| Song | Revolving Door |
| Artist | DYSN |
| Album | Ways to Fall Apart |
| Download | Image LRC TXT |
| [00:00.00] | 作词 : Kyle De Loera/Jordan Ware/Michael Blair |
| [00:00.27] | 作曲 : Kyle De Loera/Jordan Ware/Michael Blair |
| [00:00.54] | Did you forget it's a bus ride |
| [00:03.68] | Or are you dressed up for somebody to care? |
| [00:08.88] | There's somewhere to be |
| [00:12.28] | Ain't there? |
| [00:16.43] | Doomed to your configuration |
| [00:19.81] | Or that there's water in your shoes |
| [00:24.88] | And someone in your arms |
| [00:32.03] | Because she's used to being told she's perfect and |
| [00:37.29] | Used to all them crying |
| [00:39.68] | So what's the difference? What makes me different? |
| [00:48.30] | You'll be mine again, I'll get there |
| [00:52.91] | I guess I'll wait and see |
| [00:56.41] | But she's like, "Boy, don't tell me you're still crying for me" |
| [01:04.58] | And she's like, "Boy, don't tell me you're still crying for me" |
| [01:29.47] | It looks like rain and boarding signs |
| [01:33.22] | Your transatlantic lullaby |
| [01:38.72] | When you got away |
| [01:45.55] | And she'll need a piece of you to take along |
| [01:50.15] | And that is not real good |
| [01:55.01] | And it's just the start |
| [02:01.79] | Because she's used to being told she's perfect and |
| [02:06.79] | Used to all them crying |
| [02:09.16] | So what's the difference? What makes me different? |
| [02:17.78] | But you'll be mine again, I'll get there |
| [02:21.89] | When you're not busy bein' you |
| [02:26.01] | But she's like, "Boy, don't tell me you're still crying for me" |
| [02:33.94] | And she's like, "Boy, don't tell me you're still crying for me" |
| [03:24.47] | Revolving door does turn with you around |
| [03:32.43] | In celebration, you bring |
| [03:36.63] | Still ringing out |
| [03:39.76] | I've played out every line |
| [03:44.11] | Alacrity's hiding place |
| [03:46.61] | Always occupied |
| [03:51.62] | But to slip at the slightest invite |
| [03:56.90] | Surely he's not too far beside |
| [04:02.68] | And baby, I'll be alright |
| [04:09.77] | With it this time |
| [00:00.00] | zuo ci : Kyle De Loera Jordan Ware Michael Blair |
| [00:00.27] | zuo qu : Kyle De Loera Jordan Ware Michael Blair |
| [00:00.54] | Did you forget it' s a bus ride |
| [00:03.68] | Or are you dressed up for somebody to care? |
| [00:08.88] | There' s somewhere to be |
| [00:12.28] | Ain' t there? |
| [00:16.43] | Doomed to your configuration |
| [00:19.81] | Or that there' s water in your shoes |
| [00:24.88] | And someone in your arms |
| [00:32.03] | Because she' s used to being told she' s perfect and |
| [00:37.29] | Used to all them crying |
| [00:39.68] | So what' s the difference? What makes me different? |
| [00:48.30] | You' ll be mine again, I' ll get there |
| [00:52.91] | I guess I' ll wait and see |
| [00:56.41] | But she' s like, " Boy, don' t tell me you' re still crying for me" |
| [01:04.58] | And she' s like, " Boy, don' t tell me you' re still crying for me" |
| [01:29.47] | It looks like rain and boarding signs |
| [01:33.22] | Your transatlantic lullaby |
| [01:38.72] | When you got away |
| [01:45.55] | And she' ll need a piece of you to take along |
| [01:50.15] | And that is not real good |
| [01:55.01] | And it' s just the start |
| [02:01.79] | Because she' s used to being told she' s perfect and |
| [02:06.79] | Used to all them crying |
| [02:09.16] | So what' s the difference? What makes me different? |
| [02:17.78] | But you' ll be mine again, I' ll get there |
| [02:21.89] | When you' re not busy bein' you |
| [02:26.01] | But she' s like, " Boy, don' t tell me you' re still crying for me" |
| [02:33.94] | And she' s like, " Boy, don' t tell me you' re still crying for me" |
| [03:24.47] | Revolving door does turn with you around |
| [03:32.43] | In celebration, you bring |
| [03:36.63] | Still ringing out |
| [03:39.76] | I' ve played out every line |
| [03:44.11] | Alacrity' s hiding place |
| [03:46.61] | Always occupied |
| [03:51.62] | But to slip at the slightest invite |
| [03:56.90] | Surely he' s not too far beside |
| [04:02.68] | And baby, I' ll be alright |
| [04:09.77] | With it this time |
| [00:00.00] | zuò cí : Kyle De Loera Jordan Ware Michael Blair |
| [00:00.27] | zuò qǔ : Kyle De Loera Jordan Ware Michael Blair |
| [00:00.54] | Did you forget it' s a bus ride |
| [00:03.68] | Or are you dressed up for somebody to care? |
| [00:08.88] | There' s somewhere to be |
| [00:12.28] | Ain' t there? |
| [00:16.43] | Doomed to your configuration |
| [00:19.81] | Or that there' s water in your shoes |
| [00:24.88] | And someone in your arms |
| [00:32.03] | Because she' s used to being told she' s perfect and |
| [00:37.29] | Used to all them crying |
| [00:39.68] | So what' s the difference? What makes me different? |
| [00:48.30] | You' ll be mine again, I' ll get there |
| [00:52.91] | I guess I' ll wait and see |
| [00:56.41] | But she' s like, " Boy, don' t tell me you' re still crying for me" |
| [01:04.58] | And she' s like, " Boy, don' t tell me you' re still crying for me" |
| [01:29.47] | It looks like rain and boarding signs |
| [01:33.22] | Your transatlantic lullaby |
| [01:38.72] | When you got away |
| [01:45.55] | And she' ll need a piece of you to take along |
| [01:50.15] | And that is not real good |
| [01:55.01] | And it' s just the start |
| [02:01.79] | Because she' s used to being told she' s perfect and |
| [02:06.79] | Used to all them crying |
| [02:09.16] | So what' s the difference? What makes me different? |
| [02:17.78] | But you' ll be mine again, I' ll get there |
| [02:21.89] | When you' re not busy bein' you |
| [02:26.01] | But she' s like, " Boy, don' t tell me you' re still crying for me" |
| [02:33.94] | And she' s like, " Boy, don' t tell me you' re still crying for me" |
| [03:24.47] | Revolving door does turn with you around |
| [03:32.43] | In celebration, you bring |
| [03:36.63] | Still ringing out |
| [03:39.76] | I' ve played out every line |
| [03:44.11] | Alacrity' s hiding place |
| [03:46.61] | Always occupied |
| [03:51.62] | But to slip at the slightest invite |
| [03:56.90] | Surely he' s not too far beside |
| [04:02.68] | And baby, I' ll be alright |
| [04:09.77] | With it this time |