Microphone Fiend Lyrics
| Song | Microphone Fiend |
| Artist | Rage Against the Machine |
| Album | The Collection |
| Download | Image LRC TXT |
| [00:00.74] | 北京终极RATM铁杆 FANS |
| [00:01.99] | |
| [00:03.05] | 野蜂飞你妹 独家制作 |
| [00:03.20] | |
| [00:03.83] | Yo, I was a fiend before I became a teen |
| [00:08.77] | I melted microphone instead of cones of ice cream |
| [00:10.84] | Music orientated so when hip-hop was originated |
| [00:13.23] | Fitted like pieces of puzzles, complicated |
| [00:16.24] | Shot grabbed the mic and try to say, Yes y'all! |
| [00:18.61] | They tried to take it, and say that I'm too small |
| [00:21.35] | Cool, 'Cause I don't get upset |
| [00:23.93] | I kick a hole in the speaker, pull the plug, then I jet |
| [00:26.94] | Back to the lab ...without a mic to grab |
| [00:29.39] | So then I add all the rhymes I had |
| [00:32.06] | One after the another one, then I make another one |
| [00:34.20] | To dis the opposite then ask if the brother's done |
| [00:37.88] | I get a craving like I fiend for nicotine |
| [00:40.13] | But I don't need a cigarette, know what I mean? |
| [00:42.66] | I'm raging, ripping up the stage and |
| [00:44.94] | Don't it sound amazing 'cause every rhyme is made and |
| [00:48.30] | Thought of, Cuz it's sort of...an addiction, |
| [00:51.11] | Magnatized by the mixing |
| [00:53.04] | E-F-F-E-C-T |
| [00:56.02] | A smooth operator operating correctly. |
| [00:58.65] | An E-F-F-E-C-T |
| [01:01.53] | A smooth operator operating correctly. |
| [01:03.94] | E-F-F-E-C-T |
| [01:06.59] | A smooth operator operating correctly. |
| [01:09.32] | An E-F-F-E-C-T |
| [01:11.54] | A smooth operator operating correctly. |
| [01:13.54] | 听RAGE的人是真正的战士！ |
| [01:15.54] | 野蜂飞你妹 |
| [01:17.46] | But back to the problem, I gotta habit, |
| [01:20.20] | You can't solve it, you silly rabbit |
| [01:22.63] | The prescription is a hypertone that's thorough when |
| [01:24.45] | I fiend for a microphone like heroin |
| [01:28.59] | Soon as the bass kicks, I need a fix |
| [01:30.69] | Gimme a stage and a mic and a mix |
| [01:33.01] | And I'll put you in a mood or is it a state of |
| [01:35.87] | unawareness? Beware, it's the reanamator! |
| [01:38.45] | A menace to a microphone, a lethal weapon |
| [01:41.11] | An assasinator, if the people ain't stepping |
| [01:43.60] | You see a part of me that you never seen |
| [01:46.12] | When I'm fiending for a microphone. |
| [01:48.48] | Cause I take it to the maximum, I can't relax see, I'm |
| [01:52.03] | Hype as a hyperchrondriac 'cause the rap be one |
| [01:54.39] | Hell of a antidote, something you can't smoke |
| [01:57.31] | More than dope, you're trying to move away but you can't, you're broke |
| [02:00.19] | More than cracked up, you should have backed up |
| [02:02.44] | For those who act up need to be more than smacked up |
| [02:05.05] | E-F-F-E-C-T |
| [02:07.55] | A smooth operator operating correctly. |
| [02:10.28] | An E-F-F-E-C-T |
| [02:12.94] | A smooth operator operating correctly. |
| [02:15.52] | An E-F-F-E-C-T |
| [02:18.27] | A smooth operator operating correctly. |
| [02:20.89] | An E-F-F-E-C-T |
| [02:23.44] | A smooth operator operating correctly. |
| [02:29.31] | A smooth operator operating correctly. |
| [02:34.26] | A smooth operator operating correctly. |
| [02:39.72] | A smooth operator operating correctly. |
| [02:44.99] | A smooth operator operating correctly. |
| [02:46.99] | |
| [02:48.99] | 腐朽的敌人已经摇摇欲坠！ |
| [02:51.99] | 胜利的大旗在前进中飘扬！ |
| [02:52.99] | 你看那革命的意志！ |
| [02:54.99] | 你听那反抗的声音！ |
| [02:56.99] | 野蜂飞你妹激情制作 |
| [02:59.00] | Uh! |
| [03:00.00] | |
| [03:02.00] | 兄弟拿起你的武器！ |
| [03:04.00] | 对准你的敌人！ |
| [03:08.00] | 没有什么遗言！ |
| [03:09.55] | 因为死掉的是他们！ |
| [03:10.60] | Music orientated so when hip-hop was originated ...originated |
| [03:15.68] | |
