| Song | SHOES |
| Artist | Lupe Fiasco |
| Artist | Virgil Abloh |
| Artist | Kaelin Ellis |
| Album | HOUSE |
| Download | Image LRC TXT |
| [00:00.00] | 作曲 : Virgil Abloh/Kaelin Ellis/Wasalu Jaco p/k/a: Lupe Fisaco |
| [00:10.92] | Been standing in line since Thursday |
| [00:12.56] | I heard a rumor they might be dropping them early |
| [00:15.02] | Should have 'em just in time for your birthday |
| [00:17.76] | Irrelevant holiday affair |
| [00:19.32] | Got one of those three-leg folding chairs |
| [00:21.56] | I am what you call prepared for the campout |
| [00:24.80] | Evening brings the battery-powered lamps out |
| [00:27.39] | Warm clothes but blanket 'case it get cold |
| [00:30.84] | Corn chips and basic staples to hold |
| [00:33.38] | Hunger over till Uber Eats is ordered |
| [00:36.08] | Maybe pizza, or quesadillas and sopa |
| [00:38.23] | Got a little cooler with assorted waters and sodas |
| [00:41.07] | Cinnamon sugar-coated malassada, the odor |
| [00:44.21] | Makes me the envy of the line |
| [00:45.86] | If not the enemy, not my energy |
| [00:47.95] | I'll be spending plenty of time |
| [00:49.20] | Inside the books that I bought |
| [00:51.24] | Got audios and regulars |
| [00:52.89] | Quite the party goer and reveler |
| [00:55.97] | |
| [00:57.02] | So, on today's to-do list is to design a pair of running shoes |
| [01:07.29] | The goal is as always in my work |
| [01:10.37] | Is to add emotion to inanimate objects, so |
| [01:15.85] | Release day is finally upon us |
| [01:17.70] | More celebratory than the former |
| [01:19.55] | But mixed with bittersweet vibes most certainly switched to different beats |
| [01:23.74] | More policed than Justinian's Byzantinian Christian beliefs |
| [01:27.34] | There's a risen rhythm you can feel it all in the streets |
| [01:30.03] | Like a marathon or a parade |
| [01:33.08] | Poets might wanna pull they pens out like grenades |
| [01:36.07] | Or that model for a year and a half |
| [01:38.17] | And write down all the tears and the laughs |
| [01:41.17] | A shot across the bow of the tyrannous class |
| [01:43.57] | Quote from man standing on float |
| [01:46.42] | The whole event is just biggest-fan-channeling dope |
| [01:49.93] | I mean, one just feels privileged and esteemed |
| [01:52.48] | Inwardly serene and spiritually clean |
| [01:54.62] | Even the line feels like a team |
| [01:57.22] | In stark opposition to a competition for things |
| [01:59.76] | |
| [02:02.01] | With that, these shoes that we are about to design with words |
| [02:08.79] | Starts with a sole |
| [02:12.08] | Not a sole, but soul, you know, what touches you to earth |
| [02:16.58] | That's floating in nowhere, the soul |
| [02:20.51] | |
| [02:22.00] | With touching signs of equality to match |
| [02:24.70] | White kid at the front let me go first cause I was black |
| [02:29.12] | Said it was only right |
| [02:30.57] | He was used to having head starts his entire life |
| [02:32.57] | Maybe it was time to step aside like trilobites |
| [02:35.46] | Touching, I never forget it like riding bikes |
| [02:38.35] | The ordeal starts to spring feelings like guiding light |
| [02:41.10] | Permanent villains go about chilling they psychic fights |
| [02:43.74] | Nice, and to a buyer's delight |
| [02:46.34] | You're limited to two so that means I'm buying them twice |
| [02:49.49] | One pair to wear, one pair on ice |
| [02:51.48] | Aftermarket speculation will surely hike up the price |
| [02:54.27] | |
| [02:55.86] | Call that all in the plans |
| [02:57.57] | Feeling like Mike with the ball in my hands |
| [03:00.11] | Swear to God, it's like the best game he ever played |
| [03:03.51] | I get to wear the first pair possibly ever made |
| [03:06.11] | What does that sole look like |
| [03:08.25] | It's soft to run on |
| [03:11.40] | But tough enough to withstand the reality of the ground |
| [03:17.31] | Or the reality of the context we're living in |
| [03:20.07] | That's the soul |
| [03:21.96] | Let's just call it black |
