Linctus House - normal Lyrics

Song	Linctus House - normal
Artist	Robyn Hitchcock
Album	I Wanna Go Backwards Box Set
Download	Image LRC TXT

	作词 : Hitchcock
	you know i used to call my baby up
	and we'd get real close
	just like the telephone was a sofa
	and our thoughts would mingle
	and we'd leave our minds wide open
	like a big window in the evening air
	and we'd say,
	'hey baby, come on in and help yourself to my soul'
	'hey baby, come on in and help yourself to my soul'
	but these days, even saying, 'hello? how are you?'
	'i'm fine, how are you?' takes a lot of sweat
	ain't that a shame
	ain't that a shame
	but in linctus house
	in my flesh hotel
	i don't care anymore
	you know my baby and me
	as kimberley would say
	we'd curl up like two dogs
	in front of a fire
	and our eyes would reflect each other
	in the warm long heat of love
	yeah, the warm long heat of love
	and i would hear the rain falling
	on the leaves outside
	i could'nt stand to close the window
	'cos i'd shiver if i left her side
	but now i'd shake if we should meet
	and i spend most of my time in the bushes
	ain't that a shame
	know what you're doing
	ain't that a shame
	know what you've done
	but in linctus house
	in my flesh hotel
	i don't care anymore
	'i understand how everything sometimes
	turns out to be nothing,' you say
	but i wonder if you do
	and if we understood each other
	there'd be no need to talk
	but even that, even talking is out of reach
	should i say it with flowers or
	should i say it with nails?
	i'm not the kind to push you around
	but i don't want to make myself vulnerable
	and if i was on my knees
	you'd have a pretty good view of my skull
	and i happen to know you're carrying a chisel
	but in linctus hotel
	in my flesh hotel
	i don't care anymore
	no
	in linctus house
	in my flesh hotel
	i don't care
	ain't that a shame
	know what you're doing
	ain't that a shame
	know what you've done

	zuo ci : Hitchcock
	you know i used to call my baby up
	and we' d get real close
	just like the telephone was a sofa
	and our thoughts would mingle
	and we' d leave our minds wide open
	like a big window in the evening air
	and we' d say,
	' hey baby, come on in and help yourself to my soul'
	' hey baby, come on in and help yourself to my soul'
	but these days, even saying, ' hello? how are you?'
	' i' m fine, how are you?' takes a lot of sweat
	ain' t that a shame
	ain' t that a shame
	but in linctus house
	in my flesh hotel
	i don' t care anymore
	you know my baby and me
	as kimberley would say
	we' d curl up like two dogs
	in front of a fire
	and our eyes would reflect each other
	in the warm long heat of love
	yeah, the warm long heat of love
	and i would hear the rain falling
	on the leaves outside
	i could' nt stand to close the window
	' cos i' d shiver if i left her side
	but now i' d shake if we should meet
	and i spend most of my time in the bushes
	ain' t that a shame
	know what you' re doing
	ain' t that a shame
	know what you' ve done
	but in linctus house
	in my flesh hotel
	i don' t care anymore
	' i understand how everything sometimes
	turns out to be nothing,' you say
	but i wonder if you do
	and if we understood each other
	there' d be no need to talk
	but even that, even talking is out of reach
	should i say it with flowers or
	should i say it with nails?
	i' m not the kind to push you around
	but i don' t want to make myself vulnerable
	and if i was on my knees
	you' d have a pretty good view of my skull
	and i happen to know you' re carrying a chisel
	but in linctus hotel
	in my flesh hotel
	i don' t care anymore
	no
	in linctus house
	in my flesh hotel
	i don' t care
	ain' t that a shame
	know what you' re doing
	ain' t that a shame
	know what you' ve done

	zuò cí : Hitchcock
	you know i used to call my baby up
	and we' d get real close
	just like the telephone was a sofa
	and our thoughts would mingle
	and we' d leave our minds wide open
	like a big window in the evening air
	and we' d say,
	' hey baby, come on in and help yourself to my soul'
	' hey baby, come on in and help yourself to my soul'
	but these days, even saying, ' hello? how are you?'
	' i' m fine, how are you?' takes a lot of sweat
	ain' t that a shame
	ain' t that a shame
	but in linctus house
	in my flesh hotel
	i don' t care anymore
	you know my baby and me
	as kimberley would say
	we' d curl up like two dogs
	in front of a fire
	and our eyes would reflect each other
	in the warm long heat of love
	yeah, the warm long heat of love
	and i would hear the rain falling
	on the leaves outside
	i could' nt stand to close the window
	' cos i' d shiver if i left her side
	but now i' d shake if we should meet
	and i spend most of my time in the bushes
	ain' t that a shame
	know what you' re doing
	ain' t that a shame
	know what you' ve done
	but in linctus house
	in my flesh hotel
	i don' t care anymore
	' i understand how everything sometimes
	turns out to be nothing,' you say
	but i wonder if you do
	and if we understood each other
	there' d be no need to talk
	but even that, even talking is out of reach
	should i say it with flowers or
	should i say it with nails?
	i' m not the kind to push you around
	but i don' t want to make myself vulnerable
	and if i was on my knees
	you' d have a pretty good view of my skull
	and i happen to know you' re carrying a chisel
	but in linctus hotel
	in my flesh hotel
	i don' t care anymore
	no
	in linctus house
	in my flesh hotel
	i don' t care
	ain' t that a shame
	know what you' re doing
	ain' t that a shame
	know what you' ve done

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