| Song | 19 open it up |
| Artist | Frontier Ruckus |
| Album | Eternity Of Dimming |
| Download | Image LRC TXT |
| 作词 : Matthew Christopher Milia | |
| 作曲 : Matthew Christopher Milia | |
| Hard-hopin' | |
| I can open | |
| It up | |
| Heartbroken | |
| And soft-spoken | |
| Ain't we all grown up now? | |
| Mary-Lynn, when you call to me | |
| There is little I can do | |
| And you want to bring it all to me | |
| Well, you know, I'd want you to | |
| But seeing as there is no place | |
| Seeing as there is no trace | |
| I do not know if I can taste it | |
| Anymore | |
| Now I rub each tear duct with my hands | |
| When someone's foreign bathtub product brands | |
| Stung my heart and plucked my glands | |
| Because it understands the smell | |
| You wore | |
| That's when I follow my dad down | |
| To the video rental store | |
| Mentally explore | |
| The glorious | |
| Phantasmagoria | |
| To some sunny summer family reunion in a soccer practice park | |
| Through a dark grainy camcorder | |
| With '1994' in white numbers on the border of the lower right corner where you | |
| Were quite pixelated by the men in the tans | |
| Beside the subtly outdated minivans | |
| In turquoise polos as the boys blow 'O's | |
| Through the dirty mustaches they grew | |
| Smoking Merit cigarettes you inherit from Papou | |
| Pulled from soft packs in an '89 Buick Park Avenue | |
| In slacks on the pickup lane of the Catholic K thru 8 his great grandson goes to | |
| There's a dead world locked in a Nintendo 64 | |
| In some divorced friend's mom's apartment bedroom drawer | |
| And a chandelier of chrome in her white brick apartment home's | |
| Shared stairwell where the farewells blew | |
| And sag with the bags | |
| Of sidewalk salt | |
| You cannot disown | |
| Your middle-school cologne | |
| And the tedium | |
| Is the medium that connects | |
| All that is holy | |
| I was the goalie | |
| Who let in an infinitude of | |
| Worlds | |
| That I can't possibly disown | |
| The snow | |
| Ossified to bone | |
| And got stained so black | |
| By the track of the sliding doors | |
| Of the modern cell phone stores | |
| Chaldeans smoking sweetly | |
| As the deeply dim night pours | |
| For you | |
| There's a meteorologist | |
| On the local news | |
| Whose hand I got to grip | |
| On a fifth grade field trip | |
| He's no long young-dad hip | |
| For he's now as old as all of us | |
| Would ever want to be | |
| And the weather, we foresee | |
| Will be better endlessly | |
| Once Nana's | |
| Backyard swallows us | |
| The lawns aren't cut too short | |
| And they abut the tennis court | |
| And our ages are not cages | |
| That we cannot re-assort | |
| Oh, the obsolescence | |
| Of your adolescence | |
| Heavy as a copy machine | |
| Gargantuan, elephantine | |
| In an old friend's dad's 90s home office | |
| With off-white purring processors | |
| And PC blurs on monitors | |
| They can't display the past so they | |
| Just mark their time and darken | |
| I'm just | |
| Hard-hopin' | |
| I can open | |
| It up |
| zuo ci : Matthew Christopher Milia | |
| zuo qu : Matthew Christopher Milia | |
| Hardhopin' | |
| I can open | |
| It up | |
| Heartbroken | |
| And softspoken | |
| Ain' t we all grown up now? | |
| MaryLynn, when you call to me | |
| There is little I can do | |
| And you want to bring it all to me | |
| Well, you know, I' d want you to | |
| But seeing as there is no place | |
| Seeing as there is no trace | |
| I do not know if I can taste it | |
| Anymore | |
| Now I rub each tear duct with my hands | |
| When someone' s foreign bathtub product brands | |
| Stung my heart and plucked my glands | |
| Because it understands the smell | |
| You wore | |
| That' s when I follow my dad down | |
| To the video rental store | |
| Mentally explore | |
| The glorious | |
| Phantasmagoria | |
| To some sunny summer family reunion in a soccer practice park | |
| Through a dark grainy camcorder | |
| With ' 1994' in white numbers on the border of the lower right corner where you | |
| Were quite pixelated by the men in the tans | |
| Beside the subtly outdated minivans | |
| In turquoise polos as the boys blow ' O' s | |
| Through the dirty mustaches they grew | |
| Smoking Merit cigarettes you inherit from Papou | |
| Pulled from soft packs in an ' 89 Buick Park Avenue | |
| In slacks on the pickup lane of the Catholic K thru 8 his great grandson goes to | |
| There' s a dead world locked in a Nintendo 64 | |
