| [00:00.00] | 作曲 : Geddy Lee/Alex Lifeson |
| [00:01.00] | 作词 : Neil Peart |
| [00:29.76] | His world is under observation |
| [00:33.80] | We monitor his station |
| [00:35.74] | Under faces and the places |
| [00:40.05] | Where he traces points of view |
| [00:49.48] | He picks up scraps of conversation |
| [00:52.90] | Radio and radiation |
| [00:55.36] | From the dancers and romancers |
| [00:58.37] | With the answers but no clue |
| [01:09.24] | He'd love to spend the night in Zion |
| [01:15.62] | He's been a long while in Babylon |
| [01:22.14] | He'd like a lover's wings to fly on |
| [01:28.60] | To a tropic isle of Avalon |
| [01:45.10] | His world is under anesthetic |
| [01:48.51] | Subdivided and synthetic |
| [01:51.01] | His reliance on the giants |
| [01:53.63] | In the science of the day |
| [02:04.63] | He picks up scraps of information |
| [02:08.03] | He's adept at adaptation |
| [02:10.49] | Because for strangers and arrangers |
| [02:13.10] | Constant change is here to stay |
| [02:24.44] | He'd love to spend the night in Zion |
| [02:30.85] | He's been a long while in Babylon |
| [02:37.33] | He'd like a lover's wings to fly on |
| [02:43.47] | To a tropic isle of Avalon |
| [02:59.42] | He's got a force field and a flexible plan |
| [03:02.67] | He's got a date with fate in a black sedan |
| [03:05.89] | He plays fast forward for as long as he can |
| [03:08.83] | But he won't need a bed |
| [03:10.74] | He's a digital man |
| [04:38.53] | He'd love to spend the night in Zion |
| [04:44.43] | He's been a long while in Babylon |
| [04:51.23] | He'd like a lover's wings to fly on |
| [04:58.10] | To a tropic isle of Avalon |
| [05:13.62] | He's got a force field and a flexible plan |
| [05:16.85] | He's got a date with fate in a black sedan |
| [05:20.17] | He plays fast forward for as long as he can |
| [05:23.10] | But he won't need a bed |
| [05:24.89] | He's a digital man |
| [05:30.20] | He plays fast forward for as long as he can |
| [05:32.83] | But he won't need a bed |
| [05:34.22] | He's a digital man |
| [05:40.10] | He plays fast forward for as long as he can |
| [05:42.74] | But he won't need a bed |
| [05:44.38] | He's a digital man |
| [05:49.79] | He plays fast forward for as long as he can |
| [05:52.96] | But he won't need a bed |
| [05:54.73] | He's a digital man |
| [00:00.00] | zuo qu : Geddy Lee Alex Lifeson |
| [00:01.00] | zuo ci : Neil Peart |
| [00:29.76] | His world is under observation |
| [00:33.80] | We monitor his station |
| [00:35.74] | Under faces and the places |
| [00:40.05] | Where he traces points of view |
| [00:49.48] | He picks up scraps of conversation |
| [00:52.90] | Radio and radiation |
| [00:55.36] | From the dancers and romancers |
| [00:58.37] | With the answers but no clue |
| [01:09.24] | He' d love to spend the night in Zion |
| [01:15.62] | He' s been a long while in Babylon |
| [01:22.14] | He' d like a lover' s wings to fly on |
| [01:28.60] | To a tropic isle of Avalon |
| [01:45.10] | His world is under anesthetic |
| [01:48.51] | Subdivided and synthetic |
| [01:51.01] | His reliance on the giants |
| [01:53.63] | In the science of the day |
| [02:04.63] | He picks up scraps of information |
| [02:08.03] | He' s adept at adaptation |
| [02:10.49] | Because for strangers and arrangers |
| [02:13.10] | Constant change is here to stay |
| [02:24.44] | He' d love to spend the night in Zion |
| [02:30.85] | He' s been a long while in Babylon |
| [02:37.33] | He' d like a lover' s wings to fly on |
| [02:43.47] | To a tropic isle of Avalon |
