Song | No Bleeding Hearts |
Artist | Steve Harley |
Album | Stranger Comes To Town |
Download | Image LRC TXT |
Don’t tell me I belong | |
I don’t care where the keys are | |
Don’t tell me that you long | |
To brush my hair where the bees are | |
You’ll never see the darkest night | |
Or the colour of the Negro | |
The beauty’s in the innocence below | |
Your adolescent charms | |
Free my soul, feed my ego | |
As you navigate the calm | |
Sand and storm, that goes where we go | |
The legacy of old wives’ tales | |
Diminishes reality | |
Of minor parts played out on bended knee | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope | |
Don’t tell me of regrets | |
All in all no concession | |
No one can read our heads | |
No one can hear our confession | |
We celebrate in plastic shows | |
And the seventies are throwaway | |
In minor keys and drugs that steal the day | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope | |
You think that you perform | |
But you perform like a stray dog | |
You shelter from the storm | |
By counting time like a meat hog | |
It’s hard to see the darkest night | |
Or the colour of the Negro | |
I wanna see the light before I go | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope |
Don' t tell me I belong | |
I don' t care where the keys are | |
Don' t tell me that you long | |
To brush my hair where the bees are | |
You' ll never see the darkest night | |
Or the colour of the Negro | |
The beauty' s in the innocence below | |
Your adolescent charms | |
Free my soul, feed my ego | |
As you navigate the calm | |
Sand and storm, that goes where we go | |
The legacy of old wives' tales | |
Diminishes reality | |
Of minor parts played out on bended knee | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope | |
Don' t tell me of regrets | |
All in all no concession | |
No one can read our heads | |
No one can hear our confession | |
We celebrate in plastic shows | |
And the seventies are throwaway | |
In minor keys and drugs that steal the day | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope | |
You think that you perform | |
But you perform like a stray dog | |
You shelter from the storm | |
By counting time like a meat hog | |
It' s hard to see the darkest night | |
Or the colour of the Negro | |
I wanna see the light before I go | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope |
Don' t tell me I belong | |
I don' t care where the keys are | |
Don' t tell me that you long | |
To brush my hair where the bees are | |
You' ll never see the darkest night | |
Or the colour of the Negro | |
The beauty' s in the innocence below | |
Your adolescent charms | |
Free my soul, feed my ego | |
As you navigate the calm | |
Sand and storm, that goes where we go | |
The legacy of old wives' tales | |
Diminishes reality | |
Of minor parts played out on bended knee | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope | |
Don' t tell me of regrets | |
All in all no concession | |
No one can read our heads | |
No one can hear our confession | |
We celebrate in plastic shows | |
And the seventies are throwaway | |
In minor keys and drugs that steal the day | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope | |
You think that you perform | |
But you perform like a stray dog | |
You shelter from the storm | |
By counting time like a meat hog | |
It' s hard to see the darkest night | |
Or the colour of the Negro | |
I wanna see the light before I go | |
No preachers, no religious key | |
No bleeding hearts, no refugee, | |
No hope |