| In some divorced friend' s mom' s apartment bedroom drawer | |
| And a chandelier of chrome in her white brick apartment home' s | |
| Shared stairwell where the farewells blew | |
| And sag with the bags | |
| Of sidewalk salt | |
| You cannot disown | |
| Your middleschool cologne | |
| And the tedium | |
| Is the medium that connects | |
| All that is holy | |
| I was the goalie | |
| Who let in an infinitude of | |
| Worlds | |
| That I can' t possibly disown | |
| The snow | |
| Ossified to bone | |
| And got stained so black | |
| By the track of the sliding doors | |
| Of the modern cell phone stores | |
| Chaldeans smoking sweetly | |
| As the deeply dim night pours | |
| For you | |
| There' s a meteorologist | |
| On the local news | |
| Whose hand I got to grip | |
| On a fifth grade field trip | |
| He' s no long youngdad hip | |
| For he' s now as old as all of us | |
| Would ever want to be | |
| And the weather, we foresee | |
| Will be better endlessly | |
| Once Nana' s | |
| Backyard swallows us | |
| The lawns aren' t cut too short | |
| And they abut the tennis court | |
| And our ages are not cages | |
| That we cannot reassort | |
| Oh, the obsolescence | |
| Of your adolescence | |
| Heavy as a copy machine | |
| Gargantuan, elephantine | |
| In an old friend' s dad' s 90s home office | |
| With offwhite purring processors | |
| And PC blurs on monitors | |
| They can' t display the past so they | |
| Just mark their time and darken | |
| I' m just | |
| Hardhopin' | |
| I can open | |
| It up |
| zuò cí : Matthew Christopher Milia | |
| zuò qǔ : Matthew Christopher Milia | |
| Hardhopin' | |
| I can open | |
| It up | |
| Heartbroken | |
| And softspoken | |
| Ain' t we all grown up now? | |
| MaryLynn, when you call to me | |
| There is little I can do | |
| And you want to bring it all to me | |
| Well, you know, I' d want you to | |
| But seeing as there is no place | |
| Seeing as there is no trace | |
| I do not know if I can taste it | |
| Anymore | |
| Now I rub each tear duct with my hands | |
| When someone' s foreign bathtub product brands | |
| Stung my heart and plucked my glands | |
| Because it understands the smell | |
| You wore | |
| That' s when I follow my dad down | |
| To the video rental store | |
| Mentally explore | |
| The glorious | |
| Phantasmagoria | |
| To some sunny summer family reunion in a soccer practice park | |
| Through a dark grainy camcorder | |
| With ' 1994' in white numbers on the border of the lower right corner where you | |
| Were quite pixelated by the men in the tans | |
| Beside the subtly outdated minivans | |
| In turquoise polos as the boys blow ' O' s | |
| Through the dirty mustaches they grew | |
| Smoking Merit cigarettes you inherit from Papou | |
| Pulled from soft packs in an ' 89 Buick Park Avenue | |
| In slacks on the pickup lane of the Catholic K thru 8 his great grandson goes to | |
| There' s a dead world locked in a Nintendo 64 | |
| In some divorced friend' s mom' s apartment bedroom drawer | |
| And a chandelier of chrome in her white brick apartment home' s | |
| Shared stairwell where the farewells blew | |
| And sag with the bags | |
| Of sidewalk salt | |
| You cannot disown | |
| Your middleschool cologne | |
| And the tedium | |
| Is the medium that connects | |
| All that is holy | |
| I was the goalie | |
| Who let in an infinitude of | |
| Worlds | |
| That I can' t possibly disown | |
| The snow | |
| Ossified to bone | |
| And got stained so black | |
| By the track of the sliding doors | |
| Of the modern cell phone stores | |
| Chaldeans smoking sweetly | |
| As the deeply dim night pours | |
| For you | |
| There' s a meteorologist | |
| On the local news | |
| Whose hand I got to grip | |
| On a fifth grade field trip | |
| He' s no long youngdad hip | |
| For he' s now as old as all of us | |
| Would ever want to be | |
| And the weather, we foresee | |
| Will be better endlessly | |
| Once Nana' s | |
| Backyard swallows us | |
| The lawns aren' t cut too short | |
| And they abut the tennis court | |
| And our ages are not cages | |
| That we cannot reassort | |
| Oh, the obsolescence | |
| Of your adolescence | |
| Heavy as a copy machine | |
| Gargantuan, elephantine | |
| In an old friend' s dad' s 90s home office | |
| With offwhite purring processors | |
| And PC blurs on monitors | |
| They can' t display the past so they | |
| Just mark their time and darken | |
| I' m just | |
| Hardhopin' | |
| I can open | |
| It up |