|
[ti:famous blue raincoat] |
|
[ar:tori amos] |
| [00:38.632] |
It's four in the morning,the end of december |
| [00:44.541] |
I'm writing you now just to see if you're better |
| [00:51.46] |
New york is cold,but I like where I'm living |
| [00:56.267] |
There's music on clinton street all through the evening. |
| [01:04.162] |
I hear that you're building your little house deep in the desert |
| [01:15.380] |
You're living for nothing now,I hope you're keeping some kind of record. |
| [01:25.277] |
Yes,and jane came by with a lock of your hair |
| [01:35.952] |
She said that you gave it to her |
| [01:41.743] |
That night that you planned to go clear |
| [01:51.443] |
Did you ever go clear? |
| [01:57.240] |
Ah,the last time we saw you you looked so much older |
| [02:02.337] |
Your famous blue raincoat was torn at the shoulder |
| [02:08.222] |
You'd been to the station to meet every train |
| [02:13.517] |
And you came home without lili marlene |
| [02:21.193] |
And you treated my woman to a flake of your life |
| [02:32.291] |
And when she came back she was nobody's wife. |
| [02:41.741] |
Well I see you there with the rose in your teeth |
| [02:52.351] |
One more thin gypsy thief |
| [02:58.988] |
Well I see jane's awake -- |
| [03:08.349] |
She sends her regards. |
| [03:44.938] |
And what can I tell you my brother,my killer |
| [03:50.818] |
What can I possibly say? |
| [03:55.756] |
I guess that I miss you,I guess I forgive you |
| [04:02.65] |
I'm glad you stood in my way. |
| [04:08.903] |
If you ever come by here,for jane or for me |
| [04:21.254] |
Your enemy is sleeping,and his woman is free. |
| [04:36.688] |
Yes,and thanks,for the trouble you took from her eyes |
| [04:43.483] |
I thought it was there for good so I never tried. |
| [04:56.866] |
And jane came by with a lock of your hair |
| [05:05.628] |
She said that you gave it to her |
| [05:11.244] |
That night that you planned to go clear |
| [05:22.33] |
--sincerely,l.cohen |