The Murder Mystery Lyrics
| Song | The Murder Mystery |
| Artist | The Velvet Underground |
| Album | The Velvet Underground |
| Download | Image LRC TXT |
| [00:00.00] | 作词 : Reed |
| [00:50.28] | Candy screen wrappers of silkscreen fantastic |
| [00:52.20] | Requiring memories |
| [00:52.98] | Both lovely and guilt free |
| [00:54.24] | Lurid and lovely with twilight of ages |
| [00:55.86] | Luscious and lovely and filthy with laughter |
| [00:57.70] | Laconic giggles |
| [00:58.91] | Ennui fort the passions |
| [00:59.83] | In order to justify most spurious desires |
| [01:01.95] | Rectify moments |
| [01:03.05] | Most serious and urgent |
| [01:04.08] | To hail upon the face of most odious time |
| [01:06.11] | Requiring replies most facile and vacuous |
| [01:07.81] | With words nearly singed |
| [01:08.97] | With the heartbeat of passions |
| [01:09.98] | Spew forth with the grace of a tart going under |
| [01:12.11] | Subject of great concern |
| [01:13.10] | Noble origin |
| [00:50.30] | (Denigrate obtuse and active verbs pronouns) |
| [00:54.06] | (Skewer the sieve of optical sewer) |
| [00:57.71] | (Release the handle that holds all the gates up) |
| [01:01.60] | (Puncture the eyeballs) |
| [01:03.67] | (That seep all the muck up) |
| [01:05.70] | (Read all the books and the people worth reading) |
| [01:09.33] | (And still see the muck on the sky of the ceiling) |
| [01:16.70] | (Please raise the flag) |
| [01:21.57] | (Rosy red carpet envy) |
| [01:25.77] | (English used here) |
| [01:29.25] | (Is messenger is nervous) |
| [01:33.42] | (It's no fun at all) |
| [01:37.69] | (Out here in the hall) |
| [01:14.87] | Mister moonlight |
| [01:18.97] | Succulent smooth and gorgeous |
| [01:23.47] | Isn't it nice? |
| [01:27.93] | We're number One and so forth |
| [01:32.33] | Isn't it sweet being unique? |
| [01:40.17] | For screeching and yelling and various offenses |
| [01:41.75] | Lower the queen and bend her over the tub |
| [01:43.52] | Against the state, the country, the committee |
| [01:45.52] | Hold her head under the water please for an hour |
| [01:47.10] | For groveling and spewing and various offenses |
| [01:49.56] | Puncture the bloat with the wing of a sparrow |
| [01:51.35] | The inverse, the obverse, the converse,the reverse |
| [01:53.50] | The sharpening wing of the edge of a sparrow |
| [01:55.68] | For suitable reckonings too numerous to mention |
| [01:57.62] | As the queen is fat she is devoured by rats |
| [01:59.70] | There is one way to skin a cat |
| [02:00.89] | Or poison a rat it is hetero |
| [02:02.33] | Four hear to three forthrightly stated |
| [01:40.78] | (Relent and obverse) |
| [01:41.98] | (And inverse and perverse) |
| [01:43.96] | (And reverse the inverse) |
| [01:45.92] | (Of perverse and reverse) |
| [01:47.79] | (And reverse and reverse) |
| [01:49.70] | (And reverse) |
| [01:50.82] | (And chop it and pluck it) |
| [01:52.64] | (And cut it and spit it) |
| [01:54.44] | (And sew it to joy) |
| [01:56.25] | (On the edge of a cyclops) |
| [01:58.52] | (And spinet it to rage) |
| [02:00.29] | (On the edge of a cylindrical minute) |
| [02:04.71] | (Put down that rag) |
| [02:08.09] | (Simpering, callow and morose) |
| [02:12.50] | (Who let you in?) |
| [02:15.74] | (If I knew, then I could get out) |
| [02:20.03] | (The murder you see is a mystery to me) |
| [02:04.83] | Dear Mister Muse |
| [02:09.27] | Fellow of wit and gentry |
| [02:13.73] | Medieval ruse |
| [02:17.47] | Filling the shallow and empty |
| [02:22.32] | Fools that duel |
| [02:26.72] | Duel in pools |
| [02:29.64] | To Rembrandt and Oswald |
| [02:30.98] | To peanuts and ketchup |
| [02:31.82] | Sanctimonious sycophants stir in the bushes |
| [02:33.57] | Up to the stand with your foot on the bible |
| [02:35.63] | As king I must order and constantly arouse |
| [02:37.44] | If you swear to catch up and throw up and up up |
| [02:39.54] | A king full of virgin kiss me and spin it |
| [02:41.26] | Excuse to willow and wander dark wonders |
| [02:43.43] | Divest me of robes-sutures Harry and pig meat |
| [02:45.56] | The fate of a nation, rests hard on your bosoms |
| [02:47.53] | The king on his throne, puts his hand down his robe |
| [02:49.44] | The torture of inverse and silk screen and Harry |
| [02:51.40] | And set the tongue squealing the reverse and inverse |
| [02:29.86] | (Tantalize poets with visions of grandeur) |
| [02:33.54] | (Their faces turn blue with the reek of the compost) |
| [02:37.44] | (As the living try hard to retain what the dead lost) |
| [02:41.36] | (With double dead sickness from writing at what cost) |
| [02:44.96] | (And business and business) |
| [02:46.98] | (And reverse and reverse) |
| [02:48.80] | (And set the brain reeling the inverse and perverse) |
| [02:54.10] | (Objections suffice) |
| [02:57.40] | (Apelike and tactile bassoon) |
| [03:01.90] | (Oboeing me) |
| [03:05.13] | (Cordon the virus' section) |
| [03:09.42] | (Off to the left) |
| [03:13.86] | (Is what is not right) |
| [02:54.14] | English arcane |
| [02:58.67] | Tantamount here to frenzy |
| [03:03.15] | Passing for me |
| [03:07.24] | Lascivious elder passion |
| [03:12.07] | Corpulent filth |
| [03:15.81] | Disguised as silk |
| [03:18.97] | Contempt, contempt and contempt for the boredom |
| [03:21.06] | I shall poison the city and sink it with fire |
| [03:22.98] | For Cordless and Harry and Apepig and Scissor |
| [03:25.23] | The messenger's wig seems fraught with desire |
| [03:27.05] | For blueberry picnics and pince-nez and magpies |
| [03:29.30] | The messenger's skirt, would you please hook it higher |