| [03:21.32] | Music orientated so when hip-hop was originated ...originated |
| [03:26.32] | |
| [03:32.44] | Music orientated so when hip-hop was originated ...originated |
| [03:37.95] | |
| [03:43.24] | Music orientated so when hip-hop was originated ...originated |
| [03:48.45] | |
| [03:54.54] | Music orientated so when hip-hop was originated |
| [03:59.75] | Fitted like pieces of puzzles, complicated |
| [04:05.40] | Music orientated so when hip-hop was originated |
| [04:10.87] | Fitted like pieces of puzzles, complicated |
| [04:16.22] | |
| [04:16.48] | 'Cause I'm an E-F-F-E-C-T |
| [04:19.40] | A smooth operator operating correctly. |
| [04:22.06] | An E-F-F-E-C-T |
| [04:24.41] | A smooth operator operating correctly. |
| [04:27.22] | An E-F-F-E-C-T |
| [04:29.64] | A smooth operator operating correctly. |
| [04:32.39] | An E-F-F-E-C-T |
| [04:34.91] | A smooth operator operating correctly. |
| [04:40.04] | A smooth operator operating correctly. |
| [04:45.47] | A smooth operator operating correctly. |
| [04:50.87] | A smooth operator operating correctly. |
| [04:56.01] | An E-F-F-E-C-T |
| [04:59.42] | 感谢欣赏！ 你们是有理想的听众！ |
| [05:00.24] | 野蜂飞你妹 |
| [00:00.74] | bei jing zhong ji RATM tie gan FANS |
| [00:01.99] | |
| [00:03.05] | ye feng fei ni mei du jia zhi zuo |
| [00:03.20] | |
| [00:03.83] | Yo, I was a fiend before I became a teen |
| [00:08.77] | I melted microphone instead of cones of ice cream |
| [00:10.84] | Music orientated so when hiphop was originated |
| [00:13.23] | Fitted like pieces of puzzles, complicated |
| [00:16.24] | Shot grabbed the mic and try to say, Yes y' all! |
| [00:18.61] | They tried to take it, and say that I' m too small |
| [00:21.35] | Cool, ' Cause I don' t get upset |
| [00:23.93] | I kick a hole in the speaker, pull the plug, then I jet |
| [00:26.94] | Back to the lab ... without a mic to grab |
| [00:29.39] | So then I add all the rhymes I had |
| [00:32.06] | One after the another one, then I make another one |
| [00:34.20] | To dis the opposite then ask if the brother' s done |
| [00:37.88] | I get a craving like I fiend for nicotine |
| [00:40.13] | But I don' t need a cigarette, know what I mean? |
| [00:42.66] | I' m raging, ripping up the stage and |
| [00:44.94] | Don' t it sound amazing ' cause every rhyme is made and |
| [00:48.30] | Thought of, Cuz it' s sort of... an addiction, |
| [00:51.11] | Magnatized by the mixing |
| [00:53.04] | EFFECT |
| [00:56.02] | A smooth operator operating correctly. |
| [00:58.65] | An EFFECT |
| [01:01.53] | A smooth operator operating correctly. |
| [01:03.94] | EFFECT |
| [01:06.59] | A smooth operator operating correctly. |
| [01:09.32] | An EFFECT |
| [01:11.54] | A smooth operator operating correctly. |
| [01:13.54] | ting RAGE de ren shi zhen zheng de zhan shi! |
| [01:15.54] | ye feng fei ni mei |
| [01:17.46] | But back to the problem, I gotta habit, |
| [01:20.20] | You can' t solve it, you silly rabbit |
| [01:22.63] | The prescription is a hypertone that' s thorough when |
| [01:24.45] | I fiend for a microphone like heroin |
| [01:28.59] | Soon as the bass kicks, I need a fix |
| [01:30.69] | Gimme a stage and a mic and a mix |
| [01:33.01] | And I' ll put you in a mood or is it a state of |
| [01:35.87] | unawareness? Beware, it' s the reanamator! |
| [01:38.45] | A menace to a microphone, a lethal weapon |
| [01:41.11] | An assasinator, if the people ain' t stepping |
| [01:43.60] | You see a part of me that you never seen |
| [01:46.12] | When I' m fiending for a microphone. |
| [01:48.48] | Cause I take it to the maximum, I can' t relax see, I' m |
| [01:52.03] | Hype as a hyperchrondriac ' cause the rap be one |
| [01:54.39] | Hell of a antidote, something you can' t smoke |
| [01:57.31] | More than dope, you' re trying to move away but you can' t, you' re broke |