| [03:24.31] | |
| [03:27.57] | I get applause as I step outside the pop-up |
| [03:29.72] | The shop resembles the unfinished house he was in before they shot us |
| [03:33.11] | We fell down, then we got up |
| [03:36.21] | Pick Pac up, pick Nip up |
| [03:39.51] | This is the type of tripping that scuff kicks up |
| [03:41.32] | Traditionally creases was a style to refuse |
| [03:43.12] | But now they represent every mile in your shoes |
| [03:45.92] | Any mud on your sole gets toweled and removed |
| [03:48.82] | It's like I'm retracing every trial, know it took strength |
| [03:51.97] | Giant steps flowers growing out of the footprints |
| [03:54.47] | Liberation, here's your invitation |
| [03:57.47] | It's a relay race, continuation |
| [04:00.26] | Get the baton and keep bringing it back |
| [04:02.27] | That string theory means we'll keep being attached |
| [04:05.75] | Last thing, this is something of a sight |
| [04:08.44] | Even when you take 'em off they keep running for your life |
| [04:11.04] | |
| [04:12.78] | You know, can withstand multiple beatings by the ground |
| [04:19.26] | But it's tough enough to continue on, that's the sole |
| [04:24.06] | Now there's an upper on top of that sole |
| [04:27.21] | The upper is made of leather |
| [04:31.73] | Or maybe mitt or maybe both, you know? |
| [04:38.31] | That sole and that upper combined by stitches |
| [04:44.84] | Leaves for a dynamic enclosure around the foot |
| [04:49.83] | There's a tongue, there's even shoelaces |
| [04:53.19] | You know, those shoelaces |
| [04:54.64] | They are literally as elastic as a rubber band |
| [05:04.69] | But as tough as links of steel, let's call it chain links |
| [05:09.71] | |
| [05:10.96] | So, here we have the shoe taking shape |
| [05:15.80] | There's a logo on the side, fill in the blank with your favorite one |
| [05:20.05] | They're all man-made, it's all good |
| [05:22.54] | But this shoe, these Air Ahmauds or these Air Arberys |
| [05:31.07] | Are starting to take shape now, you know? |
| [05:36.11] | They connect man and earth, they allow you to run |
| [05:44.49] | That running is freedom, |
| [05:47.39] | Accelerated heart rate by design through design |
| [05:54.01] | Air Ahmaud, Air Arbery |
| [06:00.57] | |
| [06:00.92] | What color are these shoes? The upper of these shoes |
| [06:07.86] | Maybe white, maybe black, pick your favorite |
| [06:12.95] | But, you know, the world's black and white anyways |
| [06:17.69] | So might as well limit the whole color palette to that |
| [06:21.39] | Signed, Virgil Abloh, in quotes of course |
| [06:26.59] | Oh yeah, there's a red zip-tie on this thing, it makes it our own |
| [06:34.82] | It's tied into a history of art that's now |
| [06:38.22] | Copright 2020 |
| [00:00.00] | zuo qu : Virgil Abloh Kaelin Ellis Wasalu Jaco p k a: Lupe Fisaco |
| [00:10.92] | Been standing in line since Thursday |
| [00:12.56] | I heard a rumor they might be dropping them early |
| [00:15.02] | Should have ' em just in time for your birthday |
| [00:17.76] | Irrelevant holiday affair |
| [00:19.32] | Got one of those three-leg folding chairs |
| [00:21.56] | I am what you call prepared for the campout |
| [00:24.80] | Evening brings the battery-powered lamps out |
| [00:27.39] | Warm clothes but blanket ' case it get cold |
| [00:30.84] | Corn chips and basic staples to hold |
| [00:33.38] | Hunger over till Uber Eats is ordered |
| [00:36.08] | Maybe pizza, or quesadillas and sopa |
| [00:38.23] | Got a little cooler with assorted waters and sodas |
| [00:41.07] | Cinnamon sugar-coated malassada, the odor |
| [00:44.21] | Makes me the envy of the line |
| [00:45.86] | If not the enemy, not my energy |
| [00:47.95] | I' ll be spending plenty of time |
| [00:49.20] | Inside the books that I bought |
| [00:51.24] | Got audios and regulars |
| [00:52.89] | Quite the party goer and reveler |
| [00:55.97] | |
| [00:57.02] | So, on today' s to-do list is to design a pair of running shoes |
| [01:07.29] | The goal is as always in my work |