| [03:31.44] | For children and adults all those under ninety |
| [03:33.03] | How truly disgusting. Would you please put it down? |
| [03:35.00] | A stray in this fray is no condom worth saving |
| [03:37.05] | As king I'm quite just, but it's just quite impossible |
| [03:39.33] | A robe and a robe and a robe and a bat |
| [03:40.94] | No double class inverse could make lying worth dying |
| [03:19.34] | (With cheap simian melodies) |
| [03:21.43] | (Hillbilly outgush) |
| [03:23.11] | (For illiterate ramblings) |
| [03:24.84] | (For cheap understanding) |
| [03:26.81] | (For misunderstranding) |
| [03:26.71] | (The simple the inverse, the compost, the reverse) |
| [03:32.73] | (The obtuse and stupid, and business, and business) |
| [03:36.76] | (And cheap, stupid lyrics, and simple mass reverse) |
| [03:40.57] | (While the real thing is dying) |
| [03:45.96] | (Exit the pig) |
| [03:49.24] | (Enter the Owl and Gorgeous) |
| [03:53.48] | (King on the left) |
| [03:56.67] | (It on the right and primping) |
| [04:01.12] | (Adjusting his nose) |
| [04:05.24] | (As he reads from his scroll) |
| [03:43.87] | Folksy knockwurst |
| [03:48.27] | Peel back the skin of French |
| [03:52.73] | And what do you find? |
| [03:56.82] | Follicles intertwinning |
| [04:01.22] | Succulent prose |
| [04:05.51] | Wrapped up in robes |
| [04:08.81] | Off with his head |
| [04:09.62] | Take his head from his neck off |
| [04:10.93] | Requiring memories both lovely and guiltfree |
| [04:12.78] | Put out his eyes, then cut his nose off |
| [04:14.64] | Sanctimonious sycophants stir in the bushes |
| [04:16.41] | Scoop out his brain |
| [04:17.74] | Put a string where his ears were |
| [04:18.84] | All the king's horses and all the king's men |
| [04:20.52] | Swing the whole mess at the end of the wire |
| [04:22.49] | Scratch out his eyes with the tip of a razor |
| [04:24.20] | Let the wire extend from the tip of a rose |
| [04:26.17] | Caroline, Caroline, Caroline, Oh! |
| [04:27.81] | But retains the remnants of what once was a nose |
| [04:29.93] | Pass me my robe |
| [04:30.67] | Fill my bath up with water |
| [04:09.15] | (Jumpsuit and pig meat and making his fortune) |
| [04:12.53] | (While making them happy with the inverse and obverse) |
| [04:17.06] | (And making them happy and making them happy) |
| [04:20.36] | (With the coy and the stupid) |
| [04:22.23] | (Just another dumb lackey) |
| [04:24.47] | (Who puts out one thing) |
| [04:26.08] | (While singing the other) |
| [04:28.16] | (But the real thing's alone) |
| [04:30.02] | (And it is no man's brother) |
| [04:34.45] | (No one knows) |
| [04:37.68] | (No nose is good news and senseless) |
| [04:43.37] | (Extend the wine) |
| [04:46.40] | (Drink here toast to selfless) |
| [04:51.97] | (Ten year old port) |
| [04:56.16] | (Is perfect in court) |
| [04:33.45] | Safety is nice |
| [04:37.68] | Not an unwise word spoken |
| [04:42.12] | Scary, bad dreams |
| [04:46.41] | Made safe in lovely songs |
| [04:50.65] | No doom or gloom |
| [04:54.77] | Allowed in this room |
| [04:58.37] | Casbah and Cascade and Rosehip and Feeling |
| [05:00.27] | Cascade and Cyanide, Rachaminoff, Beethoven |
| [05:02.28] | Skull silly wagon and justice and perverse |
| [05:04.34] | And reverse the inverse and inverse and inverse |
| [05:06.26] | Blueberry catalog, questionable earnings |
| [05:07.85] | Hustler's lament and the rest will in due cry |
| [05:09.68] | To battle and scramble and browbeat and hurt |
| [05:11.86] | While chewing on minstrels and choking on dirt |
| [05:13.78] | Disease please seems the order of the day |
| [05:15.71] | Please the king, please the king, please the king day |
| [05:17.70] | Casbah and Cascade and Rosehip and Feeling |
| [05:19.76] | Point of order return the king here to the ceiling |
| [04:58.32] | (Oh, not to be whistled or studied or hummed) |
| [05:02.17] | (Or remembered at nights) |
| [05:03.63] | (When the I is alone) |
| [05:05.45] | (But to skewer and ravage and savage and split) |
| [05:09.39] | (With the grace of a diamond, bellicose wit) |
| [05:13.32] | (To stun and to stagger with words as such stone) |
| [05:17.57] | (That those who do hear cannot again return home) |
| [05:22.57] | (Razzamatazz) |
| [05:25.80] | (There's nothing on my shoulder) |
| [05:31.18] | (Lust is a must) |
| [05:34.71] | (Shaving my head's made me bolder) |
| [05:39.96] | (Will you kindly read) |
| [05:43.66] | (What it was I brought thee) |
| [05:22.83] | Hello to Ray |
| [05:26.97] | Hello to Godiva and Angel |
| [05:31.86] | Who let you in? |
| [05:35.48] | Isn't it nice |
| [05:37.31] | The party? |
| [05:40.03] | Aren't the lights |
| [05:44.23] | Pretty at night? |
| [05:47.76] | Sick leaf and sorrow and pincers not scissors |
| [05:52.08] | Regard and refrain from the daughters of marriage |
| [05:55.58] | Regards for the elders and youngest in carriage |
| [05:59.12] | Regard and regard for the inverse and perverse |
| [06:02.55] | And obverse, and diverse, of reverse and reverse |
| [06:06.60] | Regard from the sick, the dumb, and the camel |
| [06:10.14] | From pump's storing water, like brain is to marrow |
| [06:14.23] | X-ray and filthy and cutting and then peeling |
| [06:17.97] | To skin and to skin and to bone and to structure |
| [06:22.32] | To livid and pallid and turgid and structured |
| [06:25.69] | And structured and structured and structured and structured |
| [06:29.89] | Regard and refrain, and regard and refrain |
| [06:33.53] | The sick and the dumb, inverse, reverse and perverse |
| [05:47.51] | (Contempt, contempt, and contempt for the seething) |
| [05:51.16] | (For writhing and reeling and two-bit reportage) |
