| 作曲 : Bridges, Cook | |
| 作词 : BRIDGES, CHRISTOPHER BRIAN/COOK, T. | |
| YeahGotta feel me on this one | |
| Ain't none of this shit happen overnight | |
| We talking about a long time coming motherfucker | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| I'm still back for the first damn time | |
| So grab a hold of your seat while | |
| I open your mind | |
| And take you back from when | |
| I dropped down from | |
| HeavenAnd | |
| I came on my moms and | |
| I had a Mic as my fucking weapon | |
| When I was three, | |
| I was just a little | |
| GBut if you looked in my eyes, you'd see the future of a real | |
| MCThen at the age of nine, | |
| I wrote my first rhyme | |
| Soon rapping became one of my favorite pastimes | |
| Everywhere that | |
| I went spitting and dabbling | |
| Showing my ass growing up and started traveling | |
| From one city to the next | |
| Luda landed in the | |
| ATLWhere the pimps and the players dwell | |
| I made a tape did shows and got exposure | |
| And kept learning as my black ass got older | |
| No matter what | |
| I just kept at my trade | |
| I made mistakes but still stayed sharper than a | |
| Ginsui Balde | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| Age 14, my talent show, a beast out of cage | |
| I would have won, but got disqualified for jumping off stage | |
| But I didn't care 'cause this game has started to open it's arms | |
| When I was at | |
| Banaker High | |
| School pulling fire alarms | |
| So I could get a crowd around me, make a name for my block | |
| People told me keep flowing, they didn't want me to stop | |
| I's back when big nose | |
| John was my human beatbox | |
| Skipped out on school hit open campus and watch out for street cops | |
| Now I'm known around the town as that, "Nigga that raps" | |
| From the hills of | |
| Maze High to them | |
| G-roll traps | |
| And I was still making demos perfecting the craft | |
| And some said | |
| I wouldn't make it, they would giggle and laugh | |
| So I picked up a couple of books from | |
| Donald Goines | |
| About the business of this shit and how to flip a few coins | |
| Before the age of eighteen, | |
| I was destined to make it | |
| My bank account read, disturbing the peace incorporated | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| Age 18, I'm struggling just to survive | |
| But I got a gig working for change at 97.5 | |
| Now I'm rapping on the radio increasing their numbers | |
| Still Ludacris, but alias was | |
| Chris Lova, | |
| LovaLate nights | |
| I'm in a studio in using they tools | |
| Me and Poon was smoking weed and breaking all of they rules | |
| And I was krunk, all the big wigs was hearing my songs | |
| But nobody did shit and they was taking too long | |
| So 3 years went past and | |
| I saved enough cash | |
| To make my own record label and put my self on blast | |
| The album was independent it was just for the streets | |
| I sold one thousand copies in my first fucking week | |
| Then went on to sell fifty, put the cash in my hand | |
| All the record companies biting, but | |
| I chose Def | |
| JamThe main reason that | |
| I made it and | |
| I love the | |
| A townWas because the block had it's eyebrows down, ya heard me | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| It ain't clean on these streets | |
| It's mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it's eyebrows down, ya heard me | |
| Yeah, Ive' been waiting a lifetime to get what the fuck | |
| I gotIt's real man, hardest working nigga in show business | |
| Believe that, shout out to | |
| Lil' Fate, | |
| I dub, Chaka | |
| Zulu, yeah woo | |
| The people's music, | |
| I used to play some happy and some jealous' | |
| Cause I'm showered with cash | |
| And they can't remove they umbrellas | |
| The people's music | |
| I used to play some happy and some jealous' | |
| Cause I'm showered with cash | |
| And they can't remove they umbrellas, uh | |
| You hear it raining don't ya, you hear it rain |
| zuo qu : Bridges, Cook | |
| zuo ci : BRIDGES, CHRISTOPHER BRIAN COOK, T. | |
| YeahGotta feel me on this one | |
| Ain' t none of this shit happen overnight | |
| We talking about a long time coming motherfucker | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| I' m still back for the first damn time | |
| So grab a hold of your seat while | |
| I open your mind | |
| And take you back from when | |
| I dropped down from | |
| HeavenAnd | |
| I came on my moms and | |
| I had a Mic as my fucking weapon | |
| When I was three, | |
| I was just a little | |
| GBut if you looked in my eyes, you' d see the future of a real | |
| MCThen at the age of nine, | |
| I wrote my first rhyme | |
| Soon rapping became one of my favorite pastimes | |
| Everywhere that | |
| I went spitting and dabbling | |
| Showing my ass growing up and started traveling | |
| From one city to the next | |
| Luda landed in the | |
| ATLWhere the pimps and the players dwell | |
| I made a tape did shows and got exposure | |
| And kept learning as my black ass got older | |
| No matter what | |
| I just kept at my trade | |
| I made mistakes but still stayed sharper than a | |
| Ginsui Balde | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| Age 14, my talent show, a beast out of cage | |
| I would have won, but got disqualified for jumping off stage | |
| But I didn' t care ' cause this game has started to open it' s arms | |
| When I was at | |
| Banaker High | |
| School pulling fire alarms | |
| So I could get a crowd around me, make a name for my block | |
| People told me keep flowing, they didn' t want me to stop | |
| I' s back when big nose | |
| John was my human beatbox | |
| Skipped out on school hit open campus and watch out for street cops | |
| Now I' m known around the town as that, " Nigga that raps" | |
| From the hills of | |
| Maze High to them | |
| Groll traps | |
| And I was still making demos perfecting the craft | |
| And some said | |
| I wouldn' t make it, they would giggle and laugh | |