| [01:10.37] | Is to add emotion to inanimate objects, so |
| [01:15.85] | Release day is finally upon us |
| [01:17.70] | More celebratory than the former |
| [01:19.55] | But mixed with bittersweet vibes most certainly switched to different beats |
| [01:23.74] | More policed than Justinian' s Byzantinian Christian beliefs |
| [01:27.34] | There' s a risen rhythm you can feel it all in the streets |
| [01:30.03] | Like a marathon or a parade |
| [01:33.08] | Poets might wanna pull they pens out like grenades |
| [01:36.07] | Or that model for a year and a half |
| [01:38.17] | And write down all the tears and the laughs |
| [01:41.17] | A shot across the bow of the tyrannous class |
| [01:43.57] | Quote from man standing on float |
| [01:46.42] | The whole event is just biggest-fan-channeling dope |
| [01:49.93] | I mean, one just feels privileged and esteemed |
| [01:52.48] | Inwardly serene and spiritually clean |
| [01:54.62] | Even the line feels like a team |
| [01:57.22] | In stark opposition to a competition for things |
| [01:59.76] | |
| [02:02.01] | With that, these shoes that we are about to design with words |
| [02:08.79] | Starts with a sole |
| [02:12.08] | Not a sole, but soul, you know, what touches you to earth |
| [02:16.58] | That' s floating in nowhere, the soul |
| [02:20.51] | |
| [02:22.00] | With touching signs of equality to match |
| [02:24.70] | White kid at the front let me go first cause I was black |
| [02:29.12] | Said it was only right |
| [02:30.57] | He was used to having head starts his entire life |
| [02:32.57] | Maybe it was time to step aside like trilobites |
| [02:35.46] | Touching, I never forget it like riding bikes |
| [02:38.35] | The ordeal starts to spring feelings like guiding light |
| [02:41.10] | Permanent villains go about chilling they psychic fights |
| [02:43.74] | Nice, and to a buyer' s delight |
| [02:46.34] | You' re limited to two so that means I' m buying them twice |
| [02:49.49] | One pair to wear, one pair on ice |
| [02:51.48] | Aftermarket speculation will surely hike up the price |
| [02:54.27] | |
| [02:55.86] | Call that all in the plans |
| [02:57.57] | Feeling like Mike with the ball in my hands |
| [03:00.11] | Swear to God, it' s like the best game he ever played |
| [03:03.51] | I get to wear the first pair possibly ever made |
| [03:06.11] | What does that sole look like |
| [03:08.25] | It' s soft to run on |
| [03:11.40] | But tough enough to withstand the reality of the ground |
| [03:17.31] | Or the reality of the context we' re living in |
| [03:20.07] | That' s the soul |
| [03:21.96] | Let' s just call it black |
| [03:24.31] | |
| [03:27.57] | I get applause as I step outside the pop-up |
| [03:29.72] | The shop resembles the unfinished house he was in before they shot us |
| [03:33.11] | We fell down, then we got up |
| [03:36.21] | Pick Pac up, pick Nip up |
| [03:39.51] | This is the type of tripping that scuff kicks up |
| [03:41.32] | Traditionally creases was a style to refuse |
| [03:43.12] | But now they represent every mile in your shoes |
| [03:45.92] | Any mud on your sole gets toweled and removed |
| [03:48.82] | It' s like I' m retracing every trial, know it took strength |
| [03:51.97] | Giant steps flowers growing out of the footprints |
| [03:54.47] | Liberation, here' s your invitation |
| [03:57.47] | It' s a relay race, continuation |
| [04:00.26] | Get the baton and keep bringing it back |
| [04:02.27] | That string theory means we' ll keep being attached |
| [04:05.75] | Last thing, this is something of a sight |
| [04:08.44] | Even when you take ' em off they keep running for your life |
| [04:11.04] | |
| [04:12.78] | You know, can withstand multiple beatings by the ground |
| [04:19.26] | But it' s tough enough to continue on, that' s the sole |
| [04:24.06] | Now there' s an upper on top of that sole |
| [04:27.21] | The upper is made of leather |
| [04:31.73] | Or maybe mitt or maybe both, you know? |
| [04:38.31] | That sole and that upper combined by stitches |
