| Song | Revolution 9 |
| Artist | The Beatles |
| Album | The Beatles in Mono (The Complete Mono Recordings) |
| Bottle of claret for you if I'd realised. | |
| Well, do next time. | |
| I'd forgotten all about it, George, so I'm sorry. Will you forgive me? | |
| Yes. | |
| Cheeky bitch. | |
| Number 9, number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, number | |
| Then there's this Welsh Rarebit wearing some brown underpants | |
| About the shortage of grain in Hertfordshire | |
| Every one of them knew that as time went by | |
| They'd get a little bit older and a little bit slower but | |
| It's all the same thing, in this case manufactured by someone who's always | |
| Umpteen times | |
| Your fibres giving it diddly-i-dee | |
| District was leaving, intended to pay for | |
| Number 9, number 9 | |
| Who's to know? | |
| Who was to know? | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9 | |
| I sustained nothing worse than | |
| Also spoken for | |
| Whatever you're doing | |
| A business deal falls through | |
| I informed him on the third night | |
| When fortune gives | |
| Number 9, number 9, number 9 | |
| Right, right | |
| Right, right, right, right | |
| Right, right | |
| 9, number 9, number 9, number 9 | |
| I've missed all of that | |
| It makes me a few days late | |
| Compared with, like, wow! | |
| And weird stuff like that | |
| Taking our sides sometimes | |
| Floral bark | |
| Rouge doctors have brought this specimen | |
| I have nobody's short-cuts, aha… | |
| 9, number 9 | |
| With the situation | |
| They are standing still | |
| The plan, the telegram | |
| Ooh ooh | |
| Number 9, number | |
| Ooh | |
| A man without terrors from beard to false | |
| As the headmaster reported to me | |
| My son he really can try as they do to find function | |
| Who could tell what he was saying, and his voice was low and his hive was high | |
| And his eyes were low | |
| All right! | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9 | |
| So the wife called, and we'd better go to see a surgeon | |
| Or whatever to price it | |
| Right! | |
| Yellow underclothes | |
| So, any road, we went to see the dentist instead | |
| Who gave her a pair of teeth which wasn't any good at all | |
| So I said I'd marry, join the bloody Navy and went to sea | |
| In my broken chair, my wings are broken and so is my hair | |
| I am not in the mood for wearing | |
| Um da | |
| Aaah | |
| How? | |
| The dogs were dogging, the cats were catting | |
| The birds were birding, and the fish were fishing | |
| The men were themming, and the when were whimming | |
| Only to find the night-watchman | |
| Unaware of his presence in the building | |
| Onion soup | |
| Number 9, number 9, number 9, | |
| Number 9, number 9, number 9 | |
| Industrial output | |
| Financial imbalance | |
| Thrusting it between his shoulder blades | |
| The Watusi | |
| The Twist | |
| El Dorado | |
| Take this, brother, may it serve you well | |
| Maybe it's nothing | |
| Aaah | |
| Maybe it's not that; it's | |
| What? What? Oh | |
| Maybe even then | |
| Exposures in London | |
| It's a difficulty being | |
| By exposure | |
| Because it's almost like being naked | |
| If you become naked | |
| That line | |
| Hold that line | |
| Hold that line | |
| Hold that line | |
| Hold that line | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick |
| Bottle of claret for you if I' d realised. | |
| Well, do next time. | |
| I' d forgotten all about it, George, so I' m sorry. Will you forgive me? | |
| Yes. | |
| Cheeky bitch. | |
| Number 9, number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, number | |
| Then there' s this Welsh Rarebit wearing some brown underpants | |
| About the shortage of grain in Hertfordshire | |
| Every one of them knew that as time went by | |
| They' d get a little bit older and a little bit slower but | |
| It' s all the same thing, in this case manufactured by someone who' s always | |
| Umpteen times | |
| Your fibres giving it diddlyidee | |
| District was leaving, intended to pay for | |
| Number 9, number 9 | |
| Who' s to know? | |
| Who was to know? | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9 | |
| I sustained nothing worse than | |
| Also spoken for | |
| Whatever you' re doing | |
| A business deal falls through | |
| I informed him on the third night | |
| When fortune gives | |
| Number 9, number 9, number 9 | |
| Right, right | |
| Right, right, right, right | |
| Right, right | |
| 9, number 9, number 9, number 9 | |
| I' ve missed all of that | |
| It makes me a few days late | |
| Compared with, like, wow! | |
| And weird stuff like that | |
| Taking our sides sometimes | |
| Floral bark | |
| Rouge doctors have brought this specimen | |
| I have nobody' s shortcuts, aha | |
| 9, number 9 | |
| With the situation | |
| They are standing still | |
| The plan, the telegram | |
| Ooh ooh | |
| Number 9, number | |
| Ooh | |
| A man without terrors from beard to false | |
| As the headmaster reported to me | |
| My son he really can try as they do to find function | |
| Who could tell what he was saying, and his voice was low and his hive was high | |
| And his eyes were low | |
| All right! | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9, number 9, | |
| Number 9, number 9, number 9 | |
| So the wife called, and we' d better go to see a surgeon | |
| Or whatever to price it | |
| Right! | |
| Yellow underclothes | |
| So, any road, we went to see the dentist instead | |
| Who gave her a pair of teeth which wasn' t any good at all | |
| So I said I' d marry, join the bloody Navy and went to sea | |
| In my broken chair, my wings are broken and so is my hair | |
| I am not in the mood for wearing | |
| Um da | |
| Aaah | |
| How? | |
| The dogs were dogging, the cats were catting | |
| The birds were birding, and the fish were fishing | |
| The men were themming, and the when were whimming | |
| Only to find the nightwatchman | |
| Unaware of his presence in the building | |
| Onion soup | |
| Number 9, number 9, number 9, | |
| Number 9, number 9, number 9 | |
| Industrial output | |
| Financial imbalance | |
| Thrusting it between his shoulder blades | |
| The Watusi | |
| The Twist | |
| El Dorado | |
| Take this, brother, may it serve you well | |
| Maybe it' s nothing | |
| Aaah | |
| Maybe it' s not that it' s | |
| What? What? Oh | |
| Maybe even then | |
| Exposures in London | |
| It' s a difficulty being | |
| By exposure | |
| Because it' s almost like being naked | |
| If you become naked | |
| That line | |
| Hold that line | |
| Hold that line | |
| Hold that line | |
| Hold that line | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick | |
| Block that kick |