| So I picked up a couple of books from | |
| Donald Goines | |
| About the business of this shit and how to flip a few coins | |
| Before the age of eighteen, | |
| I was destined to make it | |
| My bank account read, disturbing the peace incorporated | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| Age 18, I' m struggling just to survive | |
| But I got a gig working for change at 97. 5 | |
| Now I' m rapping on the radio increasing their numbers | |
| Still Ludacris, but alias was | |
| Chris Lova, | |
| LovaLate nights | |
| I' m in a studio in using they tools | |
| Me and Poon was smoking weed and breaking all of they rules | |
| And I was krunk, all the big wigs was hearing my songs | |
| But nobody did shit and they was taking too long | |
| So 3 years went past and | |
| I saved enough cash | |
| To make my own record label and put my self on blast | |
| The album was independent it was just for the streets | |
| I sold one thousand copies in my first fucking week | |
| Then went on to sell fifty, put the cash in my hand | |
| All the record companies biting, but | |
| I chose Def | |
| JamThe main reason that | |
| I made it and | |
| I love the | |
| A townWas because the block had it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| Yeah, Ive' been waiting a lifetime to get what the fuck | |
| I gotIt' s real man, hardest working nigga in show business | |
| Believe that, shout out to | |
| Lil' Fate, | |
| I dub, Chaka | |
| Zulu, yeah woo | |
| The people' s music, | |
| I used to play some happy and some jealous' | |
| Cause I' m showered with cash | |
| And they can' t remove they umbrellas | |
| The people' s music | |
| I used to play some happy and some jealous' | |
| Cause I' m showered with cash | |
| And they can' t remove they umbrellas, uh | |
| You hear it raining don' t ya, you hear it rain |
| zuò qǔ : Bridges, Cook | |
| zuò cí : BRIDGES, CHRISTOPHER BRIAN COOK, T. | |
| YeahGotta feel me on this one | |
| Ain' t none of this shit happen overnight | |
| We talking about a long time coming motherfucker | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| I' m still back for the first damn time | |
| So grab a hold of your seat while | |
| I open your mind | |
| And take you back from when | |
| I dropped down from | |
| HeavenAnd | |
| I came on my moms and | |
| I had a Mic as my fucking weapon | |
| When I was three, | |
| I was just a little | |
| GBut if you looked in my eyes, you' d see the future of a real | |
| MCThen at the age of nine, | |
| I wrote my first rhyme | |
| Soon rapping became one of my favorite pastimes | |
| Everywhere that | |
| I went spitting and dabbling | |
| Showing my ass growing up and started traveling | |
| From one city to the next | |
| Luda landed in the | |
| ATLWhere the pimps and the players dwell | |
| I made a tape did shows and got exposure | |
| And kept learning as my black ass got older | |
| No matter what | |
| I just kept at my trade | |
| I made mistakes but still stayed sharper than a | |
| Ginsui Balde | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| Age 14, my talent show, a beast out of cage | |
| I would have won, but got disqualified for jumping off stage | |
| But I didn' t care ' cause this game has started to open it' s arms | |
| When I was at | |
| Banaker High | |
| School pulling fire alarms | |
| So I could get a crowd around me, make a name for my block | |
| People told me keep flowing, they didn' t want me to stop | |
| I' s back when big nose | |
| John was my human beatbox | |
| Skipped out on school hit open campus and watch out for street cops | |
| Now I' m known around the town as that, " Nigga that raps" | |
| From the hills of | |
| Maze High to them | |
| Groll traps | |
| And I was still making demos perfecting the craft | |
| And some said | |
| I wouldn' t make it, they would giggle and laugh | |
| So I picked up a couple of books from | |
| Donald Goines | |
| About the business of this shit and how to flip a few coins | |
| Before the age of eighteen, | |
| I was destined to make it | |
| My bank account read, disturbing the peace incorporated | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| Age 18, I' m struggling just to survive | |
| But I got a gig working for change at 97. 5 | |
| Now I' m rapping on the radio increasing their numbers | |
| Still Ludacris, but alias was | |
| Chris Lova, | |
| LovaLate nights | |
| I' m in a studio in using they tools | |
| Me and Poon was smoking weed and breaking all of they rules | |
| And I was krunk, all the big wigs was hearing my songs | |
| But nobody did shit and they was taking too long | |
| So 3 years went past and | |
| I saved enough cash | |
| To make my own record label and put my self on blast | |
| The album was independent it was just for the streets | |
| I sold one thousand copies in my first fucking week | |
| Then went on to sell fifty, put the cash in my hand | |
| All the record companies biting, but | |
| I chose Def | |
| JamThe main reason that | |
| I made it and | |
| I love the | |
| A townWas because the block had it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| It ain' t clean on these streets | |
| It' s mean on these streets | |
| Blocks up, hats down | |
| Fiends on these streets | |
| So please pay attention when you comin' around | |
| Because the block got it' s eyebrows down, ya heard me | |
| Yeah, Ive' been waiting a lifetime to get what the fuck | |
| I gotIt' s real man, hardest working nigga in show business | |
| Believe that, shout out to | |
| Lil' Fate, | |
| I dub, Chaka | |
| Zulu, yeah woo | |
| The people' s music, | |
| I used to play some happy and some jealous' | |
| Cause I' m showered with cash | |
| And they can' t remove they umbrellas | |
| The people' s music | |
| I used to play some happy and some jealous' | |
| Cause I' m showered with cash | |
| And they can' t remove they umbrellas, uh | |
| You hear it raining don' t ya, you hear it rain |
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