| Song | J'Nuh |
| Artist | Sunny Day Real Estate |
| Album | LP2 |
| (interpreted by Jamie Sobol) | |
| And then a green bird, a few, that play all around me (And in a river I view a play of her and me) | |
| Under the shade of a tree, her arms did comfort. | |
| Call the clerk, remind me | |
| Tuesday. One pumpkin knife to pry out our hands on plastic wounds | |
| They wound together then laughing hands on big ears and | |
| Very unnecessary to spill to tell a joke | |
| Call the clerk on | |
| Tuesday morning | |
| One pumpkin knife to pry out their hands on silver bars | |
| I'm too, well | |
| I'm too late now send love like me | |
| It's not fair it's gone outside | |
| I'm too, well | |
| I'm to late now | |
| Call me something at all this time | |
| I'm too, well | |
| I'm to late now | |
| Call me something a sparrow sings | |
| I'm too, well | |
| I'm to late now | |
| Call me something at all this time ------------------------------------------------- (as interpreted in the Japanese CD) | |
| One day mean worry of … and fear | |
| The play for one day | |
| Well I share and shade | |
| Her arms took comfort | |
| Complicate - remind me | |
| Tuesday A pumpkin knife to cry out | |
| Their hands a plastic wound | |
| They went together then | |
| Laughing, and say big ears | |
| And very unnecessary to spill to tell a joke | |
| Call the clock on | |
| Tuesday morning | |
| A pumpkin knife to cry out | |
| Their hands in silver bars | |
| I'm too I'm too late now | |
| Said, not like me, not that it's gonna sigh | |
| I'm too I'm too late now | |
| Call me something all this time | |
| I'm too I'm too late now | |
| Called me something embarrassing | |
| I'm too low | |
| I'm too late now | |
| Call me something all this time | |
| When love's down |
| interpreted by Jamie Sobol | |
| And then a green bird, a few, that play all around me And in a river I view a play of her and me | |
| Under the shade of a tree, her arms did comfort. | |
| Call the clerk, remind me | |
| Tuesday. One pumpkin knife to pry out our hands on plastic wounds | |
| They wound together then laughing hands on big ears and | |
| Very unnecessary to spill to tell a joke | |
| Call the clerk on | |
| Tuesday morning | |
| One pumpkin knife to pry out their hands on silver bars | |
| I' m too, well | |
| I' m too late now send love like me | |
| It' s not fair it' s gone outside | |
| I' m too, well | |
| I' m to late now | |
| Call me something at all this time | |
| I' m too, well | |
| I' m to late now | |
| Call me something a sparrow sings | |
| I' m too, well | |
| I' m to late now | |
| Call me something at all this time as interpreted in the Japanese CD | |
| One day mean worry of and fear | |
| The play for one day | |
| Well I share and shade | |
| Her arms took comfort | |
| Complicate remind me | |
| Tuesday A pumpkin knife to cry out | |
| Their hands a plastic wound | |
| They went together then | |
| Laughing, and say big ears | |
| And very unnecessary to spill to tell a joke | |
| Call the clock on | |
| Tuesday morning | |
| A pumpkin knife to cry out | |
| Their hands in silver bars | |
| I' m too I' m too late now | |
| Said, not like me, not that it' s gonna sigh | |
| I' m too I' m too late now | |
| Call me something all this time | |
| I' m too I' m too late now | |
| Called me something embarrassing | |
| I' m too low | |
| I' m too late now | |
| Call me something all this time | |
| When love' s down |