|
A ways outside the tower and turmoil of towns, |
|
In the quiet color cutting of another splendid sunset |
|
on the spit of wire spun between two telephone pole necks, |
|
sits an awful fevered murder of crows. |
|
Itching the dusk with the call that only they can lay low, |
|
And so that day they did unwittingly dispose |
|
themselves to the appetite behind all O |
|
Men yet not comprehending their stick in the scheme |
|
of the prey-on-prey ballet of ending day |
|
Prey-on-prey ballet of ending day (x4) |
|
Those crows |
|
Twitching with the omen they've become on earth |
|
Several thousand thick in a fit, |
|
of everything but empty |
|
Those crows sicked, their starving wings |
|
on choking out the sun fall's sinking pinks |
|
Surrounded by the wellwater black of near night and become, |
|
Those crows dove into the quiet of the half sunken in sun |
|
To set themselves against the same take-spark that aches in men |
|
Their die, their dive, and their dire became them |
|
And all that barged into the sunset's wellwater pith of a sky seeming what if, we're spit back out to doom and sings of flocks of forks with wing |
|
An obvious and ominous earth ode and grand |
|
To the soaring sordid appetite (the soaring sordid appetite) (to the soaring sordid appetite) of man |
|
The sky has always been a complex death of all its hunting things, |
|
And so (cause) So (cause) shall the crow (cause) |
|
Cuts its throat's most awful cough |
|
From its heavy metal song |