| [05:55.11] | (For sick with the body and sinister holy) |
| [05:58.84] | (The drown burst blue babies now dead on the seashore) |
| [06:02.79] | (The valorous horseman, who hang from the ceiling) |
| [06:06.62] | (The pig on the carpet, the dusty pale jissom) |
| [06:10.60] | (That has no effect for the sick with the see-saw) |
| [06:14.28] | (The inverse, obverse, converse, reverse of reverse) |
| [06:18.13] | (The diverse and converse of reverse and perverse) |
| [06:22.02] | (And sweet pyrotechnics, and let's have another) |
| [06:25.76] | (Of inverse, converse, diverse, perverse and reverse) |
| [06:29.61] | (Hell's graveyard is damned as they chew on their brains) |
| [06:33.28] | (The slick and the scum, reverse, inverse and perverse) |
| [06:46.37] | Plowing while it's done away (Sick upon the staircase) |
| [06:48.28] | Dumb and ready pig meat (Sick upon the pulpit) |
| [06:50.46] | Sick upon the carpet (Blood upon the pillow) |
| [06:52.49] | Climb into the casket (Climb into the parapet) |
| [06:54.71] | Safe within the parapet (See the church bells gleaming) |
| [06:56.68] | Sack is in the parapet (Knife that scrapes a sick plate) |
| [06:58.85] | Pigs are out and growling (Dentures full of air holes) |
| [07:00.99] | Slaughter by the seashore (The tailor couldn't mend straight) |
| [07:03.05] | See the lifeguard drowning (Climbing up the casket) |
| [07:05.23] | Sea is full of fishes (Take me to the casket) |
| [07:07.19] | Fishes full of china (Teeth upon her red throat) |
| [07:09.26] | China plates are falling (Screw me in the daisies) |
| [07:11.39] | All fall down (Rip upon her holler) |
| [07:13.46] | Sick and shiny carpet (Snip the seas fantastic) |
| [07:15.64] | Lie before my eyes-eyes (Treat her like a sailor) |
| [07:17.76] | Lead me to the ceiling (Full and free and nervous) |
| [07:19.88] | Walk upon the wall wall (Out to make his fortune) |
| [07:22.00] | Tender as the green grass (Either this or that way) |
| [07:24.08] | Drink the whisky horror (Sickly or in good health) |
| [07:26.20] | See the young girls dancing (Piss upon a building) |
| [07:28.27] | Flies upon the beaches (Like a dog in training) |
| [07:30.39] | Beaches are for sailors (Teach to heel or holler) |
| [07:32.46] | Nuns across the sea-wall (Yodel on a sing song) |
| [07:34.64] | Black hood horseman raging (Down upon the carpet) |
| [07:36.75] | Swordsman eating fire (Tickle polyester) |
| [07:38.78] | Fire on the carpet (Sick within the parapet) |
| [07:40.86] | Set the house ablazing (Screwing for a dollar) |
| [07:42.88] | Seize and bring it flaming (Sucking on a fire-hose) |
| [07:44.96] | Gently to the ground ground (Chewing on a rubber line) |
| [07:47.13] | Dizzy Bell Miss Fortune (Tied to chairs and rarebits) |
| [07:49.20] | Fat and full of love-juice (Pay another player) |
| [07:51.22] | Drip it on the carpet (Oh you're such a good lad) |
| [07:53.40] | Down below the fire hose (Here's another dollar) |
| [07:55.41] | Weep and whisky fortune (Tie him to the bedpost) |
| [07:57.64] | Sail me to the moon, dear (Sick with witches' covens) |
| [07:59.77] | Drunken dungeon sailors (Craving for a raw meat) |
| [08:01.79] | Headless Roman horsemen (Bones upon the metal) |
| [08:03.95] | The king and queen are empty (Sick upon the circle) |
| [08:05.97] | Their heads are in the outhouse (Down upon the carpet) |
| [08:08.09] | Fish upon the water (Down upon the carpet) |
| [08:10.17] | Bowl upon the saviour (Down below the parapet) |
| [08:12.34] | Toothless wigged Laureate (Waiting for your bidding) |
| [08:14.36] | Plain and full of fancy (Pig upon the carpet) |
| [08:16.49] | Name upon a letterhead (Tumenescent railroad) |
| [08:18.71] | Impressing all the wheat germ (Neuro-anaesthesia analog) |
| [08:20.78] | Love you for a nickel(Ready for a good look) |
| [08:22.86] | Maul you for a quarter (Drooling at the birches) |
| [08:24.98] | Set the casket flaming (Swinging from the birches) |
| [08:27.39] | Do not go gentle blazing (Succulent Nebraska) |
| [00:00.00] | zuo ci : Reed |
| [00:50.28] | Candy screen wrappers of silkscreen fantastic |
| [00:52.20] | Requiring memories |
| [00:52.98] | Both lovely and guilt free |
| [00:54.24] | Lurid and lovely with twilight of ages |
| [00:55.86] | Luscious and lovely and filthy with laughter |
| [00:57.70] | Laconic giggles |
| [00:58.91] | Ennui fort the passions |
| [00:59.83] | In order to justify most spurious desires |
| [01:01.95] | Rectify moments |
| [01:03.05] | Most serious and urgent |
| [01:04.08] | To hail upon the face of most odious time |
| [01:06.11] | Requiring replies most facile and vacuous |
| [01:07.81] | With words nearly singed |
| [01:08.97] | With the heartbeat of passions |
| [01:09.98] | Spew forth with the grace of a tart going under |
| [01:12.11] | Subject of great concern |
| [01:13.10] | Noble origin |
| [00:50.30] | Denigrate obtuse and active verbs pronouns |
| [00:54.06] | Skewer the sieve of optical sewer |
| [00:57.71] | Release the handle that holds all the gates up |
| [01:01.60] | Puncture the eyeballs |
| [01:03.67] | That seep all the muck up |
| [01:05.70] | Read all the books and the people worth reading |
| [01:09.33] | And still see the muck on the sky of the ceiling |
| [01:16.70] | Please raise the flag |
| [01:21.57] | Rosy red carpet envy |
| [01:25.77] | English used here |
| [01:29.25] | Is messenger is nervous |
| [01:33.42] | It' s no fun at all |
| [01:37.69] | Out here in the hall |
| [01:14.87] | Mister moonlight |
| [01:18.97] | Succulent smooth and gorgeous |
| [01:23.47] | Isn' t it nice? |
| [01:27.93] | We' re number One and so forth |
