| Song | Curriculuum 101 |
| Artist | Canibus |
| Album | Miclub - The Curriculum |
| Download | Image LRC TXT |
| [00:00.000] | 作词 : Germaine Williams |
| [00:01.000] | 作曲 : Kyros/Germaine Williams |
| [00:11.377] | Claims are being made that for me go far |
| [00:13.858] | Beyond the available evidence |
| [00:15.373] | And in fact in many cases are contradicted |
| [00:17.437] | By the evidence and that bothers me |
| [00:19.919] | Forensic psychologist Samuel Dubios explains |
| [00:22.714] | "You'll probably never understand Germaine" |
| [00:24.542] | Incoherent speeches, puzzles in pieces |
| [00:26.867] | The sub-chemical deepness of his glandular excretions |
| [00:29.871] | Realms of Heaven and Hell |
| [00:31.151] | Glowing angelic gel spliced with bovine leukaemia cells |
| [00:34.573] | Demons in Hell they call to me, I scream, "What can you offer me?" |
| [00:38.178] | They reply, "Techno-Sorcery" |
| [00:39.746] | They tell me the meek will never inherit the world |
| [00:42.123] | 'Cause they're weak standing on two 12 inch feet |
| [00:44.631] | I dream quasi-Draconian dreams when I sleep |
| [00:47.112] | Peyote leaves mixed with the blood of a priest |
| [00:49.489] | In a room where the ceiling leaks of crimson grease |
| [00:51.945] | Where the living eats the dead and the dead reek |
| [00:54.557] | Rock bottom transforms human beings to beasts |
| [00:57.274] | Why the f*ck you think we got canine teeth? |
| [00:59.442] | It's the optical stimuli of watching men cry |
| [01:02.054] | I hope I've got time to repent before I die |
| [01:04.536] | Bury me at the beach if the sea is out of reach |
| [01:07.122] | 'Cause when I speak what's fluid becomes concrete |
| [01:09.708] | Like a falcon up in the sky, ten thousand feet |
| [01:12.138] | Looking down at you bitches looking at me |
| [01:14.410] | Phase shifting to 45° |
| [01:16.657] | I'm too crooked to see, I memorize the books that I read |
| [01:19.452] | Sucking from the breast of knowledge – constantly weaning |
| [01:22.299] | Unbeseemingly a genius without meaning |
| [01:24.702] | Try to visualize what Harry Houdini was feeling |
| [01:27.524] | Handcuffed underwater without breathing |
| [01:29.666] | Near death on a fatal quest for air |
| [01:32.043] | But why should anyone care? He put himself there |
| [01:34.603] | His career was based on facing his fears |
| [01:36.954] | To take destiny from the hand of the man upstairs |
| [01:39.409] | He didn't mind the cold stares he got from his peers |
| [01:41.891] | They couldn't tell him where he was going or how to get there |
| [01:44.399] | It's better to be prepared and fail |
| [01:46.332] | Than to be scared and unsure of yourself and still get killed |
| [01:49.440] | Don't rhyme like I used to but I still got skills |
| [01:51.870] | More than a couple confirmed kills under the belt |
| [01:54.404] | Hunting MCs like hunting elk |
| [01:56.311] | Camouflaged in the dense brush for stealth, determined as Hell |
| [01:59.524] | I don't do this for anybody except myself |
| [02:01.770] | Stuff a motherf*cker like a trophy on my shelf |
| [02:04.356] | F*ck the promo n*gga I do this for dolo |
| [02:06.890] | Flow from the first hour to 24:00 |
| [02:09.398] | Round the clock as long as I've got a cup of cocoa |
| [02:11.932] | But I'll be a no-show if my girl cries, "Don't go!" |
| [02:14.387] | And she gives me blow more than two times in a row |
| [02:16.843] | I'd rather chill with her than kill you with a rhyme that I wrote |
| [02:19.455] | Count how many mics I smoke minus the G.O.A.T |
| [02:21.858] | 'Bus is d*pe, my battling average higher than most |
| [02:24.262] | When I'm on the mic I release fire from throat |
| [02:26.848] | If you disagree please do it quietly folks |
| [02:29.277] | Anybody better than Bis must be a hoax |
| [02:31.863] | Black man? No! What about the Great White Hope? |
| [02:34.423] | What? Man you must be sniffing great white coke |
| [02:36.827] | Don't you know that's like Gary Coleman fighting the Hulk? |
| [02:39.334] | Still not even quite that close, a great white |
| [02:41.842] | Biting your rubber dingy boat 50 miles out from the coast |
| [02:44.271] | What the f*ck is the Mathers with you? |
