[00:29.36] |
I started out on burgundy |
[00:31.93] |
But soon hit the harder stuff |
[00:38.98] |
My friends all said that they'd stand beside me |
[00:43.16] |
After the gun run rough |
[00:48.46] |
But the joke was on me |
[00:50.93] |
There was nobody even there to call my bluff |
[00:57.98] |
I'm going back to New York City |
[01:00.36] |
I do believe I've had enough |
[01:13.11] |
Sweet Melinda |
[01:14.82] |
The peasants call her the goddess of gloom |
[01:21.73] |
She speaks good English |
[01:23.79] |
And she invites you up into her room |
[01:30.54] |
And you're so kind |
[01:32.60] |
And careful not to go to her too soon |
[01:40.11] |
And she steals your voice |
[01:43.03] |
And leaves you howling at the moon |
[02:26.21] |
When you're lost in the rain in Juarez |
[02:29.95] |
And it's Eastertime too |
[02:35.44] |
And your gravity fails |
[02:37.90] |
And negativity don't pull you through |
[02:45.12] |
Don't put on any airs |
[02:47.50] |
When you're down on rue morgue avenue |
[02:54.01] |
They got some hungry women there |
[02:57.14] |
And they really make a mess outa you |
[03:03.75] |
Up on Housing Project Hill |
[03:07.17] |
It's either fortune or fame |
[03:13.01] |
You must pick up one or the other |
[03:16.80] |
Though neither of them are to be what they claim |
[03:22.32] |
If you're lookin' to get silly |
[03:24.49] |
You better go back to from where you came |
[03:32.06] |
Because the cops don't need you here |
[03:35.24] |
And what they expect the same |
[04:28.19] |
I started out on burgundy |
[04:30.71] |
But soon hit the harder stuff |
[04:37.45] |
My friends all said that they'd stand beside me |
[04:41.59] |
After the gun run rough |
[04:46.99] |
But the joke was on me |
[04:49.20] |
There was nobody even there to call my bluff |
[04:56.10] |
I'm going back to New York City |
[04:58.89] |
I do believe I've had enough |
[05:05.30] |
I'm going back to New York City |
[05:08.16] |
I do believe I've had enough |