| [02:00.19] | More than cracked up, you should have backed up |
| [02:02.44] | For those who act up need to be more than smacked up |
| [02:05.05] | EFFECT |
| [02:07.55] | A smooth operator operating correctly. |
| [02:10.28] | An EFFECT |
| [02:12.94] | A smooth operator operating correctly. |
| [02:15.52] | An EFFECT |
| [02:18.27] | A smooth operator operating correctly. |
| [02:20.89] | An EFFECT |
| [02:23.44] | A smooth operator operating correctly. |
| [02:29.31] | A smooth operator operating correctly. |
| [02:34.26] | A smooth operator operating correctly. |
| [02:39.72] | A smooth operator operating correctly. |
| [02:44.99] | A smooth operator operating correctly. |
| [02:46.99] | |
| [02:48.99] | fu xiu de di ren yi jing yao yao yu zhui! |
| [02:51.99] | sheng li de da qi zai qian jin zhong piao yang! |
| [02:52.99] | ni kan na ge ming de yi zhi! |
| [02:54.99] | ni ting na fan kang de sheng yin! |
| [02:56.99] | ye feng fei ni mei ji qing zhi zuo |
| [02:59.00] | Uh! |
| [03:00.00] | |
| [03:02.00] | xiong di na qi ni de wu qi! |
| [03:04.00] | dui zhun ni de di ren! |
| [03:08.00] | mei you shen me yi yan! |
| [03:09.55] | yin wei si diao de shi ta men! |
| [03:10.60] | Music orientated so when hiphop was originated ... originated |
| [03:15.68] | |
| [03:21.32] | Music orientated so when hiphop was originated ... originated |
| [03:26.32] | |
| [03:32.44] | Music orientated so when hiphop was originated ... originated |
| [03:37.95] | |
| [03:43.24] | Music orientated so when hiphop was originated ... originated |
| [03:48.45] | |
| [03:54.54] | Music orientated so when hiphop was originated |
| [03:59.75] | Fitted like pieces of puzzles, complicated |
| [04:05.40] | Music orientated so when hiphop was originated |
| [04:10.87] | Fitted like pieces of puzzles, complicated |
| [04:16.22] | |
| [04:16.48] | ' Cause I' m an EFFECT |
| [04:19.40] | A smooth operator operating correctly. |
| [04:22.06] | An EFFECT |
| [04:24.41] | A smooth operator operating correctly. |
| [04:27.22] | An EFFECT |
| [04:29.64] | A smooth operator operating correctly. |
| [04:32.39] | An EFFECT |
| [04:34.91] | A smooth operator operating correctly. |
| [04:40.04] | A smooth operator operating correctly. |
| [04:45.47] | A smooth operator operating correctly. |
| [04:50.87] | A smooth operator operating correctly. |
| [04:56.01] | An EFFECT |
| [04:59.42] | gan xie xin shang! ni men shi you li xiang de ting zhong! |
| [05:00.24] | ye feng fei ni mei |
| [00:00.74] | běi jīng zhōng jí RATM tiě gǎn FANS |
| [00:01.99] | |
| [00:03.05] | yě fēng fēi nǐ mèi dú jiā zhì zuò |
| [00:03.20] | |
| [00:03.83] | Yo, I was a fiend before I became a teen |
| [00:08.77] | I melted microphone instead of cones of ice cream |
| [00:10.84] | Music orientated so when hiphop was originated |
| [00:13.23] | Fitted like pieces of puzzles, complicated |
| [00:16.24] | Shot grabbed the mic and try to say, Yes y' all! |
| [00:18.61] | They tried to take it, and say that I' m too small |
| [00:21.35] | Cool, ' Cause I don' t get upset |
| [00:23.93] | I kick a hole in the speaker, pull the plug, then I jet |
| [00:26.94] | Back to the lab ... without a mic to grab |
| [00:29.39] | So then I add all the rhymes I had |
| [00:32.06] | One after the another one, then I make another one |
| [00:34.20] | To dis the opposite then ask if the brother' s done |
| [00:37.88] | I get a craving like I fiend for nicotine |
| [00:40.13] | But I don' t need a cigarette, know what I mean? |
| [00:42.66] | I' m raging, ripping up the stage and |
| [00:44.94] | Don' t it sound amazing ' cause every rhyme is made and |
| [00:48.30] | Thought of, Cuz it' s sort of... an addiction, |
| [00:51.11] | Magnatized by the mixing |
| [00:53.04] | EFFECT |
| [00:56.02] | A smooth operator operating correctly. |
| [00:58.65] | An EFFECT |