| [01:32.33] | Isn' t it sweet being unique? |
| [01:40.17] | For screeching and yelling and various offenses |
| [01:41.75] | Lower the queen and bend her over the tub |
| [01:43.52] | Against the state, the country, the committee |
| [01:45.52] | Hold her head under the water please for an hour |
| [01:47.10] | For groveling and spewing and various offenses |
| [01:49.56] | Puncture the bloat with the wing of a sparrow |
| [01:51.35] | The inverse, the obverse, the converse, the reverse |
| [01:53.50] | The sharpening wing of the edge of a sparrow |
| [01:55.68] | For suitable reckonings too numerous to mention |
| [01:57.62] | As the queen is fat she is devoured by rats |
| [01:59.70] | There is one way to skin a cat |
| [02:00.89] | Or poison a rat it is hetero |
| [02:02.33] | Four hear to three forthrightly stated |
| [01:40.78] | Relent and obverse |
| [01:41.98] | And inverse and perverse |
| [01:43.96] | And reverse the inverse |
| [01:45.92] | Of perverse and reverse |
| [01:47.79] | And reverse and reverse |
| [01:49.70] | And reverse |
| [01:50.82] | And chop it and pluck it |
| [01:52.64] | And cut it and spit it |
| [01:54.44] | And sew it to joy |
| [01:56.25] | On the edge of a cyclops |
| [01:58.52] | And spinet it to rage |
| [02:00.29] | On the edge of a cylindrical minute |
| [02:04.71] | Put down that rag |
| [02:08.09] | Simpering, callow and morose |
| [02:12.50] | Who let you in? |
| [02:15.74] | If I knew, then I could get out |
| [02:20.03] | The murder you see is a mystery to me |
| [02:04.83] | Dear Mister Muse |
| [02:09.27] | Fellow of wit and gentry |
| [02:13.73] | Medieval ruse |
| [02:17.47] | Filling the shallow and empty |
| [02:22.32] | Fools that duel |
| [02:26.72] | Duel in pools |
| [02:29.64] | To Rembrandt and Oswald |
| [02:30.98] | To peanuts and ketchup |
| [02:31.82] | Sanctimonious sycophants stir in the bushes |
| [02:33.57] | Up to the stand with your foot on the bible |
| [02:35.63] | As king I must order and constantly arouse |
| [02:37.44] | If you swear to catch up and throw up and up up |
| [02:39.54] | A king full of virgin kiss me and spin it |
| [02:41.26] | Excuse to willow and wander dark wonders |
| [02:43.43] | Divest me of robessutures Harry and pig meat |
| [02:45.56] | The fate of a nation, rests hard on your bosoms |
| [02:47.53] | The king on his throne, puts his hand down his robe |
| [02:49.44] | The torture of inverse and silk screen and Harry |
| [02:51.40] | And set the tongue squealing the reverse and inverse |
| [02:29.86] | Tantalize poets with visions of grandeur |
| [02:33.54] | Their faces turn blue with the reek of the compost |
| [02:37.44] | As the living try hard to retain what the dead lost |
| [02:41.36] | With double dead sickness from writing at what cost |
| [02:44.96] | And business and business |
| [02:46.98] | And reverse and reverse |
| [02:48.80] | And set the brain reeling the inverse and perverse |
| [02:54.10] | Objections suffice |
| [02:57.40] | Apelike and tactile bassoon |
| [03:01.90] | Oboeing me |
| [03:05.13] | Cordon the virus' section |
| [03:09.42] | Off to the left |
| [03:13.86] | Is what is not right |
| [02:54.14] | English arcane |
| [02:58.67] | Tantamount here to frenzy |
| [03:03.15] | Passing for me |
| [03:07.24] | Lascivious elder passion |
| [03:12.07] | Corpulent filth |
| [03:15.81] | Disguised as silk |
| [03:18.97] | Contempt, contempt and contempt for the boredom |
| [03:21.06] | I shall poison the city and sink it with fire |
| [03:22.98] | For Cordless and Harry and Apepig and Scissor |
| [03:25.23] | The messenger' s wig seems fraught with desire |
| [03:27.05] | For blueberry picnics and pincenez and magpies |
| [03:29.30] | The messenger' s skirt, would you please hook it higher |
| [03:31.44] | For children and adults all those under ninety |
| [03:33.03] | How truly disgusting. Would you please put it down? |
| [03:35.00] | A stray in this fray is no condom worth saving |
| [03:37.05] | As king I' m quite just, but it' s just quite impossible |
| [03:39.33] | A robe and a robe and a robe and a bat |
| [03:40.94] | No double class inverse could make lying worth dying |
| [03:19.34] | With cheap simian melodies |
| [03:21.43] | Hillbilly outgush |
| [03:23.11] | For illiterate ramblings |
| [03:24.84] | For cheap understanding |
| [03:26.81] | For misunderstranding |
| [03:26.71] | The simple the inverse, the compost, the reverse |
| [03:32.73] | The obtuse and stupid, and business, and business |
| [03:36.76] | And cheap, stupid lyrics, and simple mass reverse |
| [03:40.57] | While the real thing is dying |
| [03:45.96] | Exit the pig |
| [03:49.24] | Enter the Owl and Gorgeous |
| [03:53.48] | King on the left |
| [03:56.67] | It on the right and primping |
| [04:01.12] | Adjusting his nose |
| [04:05.24] | As he reads from his scroll |
| [03:43.87] | Folksy knockwurst |
| [03:48.27] | Peel back the skin of French |
| [03:52.73] | And what do you find? |
| [03:56.82] | Follicles intertwinning |
| [04:01.22] | Succulent prose |
| [04:05.51] | Wrapped up in robes |
| [04:08.81] | Off with his head |
| [04:09.62] | Take his head from his neck off |
| [04:10.93] | Requiring memories both lovely and guiltfree |
| [04:12.78] | Put out his eyes, then cut his nose off |
| [04:14.64] | Sanctimonious sycophants stir in the bushes |
| [04:16.41] | Scoop out his brain |
| [04:17.74] | Put a string where his ears were |
| [04:18.84] | All the king' s horses and all the king' s men |
| [04:20.52] | Swing the whole mess at the end of the wire |
| [04:22.49] | Scratch out his eyes with the tip of a razor |
