| Out of the fog | |
| Out of the fog connection | |
| Grasping The deception | |
| Coming out of the fog | |
| Grasping the connection | |
| Grasping the deception. | |
| There was a man called | |
| Nate. He was a good man. | |
| His girlfriend and the | |
| Russian mate. | |
| He was called | |
| Nate. He decided to sublimate. | |
| He went to | |
| London. He called his | |
| Father and said, "Father, it's Nate. Of both girlfriend and mate, I perchance do decide to replicate, For I am Nate." | |
| The Russian maid revealed she was not a citizen of | |
| New York State, | |
| But had slipped in on a | |
| Ukrainian crate. | |
| Due to overtime we missed the gossip girl on | |
| New York Channel number 38, | |
| Which was not available anywhere else but in maybe | |
| New Jersey | |
| State. I am | |
| Nate. I would like to do a lip as an actor, and do it straight. | |
| In my role | |
| I fail irate. | |
| Is it too late | |
| To cover the song by | |
| The Fall called | |
| Hot Cake? | |
| The plough and the aid of un-natural offal, it disgusts. | |
| There was a man called | |
| Nate. Ringing in | |
| England filming. | |
| He said, "Hello mate." | |
| I might have visited the gallery.... | |
| I might visit the gallery known as | |
| Tate. I am | |
| Nate. I am an actor, | |
| I'll do it straight. | |
| A margin out of the connection, | |
| Out of the fog in time. | |
| Out of the fog connection. | |
| I am Nate. | |
| I am Nate. | |
| On the streets of | |
| Russia, The maidens and maids are irate. | |
| He promised them homes. | |
| Instead they got the crates. | |
| I perchance! |
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