| [02:46.518] | I'll beat you black and blue then I'll get a tat of you too |
| [02:49.365] | Better yet I'll put a tattoo of me on you |
| [02:51.873] | A ten by ten 'C' logo – neon blue |
| [02:54.355] | The most theatrical MC battle of all time |
| [02:56.993] | I rip jackers like you, you know my call sign |
| [02:59.631] | Killer cobras that hover over Jehovah |
| [03:01.930] | In motorized auto-giros with sycamore rotors |
| [03:04.725] | Hydrogen-peroxide, gaseous vapors |
| [03:07.024] | Technically these words shouldn't even rhyme off paper |
| [03:09.610] | In theory, for every soul that can hear me, I'ma blaze them |
| [03:12.249] | In practical practice my style's even greater |
| [03:14.756] | Can't you see what I'm spitting? Can't you hear the difference? |
| [03:17.133] | Compared to me you're energetically inefficient |
| [03:19.563] | You need ten times the enzymes to process one of my rhymes |
| [03:22.567] | You've got to rewind every one of my lines |
| [03:24.422] | Do you know how to paraphrase? |
| [03:26.198] | Do you even understand what the narrator is tryna say? |
| [03:29.280] | The climax explodes, nobody can foreshadow my flow |
| [03:32.467] | Figuratively the language is too d*pe |
| [03:34.531] | Academic journals print my lyrical quotes |
| [03:36.960] | They show parallelism in all the albums I wrote |
| [03:39.442] | On any track I come off strong automatically |
| [03:42.080] | Whether I write in an active or passive capacity |
| [03:44.588] | Poetry that I spit is synonymous to a glyph |
| [03:46.991] | Written on tablets of clay mortar mix |
| [03:49.604] | Superb, truly superb! Analyze the words |
| [03:52.111] | It's like observing the birds fly above the Earth |
| [03:54.541] | The Eye of Horus, the miniature torii within a giant torus |
| [03:58.172] | With singularity on the chorus, I still sound enormous |
| [04:01.385] | Borderline insanity trying to break through humanity's border |
| [04:04.493] | With a new curriculum every quarter |
| [04:06.557] | I'm the porter of the portal of the Secret Mic Club Order |
| [04:09.640] | Baptize you with Jamaican white rum and water |
| [04:11.964] | If you've got a hundred bars then I know you're a warrior |
| [04:14.577] | I'll be the one who awards you and pins the medal on you |
| [04:17.241] | Dedicate a song to you because now you're honorable |
| [04:19.671] | You want a record deal? |
| [04:20.924] | Explain the lyrical Grand Unified Field so I can test your skill |
| [04:24.451] | Do it in front of the class, chart diagram it |
| [04:27.142] | And write it in Latin not Spanish god damn it |
| [04:29.623] | Step back so I can look at it |
| [04:31.661] | (No puede entender las palabras que digo senior Williams?) |
| [04:33.359] | Huh? What the f*ck is that wack sh*t? |
| [04:34.691] | You're clumsy and dumb like a hand with five thumbs |
| [04:37.356] | Welcome to Mic Club: Curriculum 101 |
| [00:00.000] | zuo ci : Germaine Williams |
| [00:01.000] | zuo qu : Kyros Germaine Williams |
| [00:11.377] | Claims are being made that for me go far |
| [00:13.858] | Beyond the available evidence |
| [00:15.373] | And in fact in many cases are contradicted |
| [00:17.437] | By the evidence and that bothers me |
| [00:19.919] | Forensic psychologist Samuel Dubios explains |
| [00:22.714] | " You' ll probably never understand Germaine" |
| [00:24.542] | Incoherent speeches, puzzles in pieces |
| [00:26.867] | The subchemical deepness of his glandular excretions |
| [00:29.871] | Realms of Heaven and Hell |
| [00:31.151] | Glowing angelic gel spliced with bovine leukaemia cells |
| [00:34.573] | Demons in Hell they call to me, I scream, " What can you offer me?" |
| [00:38.178] | They reply, " TechnoSorcery" |
| [00:39.746] | They tell me the meek will never inherit the world |
| [00:42.123] | ' Cause they' re weak standing on two 12 inch feet |
| [00:44.631] | I dream quasiDraconian dreams when I sleep |
| [00:47.112] | Peyote leaves mixed with the blood of a priest |
| [00:49.489] | In a room where the ceiling leaks of crimson grease |
| [00:51.945] | Where the living eats the dead and the dead reek |
| [00:54.557] | Rock bottom transforms human beings to beasts |
| [00:57.274] | Why the f ck you think we got canine teeth? |
