Song | Ballad Of Tindersticks |
Artist | Tindersticks |
Album | Curtains |
Download | Image LRC TXT |
作曲 : David Boulter & Mark Colwill & Neil Fraser & Dickon Hinchliffe & Alistair McAuley &a | |
作词 : Tindersticks | |
The first time we flew it | |
It was cheap and cramped | |
The vodka running out half-way across the | |
Atlantic Even the steward screamed and joined in it | |
We didn't think we were going to make it | |
Now we're stretched out in wide, furry seats | |
Flicking through menus | |
A walk to the bar and there's as much screw-top champagne as we can drink | |
We're so easy | |
Taking turns having our photos taken | |
Sitting in front of smoked windows | |
Decanters of cheap whiskey in our hands | |
Drive into | |
Manhattan on a date with a starlet who's just talent | |
That's what people pay the money to see | |
Who are we to argue? | |
Five hours now it's been going on | |
And still we're watching all of it | |
Can you really believe all this? | |
Can he really lie in bed at night and marvel at his own genius? | |
When do you lose the ability to step back | |
And get a sense of your own ridiculousness? | |
They're only songs | |
Midnight, and it's all over | |
Now it can really make us laugh | |
We're standing on our heads drinking sours of | |
Crystel Schnapps | |
Now we're unable to step back or step forward | |
Swallowing a swallow | |
Tasting it again, it's not so unpleasant | |
Perhaps it's an acquired taste | |
The first time, it makes you sick | |
Then, bit by bit, it becomes delicious | |
Showbiz people | |
Always there to be interested in what you say | |
We are artists; we are sensitive and important | |
We nod our heads earnestly | |
Already half-way down the champagne | |
On our way to leaving the place dry | |
A $2,000 bar bill | |
Showbiz picks up the tab | |
And we're on our way laughing | |
Laughing at what? | |
Los Angeles, eight days in | |
And our sense of irony's running pretty thin | |
All the friends we've made piano interlude not transcribed this time, sorry...just improvise | |
It's 2 am, it's closing time at the | |
Dresden Marty and | |
Layton play one last sleepy "Strangers in the Night" | |
And the last of the martinis dribble down our chins | |
We're sitting, chasing the conservation around the table | |
Jesus, how long have | |
I been in this state? | |
The limousine's still waiting outside | |
Anything you want to do? | |
Anywhere you want to go? | |
We're on our way to the airport and a plane to | |
Vegas So many nights lying in bed shaking | |
Dreaming of pushing my daughter around the supermarket | |
The joy of seeing all those colours and shapes reflect in her wide eyes | |
My head leaning on the window | |
And we're driving through the empty | |
L.A. streets | |
And everything seems silent and beautiful | |
A guy's face hits the floor | |
Police revolvers glistening in the streetlight | |
Onto Melrose and lurching through a sea of | |
Halloweeen transvestites | |
The flight's cancelled, but it doesn't matter | |
We turn this corner to a way that takes us wherever | |
Up to Sunset | |
We creep up the drive to the | |
Shattuck The suite | |
Belushi died in | |
Or the one | |
Morrison hung out the window | |
Oh, I'll go for | |
Jim's I would fancy a hotel window-hanging, myself, tonight, man | |
Straight over to the mini-bar | |
Open the champagne -- one sip and it's left to wake up to | |
Anyone hungry? | |
A team of uniformed waiters lay out an elaborate table for all us to ignore | |
Oh, the irony | |
How we're used to living | |
Back in London on a cold | |
Friday night | |
Do you want another drink? | |
Well, I could try | |
Perhaps we could make it to the | |
Atlantic 600 yeards, twenty minutes later | |
We're pushing through the waiting crowd, all fish eyes | |
An exclusive door policy | |
Exclusively for arseholes | |
And tonight? | |
Well, a nod of our heads, and we're inside | |
Falling down the red, velvety stairs | |
Limbs flaying, hands searching for something to steady | |
Pick ourselves up, nothing broken | |
Just aches in the morning | |
No one seems to notice | |
I find a table, champagne arrives | |
I've been so drunk, | |
I sit and look at you | |
We try and talk for the first time in a long time | |
Drunken confession | |
You shiver, it made you feel sick | |
We use the rent money to pay the bill | |
Bumping shoulders, we stumble out into | |
