Song | 19 open it up |
Artist | Frontier Ruckus |
Album | Eternity Of Dimming |
Download | Image LRC TXT |
作词 : Matthew Christopher Milia | |
作曲 : Matthew Christopher Milia | |
Hard-hopin' | |
I can open | |
It up | |
Heartbroken | |
And soft-spoken | |
Ain't we all grown up now? | |
Mary-Lynn, when you call to me | |
There is little I can do | |
And you want to bring it all to me | |
Well, you know, I'd want you to | |
But seeing as there is no place | |
Seeing as there is no trace | |
I do not know if I can taste it | |
Anymore | |
Now I rub each tear duct with my hands | |
When someone's foreign bathtub product brands | |
Stung my heart and plucked my glands | |
Because it understands the smell | |
You wore | |
That's when I follow my dad down | |
To the video rental store | |
Mentally explore | |
The glorious | |
Phantasmagoria | |
To some sunny summer family reunion in a soccer practice park | |
Through a dark grainy camcorder | |
With '1994' in white numbers on the border of the lower right corner where you | |
Were quite pixelated by the men in the tans | |
Beside the subtly outdated minivans | |
In turquoise polos as the boys blow 'O's | |
Through the dirty mustaches they grew | |
Smoking Merit cigarettes you inherit from Papou | |
Pulled from soft packs in an '89 Buick Park Avenue | |
In slacks on the pickup lane of the Catholic K thru 8 his great grandson goes to | |
There's a dead world locked in a Nintendo 64 | |
In some divorced friend's mom's apartment bedroom drawer | |
And a chandelier of chrome in her white brick apartment home's | |
Shared stairwell where the farewells blew | |
And sag with the bags | |
Of sidewalk salt | |
You cannot disown | |
Your middle-school cologne | |
And the tedium | |
Is the medium that connects | |
All that is holy | |
I was the goalie | |
Who let in an infinitude of | |
Worlds | |
That I can't possibly disown | |
The snow | |
Ossified to bone | |
And got stained so black | |
By the track of the sliding doors | |
Of the modern cell phone stores | |
Chaldeans smoking sweetly | |
As the deeply dim night pours | |
For you | |
There's a meteorologist | |
On the local news | |
Whose hand I got to grip | |
On a fifth grade field trip | |
He's no long young-dad hip | |
For he's now as old as all of us | |
Would ever want to be | |
And the weather, we foresee | |
Will be better endlessly | |
Once Nana's | |
Backyard swallows us | |
The lawns aren't cut too short | |
And they abut the tennis court | |
And our ages are not cages | |
That we cannot re-assort | |
Oh, the obsolescence | |
Of your adolescence | |
Heavy as a copy machine | |
Gargantuan, elephantine | |
In an old friend's dad's 90s home office | |
With off-white purring processors | |
And PC blurs on monitors | |
They can't display the past so they | |
Just mark their time and darken | |
I'm just | |
Hard-hopin' | |
I can open | |
It up |
zuo ci : Matthew Christopher Milia | |
zuo qu : Matthew Christopher Milia | |
Hardhopin' | |
I can open | |
It up | |
Heartbroken | |
And softspoken | |
Ain' t we all grown up now? | |
MaryLynn, when you call to me | |
There is little I can do | |
And you want to bring it all to me | |
Well, you know, I' d want you to | |
But seeing as there is no place | |
Seeing as there is no trace | |
I do not know if I can taste it | |
Anymore | |
Now I rub each tear duct with my hands | |
When someone' s foreign bathtub product brands | |
Stung my heart and plucked my glands | |
Because it understands the smell | |
You wore | |
That' s when I follow my dad down | |
To the video rental store | |
Mentally explore | |
The glorious | |
Phantasmagoria | |
To some sunny summer family reunion in a soccer practice park | |
Through a dark grainy camcorder | |
With ' 1994' in white numbers on the border of the lower right corner where you | |
Were quite pixelated by the men in the tans | |
Beside the subtly outdated minivans | |
In turquoise polos as the boys blow ' O' s | |
Through the dirty mustaches they grew | |
Smoking Merit cigarettes you inherit from Papou | |
Pulled from soft packs in an ' 89 Buick Park Avenue | |
In slacks on the pickup lane of the Catholic K thru 8 his great grandson goes to | |
There' s a dead world locked in a Nintendo 64 | |