| [00:59.442] | It' s the optical stimuli of watching men cry |
| [01:02.054] | I hope I' ve got time to repent before I die |
| [01:04.536] | Bury me at the beach if the sea is out of reach |
| [01:07.122] | ' Cause when I speak what' s fluid becomes concrete |
| [01:09.708] | Like a falcon up in the sky, ten thousand feet |
| [01:12.138] | Looking down at you bitches looking at me |
| [01:14.410] | Phase shifting to 45 |
| [01:16.657] | I' m too crooked to see, I memorize the books that I read |
| [01:19.452] | Sucking from the breast of knowledge constantly weaning |
| [01:22.299] | Unbeseemingly a genius without meaning |
| [01:24.702] | Try to visualize what Harry Houdini was feeling |
| [01:27.524] | Handcuffed underwater without breathing |
| [01:29.666] | Near death on a fatal quest for air |
| [01:32.043] | But why should anyone care? He put himself there |
| [01:34.603] | His career was based on facing his fears |
| [01:36.954] | To take destiny from the hand of the man upstairs |
| [01:39.409] | He didn' t mind the cold stares he got from his peers |
| [01:41.891] | They couldn' t tell him where he was going or how to get there |
| [01:44.399] | It' s better to be prepared and fail |
| [01:46.332] | Than to be scared and unsure of yourself and still get killed |
| [01:49.440] | Don' t rhyme like I used to but I still got skills |
| [01:51.870] | More than a couple confirmed kills under the belt |
| [01:54.404] | Hunting MCs like hunting elk |
| [01:56.311] | Camouflaged in the dense brush for stealth, determined as Hell |
| [01:59.524] | I don' t do this for anybody except myself |
| [02:01.770] | Stuff a motherf cker like a trophy on my shelf |
| [02:04.356] | F ck the promo n gga I do this for dolo |
| [02:06.890] | Flow from the first hour to 24: 00 |
| [02:09.398] | Round the clock as long as I' ve got a cup of cocoa |
| [02:11.932] | But I' ll be a noshow if my girl cries, " Don' t go!" |
| [02:14.387] | And she gives me blow more than two times in a row |
| [02:16.843] | I' d rather chill with her than kill you with a rhyme that I wrote |
| [02:19.455] | Count how many mics I smoke minus the G. O. A. T |
| [02:21.858] | ' Bus is d pe, my battling average higher than most |
| [02:24.262] | When I' m on the mic I release fire from throat |
| [02:26.848] | If you disagree please do it quietly folks |
| [02:29.277] | Anybody better than Bis must be a hoax |
| [02:31.863] | Black man? No! What about the Great White Hope? |
| [02:34.423] | What? Man you must be sniffing great white coke |
| [02:36.827] | Don' t you know that' s like Gary Coleman fighting the Hulk? |
| [02:39.334] | Still not even quite that close, a great white |
| [02:41.842] | Biting your rubber dingy boat 50 miles out from the coast |
| [02:44.271] | What the f ck is the Mathers with you? |
| [02:46.518] | I' ll beat you black and blue then I' ll get a tat of you too |
| [02:49.365] | Better yet I' ll put a tattoo of me on you |
| [02:51.873] | A ten by ten ' C' logo neon blue |
| [02:54.355] | The most theatrical MC battle of all time |
| [02:56.993] | I rip jackers like you, you know my call sign |
| [02:59.631] | Killer cobras that hover over Jehovah |
| [03:01.930] | In motorized autogiros with sycamore rotors |
| [03:04.725] | Hydrogenperoxide, gaseous vapors |
| [03:07.024] | Technically these words shouldn' t even rhyme off paper |
| [03:09.610] | In theory, for every soul that can hear me, I' ma blaze them |
| [03:12.249] | In practical practice my style' s even greater |
| [03:14.756] | Can' t you see what I' m spitting? Can' t you hear the difference? |
| [03:17.133] | Compared to me you' re energetically inefficient |
| [03:19.563] | You need ten times the enzymes to process one of my rhymes |
| [03:22.567] | You' ve got to rewind every one of my lines |
| [03:24.422] | Do you know how to paraphrase? |
| [03:26.198] | Do you even understand what the narrator is tryna say? |
| [03:29.280] | The climax explodes, nobody can foreshadow my flow |
| [03:32.467] | Figuratively the language is too d pe |
| [03:34.531] | Academic journals print my lyrical quotes |
| [03:36.960] | They show parallelism in all the albums I wrote |
| [03:39.442] | On any track I come off strong automatically |
| [03:42.080] | Whether I write in an active or passive capacity |