| [04:24.20] | Let the wire extend from the tip of a rose |
| [04:26.17] | Caroline, Caroline, Caroline, Oh! |
| [04:27.81] | But retains the remnants of what once was a nose |
| [04:29.93] | Pass me my robe |
| [04:30.67] | Fill my bath up with water |
| [04:09.15] | Jumpsuit and pig meat and making his fortune |
| [04:12.53] | While making them happy with the inverse and obverse |
| [04:17.06] | And making them happy and making them happy |
| [04:20.36] | With the coy and the stupid |
| [04:22.23] | Just another dumb lackey |
| [04:24.47] | Who puts out one thing |
| [04:26.08] | While singing the other |
| [04:28.16] | But the real thing' s alone |
| [04:30.02] | And it is no man' s brother |
| [04:34.45] | No one knows |
| [04:37.68] | No nose is good news and senseless |
| [04:43.37] | Extend the wine |
| [04:46.40] | Drink here toast to selfless |
| [04:51.97] | Ten year old port |
| [04:56.16] | Is perfect in court |
| [04:33.45] | Safety is nice |
| [04:37.68] | Not an unwise word spoken |
| [04:42.12] | Scary, bad dreams |
| [04:46.41] | Made safe in lovely songs |
| [04:50.65] | No doom or gloom |
| [04:54.77] | Allowed in this room |
| [04:58.37] | Casbah and Cascade and Rosehip and Feeling |
| [05:00.27] | Cascade and Cyanide, Rachaminoff, Beethoven |
| [05:02.28] | Skull silly wagon and justice and perverse |
| [05:04.34] | And reverse the inverse and inverse and inverse |
| [05:06.26] | Blueberry catalog, questionable earnings |
| [05:07.85] | Hustler' s lament and the rest will in due cry |
| [05:09.68] | To battle and scramble and browbeat and hurt |
| [05:11.86] | While chewing on minstrels and choking on dirt |
| [05:13.78] | Disease please seems the order of the day |
| [05:15.71] | Please the king, please the king, please the king day |
| [05:17.70] | Casbah and Cascade and Rosehip and Feeling |
| [05:19.76] | Point of order return the king here to the ceiling |
| [04:58.32] | Oh, not to be whistled or studied or hummed |
| [05:02.17] | Or remembered at nights |
| [05:03.63] | When the I is alone |
| [05:05.45] | But to skewer and ravage and savage and split |
| [05:09.39] | With the grace of a diamond, bellicose wit |
| [05:13.32] | To stun and to stagger with words as such stone |
| [05:17.57] | That those who do hear cannot again return home |
| [05:22.57] | Razzamatazz |
| [05:25.80] | There' s nothing on my shoulder |
| [05:31.18] | Lust is a must |
| [05:34.71] | Shaving my head' s made me bolder |
| [05:39.96] | Will you kindly read |
| [05:43.66] | What it was I brought thee |
| [05:22.83] | Hello to Ray |
| [05:26.97] | Hello to Godiva and Angel |
| [05:31.86] | Who let you in? |
| [05:35.48] | Isn' t it nice |
| [05:37.31] | The party? |
| [05:40.03] | Aren' t the lights |
| [05:44.23] | Pretty at night? |
| [05:47.76] | Sick leaf and sorrow and pincers not scissors |
| [05:52.08] | Regard and refrain from the daughters of marriage |
| [05:55.58] | Regards for the elders and youngest in carriage |
| [05:59.12] | Regard and regard for the inverse and perverse |
| [06:02.55] | And obverse, and diverse, of reverse and reverse |
| [06:06.60] | Regard from the sick, the dumb, and the camel |
| [06:10.14] | From pump' s storing water, like brain is to marrow |
| [06:14.23] | Xray and filthy and cutting and then peeling |
| [06:17.97] | To skin and to skin and to bone and to structure |
| [06:22.32] | To livid and pallid and turgid and structured |
| [06:25.69] | And structured and structured and structured and structured |
| [06:29.89] | Regard and refrain, and regard and refrain |
| [06:33.53] | The sick and the dumb, inverse, reverse and perverse |
| [05:47.51] | Contempt, contempt, and contempt for the seething |
| [05:51.16] | For writhing and reeling and twobit reportage |
| [05:55.11] | For sick with the body and sinister holy |
| [05:58.84] | The drown burst blue babies now dead on the seashore |
| [06:02.79] | The valorous horseman, who hang from the ceiling |
| [06:06.62] | The pig on the carpet, the dusty pale jissom |
| [06:10.60] | That has no effect for the sick with the seesaw |
| [06:14.28] | The inverse, obverse, converse, reverse of reverse |
| [06:18.13] | The diverse and converse of reverse and perverse |
| [06:22.02] | And sweet pyrotechnics, and let' s have another |
| [06:25.76] | Of inverse, converse, diverse, perverse and reverse |
| [06:29.61] | Hell' s graveyard is damned as they chew on their brains |
| [06:33.28] | The slick and the scum, reverse, inverse and perverse |
| [06:46.37] | Plowing while it' s done away Sick upon the staircase |
| [06:48.28] | Dumb and ready pig meat Sick upon the pulpit |
| [06:50.46] | Sick upon the carpet Blood upon the pillow |
| [06:52.49] | Climb into the casket Climb into the parapet |
| [06:54.71] | Safe within the parapet See the church bells gleaming |
| [06:56.68] | Sack is in the parapet Knife that scrapes a sick plate |
| [06:58.85] | Pigs are out and growling Dentures full of air holes |
| [07:00.99] | Slaughter by the seashore The tailor couldn' t mend straight |
| [07:03.05] | See the lifeguard drowning Climbing up the casket |
| [07:05.23] | Sea is full of fishes Take me to the casket |
| [07:07.19] | Fishes full of china Teeth upon her red throat |
| [07:09.26] | China plates are falling Screw me in the daisies |
| [07:11.39] | All fall down Rip upon her holler |
| [07:13.46] | Sick and shiny carpet Snip the seas fantastic |
| [07:15.64] | Lie before my eyeseyes Treat her like a sailor |
| [07:17.76] | Lead me to the ceiling Full and free and nervous |
| [07:19.88] | Walk upon the wall wall Out to make his fortune |
| [07:22.00] | Tender as the green grass Either this or that way |
