotgun, wedding, shotgun, wedding |
|
She didn't choose this role |
|
But she'll play it and make it sincere |
|
So you cry, you cry |
|
Give me a break |
|
But they believe it from the tears |
|
And the teeth right down to the blood at her feet |
|
Boys will be boys hiding in estrogen |
|
And wearing aubergine dreams |
|
Give me a break, break, break, break |
|
Have some composure |
|
Where is your posture? Oh, no, no |
|
You're pulling the trigger |
|
Pulling the trigger, all wrong |
|
Have some composure |
|
Where is your posture? Oh, no, no |
|
You're pulling the trigger |
|
Pulling the trigger, all wrong |
|
Come on this is screaming photo op, op |
|
Come on, come on, this is screaming |
|
This is screaming, this is screaming photo op |
|
Boys will be boys baby |
|
Boys will be boys |
|
Boys will be boys baby |
|
Boys will be boys |
|
Give me envy, give me malice, give me your attention |
|
Give me envy, give me malice, baby give me a break |
|
When I say shotgun, you say wedding |
|
Shotgun, wedding, shotgun, wedding |
|
Boys will be boys hiding in estrogen |
|
And boys will be boys |
|
Boys will be boys hiding in estrogen |
|
And wearing aubergine dreams |