| Song | Unrehearsed |
| Artist | Peter Hammill |
| Album | This |
| Download | Image LRC TXT |
| Time for the unrehearsed entrance, | |
| show a leg you can break, | |
| down the cocktail | |
| while it's laughing at you for heaven's sake... | |
| I can't be your protector | |
| from these deliberate mistakes. | |
| Between the "can't" and the "maybe" | |
| a lifetime's hovering in the wings: | |
| grasp the nettle, bite the bullet | |
| push your own buttons and pull your own strings. | |
| Name your poison | |
| while you've got the power, 100 proof. | |
| I can't be your protector | |
| from self-neglect or abuse. | |
| This is not a rehearsal | |
| and fear is not an excuse. | |
| And if you won't step out on the boards | |
| you'll find your place already on the shelf – | |
| you can only find the sum of your parts yourself. | |
| Unprepared and unready, | |
| is that an excuse or a point of view? | |
| You can block out the words in anagrammatical sword play | |
| but it's your own life you'll be running through. | |
| Time to drink a cocktail | |
| of your own invention for pity's sake | |
| I can't be your protector, | |
| I won't be there when you wake | |
| to honour all the hidden intentions | |
| in your deliberate mistakes, | |
| behind your deliberate mistakes. | |
| Deliberation could be mistaken for coldness of the heart; | |
| Procrastination won't get you anywhere except aloof and apart; | |
| what's the golden opportunity | |
| you're hanging on here for – | |
| isn't it just this? | |
| Go! Start! | |
| Unrehearsed and unready | |
| that's what we are, | |
| what we've all been cast into... | |
| It's not four square, the beat's unsteady | |
| but this is this | |
| and making something of it's up to you. | |
| An unexpected exit's always waiting | |
| although you think it's something you'll bluff your way through. | |
| Spit that wooden spoon out of your mouth | |
| and eat up – the moment's long overdue. | |
| Take your medicine | |
| and face whatever the future brings | |
| I can't be your protector, | |
| can't keep you under my wing. | |
| This is not a rehearsal, | |
| this is the real thing, | |
| this is the real thing. | |
| This is for real. |
| Time for the unrehearsed entrance, | |
| show a leg you can break, | |
| down the cocktail | |
| while it' s laughing at you for heaven' s sake... | |
| I can' t be your protector | |
| from these deliberate mistakes. | |
| Between the " can' t" and the " maybe" | |
| a lifetime' s hovering in the wings: | |
| grasp the nettle, bite the bullet | |
| push your own buttons and pull your own strings. | |
| Name your poison | |
| while you' ve got the power, 100 proof. | |
| I can' t be your protector | |
| from selfneglect or abuse. | |
| This is not a rehearsal | |
| and fear is not an excuse. | |
| And if you won' t step out on the boards | |
| you' ll find your place already on the shelf | |
| you can only find the sum of your parts yourself. | |
| Unprepared and unready, | |
| is that an excuse or a point of view? | |
| You can block out the words in anagrammatical sword play | |
| but it' s your own life you' ll be running through. | |
| Time to drink a cocktail | |
| of your own invention for pity' s sake | |
| I can' t be your protector, | |
| I won' t be there when you wake | |
| to honour all the hidden intentions | |
| in your deliberate mistakes, | |
| behind your deliberate mistakes. | |
| Deliberation could be mistaken for coldness of the heart | |
| Procrastination won' t get you anywhere except aloof and apart | |
| what' s the golden opportunity | |
| you' re hanging on here for | |
| isn' t it just this? | |
| Go! Start! | |
| Unrehearsed and unready | |
| that' s what we are, | |
| what we' ve all been cast into... | |
| It' s not four square, the beat' s unsteady | |
| but this is this | |
| and making something of it' s up to you. | |
| An unexpected exit' s always waiting | |
| although you think it' s something you' ll bluff your way through. | |
| Spit that wooden spoon out of your mouth | |
| and eat up the moment' s long overdue. | |
| Take your medicine | |
| and face whatever the future brings | |
| I can' t be your protector, | |
| can' t keep you under my wing. | |
| This is not a rehearsal, | |
| this is the real thing, | |
| this is the real thing. | |
| This is for real. |
| Time for the unrehearsed entrance, | |
| show a leg you can break, | |
| down the cocktail | |
| while it' s laughing at you for heaven' s sake... | |
| I can' t be your protector | |
| from these deliberate mistakes. | |
| Between the " can' t" and the " maybe" | |
| a lifetime' s hovering in the wings: | |
| grasp the nettle, bite the bullet | |
| push your own buttons and pull your own strings. | |
| Name your poison | |
| while you' ve got the power, 100 proof. | |
| I can' t be your protector | |
| from selfneglect or abuse. | |
| This is not a rehearsal | |
| and fear is not an excuse. | |
| And if you won' t step out on the boards | |
| you' ll find your place already on the shelf | |
| you can only find the sum of your parts yourself. | |
| Unprepared and unready, | |
| is that an excuse or a point of view? | |
| You can block out the words in anagrammatical sword play | |
| but it' s your own life you' ll be running through. | |
| Time to drink a cocktail | |
| of your own invention for pity' s sake | |
| I can' t be your protector, | |
| I won' t be there when you wake | |
| to honour all the hidden intentions | |
| in your deliberate mistakes, | |
| behind your deliberate mistakes. | |
| Deliberation could be mistaken for coldness of the heart | |
| Procrastination won' t get you anywhere except aloof and apart | |
| what' s the golden opportunity | |
| you' re hanging on here for | |
| isn' t it just this? | |
| Go! Start! | |
| Unrehearsed and unready | |
| that' s what we are, | |
| what we' ve all been cast into... | |
| It' s not four square, the beat' s unsteady | |
| but this is this | |
| and making something of it' s up to you. | |
| An unexpected exit' s always waiting | |
| although you think it' s something you' ll bluff your way through. | |
| Spit that wooden spoon out of your mouth | |
| and eat up the moment' s long overdue. | |
| Take your medicine | |
| and face whatever the future brings | |
| I can' t be your protector, | |
| can' t keep you under my wing. | |
| This is not a rehearsal, | |
| this is the real thing, | |
| this is the real thing. | |
| This is for real. |