| Song | You're the Boss |
| Artist | B.B. King |
| Artist | Ruth Brown |
| Album | Blues Summit |
| Download | Image LRC TXT |
| Vocal:B.B.King/Ruth Brown | |
| When it comes to rocking | |
| And natural finger popping | |
| Baby, you sure do swing | |
| And when it comes to rocking | |
| And natural finger popping | |
| Daddy, you're the king | |
| Baby, you've got me beat | |
| Up and down | |
| Inside and out and across | |
| But in the middle of the night | |
| When the moon is shining bright | |
| Lord, you're the boss | |
| Talking about dancing | |
| And down home romancing | |
| Daddy, you make me scream | |
| Talking about dancing | |
| And down home romancing | |
| Baby, you're the queen | |
| Man, when push comes to shove | |
| When it comes down to love | |
| You're a horse | |
| But in the middle of the night | |
| When the moon is shining bright | |
| You're the boss | |
| You're the best of everything | |
| You're a peach | |
| You're so sweet | |
| You're a diamond | |
| You're the gem | |
| You're the best of everything | |
| Daddy, you're my man | |
| Baby, you're my girl | |
| When it comes to knowing | |
| Which way the wind is blowing | |
| Baby, you're so wise | |
| And when it comes to knowing | |
| Which way the wind is blowing | |
| Daddy, Lord, you take the prize | |
| Baby, you're the best | |
| When it comes to cooking up | |
| Some chili sauce | |
| Yeah, but in the middle of the night | |
| When the moon is shining bright | |
| B.B., you're the boss | |
| You're the boss | |
| You're the boss | |
| You're the boss | |
| You're the boss | |
| Yes, you're the boss, baby. | |
| You pay the cost. | |
| Well, yes, I do, but - | |
| Keep on running. You're running slower than you used to. But you're | |
| still | |
| the boss. | |
| I'm getting a little old, baby. Take it easy now. | |
| Getting better looking everyday. | |
| Oh yeah, I know that, I know that. | |
| B.B.! | |
| Yes, that's me. | |
| Belongs to Brown. | |
| Hey, hey. | |
| Remember what I told you all them years I'd catch you? | |
| Yeah. | |
| You slowed down a little bit. Look out, I'm almost closed off. I'm | |
| closing | |
| in, I'm closing in. Come here, baby. | |
| Give me a little time. | |
| B.B. Oh, brown and beautiful. | |
| Yes, yes, that's me. | |
| I didn't make my move too soon, did I? | |
| Not yet, but just take it easy on me now. | |
| Is the thrill gone? | |
| Not yet, baby, not yet! | |
| Oh Lord, baby. I think that you never treated me mean. That's why I keep | |
| coming back for more. Go back to the source, baby. | |
| I hear you. I hear you. | |
| Oh baby, they didn't name you B.B. for nothing. You pay the cost? | |
| Yes, I do. | |
| And I always come back to the boss. | |
| Come on to me. Come on to me. | |
| Baby, you're the boss. | |
| Yes. | |
| Always was my horse. | |
| Now talk to me, talk to me. | |
| Oh, you sure you named that guitar right? | |
| Yes, I did. | |
| Should have been called "Ruth", I know. | |
| Lucille. |
| Vocal: B. B. King Ruth Brown | |
| When it comes to rocking | |
| And natural finger popping | |
| Baby, you sure do swing | |
| And when it comes to rocking | |
| And natural finger popping | |
| Daddy, you' re the king | |
| Baby, you' ve got me beat | |
| Up and down | |
| Inside and out and across | |
| But in the middle of the night | |
| When the moon is shining bright | |
| Lord, you' re the boss | |
| Talking about dancing | |
| And down home romancing | |
| Daddy, you make me scream | |
| Talking about dancing | |
| And down home romancing | |
| Baby, you' re the queen | |
| Man, when push comes to shove | |
| When it comes down to love | |
| You' re a horse | |
| But in the middle of the night | |
| When the moon is shining bright | |
| You' re the boss | |
| You' re the best of everything | |
| You' re a peach | |
| You' re so sweet | |
| You' re a diamond | |
| You' re the gem | |
| You' re the best of everything | |
| Daddy, you' re my man | |
| Baby, you' re my girl | |
| When it comes to knowing | |
| Which way the wind is blowing | |
| Baby, you' re so wise | |
| And when it comes to knowing | |
| Which way the wind is blowing | |
| Daddy, Lord, you take the prize | |
| Baby, you' re the best | |
| When it comes to cooking up | |
| Some chili sauce | |
| Yeah, but in the middle of the night | |
| When the moon is shining bright | |
| B. B., you' re the boss | |