| [07:24.08] | Drink the whisky horror Sickly or in good health |
| [07:26.20] | See the young girls dancing Piss upon a building |
| [07:28.27] | Flies upon the beaches Like a dog in training |
| [07:30.39] | Beaches are for sailors Teach to heel or holler |
| [07:32.46] | Nuns across the seawall Yodel on a sing song |
| [07:34.64] | Black hood horseman raging Down upon the carpet |
| [07:36.75] | Swordsman eating fire Tickle polyester |
| [07:38.78] | Fire on the carpet Sick within the parapet |
| [07:40.86] | Set the house ablazing Screwing for a dollar |
| [07:42.88] | Seize and bring it flaming Sucking on a firehose |
| [07:44.96] | Gently to the ground ground Chewing on a rubber line |
| [07:47.13] | Dizzy Bell Miss Fortune Tied to chairs and rarebits |
| [07:49.20] | Fat and full of lovejuice Pay another player |
| [07:51.22] | Drip it on the carpet Oh you' re such a good lad |
| [07:53.40] | Down below the fire hose Here' s another dollar |
| [07:55.41] | Weep and whisky fortune Tie him to the bedpost |
| [07:57.64] | Sail me to the moon, dear Sick with witches' covens |
| [07:59.77] | Drunken dungeon sailors Craving for a raw meat |
| [08:01.79] | Headless Roman horsemen Bones upon the metal |
| [08:03.95] | The king and queen are empty Sick upon the circle |
| [08:05.97] | Their heads are in the outhouse Down upon the carpet |
| [08:08.09] | Fish upon the water Down upon the carpet |
| [08:10.17] | Bowl upon the saviour Down below the parapet |
| [08:12.34] | Toothless wigged Laureate Waiting for your bidding |
| [08:14.36] | Plain and full of fancy Pig upon the carpet |
| [08:16.49] | Name upon a letterhead Tumenescent railroad |
| [08:18.71] | Impressing all the wheat germ Neuroanaesthesia analog |
| [08:20.78] | Love you for a nickel Ready for a good look |
| [08:22.86] | Maul you for a quarter Drooling at the birches |
| [08:24.98] | Set the casket flaming Swinging from the birches |
| [08:27.39] | Do not go gentle blazing Succulent Nebraska |
| [00:00.00] | zuò cí : Reed |
| [00:50.28] | Candy screen wrappers of silkscreen fantastic |
| [00:52.20] | Requiring memories |
| [00:52.98] | Both lovely and guilt free |
| [00:54.24] | Lurid and lovely with twilight of ages |
| [00:55.86] | Luscious and lovely and filthy with laughter |
| [00:57.70] | Laconic giggles |
| [00:58.91] | Ennui fort the passions |
| [00:59.83] | In order to justify most spurious desires |
| [01:01.95] | Rectify moments |
| [01:03.05] | Most serious and urgent |
| [01:04.08] | To hail upon the face of most odious time |
| [01:06.11] | Requiring replies most facile and vacuous |
| [01:07.81] | With words nearly singed |
| [01:08.97] | With the heartbeat of passions |
| [01:09.98] | Spew forth with the grace of a tart going under |
| [01:12.11] | Subject of great concern |
| [01:13.10] | Noble origin |
| [00:50.30] | Denigrate obtuse and active verbs pronouns |
| [00:54.06] | Skewer the sieve of optical sewer |
| [00:57.71] | Release the handle that holds all the gates up |
| [01:01.60] | Puncture the eyeballs |
| [01:03.67] | That seep all the muck up |
| [01:05.70] | Read all the books and the people worth reading |
| [01:09.33] | And still see the muck on the sky of the ceiling |
| [01:16.70] | Please raise the flag |
| [01:21.57] | Rosy red carpet envy |
| [01:25.77] | English used here |
| [01:29.25] | Is messenger is nervous |
| [01:33.42] | It' s no fun at all |
| [01:37.69] | Out here in the hall |
| [01:14.87] | Mister moonlight |
| [01:18.97] | Succulent smooth and gorgeous |
| [01:23.47] | Isn' t it nice? |
| [01:27.93] | We' re number One and so forth |
| [01:32.33] | Isn' t it sweet being unique? |
| [01:40.17] | For screeching and yelling and various offenses |
| [01:41.75] | Lower the queen and bend her over the tub |
| [01:43.52] | Against the state, the country, the committee |
| [01:45.52] | Hold her head under the water please for an hour |
| [01:47.10] | For groveling and spewing and various offenses |
| [01:49.56] | Puncture the bloat with the wing of a sparrow |
| [01:51.35] | The inverse, the obverse, the converse, the reverse |
| [01:53.50] | The sharpening wing of the edge of a sparrow |
| [01:55.68] | For suitable reckonings too numerous to mention |
| [01:57.62] | As the queen is fat she is devoured by rats |
| [01:59.70] | There is one way to skin a cat |
| [02:00.89] | Or poison a rat it is hetero |
| [02:02.33] | Four hear to three forthrightly stated |
| [01:40.78] | Relent and obverse |
| [01:41.98] | And inverse and perverse |
| [01:43.96] | And reverse the inverse |
| [01:45.92] | Of perverse and reverse |
| [01:47.79] | And reverse and reverse |
| [01:49.70] | And reverse |
| [01:50.82] | And chop it and pluck it |
| [01:52.64] | And cut it and spit it |
| [01:54.44] | And sew it to joy |
| [01:56.25] | On the edge of a cyclops |
| [01:58.52] | And spinet it to rage |
| [02:00.29] | On the edge of a cylindrical minute |
| [02:04.71] | Put down that rag |
| [02:08.09] | Simpering, callow and morose |
| [02:12.50] | Who let you in? |
| [02:15.74] | If I knew, then I could get out |
| [02:20.03] | The murder you see is a mystery to me |
| [02:04.83] | Dear Mister Muse |
| [02:09.27] | Fellow of wit and gentry |
| [02:13.73] | Medieval ruse |
| [02:17.47] | Filling the shallow and empty |
| [02:22.32] | Fools that duel |
| [02:26.72] | Duel in pools |
| [02:29.64] | To Rembrandt and Oswald |
| [02:30.98] | To peanuts and ketchup |
| [02:31.82] | Sanctimonious sycophants stir in the bushes |
| [02:33.57] | Up to the stand with your foot on the bible |
| [02:35.63] | As king I must order and constantly arouse |