| [03:44.588] | Poetry that I spit is synonymous to a glyph |
| [03:46.991] | Written on tablets of clay mortar mix |
| [03:49.604] | Superb, truly superb! Analyze the words |
| [03:52.111] | It' s like observing the birds fly above the Earth |
| [03:54.541] | The Eye of Horus, the miniature torii within a giant torus |
| [03:58.172] | With singularity on the chorus, I still sound enormous |
| [04:01.385] | Borderline insanity trying to break through humanity' s border |
| [04:04.493] | With a new curriculum every quarter |
| [04:06.557] | I' m the porter of the portal of the Secret Mic Club Order |
| [04:09.640] | Baptize you with Jamaican white rum and water |
| [04:11.964] | If you' ve got a hundred bars then I know you' re a warrior |
| [04:14.577] | I' ll be the one who awards you and pins the medal on you |
| [04:17.241] | Dedicate a song to you because now you' re honorable |
| [04:19.671] | You want a record deal? |
| [04:20.924] | Explain the lyrical Grand Unified Field so I can test your skill |
| [04:24.451] | Do it in front of the class, chart diagram it |
| [04:27.142] | And write it in Latin not Spanish god damn it |
| [04:29.623] | Step back so I can look at it |
| [04:31.661] | No puede entender las palabras que digo senior Williams? |
| [04:33.359] | Huh? What the f ck is that wack sh t? |
| [04:34.691] | You' re clumsy and dumb like a hand with five thumbs |
| [04:37.356] | Welcome to Mic Club: Curriculum 101 |
| [00:00.000] | zuò cí : Germaine Williams |
| [00:01.000] | zuò qǔ : Kyros Germaine Williams |
| [00:11.377] | Claims are being made that for me go far |
| [00:13.858] | Beyond the available evidence |
| [00:15.373] | And in fact in many cases are contradicted |
| [00:17.437] | By the evidence and that bothers me |
| [00:19.919] | Forensic psychologist Samuel Dubios explains |
| [00:22.714] | " You' ll probably never understand Germaine" |
| [00:24.542] | Incoherent speeches, puzzles in pieces |
| [00:26.867] | The subchemical deepness of his glandular excretions |
| [00:29.871] | Realms of Heaven and Hell |
| [00:31.151] | Glowing angelic gel spliced with bovine leukaemia cells |
| [00:34.573] | Demons in Hell they call to me, I scream, " What can you offer me?" |
| [00:38.178] | They reply, " TechnoSorcery" |
| [00:39.746] | They tell me the meek will never inherit the world |
| [00:42.123] | ' Cause they' re weak standing on two 12 inch feet |
| [00:44.631] | I dream quasiDraconian dreams when I sleep |
| [00:47.112] | Peyote leaves mixed with the blood of a priest |
| [00:49.489] | In a room where the ceiling leaks of crimson grease |
| [00:51.945] | Where the living eats the dead and the dead reek |
| [00:54.557] | Rock bottom transforms human beings to beasts |
| [00:57.274] | Why the f ck you think we got canine teeth? |
| [00:59.442] | It' s the optical stimuli of watching men cry |
| [01:02.054] | I hope I' ve got time to repent before I die |
| [01:04.536] | Bury me at the beach if the sea is out of reach |
| [01:07.122] | ' Cause when I speak what' s fluid becomes concrete |
| [01:09.708] | Like a falcon up in the sky, ten thousand feet |
| [01:12.138] | Looking down at you bitches looking at me |
| [01:14.410] | Phase shifting to 45 |
| [01:16.657] | I' m too crooked to see, I memorize the books that I read |
| [01:19.452] | Sucking from the breast of knowledge constantly weaning |
| [01:22.299] | Unbeseemingly a genius without meaning |
| [01:24.702] | Try to visualize what Harry Houdini was feeling |
| [01:27.524] | Handcuffed underwater without breathing |
| [01:29.666] | Near death on a fatal quest for air |
| [01:32.043] | But why should anyone care? He put himself there |
| [01:34.603] | His career was based on facing his fears |
| [01:36.954] | To take destiny from the hand of the man upstairs |
| [01:39.409] | He didn' t mind the cold stares he got from his peers |
| [01:41.891] | They couldn' t tell him where he was going or how to get there |
| [01:44.399] | It' s better to be prepared and fail |
| [01:46.332] | Than to be scared and unsure of yourself and still get killed |
| [01:49.440] | Don' t rhyme like I used to but I still got skills |
| [01:51.870] | More than a couple confirmed kills under the belt |
| [01:54.404] | Hunting MCs like hunting elk |
