Song | Chief Inspector Blancheflower |
Artist | The Fiery Furnaces |
Album | Blueberry Boat |
Download | Image LRC TXT |
I wanted to be a typewriter mender when | |
I grew up, | |
But things didn’t work out so. | |
Sleep Late in the morning, climb up | |
Mt. Olympia and replace a | |
Return: But | |
I didn’t get enough good grades. | |
My uncle Peter had the | |
Parthenon | |
Business Machine | |
Remediation outfit, | |
And right there, on the shop floor, | |
Hundreds of electric-selectrics, all messed up: | |
But I didn’t get enough good grades. | |
I had a dexadrine hyperactivity selective | |
Attend to relevant | |
Information tempo taken in told to | |
Mechanism coping concept | |
Put my head down crumple my paper. | |
Sent to look at the future-job folder-binders, | |
I got distracted by the graphs. | |
In the resource room | |
Mrs. Petorsky re-enforced me: | |
Raisins from her zip-lock bag, | |
And free time after my target behavior | |
I was positive about: | |
Tickets, tangibles, chips and stars. | |
Now playing | |
I’m In My | |
Own Little | |
House: Tickets, tangibles, chips and stars. | |
I had a dexadrine hyperactivity selective | |
Attend to relevant | |
Information tempo taken in told to | |
Mechanism coping concept | |
Put my head down crumple my paper. | |
After school | |
I was sitting in the sitting room | |
Looking out at the pavers in their bright orange vests | |
Holding up the slow-go diamond plastic piece of wood, | |
And I knew that | |
I’d never be any good | |
And never wear a hard-hat and do things like that, | |
So I joined the police force: | |
Damp in Dumbarton dip about the 14th of | |
May. The publican dropped me a line thought there had been foul play: | |
The farmer up the hill came in with his knife | |
He mumbled something darkly about his young wife. | |
Riding up on the postcoach | |
I thrummed on my notebook. | |
The wind was up, | |
I held on my hat. | |
I do up my coat, look: | |
The farmer stumbled past holding his gun | |
He mumbled something darkly about his young son. | |
About your wife, sir. | |
What about her? | |
Pray, where is she? | |
Nowhere you’ll see. | |
Locked him up in the store room of | |
Mrs. McVeigh’s | |
Inn. Take tea up in the manor | |
Sir Robert | |
Grayson. The farmer through the window came in with his sword; | |
He mumbled out of breath | |
Forgive me m’lord. | |
And after that rustic imposition | |
I took a deposition | |
I shared a | |
Woodpecker cider with a local fratricider | |
Who told me all this stuff and more: | |
Well I rode up to | |
Springfield on my motorcycle | |
And I’s gonna stay with my younger brother | |
Michael. Mom’s oxycontoins and the | |
Amstel Light | |
But I noticed | |
I was doing most of the talking that night. | |
So I got both remotes and turned off the | |
DVD And said | |
Michael is there something that you need to say to me? | |
Well I don’t know how to tell you. | |
You can tell me any | |
Thing that you want ‘cept | |
I started seeing | |
Jenny: I started seeing | |
Jenny. My | |
Jenny? And he looked down at the floor. | |
You know damn well she ain’t your | |
Jenny no more. | |
And I said | |
Get her on the phone. | |
Don’t you think it’s a little late? | |
No I don’t think it’s a little late. | |
But I went out the room cause | |
I knew I’d better wait | |
So I went down to her dad’s bakery and she said | |
I’m gonna go outside take a break smoke a cigarette. | |
I’m still surprised at how mad you get. | |
Well what’d you expec’? | |
That you wouldn’t try to wreck your little brother’s happiness. | |
And I said | |
Listen to you! | |
I know what you’re trying to do. | |
And what whould that be? | |
Mess with | |
Michael’s head as some kind of revenge back at me. -- | |
So I drove up to | |
Springfield in my wife’s new car | |
And went and had a drink at my buddy’s old bar. |
I wanted to be a typewriter mender when | |
I grew up, | |
But things didn' t work out so. | |
Sleep Late in the morning, climb up | |
Mt. Olympia and replace a | |
Return: But | |
I didn' t get enough good grades. | |
My uncle Peter had the | |
Parthenon | |
Business Machine | |
Remediation outfit, | |
And right there, on the shop floor, | |
Hundreds of electricselectrics, all messed up: | |
But I didn' t get enough good grades. | |
I had a dexadrine hyperactivity selective | |
Attend to relevant | |
Information tempo taken in told to | |
Mechanism coping concept | |
Put my head down crumple my paper. | |
Sent to look at the futurejob folderbinders, | |
I got distracted by the graphs. | |
In the resource room | |
Mrs. Petorsky reenforced me: | |
Raisins from her ziplock bag, | |
And free time after my target behavior | |
I was positive about: | |
Tickets, tangibles, chips and stars. | |
Now playing | |
I' m In My | |
Own Little | |
House: Tickets, tangibles, chips and stars. | |
I had a dexadrine hyperactivity selective | |
Attend to relevant | |
Information tempo taken in told to | |
Mechanism coping concept | |
Put my head down crumple my paper. | |
After school | |
I was sitting in the sitting room | |
Looking out at the pavers in their bright orange vests | |
Holding up the slowgo diamond plastic piece of wood, | |
And I knew that | |
I' d never be any good | |
And never wear a hardhat and do things like that, | |
So I joined the police force: | |
Damp in Dumbarton dip about the 14th of | |
May. The publican dropped me a line thought there had been foul play: | |
The farmer up the hill came in with his knife | |
He mumbled something darkly about his young wife. | |
Riding up on the postcoach | |
I thrummed on my notebook. | |
The wind was up, | |
I held on my hat. | |
I do up my coat, look: | |