| [04:44.84] | Leaves for a dynamic enclosure around the foot |
| [04:49.83] | There' s a tongue, there' s even shoelaces |
| [04:53.19] | You know, those shoelaces |
| [04:54.64] | They are literally as elastic as a rubber band |
| [05:04.69] | But as tough as links of steel, let' s call it chain links |
| [05:09.71] | |
| [05:10.96] | So, here we have the shoe taking shape |
| [05:15.80] | There' s a logo on the side, fill in the blank with your favorite one |
| [05:20.05] | They' re all man-made, it' s all good |
| [05:22.54] | But this shoe, these Air Ahmauds or these Air Arberys |
| [05:31.07] | Are starting to take shape now, you know? |
| [05:36.11] | They connect man and earth, they allow you to run |
| [05:44.49] | That running is freedom, |
| [05:47.39] | Accelerated heart rate by design through design |
| [05:54.01] | Air Ahmaud, Air Arbery |
| [06:00.57] | |
| [06:00.92] | What color are these shoes? The upper of these shoes |
| [06:07.86] | Maybe white, maybe black, pick your favorite |
| [06:12.95] | But, you know, the world' s black and white anyways |
| [06:17.69] | So might as well limit the whole color palette to that |
| [06:21.39] | Signed, Virgil Abloh, in quotes of course |
| [06:26.59] | Oh yeah, there' s a red zip-tie on this thing, it makes it our own |
| [06:34.82] | It' s tied into a history of art that' s now |
| [06:38.22] | Copright 2020 |
| [00:00.00] | zuò qǔ : Virgil Abloh Kaelin Ellis Wasalu Jaco p k a: Lupe Fisaco |
| [00:10.92] | Been standing in line since Thursday |
| [00:12.56] | I heard a rumor they might be dropping them early |
| [00:15.02] | Should have ' em just in time for your birthday |
| [00:17.76] | Irrelevant holiday affair |
| [00:19.32] | Got one of those three-leg folding chairs |
| [00:21.56] | I am what you call prepared for the campout |
| [00:24.80] | Evening brings the battery-powered lamps out |
| [00:27.39] | Warm clothes but blanket ' case it get cold |
| [00:30.84] | Corn chips and basic staples to hold |
| [00:33.38] | Hunger over till Uber Eats is ordered |
| [00:36.08] | Maybe pizza, or quesadillas and sopa |
| [00:38.23] | Got a little cooler with assorted waters and sodas |
| [00:41.07] | Cinnamon sugar-coated malassada, the odor |
| [00:44.21] | Makes me the envy of the line |
| [00:45.86] | If not the enemy, not my energy |
| [00:47.95] | I' ll be spending plenty of time |
| [00:49.20] | Inside the books that I bought |
| [00:51.24] | Got audios and regulars |
| [00:52.89] | Quite the party goer and reveler |
| [00:55.97] | |
| [00:57.02] | So, on today' s to-do list is to design a pair of running shoes |
| [01:07.29] | The goal is as always in my work |
| [01:10.37] | Is to add emotion to inanimate objects, so |
| [01:15.85] | Release day is finally upon us |
| [01:17.70] | More celebratory than the former |
| [01:19.55] | But mixed with bittersweet vibes most certainly switched to different beats |
| [01:23.74] | More policed than Justinian' s Byzantinian Christian beliefs |
| [01:27.34] | There' s a risen rhythm you can feel it all in the streets |
| [01:30.03] | Like a marathon or a parade |
| [01:33.08] | Poets might wanna pull they pens out like grenades |
| [01:36.07] | Or that model for a year and a half |
| [01:38.17] | And write down all the tears and the laughs |
| [01:41.17] | A shot across the bow of the tyrannous class |
| [01:43.57] | Quote from man standing on float |
| [01:46.42] | The whole event is just biggest-fan-channeling dope |
| [01:49.93] | I mean, one just feels privileged and esteemed |
| [01:52.48] | Inwardly serene and spiritually clean |
| [01:54.62] | Even the line feels like a team |
| [01:57.22] | In stark opposition to a competition for things |
| [01:59.76] | |
| [02:02.01] | With that, these shoes that we are about to design with words |
| [02:08.79] | Starts with a sole |
| [02:12.08] | Not a sole, but soul, you know, what touches you to earth |
| [02:16.58] | That' s floating in nowhere, the soul |
| [02:20.51] | |
| [02:22.00] | With touching signs of equality to match |