Soho Slipping over the sleeping bags | |
Shouting for taxis |
zuo qu : David Boulter Mark Colwill Neil Fraser Dickon Hinchliffe Alistair McAuley a | |
zuo ci : Tindersticks | |
The first time we flew it | |
It was cheap and cramped | |
The vodka running out halfway across the | |
Atlantic Even the steward screamed and joined in it | |
We didn' t think we were going to make it | |
Now we' re stretched out in wide, furry seats | |
Flicking through menus | |
A walk to the bar and there' s as much screwtop champagne as we can drink | |
We' re so easy | |
Taking turns having our photos taken | |
Sitting in front of smoked windows | |
Decanters of cheap whiskey in our hands | |
Drive into | |
Manhattan on a date with a starlet who' s just talent | |
That' s what people pay the money to see | |
Who are we to argue? | |
Five hours now it' s been going on | |
And still we' re watching all of it | |
Can you really believe all this? | |
Can he really lie in bed at night and marvel at his own genius? | |
When do you lose the ability to step back | |
And get a sense of your own ridiculousness? | |
They' re only songs | |
Midnight, and it' s all over | |
Now it can really make us laugh | |
We' re standing on our heads drinking sours of | |
Crystel Schnapps | |
Now we' re unable to step back or step forward | |
Swallowing a swallow | |
Tasting it again, it' s not so unpleasant | |
Perhaps it' s an acquired taste | |
The first time, it makes you sick | |
Then, bit by bit, it becomes delicious | |
Showbiz people | |
Always there to be interested in what you say | |
We are artists we are sensitive and important | |
We nod our heads earnestly | |
Already halfway down the champagne | |
On our way to leaving the place dry | |
A 2, 000 bar bill | |
Showbiz picks up the tab | |
And we' re on our way laughing | |
Laughing at what? | |
Los Angeles, eight days in | |
And our sense of irony' s running pretty thin | |
All the friends we' ve made piano interlude not transcribed this time, sorry... just improvise | |
It' s 2 am, it' s closing time at the | |
Dresden Marty and | |
Layton play one last sleepy " Strangers in the Night" | |
And the last of the martinis dribble down our chins | |
We' re sitting, chasing the conservation around the table | |
Jesus, how long have | |
I been in this state? | |
The limousine' s still waiting outside | |
Anything you want to do? | |
Anywhere you want to go? | |
We' re on our way to the airport and a plane to | |
Vegas So many nights lying in bed shaking | |
Dreaming of pushing my daughter around the supermarket | |
The joy of seeing all those colours and shapes reflect in her wide eyes | |
My head leaning on the window | |
And we' re driving through the empty | |
L. A. streets | |
And everything seems silent and beautiful | |
A guy' s face hits the floor | |
Police revolvers glistening in the streetlight | |
Onto Melrose and lurching through a sea of | |
Halloweeen transvestites | |
The flight' s cancelled, but it doesn' t matter | |
We turn this corner to a way that takes us wherever | |
Up to Sunset | |
We creep up the drive to the | |
Shattuck The suite | |
Belushi died in | |
Or the one | |
Morrison hung out the window | |
Oh, I' ll go for | |
Jim' s I would fancy a hotel windowhanging, myself, tonight, man | |
Straight over to the minibar | |
Open the champagne one sip and it' s left to wake up to | |
Anyone hungry? | |
A team of uniformed waiters lay out an elaborate table for all us to ignore | |
Oh, the irony | |
How we' re used to living | |
Back in London on a cold | |
Friday night | |
Do you want another drink? | |
Well, I could try | |
Perhaps we could make it to the | |
Atlantic 600 yeards, twenty minutes later | |
We' re pushing through the waiting crowd, all fish eyes | |
An exclusive door policy | |
Exclusively for arseholes | |
And tonight? | |
Well, a nod of our heads, and we' re inside | |
Falling down the red, velvety stairs | |
Limbs flaying, hands searching for something to steady | |
Pick ourselves up, nothing broken | |
Just aches in the morning | |
No one seems to notice | |
I find a table, champagne arrives | |
I' ve been so drunk, | |
I sit and look at you | |
We try and talk for the first time in a long time | |
Drunken confession | |
You shiver, it made you feel sick | |
We use the rent money to pay the bill | |
Bumping shoulders, we stumble out into | |
Soho Slipping over the sleeping bags | |
