[00:09.836] |
Kyrie suggested we go for a drive in her new 2-door BMW coupe |
[00:14.015] |
In the parking lot, we slipped into her bucket seats |
[00:16.549] |
Kyrie took over from there. |
[00:19.553] |
At nearly 90 miles per hour she zipped us up to that windy edge |
[00:22.505] |
Known to some as Mullholland, that sinuous road running the ridge of the Santa Monica Mountains |
[00:26.815] |
Where she then proceeded to pump her vehicle in and out of turns |
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Sometimes dropping down to 50 miles per hour, only to immediately gun it back up to 90 again |
[00:35.383] |
Fast, slow, fast fast slow |
[00:38.309] |
Sometime a wide turn sometimes a quick one she preferred the tighter ones |
[00:42.332] |
The sharp controlled jerks, swinging left to right before driving back to the right |
[00:46.302] |
Only so she could do it all over again until after enough speed, and |
[00:49.228] |
enough wind, and more distance than I had been prepared to expect |
[00:52.598] |
Taking me to parts of the city I rarely think of and never visit... |
[00:55.471] |
Hey pretty |
[00:57.666] |
Don't you wanna take a ride with me? |
[01:01.689] |
Through my world |
[01:04.118] |
Hey pretty |
[01:06.887] |
Don't you wanna kick and slide |
[01:10.884] |
Through my world |
[01:13.836] |
I can't remember the inane things I started babbling about then, I know it didn't really matter, she wasn't listening |
[01:18.329] |
She just yanked up on the emergency brake, dropped her seat back, and told me to lie on top of her |
[01:22.665] |
On top of those leather pants of hers, extremely expensive leather pants mind you, |
[01:28.412] |
her hands immediately guiding mine over those soft, slightly oily folds |
[01:32.173] |
Positioning my fingers on the shiny metal tab, small and round, like a tear |
[01:35.961] |
Then murmuring a murmur so inaudible that even though I could feel her |
[01:39.775] |
lips tremble against my ear, she seemed far, far away |
[01:43.380] |
Pinch it, she said, which I did, lightly, until she also said pull it, |
[01:47.063] |
which I also did, gently parting the teeth, one at a time, down under |
[01:50.459] |
and beneath, the longest unzipping of my life... |
[01:52.627] |
Hey pretty |
[01:54.926] |
Don't you wanna take a ride with me? |
[01:58.844] |
Through my world |
[02:01.744] |
Hey pretty |
[02:04.043] |
Don't you wanna kick and slide |
[02:08.040] |
Through my world |
[02:10.991] |
Hey pretty |
[02:13.212] |
My pretty baby |
[02:16.738] |
Rock it through my world (through my world) |
[02:20.082] |
Hey pretty (Hey pretty) |
[02:22.407] |
My pretty baby |
[02:25.751] |
Rock it through my world (my world) |
[02:29.538] |
We never even kissed, or looked into each other's eyes, our lips just |
[02:33.013] |
Trespassed on those inner labyrinths hidden deep within our ears, |
[02:36.095] |
Filled them with the private music of wicked words |
[02:38.472] |
Hers in many languages, mine in the off-color of my only tongue, until |
[02:42.469] |
as our tones shifted and our consonants spun and squealed, rabbled faster, hesitated, raced harder |
[02:48.686] |
Syllables soon melting into groans or moans, finding purchase in new words, or old words, or made-up words |
[02:55.582] |
Until we gathered up our heat and refused to release it, enjoying too |
[02:59.057] |
much the dark lane which we had suddenly stumbled upon |
[03:02.035] |
Prayed to, carved to, not a communication really, but a channeling of |
[03:06.267] |
our rumored desires, hers for all I know gone to black forests and |
[03:10.237] |
wolves, mine banging back to the familiar form, that great revenant mystery I still could only hear the shape of |
[03:16.480] |
Which in spite of our separate lusts and individual prize, still |
[03:19.380] |
continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn |
[03:24.369] |
Fueled by sound, hers screeching, mine... I didn't hear mine, only hers, probably counter-pointing mine |
[03:31.344] |
A high pitched cry, then a whisper dropping unexpectedly, to practically |
[03:35.524] |
a bark, a grunt, whatever, no sense anymore, and suddenly no more curves either, just the straightaway |
[03:42.211] |
Too bad dark languages rarely survive..." |
[03:48.977] |
Das nicht zu Hause sein x2 (= there is no house in german) |
[03:51.511] |
Ba da da da (da x 8 echoes) |