| You' re the boss | |
| You' re the boss | |
| You' re the boss | |
| You' re the boss | |
| Yes, you' re the boss, baby. | |
| You pay the cost. | |
| Well, yes, I do, but | |
| Keep on running. You' re running slower than you used to. But you' re | |
| still | |
| the boss. | |
| I' m getting a little old, baby. Take it easy now. | |
| Getting better looking everyday. | |
| Oh yeah, I know that, I know that. | |
| B. B.! | |
| Yes, that' s me. | |
| Belongs to Brown. | |
| Hey, hey. | |
| Remember what I told you all them years I' d catch you? | |
| Yeah. | |
| You slowed down a little bit. Look out, I' m almost closed off. I' m | |
| closing | |
| in, I' m closing in. Come here, baby. | |
| Give me a little time. | |
| B. B. Oh, brown and beautiful. | |
| Yes, yes, that' s me. | |
| I didn' t make my move too soon, did I? | |
| Not yet, but just take it easy on me now. | |
| Is the thrill gone? | |
| Not yet, baby, not yet! | |
| Oh Lord, baby. I think that you never treated me mean. That' s why I keep | |
| coming back for more. Go back to the source, baby. | |
| I hear you. I hear you. | |
| Oh baby, they didn' t name you B. B. for nothing. You pay the cost? | |
| Yes, I do. | |
| And I always come back to the boss. | |
| Come on to me. Come on to me. | |
| Baby, you' re the boss. | |
| Yes. | |
| Always was my horse. | |
| Now talk to me, talk to me. | |
| Oh, you sure you named that guitar right? | |
| Yes, I did. | |
| Should have been called " Ruth", I know. | |
| Lucille. |
| Vocal: B. B. King Ruth Brown | |
| When it comes to rocking | |
| And natural finger popping | |
| Baby, you sure do swing | |
| And when it comes to rocking | |
| And natural finger popping | |
| Daddy, you' re the king | |
| Baby, you' ve got me beat | |
| Up and down | |
| Inside and out and across | |
| But in the middle of the night | |
| When the moon is shining bright | |
| Lord, you' re the boss | |
| Talking about dancing | |
| And down home romancing | |
| Daddy, you make me scream | |
| Talking about dancing | |
| And down home romancing | |
| Baby, you' re the queen | |
| Man, when push comes to shove | |
| When it comes down to love | |
| You' re a horse | |
| But in the middle of the night | |
| When the moon is shining bright | |
| You' re the boss | |
| You' re the best of everything | |
| You' re a peach | |
| You' re so sweet | |
| You' re a diamond | |
| You' re the gem | |
| You' re the best of everything | |
| Daddy, you' re my man | |
| Baby, you' re my girl | |
| When it comes to knowing | |
| Which way the wind is blowing | |
| Baby, you' re so wise | |
| And when it comes to knowing | |
| Which way the wind is blowing | |
| Daddy, Lord, you take the prize | |
| Baby, you' re the best | |
| When it comes to cooking up | |
| Some chili sauce | |
| Yeah, but in the middle of the night | |
| When the moon is shining bright | |
| B. B., you' re the boss | |
| You' re the boss | |
| You' re the boss | |
| You' re the boss | |
| You' re the boss | |
| Yes, you' re the boss, baby. | |
| You pay the cost. | |
| Well, yes, I do, but | |
| Keep on running. You' re running slower than you used to. But you' re | |
| still | |
| the boss. | |
| I' m getting a little old, baby. Take it easy now. | |
| Getting better looking everyday. | |
| Oh yeah, I know that, I know that. | |
| B. B.! | |
| Yes, that' s me. | |
| Belongs to Brown. | |
| Hey, hey. | |
| Remember what I told you all them years I' d catch you? | |
| Yeah. | |
| You slowed down a little bit. Look out, I' m almost closed off. I' m | |
| closing | |
| in, I' m closing in. Come here, baby. | |
| Give me a little time. | |
| B. B. Oh, brown and beautiful. | |
| Yes, yes, that' s me. | |
| I didn' t make my move too soon, did I? | |
| Not yet, but just take it easy on me now. | |
| Is the thrill gone? | |
| Not yet, baby, not yet! | |
| Oh Lord, baby. I think that you never treated me mean. That' s why I keep | |
| coming back for more. Go back to the source, baby. | |
| I hear you. I hear you. | |
| Oh baby, they didn' t name you B. B. for nothing. You pay the cost? | |
| Yes, I do. | |
| And I always come back to the boss. | |
| Come on to me. Come on to me. | |
| Baby, you' re the boss. | |
| Yes. | |
| Always was my horse. | |
| Now talk to me, talk to me. | |
| Oh, you sure you named that guitar right? | |
| Yes, I did. | |
| Should have been called " Ruth", I know. | |
| Lucille. |