Shouting for taxis |
zuò qǔ : David Boulter Mark Colwill Neil Fraser Dickon Hinchliffe Alistair McAuley a | |
zuò cí : Tindersticks | |
The first time we flew it | |
It was cheap and cramped | |
The vodka running out halfway across the | |
Atlantic Even the steward screamed and joined in it | |
We didn' t think we were going to make it | |
Now we' re stretched out in wide, furry seats | |
Flicking through menus | |
A walk to the bar and there' s as much screwtop champagne as we can drink | |
We' re so easy | |
Taking turns having our photos taken | |
Sitting in front of smoked windows | |
Decanters of cheap whiskey in our hands | |
Drive into | |
Manhattan on a date with a starlet who' s just talent | |
That' s what people pay the money to see | |
Who are we to argue? | |
Five hours now it' s been going on | |
And still we' re watching all of it | |
Can you really believe all this? | |
Can he really lie in bed at night and marvel at his own genius? | |
When do you lose the ability to step back | |
And get a sense of your own ridiculousness? | |
They' re only songs | |
Midnight, and it' s all over | |
Now it can really make us laugh | |
We' re standing on our heads drinking sours of | |
Crystel Schnapps | |
Now we' re unable to step back or step forward | |
Swallowing a swallow | |
Tasting it again, it' s not so unpleasant | |
Perhaps it' s an acquired taste | |
The first time, it makes you sick | |
Then, bit by bit, it becomes delicious | |
Showbiz people | |
Always there to be interested in what you say | |
We are artists we are sensitive and important | |
We nod our heads earnestly | |
Already halfway down the champagne | |
On our way to leaving the place dry | |
A 2, 000 bar bill | |
Showbiz picks up the tab | |
And we' re on our way laughing | |
Laughing at what? | |
Los Angeles, eight days in | |
And our sense of irony' s running pretty thin | |
All the friends we' ve made piano interlude not transcribed this time, sorry... just improvise | |
It' s 2 am, it' s closing time at the | |
Dresden Marty and | |
Layton play one last sleepy " Strangers in the Night" | |
And the last of the martinis dribble down our chins | |
We' re sitting, chasing the conservation around the table | |
Jesus, how long have | |
I been in this state? | |
The limousine' s still waiting outside | |
Anything you want to do? | |
Anywhere you want to go? | |
We' re on our way to the airport and a plane to | |
Vegas So many nights lying in bed shaking | |
Dreaming of pushing my daughter around the supermarket | |
The joy of seeing all those colours and shapes reflect in her wide eyes | |
My head leaning on the window | |
And we' re driving through the empty | |
L. A. streets | |
And everything seems silent and beautiful | |
A guy' s face hits the floor | |
Police revolvers glistening in the streetlight | |
Onto Melrose and lurching through a sea of | |
Halloweeen transvestites | |
The flight' s cancelled, but it doesn' t matter | |
We turn this corner to a way that takes us wherever | |
Up to Sunset | |
We creep up the drive to the | |
Shattuck The suite | |
Belushi died in | |
Or the one | |
Morrison hung out the window | |
Oh, I' ll go for | |
Jim' s I would fancy a hotel windowhanging, myself, tonight, man | |
Straight over to the minibar | |
Open the champagne one sip and it' s left to wake up to | |
Anyone hungry? | |
A team of uniformed waiters lay out an elaborate table for all us to ignore | |
Oh, the irony | |
How we' re used to living | |
Back in London on a cold | |
Friday night | |
Do you want another drink? | |
Well, I could try | |
Perhaps we could make it to the | |
Atlantic 600 yeards, twenty minutes later | |
We' re pushing through the waiting crowd, all fish eyes | |
An exclusive door policy | |
Exclusively for arseholes | |
And tonight? | |
Well, a nod of our heads, and we' re inside | |
Falling down the red, velvety stairs | |
Limbs flaying, hands searching for something to steady | |
Pick ourselves up, nothing broken | |
Just aches in the morning | |
No one seems to notice | |
I find a table, champagne arrives | |
I' ve been so drunk, | |
I sit and look at you | |
We try and talk for the first time in a long time | |
Drunken confession | |
You shiver, it made you feel sick | |
We use the rent money to pay the bill | |
Bumping shoulders, we stumble out into | |
Soho Slipping over the sleeping bags | |
Shouting for taxis |