| [01:56.311] | Camouflaged in the dense brush for stealth, determined as Hell |
| [01:59.524] | I don' t do this for anybody except myself |
| [02:01.770] | Stuff a motherf cker like a trophy on my shelf |
| [02:04.356] | F ck the promo n gga I do this for dolo |
| [02:06.890] | Flow from the first hour to 24: 00 |
| [02:09.398] | Round the clock as long as I' ve got a cup of cocoa |
| [02:11.932] | But I' ll be a noshow if my girl cries, " Don' t go!" |
| [02:14.387] | And she gives me blow more than two times in a row |
| [02:16.843] | I' d rather chill with her than kill you with a rhyme that I wrote |
| [02:19.455] | Count how many mics I smoke minus the G. O. A. T |
| [02:21.858] | ' Bus is d pe, my battling average higher than most |
| [02:24.262] | When I' m on the mic I release fire from throat |
| [02:26.848] | If you disagree please do it quietly folks |
| [02:29.277] | Anybody better than Bis must be a hoax |
| [02:31.863] | Black man? No! What about the Great White Hope? |
| [02:34.423] | What? Man you must be sniffing great white coke |
| [02:36.827] | Don' t you know that' s like Gary Coleman fighting the Hulk? |
| [02:39.334] | Still not even quite that close, a great white |
| [02:41.842] | Biting your rubber dingy boat 50 miles out from the coast |
| [02:44.271] | What the f ck is the Mathers with you? |
| [02:46.518] | I' ll beat you black and blue then I' ll get a tat of you too |
| [02:49.365] | Better yet I' ll put a tattoo of me on you |
| [02:51.873] | A ten by ten ' C' logo neon blue |
| [02:54.355] | The most theatrical MC battle of all time |
| [02:56.993] | I rip jackers like you, you know my call sign |
| [02:59.631] | Killer cobras that hover over Jehovah |
| [03:01.930] | In motorized autogiros with sycamore rotors |
| [03:04.725] | Hydrogenperoxide, gaseous vapors |
| [03:07.024] | Technically these words shouldn' t even rhyme off paper |
| [03:09.610] | In theory, for every soul that can hear me, I' ma blaze them |
| [03:12.249] | In practical practice my style' s even greater |
| [03:14.756] | Can' t you see what I' m spitting? Can' t you hear the difference? |
| [03:17.133] | Compared to me you' re energetically inefficient |
| [03:19.563] | You need ten times the enzymes to process one of my rhymes |
| [03:22.567] | You' ve got to rewind every one of my lines |
| [03:24.422] | Do you know how to paraphrase? |
| [03:26.198] | Do you even understand what the narrator is tryna say? |
| [03:29.280] | The climax explodes, nobody can foreshadow my flow |
| [03:32.467] | Figuratively the language is too d pe |
| [03:34.531] | Academic journals print my lyrical quotes |
| [03:36.960] | They show parallelism in all the albums I wrote |
| [03:39.442] | On any track I come off strong automatically |
| [03:42.080] | Whether I write in an active or passive capacity |
| [03:44.588] | Poetry that I spit is synonymous to a glyph |
| [03:46.991] | Written on tablets of clay mortar mix |
| [03:49.604] | Superb, truly superb! Analyze the words |
| [03:52.111] | It' s like observing the birds fly above the Earth |
| [03:54.541] | The Eye of Horus, the miniature torii within a giant torus |
| [03:58.172] | With singularity on the chorus, I still sound enormous |
| [04:01.385] | Borderline insanity trying to break through humanity' s border |
| [04:04.493] | With a new curriculum every quarter |
| [04:06.557] | I' m the porter of the portal of the Secret Mic Club Order |
| [04:09.640] | Baptize you with Jamaican white rum and water |
| [04:11.964] | If you' ve got a hundred bars then I know you' re a warrior |
| [04:14.577] | I' ll be the one who awards you and pins the medal on you |
| [04:17.241] | Dedicate a song to you because now you' re honorable |
| [04:19.671] | You want a record deal? |
| [04:20.924] | Explain the lyrical Grand Unified Field so I can test your skill |
| [04:24.451] | Do it in front of the class, chart diagram it |
| [04:27.142] | And write it in Latin not Spanish god damn it |
| [04:29.623] | Step back so I can look at it |
| [04:31.661] | No puede entender las palabras que digo senior Williams? |
| [04:33.359] | Huh? What the f ck is that wack sh t? |
| [04:34.691] | You' re clumsy and dumb like a hand with five thumbs |
| [04:37.356] | Welcome to Mic Club: Curriculum 101 |