In some divorced friend' s mom' s apartment bedroom drawer | |
And a chandelier of chrome in her white brick apartment home' s | |
Shared stairwell where the farewells blew | |
And sag with the bags | |
Of sidewalk salt | |
You cannot disown | |
Your middleschool cologne | |
And the tedium | |
Is the medium that connects | |
All that is holy | |
I was the goalie | |
Who let in an infinitude of | |
Worlds | |
That I can' t possibly disown | |
The snow | |
Ossified to bone | |
And got stained so black | |
By the track of the sliding doors | |
Of the modern cell phone stores | |
Chaldeans smoking sweetly | |
As the deeply dim night pours | |
For you | |
There' s a meteorologist | |
On the local news | |
Whose hand I got to grip | |
On a fifth grade field trip | |
He' s no long youngdad hip | |
For he' s now as old as all of us | |
Would ever want to be | |
And the weather, we foresee | |
Will be better endlessly | |
Once Nana' s | |
Backyard swallows us | |
The lawns aren' t cut too short | |
And they abut the tennis court | |
And our ages are not cages | |
That we cannot reassort | |
Oh, the obsolescence | |
Of your adolescence | |
Heavy as a copy machine | |
Gargantuan, elephantine | |
In an old friend' s dad' s 90s home office | |
With offwhite purring processors | |
And PC blurs on monitors | |
They can' t display the past so they | |
Just mark their time and darken | |
I' m just | |
Hardhopin' | |
I can open | |
It up |
zuò cí : Matthew Christopher Milia | |
zuò qǔ : Matthew Christopher Milia | |
Hardhopin' | |
I can open | |
It up | |
Heartbroken | |
And softspoken | |
Ain' t we all grown up now? | |
MaryLynn, when you call to me | |
There is little I can do | |
And you want to bring it all to me | |
Well, you know, I' d want you to | |
But seeing as there is no place | |
Seeing as there is no trace | |
I do not know if I can taste it | |
Anymore | |
Now I rub each tear duct with my hands | |
When someone' s foreign bathtub product brands | |
Stung my heart and plucked my glands | |
Because it understands the smell | |
You wore | |
That' s when I follow my dad down | |
To the video rental store | |
Mentally explore | |
The glorious | |
Phantasmagoria | |
To some sunny summer family reunion in a soccer practice park | |
Through a dark grainy camcorder | |
With ' 1994' in white numbers on the border of the lower right corner where you | |
Were quite pixelated by the men in the tans | |
Beside the subtly outdated minivans | |
In turquoise polos as the boys blow ' O' s | |
Through the dirty mustaches they grew | |
Smoking Merit cigarettes you inherit from Papou | |
Pulled from soft packs in an ' 89 Buick Park Avenue | |
In slacks on the pickup lane of the Catholic K thru 8 his great grandson goes to | |
There' s a dead world locked in a Nintendo 64 | |
In some divorced friend' s mom' s apartment bedroom drawer | |
And a chandelier of chrome in her white brick apartment home' s | |
Shared stairwell where the farewells blew | |
And sag with the bags | |
Of sidewalk salt | |
You cannot disown | |
Your middleschool cologne | |
And the tedium | |
Is the medium that connects | |
All that is holy | |
I was the goalie | |
Who let in an infinitude of | |
Worlds | |
That I can' t possibly disown | |
The snow | |
Ossified to bone | |
And got stained so black | |
By the track of the sliding doors | |
Of the modern cell phone stores | |
Chaldeans smoking sweetly | |
As the deeply dim night pours | |
For you | |
There' s a meteorologist | |
On the local news | |
Whose hand I got to grip | |
On a fifth grade field trip | |
He' s no long youngdad hip | |
For he' s now as old as all of us | |
Would ever want to be | |
And the weather, we foresee | |
Will be better endlessly | |
Once Nana' s | |
Backyard swallows us | |
The lawns aren' t cut too short | |
And they abut the tennis court | |
And our ages are not cages | |
That we cannot reassort | |
Oh, the obsolescence | |
Of your adolescence | |
Heavy as a copy machine | |
Gargantuan, elephantine | |
In an old friend' s dad' s 90s home office | |
With offwhite purring processors | |
And PC blurs on monitors | |
They can' t display the past so they | |
Just mark their time and darken | |
I' m just | |
Hardhopin' | |
I can open | |
It up |