| Song | Blue Headlights |
| Artist | Shout Out Louds |
| Album | Our Ill Wills |
| Download | Image LRC TXT |
| 作曲 : Shout Out Louds, Stenborg | |
| Sarah wrote epistles on the subject of despair on the only night last year when there was no love in the air. | |
| Listen friend she wrote, and | |
| I heard her pen cry before it broke. | |
| Who are we and why, oh why can't we behave? | |
| We are good people, aren't we? | |
| Do you know? | |
| Jon-jon had surprising eyes and narrow black suede shows, a war to fight in | |
| Paris and a sister with the blues. | |
| Pusique ton papa est en voyage you've heard your mother making love is not what we are | |
| Jon-jon, you and | |
| I are rats at cupids table but we're fine. | |
| In the darkest corner of a downstairs gathering ladybirds and pirate cowboys, made up, conversing. | |
| Islands sinking from musicians, bedtime stories, | |
| York Magicians, but you don't have to worry darling, frozen hearts leave seetrough scarring, and no one else will know unless you tell. | |
| Drink to ghosts of past years' catastrophic love affairs, to robes of red and silver tales worn thin from too much care. | |
| Comfort doesn't always come in glasses, but perhaps tonight | |
| I won't be the only one with blue headlights. | |
| Come on ladies, take your love to town. | |
| Pick it up boys, take your love to town. | |
| Everybody, take your love to town. |
| zuo qu : Shout Out Louds, Stenborg | |
| Sarah wrote epistles on the subject of despair on the only night last year when there was no love in the air. | |
| Listen friend she wrote, and | |
| I heard her pen cry before it broke. | |
| Who are we and why, oh why can' t we behave? | |
| We are good people, aren' t we? | |
| Do you know? | |
| Jonjon had surprising eyes and narrow black suede shows, a war to fight in | |
| Paris and a sister with the blues. | |
| Pusique ton papa est en voyage you' ve heard your mother making love is not what we are | |
| Jonjon, you and | |
| I are rats at cupids table but we' re fine. | |
| In the darkest corner of a downstairs gathering ladybirds and pirate cowboys, made up, conversing. | |
| Islands sinking from musicians, bedtime stories, | |
| York Magicians, but you don' t have to worry darling, frozen hearts leave seetrough scarring, and no one else will know unless you tell. | |
| Drink to ghosts of past years' catastrophic love affairs, to robes of red and silver tales worn thin from too much care. | |
| Comfort doesn' t always come in glasses, but perhaps tonight | |
| I won' t be the only one with blue headlights. | |
| Come on ladies, take your love to town. | |
| Pick it up boys, take your love to town. | |
| Everybody, take your love to town. |
| zuò qǔ : Shout Out Louds, Stenborg | |
| Sarah wrote epistles on the subject of despair on the only night last year when there was no love in the air. | |
| Listen friend she wrote, and | |
| I heard her pen cry before it broke. | |
| Who are we and why, oh why can' t we behave? | |
| We are good people, aren' t we? | |
| Do you know? | |
| Jonjon had surprising eyes and narrow black suede shows, a war to fight in | |
| Paris and a sister with the blues. | |
| Pusique ton papa est en voyage you' ve heard your mother making love is not what we are | |
| Jonjon, you and | |
| I are rats at cupids table but we' re fine. | |
| In the darkest corner of a downstairs gathering ladybirds and pirate cowboys, made up, conversing. | |
| Islands sinking from musicians, bedtime stories, | |
| York Magicians, but you don' t have to worry darling, frozen hearts leave seetrough scarring, and no one else will know unless you tell. | |
| Drink to ghosts of past years' catastrophic love affairs, to robes of red and silver tales worn thin from too much care. | |
| Comfort doesn' t always come in glasses, but perhaps tonight | |
| I won' t be the only one with blue headlights. | |
| Come on ladies, take your love to town. | |
| Pick it up boys, take your love to town. | |
| Everybody, take your love to town. |