| Song | That's A Lie |
| Artist | LL Cool J |
| Album | Radio |
| 作曲 : LL Cool J & Rick Rubin | |
| I need a beat | |
| If it's a | |
| Malibu beat, subject of discussion | |
| Malibu beat, subject of discuss-cussion | |
| You're motivated-vated, to aid a percussion-cussion | |
| There's no glo-glory, for this story-story | |
| It-it rock-rock in any territory-tory | |
| I syncopate it and design it well-well | |
| Beat elevates-vates, the scratch excels-cels | |
| All techniques are a combination of skills that | |
| I have thought narration | |
| Last year my melody, but still complete | |
| Providing musical energy for the street | |
| Lyrics are smooth for maximum effect | |
| Jump track patterns on cassette | |
| Time-time snare had bass and cymbal | |
| Like that of a cat on the mic | |
| I'm nimble | |
| Basic patterns, grouped and changed | |
| Sequence frequent, seek and gain, break, break for narration | |
| Break two, break two | |
| I'm in the center of a, | |
| I'm in the center of a | |
| Musical skinner; some say the skins is a blow of torture | |
| They hear me, they fear me, they hear me, they fear me | |
| I'm improvin' the conditions of the rap industry | |
| The beat will expand to land on foreign lands | |
| Germany, Italy, | |
| France and | |
| JapanIt'll give you a lift, no need to sniff | |
| No butts, no how's, no why's or if's | |
| It's you I defeated, they'll say you retreated | |
| Pick up your favorite magazine and read it | |
| Wrapped by a power, a musical shower-shower | |
| A picture-picture of me-of me on the | |
| Eiffel-Eiffel | |
| Tower-Tower | |
| I need a beat | |
| Doing-doing dirty, | |
| I'm your-your thought | |
| You're bein'-bein' taken-taken, the musical boom | |
| I'm in full trating your eardrums | |
| Increasing the rate of vibration | |
| I wanna rock ya, rock ya, that's all you need to know-know' | |
| I need a beat', is the title of the show-show | |
| Providing-providing pleasure on the musical measures | |
| All-all arranged, to alleviate pressure | |
| I'm up on your list, your party thera-therapist | |
| Beat programmer and lyri-lyricist | |
| Ladies Love | |
| Cool James, studio user | |
| A million or more screamin' people abuser | |
| I predict, this jam will hit | |
| The highest plateau in the world of music | |
| Paparazzi, wealth and fame | |
| The total propulsion of my name | |
| I need a beat | |
| Computer wise, and the engineer's eyes | |
| Have to be very acute, education level high | |
| The product is mine, beat on the rhyme | |
| The control was part of the studio design | |
| Track after track, culminating on wax | |
| The tape has slack, rewind then back | |
| Expensive but useful, the music is the fuel | |
| A perfect place for | |
| MCs to duel | |
| I need a beat | |
| Farmer's Boulevard- | |
| BoulevardHa-ha | |
| QueensLadies love, | |
| Ladies Love | |
| Cool James | |
| Cut cre, cut creator |
| zuò qǔ : LL Cool J Rick Rubin | |
| I need a beat | |
| If it' s a | |
| Malibu beat, subject of discussion | |
| Malibu beat, subject of discusscussion | |
| You' re motivatedvated, to aid a percussioncussion | |
| There' s no gloglory, for this storystory | |
| Itit rockrock in any territorytory | |
| I syncopate it and design it wellwell | |
| Beat elevatesvates, the scratch excelscels | |
| All techniques are a combination of skills that | |
| I have thought narration | |
| Last year my melody, but still complete | |
| Providing musical energy for the street | |
| Lyrics are smooth for maximum effect | |
| Jump track patterns on cassette | |
| Timetime snare had bass and cymbal | |
| Like that of a cat on the mic | |
| I' m nimble | |
| Basic patterns, grouped and changed | |
| Sequence frequent, seek and gain, break, break for narration | |
| Break two, break two | |
| I' m in the center of a, | |
| I' m in the center of a | |
| Musical skinner some say the skins is a blow of torture | |
| They hear me, they fear me, they hear me, they fear me | |
| I' m improvin' the conditions of the rap industry | |
| The beat will expand to land on foreign lands | |
| Germany, Italy, | |
| France and | |
| JapanIt' ll give you a lift, no need to sniff | |
| No butts, no how' s, no why' s or if' s | |
| It' s you I defeated, they' ll say you retreated | |
| Pick up your favorite magazine and read it | |
| Wrapped by a power, a musical showershower | |
| A picturepicture of meof me on the | |
| EiffelEiffel | |
| TowerTower | |
| I need a beat | |
| Doingdoing dirty, | |
| I' m youryour thought | |
| You' re bein' bein' takentaken, the musical boom | |
| I' m in full trating your eardrums | |
| Increasing the rate of vibration | |
| I wanna rock ya, rock ya, that' s all you need to knowknow' | |
| I need a beat', is the title of the showshow | |
| Providingproviding pleasure on the musical measures | |
| Allall arranged, to alleviate pressure | |
| I' m up on your list, your party theratherapist | |
| Beat programmer and lyrilyricist | |
| Ladies Love | |
| Cool James, studio user | |
| A million or more screamin' people abuser | |
| I predict, this jam will hit | |
| The highest plateau in the world of music | |
| Paparazzi, wealth and fame | |
| The total propulsion of my name | |
| I need a beat | |
| Computer wise, and the engineer' s eyes | |
| Have to be very acute, education level high | |
| The product is mine, beat on the rhyme | |
| The control was part of the studio design | |
| Track after track, culminating on wax | |
| The tape has slack, rewind then back | |
| Expensive but useful, the music is the fuel | |
| A perfect place for | |
| MCs to duel | |
| I need a beat | |
| Farmer' s Boulevard | |
| BoulevardHaha | |
| QueensLadies love, | |
| Ladies Love | |
| Cool James | |
| Cut cre, cut creator |