| [02:24.70] | White kid at the front let me go first cause I was black |
| [02:29.12] | Said it was only right |
| [02:30.57] | He was used to having head starts his entire life |
| [02:32.57] | Maybe it was time to step aside like trilobites |
| [02:35.46] | Touching, I never forget it like riding bikes |
| [02:38.35] | The ordeal starts to spring feelings like guiding light |
| [02:41.10] | Permanent villains go about chilling they psychic fights |
| [02:43.74] | Nice, and to a buyer' s delight |
| [02:46.34] | You' re limited to two so that means I' m buying them twice |
| [02:49.49] | One pair to wear, one pair on ice |
| [02:51.48] | Aftermarket speculation will surely hike up the price |
| [02:54.27] | |
| [02:55.86] | Call that all in the plans |
| [02:57.57] | Feeling like Mike with the ball in my hands |
| [03:00.11] | Swear to God, it' s like the best game he ever played |
| [03:03.51] | I get to wear the first pair possibly ever made |
| [03:06.11] | What does that sole look like |
| [03:08.25] | It' s soft to run on |
| [03:11.40] | But tough enough to withstand the reality of the ground |
| [03:17.31] | Or the reality of the context we' re living in |
| [03:20.07] | That' s the soul |
| [03:21.96] | Let' s just call it black |
| [03:24.31] | |
| [03:27.57] | I get applause as I step outside the pop-up |
| [03:29.72] | The shop resembles the unfinished house he was in before they shot us |
| [03:33.11] | We fell down, then we got up |
| [03:36.21] | Pick Pac up, pick Nip up |
| [03:39.51] | This is the type of tripping that scuff kicks up |
| [03:41.32] | Traditionally creases was a style to refuse |
| [03:43.12] | But now they represent every mile in your shoes |
| [03:45.92] | Any mud on your sole gets toweled and removed |
| [03:48.82] | It' s like I' m retracing every trial, know it took strength |
| [03:51.97] | Giant steps flowers growing out of the footprints |
| [03:54.47] | Liberation, here' s your invitation |
| [03:57.47] | It' s a relay race, continuation |
| [04:00.26] | Get the baton and keep bringing it back |
| [04:02.27] | That string theory means we' ll keep being attached |
| [04:05.75] | Last thing, this is something of a sight |
| [04:08.44] | Even when you take ' em off they keep running for your life |
| [04:11.04] | |
| [04:12.78] | You know, can withstand multiple beatings by the ground |
| [04:19.26] | But it' s tough enough to continue on, that' s the sole |
| [04:24.06] | Now there' s an upper on top of that sole |
| [04:27.21] | The upper is made of leather |
| [04:31.73] | Or maybe mitt or maybe both, you know? |
| [04:38.31] | That sole and that upper combined by stitches |
| [04:44.84] | Leaves for a dynamic enclosure around the foot |
| [04:49.83] | There' s a tongue, there' s even shoelaces |
| [04:53.19] | You know, those shoelaces |
| [04:54.64] | They are literally as elastic as a rubber band |
| [05:04.69] | But as tough as links of steel, let' s call it chain links |
| [05:09.71] | |
| [05:10.96] | So, here we have the shoe taking shape |
| [05:15.80] | There' s a logo on the side, fill in the blank with your favorite one |
| [05:20.05] | They' re all man-made, it' s all good |
| [05:22.54] | But this shoe, these Air Ahmauds or these Air Arberys |
| [05:31.07] | Are starting to take shape now, you know? |
| [05:36.11] | They connect man and earth, they allow you to run |
| [05:44.49] | That running is freedom, |
| [05:47.39] | Accelerated heart rate by design through design |
| [05:54.01] | Air Ahmaud, Air Arbery |
| [06:00.57] | |
| [06:00.92] | What color are these shoes? The upper of these shoes |
| [06:07.86] | Maybe white, maybe black, pick your favorite |
| [06:12.95] | But, you know, the world' s black and white anyways |
| [06:17.69] | So might as well limit the whole color palette to that |
| [06:21.39] | Signed, Virgil Abloh, in quotes of course |
| [06:26.59] | Oh yeah, there' s a red zip-tie on this thing, it makes it our own |
| [06:34.82] | It' s tied into a history of art that' s now |
| [06:38.22] | Copright 2020 |