| Song | Two Notes And A Beat |
| Artist | The Lonely Forest |
| Album | Arrows |
| Download | Image LRC TXT |
| all I really need are two notes and a beatoh last night | |
| I dreamt a magnificent thing | |
| I held you close | |
| I heard you singyour voice was what | |
| I’d always wanted in a woman | |
| I know you say he’s good to you and | |
| I’m sure he isbut darling he’s all you’ll ever knowunless you trust your heart and let yourself growif your skin was the ocean | |
| I’d sprint to your shore | |
| I’d wade in your shallows, alleviate my coreif you hair was the fir tree all hollow insidewith peace | |
| I would slumbergripping this pencliff over waterenvisioning drums in rhythmic salutepoetry craftwork is tough | |
| I won’t botherbut pull simple rhymes from the dirtwho’d refute?all | |
| I really need are two notes and a beatall | |
| I really need are two notes and a beatto sing to you my heart it’s a great place to start | |
| D to a Gswift as a birdmuscles remembering artless, absurdand modest attempts at creating a moodwith these thin metal strings my affection construegripping this pencliff over waterenvisioning drumspoetry craftwork is tough | |
| I won’t botherbut pull simple rhymes...all | |
| I really need are two notes and a beatall | |
| I really need are two notes and a beatto sing to you my heart it’s a great place to start |
| all I really need are two notes and a beatoh last night | |
| I dreamt a magnificent thing | |
| I held you close | |
| I heard you singyour voice was what | |
| I' d always wanted in a woman | |
| I know you say he' s good to you and | |
| I' m sure he isbut darling he' s all you' ll ever knowunless you trust your heart and let yourself growif your skin was the ocean | |
| I' d sprint to your shore | |
| I' d wade in your shallows, alleviate my coreif you hair was the fir tree all hollow insidewith peace | |
| I would slumbergripping this pencliff over waterenvisioning drums in rhythmic salutepoetry craftwork is tough | |
| I won' t botherbut pull simple rhymes from the dirtwho' d refute? all | |
| I really need are two notes and a beatall | |
| I really need are two notes and a beatto sing to you my heart it' s a great place to start | |
| D to a Gswift as a birdmuscles remembering artless, absurdand modest attempts at creating a moodwith these thin metal strings my affection construegripping this pencliff over waterenvisioning drumspoetry craftwork is tough | |
| I won' t botherbut pull simple rhymes... all | |
| I really need are two notes and a beatall | |
| I really need are two notes and a beatto sing to you my heart it' s a great place to start |
| all I really need are two notes and a beatoh last night | |
| I dreamt a magnificent thing | |
| I held you close | |
| I heard you singyour voice was what | |
| I' d always wanted in a woman | |
| I know you say he' s good to you and | |
| I' m sure he isbut darling he' s all you' ll ever knowunless you trust your heart and let yourself growif your skin was the ocean | |
| I' d sprint to your shore | |
| I' d wade in your shallows, alleviate my coreif you hair was the fir tree all hollow insidewith peace | |
| I would slumbergripping this pencliff over waterenvisioning drums in rhythmic salutepoetry craftwork is tough | |
| I won' t botherbut pull simple rhymes from the dirtwho' d refute? all | |
| I really need are two notes and a beatall | |
| I really need are two notes and a beatto sing to you my heart it' s a great place to start | |
| D to a Gswift as a birdmuscles remembering artless, absurdand modest attempts at creating a moodwith these thin metal strings my affection construegripping this pencliff over waterenvisioning drumspoetry craftwork is tough | |
| I won' t botherbut pull simple rhymes... all | |
| I really need are two notes and a beatall | |
| I really need are two notes and a beatto sing to you my heart it' s a great place to start |