| Song | Strangers in Danger |
| Artist | Sinead O'Brien |
| Album | Strangers in Danger |
| Download | Image LRC TXT |
| 作词 : Sinead O'Brien/Julian Hanson/Oscar Robertson | |
| 作曲 : Sinead O'Brien/Julian Hanson/Oscar Robertson | |
| I knew I was worse then than what I thought I was | |
| Plastic flowers in bloom and the sound of soccer | |
| Men bonding ten shades of shy | |
| In lost lines I go walking | |
| Back and forth between loss and worth | |
| What worth are we to one another talking | |
| What worth are we in words | |
| I am not worried or certain because this is not my life | |
| This is just the dust before the fall and the rise | |
| It’s hopeless being so focused | |
| I was better off then than I what I knew | |
| Better stray than in such close proximity to the blue | |
| One step removed | |
| I thought I drew well | |
| Until I drew you | |
| I was better off then than the best of you | |
| Plastic flowers in bloom | |
| That’s how I knew | |
| The City in the summer | |
| Is like a machine | |
| Turns you til your essence is gone | |
| Keeps moving | |
| After the feeling is gone | |
| You could find yourself under a rock or table gone | |
| With all the lost lines | |
| Poetry of the cemetery | |
| Secret societies and false memories | |
| Of the Summer dawns you never saw | |
| You said you saw | |
| Streets move in time with our minds | |
| Only I see it this way because I am a stray | |
| Only I said it so I gave it the life of day | |
| I am a stranger in danger | |
| I feel more close to home away | |
| Everybody is running after the wrong one | |
| Strong feelings for wrong people | |
| It’s all the strange wild ways of the unfamiliar forces | |
| Strange things | |
| Are strangers | |
| Other people’s people | |
| Until they’re familiar and unappealing | |
| The pace slows | |
| The range - it narrows | |
| The other people become realer and you become further away | |
| A solitary revealing | |
| Moves the meaning of the street we live on | |
| It’s a strange range of normal to be | |
| Is it normal to feel in facts | |
| To deal in doubt | |
| I doubt the words are worth what they were | |
| What worth in words are we | |
| What worth on earth are the words | |
| Chinese history could tell you that | |
| Anyone could tell you that | |
| The streets become moving time machines | |
| Of minds gone by | |
| Making one step removed memories | |
| Of this crying | |
| Laugh of a life | |
| Daily distance | |
| The cause is typical | |
| They say history has a historical way of repeating | |
| Karma comes back again to fix us | |
| These are the danger days | |
| So wrapped in far aways | |
| Other people’s secret societies | |
| Rows of fathers in parked cars | |
| Away from new children | |
| And lightly married wives | |
| These are the other people’s lives | |
| Strangers In Danger | |
| You begin to imagine yourself | |
| In cold doorways like a lost girl grown up on the wrong side of safe | |
| You could find yourself under a rock or a table gone | |
| The sound of soccer again is on | |
| Public secrets play in windows | |
| Men in parked cars drive on | |
| Bars grow fuller | |
| Streets grow long | |
| What’s your worth in words | |
| What worth on earth are the words | |
| What’s an unworn idea worth | |
| What's an unspoken idea if it's un-woken | |
| What worth do you unearth with the way of your words |
| zuo ci : Sinead O' Brien Julian Hanson Oscar Robertson | |
| zuo qu : Sinead O' Brien Julian Hanson Oscar Robertson | |
| I knew I was worse then than what I thought I was | |
| Plastic flowers in bloom and the sound of soccer | |
| Men bonding ten shades of shy | |
| In lost lines I go walking | |
| Back and forth between loss and worth | |
| What worth are we to one another talking | |
| What worth are we in words | |
| I am not worried or certain because this is not my life | |
| This is just the dust before the fall and the rise | |
| It' s hopeless being so focused | |
| I was better off then than I what I knew | |
| Better stray than in such close proximity to the blue | |
| One step removed | |
| I thought I drew well | |
| Until I drew you | |
| I was better off then than the best of you | |
| Plastic flowers in bloom | |
| That' s how I knew | |
| The City in the summer | |
| Is like a machine | |
| Turns you til your essence is gone | |
| Keeps moving | |
| After the feeling is gone | |
| You could find yourself under a rock or table gone | |
| With all the lost lines | |
| Poetry of the cemetery | |
| Secret societies and false memories | |
| Of the Summer dawns you never saw | |
| You said you saw | |
| Streets move in time with our minds | |
| Only I see it this way because I am a stray | |
| Only I said it so I gave it the life of day | |
| I am a stranger in danger | |
| I feel more close to home away | |
| Everybody is running after the wrong one | |
| Strong feelings for wrong people | |
| It' s all the strange wild ways of the unfamiliar forces | |