| [02:37.44] | If you swear to catch up and throw up and up up |
| [02:39.54] | A king full of virgin kiss me and spin it |
| [02:41.26] | Excuse to willow and wander dark wonders |
| [02:43.43] | Divest me of robessutures Harry and pig meat |
| [02:45.56] | The fate of a nation, rests hard on your bosoms |
| [02:47.53] | The king on his throne, puts his hand down his robe |
| [02:49.44] | The torture of inverse and silk screen and Harry |
| [02:51.40] | And set the tongue squealing the reverse and inverse |
| [02:29.86] | Tantalize poets with visions of grandeur |
| [02:33.54] | Their faces turn blue with the reek of the compost |
| [02:37.44] | As the living try hard to retain what the dead lost |
| [02:41.36] | With double dead sickness from writing at what cost |
| [02:44.96] | And business and business |
| [02:46.98] | And reverse and reverse |
| [02:48.80] | And set the brain reeling the inverse and perverse |
| [02:54.10] | Objections suffice |
| [02:57.40] | Apelike and tactile bassoon |
| [03:01.90] | Oboeing me |
| [03:05.13] | Cordon the virus' section |
| [03:09.42] | Off to the left |
| [03:13.86] | Is what is not right |
| [02:54.14] | English arcane |
| [02:58.67] | Tantamount here to frenzy |
| [03:03.15] | Passing for me |
| [03:07.24] | Lascivious elder passion |
| [03:12.07] | Corpulent filth |
| [03:15.81] | Disguised as silk |
| [03:18.97] | Contempt, contempt and contempt for the boredom |
| [03:21.06] | I shall poison the city and sink it with fire |
| [03:22.98] | For Cordless and Harry and Apepig and Scissor |
| [03:25.23] | The messenger' s wig seems fraught with desire |
| [03:27.05] | For blueberry picnics and pincenez and magpies |
| [03:29.30] | The messenger' s skirt, would you please hook it higher |
| [03:31.44] | For children and adults all those under ninety |
| [03:33.03] | How truly disgusting. Would you please put it down? |
| [03:35.00] | A stray in this fray is no condom worth saving |
| [03:37.05] | As king I' m quite just, but it' s just quite impossible |
| [03:39.33] | A robe and a robe and a robe and a bat |
| [03:40.94] | No double class inverse could make lying worth dying |
| [03:19.34] | With cheap simian melodies |
| [03:21.43] | Hillbilly outgush |
| [03:23.11] | For illiterate ramblings |
| [03:24.84] | For cheap understanding |
| [03:26.81] | For misunderstranding |
| [03:26.71] | The simple the inverse, the compost, the reverse |
| [03:32.73] | The obtuse and stupid, and business, and business |
| [03:36.76] | And cheap, stupid lyrics, and simple mass reverse |
| [03:40.57] | While the real thing is dying |
| [03:45.96] | Exit the pig |
| [03:49.24] | Enter the Owl and Gorgeous |
| [03:53.48] | King on the left |
| [03:56.67] | It on the right and primping |
| [04:01.12] | Adjusting his nose |
| [04:05.24] | As he reads from his scroll |
| [03:43.87] | Folksy knockwurst |
| [03:48.27] | Peel back the skin of French |
| [03:52.73] | And what do you find? |
| [03:56.82] | Follicles intertwinning |
| [04:01.22] | Succulent prose |
| [04:05.51] | Wrapped up in robes |
| [04:08.81] | Off with his head |
| [04:09.62] | Take his head from his neck off |
| [04:10.93] | Requiring memories both lovely and guiltfree |
| [04:12.78] | Put out his eyes, then cut his nose off |
| [04:14.64] | Sanctimonious sycophants stir in the bushes |
| [04:16.41] | Scoop out his brain |
| [04:17.74] | Put a string where his ears were |
| [04:18.84] | All the king' s horses and all the king' s men |
| [04:20.52] | Swing the whole mess at the end of the wire |
| [04:22.49] | Scratch out his eyes with the tip of a razor |
| [04:24.20] | Let the wire extend from the tip of a rose |
| [04:26.17] | Caroline, Caroline, Caroline, Oh! |
| [04:27.81] | But retains the remnants of what once was a nose |
| [04:29.93] | Pass me my robe |
| [04:30.67] | Fill my bath up with water |
| [04:09.15] | Jumpsuit and pig meat and making his fortune |
| [04:12.53] | While making them happy with the inverse and obverse |
| [04:17.06] | And making them happy and making them happy |
| [04:20.36] | With the coy and the stupid |
| [04:22.23] | Just another dumb lackey |
| [04:24.47] | Who puts out one thing |
| [04:26.08] | While singing the other |
| [04:28.16] | But the real thing' s alone |
| [04:30.02] | And it is no man' s brother |
| [04:34.45] | No one knows |
| [04:37.68] | No nose is good news and senseless |
| [04:43.37] | Extend the wine |
| [04:46.40] | Drink here toast to selfless |
| [04:51.97] | Ten year old port |
| [04:56.16] | Is perfect in court |
| [04:33.45] | Safety is nice |
| [04:37.68] | Not an unwise word spoken |
| [04:42.12] | Scary, bad dreams |
| [04:46.41] | Made safe in lovely songs |
| [04:50.65] | No doom or gloom |
| [04:54.77] | Allowed in this room |
| [04:58.37] | Casbah and Cascade and Rosehip and Feeling |
| [05:00.27] | Cascade and Cyanide, Rachaminoff, Beethoven |
| [05:02.28] | Skull silly wagon and justice and perverse |
| [05:04.34] | And reverse the inverse and inverse and inverse |
| [05:06.26] | Blueberry catalog, questionable earnings |
| [05:07.85] | Hustler' s lament and the rest will in due cry |
| [05:09.68] | To battle and scramble and browbeat and hurt |
| [05:11.86] | While chewing on minstrels and choking on dirt |
| [05:13.78] | Disease please seems the order of the day |
| [05:15.71] | Please the king, please the king, please the king day |
| [05:17.70] | Casbah and Cascade and Rosehip and Feeling |
| [05:19.76] | Point of order return the king here to the ceiling |
| [04:58.32] | Oh, not to be whistled or studied or hummed |
| [05:02.17] | Or remembered at nights |
| [05:03.63] | When the I is alone |