The farmer stumbled past holding his gun | |
He mumbled something darkly about his young son. | |
About your wife, sir. | |
What about her? | |
Pray, where is she? | |
Nowhere you' ll see. | |
Locked him up in the store room of | |
Mrs. McVeigh' s | |
Inn. Take tea up in the manor | |
Sir Robert | |
Grayson. The farmer through the window came in with his sword | |
He mumbled out of breath | |
Forgive me m' lord. | |
And after that rustic imposition | |
I took a deposition | |
I shared a | |
Woodpecker cider with a local fratricider | |
Who told me all this stuff and more: | |
Well I rode up to | |
Springfield on my motorcycle | |
And I' s gonna stay with my younger brother | |
Michael. Mom' s oxycontoins and the | |
Amstel Light | |
But I noticed | |
I was doing most of the talking that night. | |
So I got both remotes and turned off the | |
DVD And said | |
Michael is there something that you need to say to me? | |
Well I don' t know how to tell you. | |
You can tell me any | |
Thing that you want ' cept | |
I started seeing | |
Jenny: I started seeing | |
Jenny. My | |
Jenny? And he looked down at the floor. | |
You know damn well she ain' t your | |
Jenny no more. | |
And I said | |
Get her on the phone. | |
Don' t you think it' s a little late? | |
No I don' t think it' s a little late. | |
But I went out the room cause | |
I knew I' d better wait | |
So I went down to her dad' s bakery and she said | |
I' m gonna go outside take a break smoke a cigarette. | |
I' m still surprised at how mad you get. | |
Well what' d you expec'? | |
That you wouldn' t try to wreck your little brother' s happiness. | |
And I said | |
Listen to you! | |
I know what you' re trying to do. | |
And what whould that be? | |
Mess with | |
Michael' s head as some kind of revenge back at me. | |
So I drove up to | |
Springfield in my wife' s new car | |
And went and had a drink at my buddy' s old bar. |
I wanted to be a typewriter mender when | |
I grew up, | |
But things didn' t work out so. | |
Sleep Late in the morning, climb up | |
Mt. Olympia and replace a | |
Return: But | |
I didn' t get enough good grades. | |
My uncle Peter had the | |
Parthenon | |
Business Machine | |
Remediation outfit, | |
And right there, on the shop floor, | |
Hundreds of electricselectrics, all messed up: | |
But I didn' t get enough good grades. | |
I had a dexadrine hyperactivity selective | |
Attend to relevant | |
Information tempo taken in told to | |
Mechanism coping concept | |
Put my head down crumple my paper. | |
Sent to look at the futurejob folderbinders, | |
I got distracted by the graphs. | |
In the resource room | |
Mrs. Petorsky reenforced me: | |
Raisins from her ziplock bag, | |
And free time after my target behavior | |
I was positive about: | |
Tickets, tangibles, chips and stars. | |
Now playing | |
I' m In My | |
Own Little | |
House: Tickets, tangibles, chips and stars. | |
I had a dexadrine hyperactivity selective | |
Attend to relevant | |
Information tempo taken in told to | |
Mechanism coping concept | |
Put my head down crumple my paper. | |
After school | |
I was sitting in the sitting room | |
Looking out at the pavers in their bright orange vests | |
Holding up the slowgo diamond plastic piece of wood, | |
And I knew that | |
I' d never be any good | |
And never wear a hardhat and do things like that, | |
So I joined the police force: | |
Damp in Dumbarton dip about the 14th of | |
May. The publican dropped me a line thought there had been foul play: | |
The farmer up the hill came in with his knife | |
He mumbled something darkly about his young wife. | |
Riding up on the postcoach | |
I thrummed on my notebook. | |
The wind was up, | |
I held on my hat. | |
I do up my coat, look: | |
The farmer stumbled past holding his gun | |
He mumbled something darkly about his young son. | |
About your wife, sir. | |
What about her? | |
Pray, where is she? | |
Nowhere you' ll see. | |
Locked him up in the store room of | |
Mrs. McVeigh' s | |
Inn. Take tea up in the manor | |
Sir Robert | |
Grayson. The farmer through the window came in with his sword | |
He mumbled out of breath | |
Forgive me m' lord. | |
And after that rustic imposition | |
I took a deposition | |
I shared a | |
Woodpecker cider with a local fratricider | |
Who told me all this stuff and more: | |
Well I rode up to | |
Springfield on my motorcycle | |
And I' s gonna stay with my younger brother | |
Michael. Mom' s oxycontoins and the | |
Amstel Light | |
But I noticed | |
I was doing most of the talking that night. | |
So I got both remotes and turned off the | |
DVD And said | |
Michael is there something that you need to say to me? | |
Well I don' t know how to tell you. | |
You can tell me any | |
Thing that you want ' cept | |
I started seeing | |
Jenny: I started seeing | |
Jenny. My | |
Jenny? And he looked down at the floor. | |
You know damn well she ain' t your | |
Jenny no more. | |
And I said | |
Get her on the phone. | |
Don' t you think it' s a little late? | |
No I don' t think it' s a little late. | |
But I went out the room cause | |
I knew I' d better wait | |
So I went down to her dad' s bakery and she said | |
I' m gonna go outside take a break smoke a cigarette. | |
I' m still surprised at how mad you get. | |
Well what' d you expec'? | |
That you wouldn' t try to wreck your little brother' s happiness. | |
And I said | |
Listen to you! | |
I know what you' re trying to do. | |
And what whould that be? | |
Mess with | |
Michael' s head as some kind of revenge back at me. | |
So I drove up to | |
Springfield in my wife' s new car | |
And went and had a drink at my buddy' s old bar. |