| Strange things | |
| Are strangers | |
| Other people' s people | |
| Until they' re familiar and unappealing | |
| The pace slows | |
| The range - it narrows | |
| The other people become realer and you become further away | |
| A solitary revealing | |
| Moves the meaning of the street we live on | |
| It' s a strange range of normal to be | |
| Is it normal to feel in facts | |
| To deal in doubt | |
| I doubt the words are worth what they were | |
| What worth in words are we | |
| What worth on earth are the words | |
| Chinese history could tell you that | |
| Anyone could tell you that | |
| The streets become moving time machines | |
| Of minds gone by | |
| Making one step removed memories | |
| Of this crying | |
| Laugh of a life | |
| Daily distance | |
| The cause is typical | |
| They say history has a historical way of repeating | |
| Karma comes back again to fix us | |
| These are the danger days | |
| So wrapped in far aways | |
| Other people' s secret societies | |
| Rows of fathers in parked cars | |
| Away from new children | |
| And lightly married wives | |
| These are the other people' s lives | |
| Strangers In Danger | |
| You begin to imagine yourself | |
| In cold doorways like a lost girl grown up on the wrong side of safe | |
| You could find yourself under a rock or a table gone | |
| The sound of soccer again is on | |
| Public secrets play in windows | |
| Men in parked cars drive on | |
| Bars grow fuller | |
| Streets grow long | |
| What' s your worth in words | |
| What worth on earth are the words | |
| What' s an unworn idea worth | |
| What' s an unspoken idea if it' s un-woken | |
| What worth do you unearth with the way of your words |
| zuò cí : Sinead O' Brien Julian Hanson Oscar Robertson | |
| zuò qǔ : Sinead O' Brien Julian Hanson Oscar Robertson | |
| I knew I was worse then than what I thought I was | |
| Plastic flowers in bloom and the sound of soccer | |
| Men bonding ten shades of shy | |
| In lost lines I go walking | |
| Back and forth between loss and worth | |
| What worth are we to one another talking | |
| What worth are we in words | |
| I am not worried or certain because this is not my life | |
| This is just the dust before the fall and the rise | |
| It' s hopeless being so focused | |
| I was better off then than I what I knew | |
| Better stray than in such close proximity to the blue | |
| One step removed | |
| I thought I drew well | |
| Until I drew you | |
| I was better off then than the best of you | |
| Plastic flowers in bloom | |
| That' s how I knew | |
| The City in the summer | |
| Is like a machine | |
| Turns you til your essence is gone | |
| Keeps moving | |
| After the feeling is gone | |
| You could find yourself under a rock or table gone | |
| With all the lost lines | |
| Poetry of the cemetery | |
| Secret societies and false memories | |
| Of the Summer dawns you never saw | |
| You said you saw | |
| Streets move in time with our minds | |
| Only I see it this way because I am a stray | |
| Only I said it so I gave it the life of day | |
| I am a stranger in danger | |
| I feel more close to home away | |
| Everybody is running after the wrong one | |
| Strong feelings for wrong people | |
| It' s all the strange wild ways of the unfamiliar forces | |
| Strange things | |
| Are strangers | |
| Other people' s people | |
| Until they' re familiar and unappealing | |
| The pace slows | |
| The range - it narrows | |
| The other people become realer and you become further away | |
| A solitary revealing | |
| Moves the meaning of the street we live on | |
| It' s a strange range of normal to be | |
| Is it normal to feel in facts | |
| To deal in doubt | |
| I doubt the words are worth what they were | |
| What worth in words are we | |
| What worth on earth are the words | |
| Chinese history could tell you that | |
| Anyone could tell you that | |
| The streets become moving time machines | |
| Of minds gone by | |
| Making one step removed memories | |
| Of this crying | |
| Laugh of a life | |
| Daily distance | |
| The cause is typical | |
| They say history has a historical way of repeating | |
| Karma comes back again to fix us | |
| These are the danger days | |
| So wrapped in far aways | |
| Other people' s secret societies | |
| Rows of fathers in parked cars | |
| Away from new children | |
| And lightly married wives | |
| These are the other people' s lives | |
| Strangers In Danger | |
| You begin to imagine yourself | |
| In cold doorways like a lost girl grown up on the wrong side of safe | |
| You could find yourself under a rock or a table gone | |
| The sound of soccer again is on | |
| Public secrets play in windows | |
| Men in parked cars drive on | |
| Bars grow fuller | |
| Streets grow long | |
| What' s your worth in words | |
| What worth on earth are the words | |
| What' s an unworn idea worth | |
| What' s an unspoken idea if it' s un-woken | |
| What worth do you unearth with the way of your words |