| [05:05.45] | But to skewer and ravage and savage and split |
| [05:09.39] | With the grace of a diamond, bellicose wit |
| [05:13.32] | To stun and to stagger with words as such stone |
| [05:17.57] | That those who do hear cannot again return home |
| [05:22.57] | Razzamatazz |
| [05:25.80] | There' s nothing on my shoulder |
| [05:31.18] | Lust is a must |
| [05:34.71] | Shaving my head' s made me bolder |
| [05:39.96] | Will you kindly read |
| [05:43.66] | What it was I brought thee |
| [05:22.83] | Hello to Ray |
| [05:26.97] | Hello to Godiva and Angel |
| [05:31.86] | Who let you in? |
| [05:35.48] | Isn' t it nice |
| [05:37.31] | The party? |
| [05:40.03] | Aren' t the lights |
| [05:44.23] | Pretty at night? |
| [05:47.76] | Sick leaf and sorrow and pincers not scissors |
| [05:52.08] | Regard and refrain from the daughters of marriage |
| [05:55.58] | Regards for the elders and youngest in carriage |
| [05:59.12] | Regard and regard for the inverse and perverse |
| [06:02.55] | And obverse, and diverse, of reverse and reverse |
| [06:06.60] | Regard from the sick, the dumb, and the camel |
| [06:10.14] | From pump' s storing water, like brain is to marrow |
| [06:14.23] | Xray and filthy and cutting and then peeling |
| [06:17.97] | To skin and to skin and to bone and to structure |
| [06:22.32] | To livid and pallid and turgid and structured |
| [06:25.69] | And structured and structured and structured and structured |
| [06:29.89] | Regard and refrain, and regard and refrain |
| [06:33.53] | The sick and the dumb, inverse, reverse and perverse |
| [05:47.51] | Contempt, contempt, and contempt for the seething |
| [05:51.16] | For writhing and reeling and twobit reportage |
| [05:55.11] | For sick with the body and sinister holy |
| [05:58.84] | The drown burst blue babies now dead on the seashore |
| [06:02.79] | The valorous horseman, who hang from the ceiling |
| [06:06.62] | The pig on the carpet, the dusty pale jissom |
| [06:10.60] | That has no effect for the sick with the seesaw |
| [06:14.28] | The inverse, obverse, converse, reverse of reverse |
| [06:18.13] | The diverse and converse of reverse and perverse |
| [06:22.02] | And sweet pyrotechnics, and let' s have another |
| [06:25.76] | Of inverse, converse, diverse, perverse and reverse |
| [06:29.61] | Hell' s graveyard is damned as they chew on their brains |
| [06:33.28] | The slick and the scum, reverse, inverse and perverse |
| [06:46.37] | Plowing while it' s done away Sick upon the staircase |
| [06:48.28] | Dumb and ready pig meat Sick upon the pulpit |
| [06:50.46] | Sick upon the carpet Blood upon the pillow |
| [06:52.49] | Climb into the casket Climb into the parapet |
| [06:54.71] | Safe within the parapet See the church bells gleaming |
| [06:56.68] | Sack is in the parapet Knife that scrapes a sick plate |
| [06:58.85] | Pigs are out and growling Dentures full of air holes |
| [07:00.99] | Slaughter by the seashore The tailor couldn' t mend straight |
| [07:03.05] | See the lifeguard drowning Climbing up the casket |
| [07:05.23] | Sea is full of fishes Take me to the casket |
| [07:07.19] | Fishes full of china Teeth upon her red throat |
| [07:09.26] | China plates are falling Screw me in the daisies |
| [07:11.39] | All fall down Rip upon her holler |
| [07:13.46] | Sick and shiny carpet Snip the seas fantastic |
| [07:15.64] | Lie before my eyeseyes Treat her like a sailor |
| [07:17.76] | Lead me to the ceiling Full and free and nervous |
| [07:19.88] | Walk upon the wall wall Out to make his fortune |
| [07:22.00] | Tender as the green grass Either this or that way |
| [07:24.08] | Drink the whisky horror Sickly or in good health |
| [07:26.20] | See the young girls dancing Piss upon a building |
| [07:28.27] | Flies upon the beaches Like a dog in training |
| [07:30.39] | Beaches are for sailors Teach to heel or holler |
| [07:32.46] | Nuns across the seawall Yodel on a sing song |
| [07:34.64] | Black hood horseman raging Down upon the carpet |
| [07:36.75] | Swordsman eating fire Tickle polyester |
| [07:38.78] | Fire on the carpet Sick within the parapet |
| [07:40.86] | Set the house ablazing Screwing for a dollar |
| [07:42.88] | Seize and bring it flaming Sucking on a firehose |
| [07:44.96] | Gently to the ground ground Chewing on a rubber line |
| [07:47.13] | Dizzy Bell Miss Fortune Tied to chairs and rarebits |
| [07:49.20] | Fat and full of lovejuice Pay another player |
| [07:51.22] | Drip it on the carpet Oh you' re such a good lad |
| [07:53.40] | Down below the fire hose Here' s another dollar |
| [07:55.41] | Weep and whisky fortune Tie him to the bedpost |
| [07:57.64] | Sail me to the moon, dear Sick with witches' covens |
| [07:59.77] | Drunken dungeon sailors Craving for a raw meat |
| [08:01.79] | Headless Roman horsemen Bones upon the metal |
| [08:03.95] | The king and queen are empty Sick upon the circle |
| [08:05.97] | Their heads are in the outhouse Down upon the carpet |
| [08:08.09] | Fish upon the water Down upon the carpet |
| [08:10.17] | Bowl upon the saviour Down below the parapet |
| [08:12.34] | Toothless wigged Laureate Waiting for your bidding |
| [08:14.36] | Plain and full of fancy Pig upon the carpet |
| [08:16.49] | Name upon a letterhead Tumenescent railroad |
| [08:18.71] | Impressing all the wheat germ Neuroanaesthesia analog |
| [08:20.78] | Love you for a nickel Ready for a good look |
| [08:22.86] | Maul you for a quarter Drooling at the birches |
| [08:24.98] | Set the casket flaming Swinging from the birches |
| [08:27.39] | Do not go gentle blazing Succulent Nebraska |
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