| [01:01.53] | A smooth operator operating correctly. |
| [01:03.94] | EFFECT |
| [01:06.59] | A smooth operator operating correctly. |
| [01:09.32] | An EFFECT |
| [01:11.54] | A smooth operator operating correctly. |
| [01:13.54] | tīng RAGE de rén shì zhēn zhèng de zhàn shì! |
| [01:15.54] | yě fēng fēi nǐ mèi |
| [01:17.46] | But back to the problem, I gotta habit, |
| [01:20.20] | You can' t solve it, you silly rabbit |
| [01:22.63] | The prescription is a hypertone that' s thorough when |
| [01:24.45] | I fiend for a microphone like heroin |
| [01:28.59] | Soon as the bass kicks, I need a fix |
| [01:30.69] | Gimme a stage and a mic and a mix |
| [01:33.01] | And I' ll put you in a mood or is it a state of |
| [01:35.87] | unawareness? Beware, it' s the reanamator! |
| [01:38.45] | A menace to a microphone, a lethal weapon |
| [01:41.11] | An assasinator, if the people ain' t stepping |
| [01:43.60] | You see a part of me that you never seen |
| [01:46.12] | When I' m fiending for a microphone. |
| [01:48.48] | Cause I take it to the maximum, I can' t relax see, I' m |
| [01:52.03] | Hype as a hyperchrondriac ' cause the rap be one |
| [01:54.39] | Hell of a antidote, something you can' t smoke |
| [01:57.31] | More than dope, you' re trying to move away but you can' t, you' re broke |
| [02:00.19] | More than cracked up, you should have backed up |
| [02:02.44] | For those who act up need to be more than smacked up |
| [02:05.05] | EFFECT |
| [02:07.55] | A smooth operator operating correctly. |
| [02:10.28] | An EFFECT |
| [02:12.94] | A smooth operator operating correctly. |
| [02:15.52] | An EFFECT |
| [02:18.27] | A smooth operator operating correctly. |
| [02:20.89] | An EFFECT |
| [02:23.44] | A smooth operator operating correctly. |
| [02:29.31] | A smooth operator operating correctly. |
| [02:34.26] | A smooth operator operating correctly. |
| [02:39.72] | A smooth operator operating correctly. |
| [02:44.99] | A smooth operator operating correctly. |
| [02:46.99] | |
| [02:48.99] | fǔ xiǔ de dí rén yǐ jīng yáo yáo yù zhuì! |
| [02:51.99] | shèng lì de dà qí zài qián jìn zhōng piāo yáng! |
| [02:52.99] | nǐ kàn nà gé mìng de yì zhì! |
| [02:54.99] | nǐ tīng nà fǎn kàng de shēng yīn! |
| [02:56.99] | yě fēng fēi nǐ mèi jī qíng zhì zuò |
| [02:59.00] | Uh! |
| [03:00.00] | |
| [03:02.00] | xiōng dì ná qǐ nǐ de wǔ qì! |
| [03:04.00] | duì zhǔn nǐ de dí rén! |
| [03:08.00] | méi yǒu shén me yí yán! |
| [03:09.55] | yīn wèi sǐ diào de shì tā men! |
| [03:10.60] | Music orientated so when hiphop was originated ... originated |
| [03:15.68] | |
| [03:21.32] | Music orientated so when hiphop was originated ... originated |
| [03:26.32] | |
| [03:32.44] | Music orientated so when hiphop was originated ... originated |
| [03:37.95] | |
| [03:43.24] | Music orientated so when hiphop was originated ... originated |
| [03:48.45] | |
| [03:54.54] | Music orientated so when hiphop was originated |
| [03:59.75] | Fitted like pieces of puzzles, complicated |
| [04:05.40] | Music orientated so when hiphop was originated |
| [04:10.87] | Fitted like pieces of puzzles, complicated |
| [04:16.22] | |
| [04:16.48] | ' Cause I' m an EFFECT |
| [04:19.40] | A smooth operator operating correctly. |
| [04:22.06] | An EFFECT |
| [04:24.41] | A smooth operator operating correctly. |
| [04:27.22] | An EFFECT |
| [04:29.64] | A smooth operator operating correctly. |
| [04:32.39] | An EFFECT |
| [04:34.91] | A smooth operator operating correctly. |
| [04:40.04] | A smooth operator operating correctly. |
| [04:45.47] | A smooth operator operating correctly. |
| [04:50.87] | A smooth operator operating correctly. |
| [04:56.01] | An EFFECT |
| [04:59.42] | gǎn xiè xīn shǎng! nǐ men shì yǒu lǐ xiǎng de tīng zhòng! |
| [05:00.24] | yě fēng fēi nǐ mèi |
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