| [02:59.42] | He' s got a force field and a flexible plan |
| [03:02.67] | He' s got a date with fate in a black sedan |
| [03:05.89] | He plays fast forward for as long as he can |
| [03:08.83] | But he won' t need a bed |
| [03:10.74] | He' s a digital man |
| [04:38.53] | He' d love to spend the night in Zion |
| [04:44.43] | He' s been a long while in Babylon |
| [04:51.23] | He' d like a lover' s wings to fly on |
| [04:58.10] | To a tropic isle of Avalon |
| [05:13.62] | He' s got a force field and a flexible plan |
| [05:16.85] | He' s got a date with fate in a black sedan |
| [05:20.17] | He plays fast forward for as long as he can |
| [05:23.10] | But he won' t need a bed |
| [05:24.89] | He' s a digital man |
| [05:30.20] | He plays fast forward for as long as he can |
| [05:32.83] | But he won' t need a bed |
| [05:34.22] | He' s a digital man |
| [05:40.10] | He plays fast forward for as long as he can |
| [05:42.74] | But he won' t need a bed |
| [05:44.38] | He' s a digital man |
| [05:49.79] | He plays fast forward for as long as he can |
| [05:52.96] | But he won' t need a bed |
| [05:54.73] | He' s a digital man |
| [00:00.00] | zuò qǔ : Geddy Lee Alex Lifeson |
| [00:01.00] | zuò cí : Neil Peart |
| [00:29.76] | His world is under observation |
| [00:33.80] | We monitor his station |
| [00:35.74] | Under faces and the places |
| [00:40.05] | Where he traces points of view |
| [00:49.48] | He picks up scraps of conversation |
| [00:52.90] | Radio and radiation |
| [00:55.36] | From the dancers and romancers |
| [00:58.37] | With the answers but no clue |
| [01:09.24] | He' d love to spend the night in Zion |
| [01:15.62] | He' s been a long while in Babylon |
| [01:22.14] | He' d like a lover' s wings to fly on |
| [01:28.60] | To a tropic isle of Avalon |
| [01:45.10] | His world is under anesthetic |
| [01:48.51] | Subdivided and synthetic |
| [01:51.01] | His reliance on the giants |
| [01:53.63] | In the science of the day |
| [02:04.63] | He picks up scraps of information |
| [02:08.03] | He' s adept at adaptation |
| [02:10.49] | Because for strangers and arrangers |
| [02:13.10] | Constant change is here to stay |
| [02:24.44] | He' d love to spend the night in Zion |
| [02:30.85] | He' s been a long while in Babylon |
| [02:37.33] | He' d like a lover' s wings to fly on |
| [02:43.47] | To a tropic isle of Avalon |
| [02:59.42] | He' s got a force field and a flexible plan |
| [03:02.67] | He' s got a date with fate in a black sedan |
| [03:05.89] | He plays fast forward for as long as he can |
| [03:08.83] | But he won' t need a bed |
| [03:10.74] | He' s a digital man |
| [04:38.53] | He' d love to spend the night in Zion |
| [04:44.43] | He' s been a long while in Babylon |
| [04:51.23] | He' d like a lover' s wings to fly on |
| [04:58.10] | To a tropic isle of Avalon |
| [05:13.62] | He' s got a force field and a flexible plan |
| [05:16.85] | He' s got a date with fate in a black sedan |
| [05:20.17] | He plays fast forward for as long as he can |
| [05:23.10] | But he won' t need a bed |
| [05:24.89] | He' s a digital man |
| [05:30.20] | He plays fast forward for as long as he can |
| [05:32.83] | But he won' t need a bed |
| [05:34.22] | He' s a digital man |
| [05:40.10] | He plays fast forward for as long as he can |
| [05:42.74] | But he won' t need a bed |
| [05:44.38] | He' s a digital man |
| [05:49.79] | He plays fast forward for as long as he can |
| [05:52.96] | But he won' t need a bed |
| [05:54.73] | He' s a digital man |
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