| Song | A Sunday In Madrid |
| Artist | Robert Wyatt |
| Album | Shleep |
| Download | Image LRC TXT |
| 作词 : Benge, Wyatt | |
| Pa arrives in the city of the closed doors, | |
| Greeted by miners from Asturias. | |
| His limousine streaks past giant shiny moneyboxes, | |
| Huddled together for warmth. | |
| He is deposited in his inner chamber. | |
| Later, Pa meets the bear, impersonates a tree | |
| To confuse the hell's gates dogs' sense of smell, | |
| And rests for chess with no-one. | |
| Then (amongst the closed doors) he shrinks, | |
| Is dwarfed by rabbits, expands again | |
| To invade the destiny of fourteen mysterious others, | |
| Strangely clad, captured by a camera, | |
| carefully arranged, with a space for his image. | |
| A plot hatched by fate. | |
| Pa looks for diversion in the written word, | |
| Meanwhile, the mundane world seeks solace in illusion. | |
| An imprisoned rainbow gives shelter to the homeless. | |
| A painted machine registers the weight of mystery, | |
| And for background interest a kilometre of women | |
| Queue to kiss a wooden foot, patiently. | |
| The Queen had been. | |
| But no information, in the city of the closed doors, | |
| On Christian Spain. | |
| Elsewhere, bare buttocks wait their turn. | |
| In vain. No guides available. All busy in the Prado, | |
| Followed by shuffling feet. Fascinated. Perhaps. | |
| Outside again in the mundane world, | |
| In the city of the closed doors, | |
| Living men impersonate sleeping saints, | |
| On sundry raised surfaces, (like benches). | |
| Art objects seat beadless (beneath coats). | |
| Performance artists simulate poverty and beg. | |
| A day's begging pays the entrance fee | |
| To the Cinema of Terror. A golden gas mask | |
| Throw the torturers off the trail, amongst | |
| The grazed walls of the city of the closed doors. | |
| Pa escapes, | |
| Samples the delights of raw fish, good wine, | |
| Closes the door of his inner chamber, | |
| Closes the door of his inner chamber, and sleeps. |
| zuo ci : Benge, Wyatt | |
| Pa arrives in the city of the closed doors, | |
| Greeted by miners from Asturias. | |
| His limousine streaks past giant shiny moneyboxes, | |
| Huddled together for warmth. | |
| He is deposited in his inner chamber. | |
| Later, Pa meets the bear, impersonates a tree | |
| To confuse the hell' s gates dogs' sense of smell, | |
| And rests for chess with noone. | |
| Then amongst the closed doors he shrinks, | |
| Is dwarfed by rabbits, expands again | |
| To invade the destiny of fourteen mysterious others, | |
| Strangely clad, captured by a camera, | |
| carefully arranged, with a space for his image. | |
| A plot hatched by fate. | |
| Pa looks for diversion in the written word, | |
| Meanwhile, the mundane world seeks solace in illusion. | |
| An imprisoned rainbow gives shelter to the homeless. | |
| A painted machine registers the weight of mystery, | |
| And for background interest a kilometre of women | |
| Queue to kiss a wooden foot, patiently. | |
| The Queen had been. | |
| But no information, in the city of the closed doors, | |
| On Christian Spain. | |
| Elsewhere, bare buttocks wait their turn. | |
| In vain. No guides available. All busy in the Prado, | |
| Followed by shuffling feet. Fascinated. Perhaps. | |
| Outside again in the mundane world, | |
| In the city of the closed doors, | |
| Living men impersonate sleeping saints, | |
| On sundry raised surfaces, like benches. | |
| Art objects seat beadless beneath coats. | |
| Performance artists simulate poverty and beg. | |
| A day' s begging pays the entrance fee | |
| To the Cinema of Terror. A golden gas mask | |
| Throw the torturers off the trail, amongst | |
| The grazed walls of the city of the closed doors. | |
| Pa escapes, | |
| Samples the delights of raw fish, good wine, | |
| Closes the door of his inner chamber, | |
| Closes the door of his inner chamber, and sleeps. |
| zuò cí : Benge, Wyatt | |
| Pa arrives in the city of the closed doors, | |
| Greeted by miners from Asturias. | |
| His limousine streaks past giant shiny moneyboxes, | |
| Huddled together for warmth. | |
| He is deposited in his inner chamber. | |
| Later, Pa meets the bear, impersonates a tree | |
| To confuse the hell' s gates dogs' sense of smell, | |
| And rests for chess with noone. | |
| Then amongst the closed doors he shrinks, | |
| Is dwarfed by rabbits, expands again | |
| To invade the destiny of fourteen mysterious others, | |
| Strangely clad, captured by a camera, | |
| carefully arranged, with a space for his image. | |
| A plot hatched by fate. | |
| Pa looks for diversion in the written word, | |
| Meanwhile, the mundane world seeks solace in illusion. | |
| An imprisoned rainbow gives shelter to the homeless. | |
| A painted machine registers the weight of mystery, | |
| And for background interest a kilometre of women | |
| Queue to kiss a wooden foot, patiently. | |
| The Queen had been. | |
| But no information, in the city of the closed doors, | |
| On Christian Spain. | |
| Elsewhere, bare buttocks wait their turn. | |
| In vain. No guides available. All busy in the Prado, | |
| Followed by shuffling feet. Fascinated. Perhaps. | |
| Outside again in the mundane world, | |
| In the city of the closed doors, | |
| Living men impersonate sleeping saints, | |
| On sundry raised surfaces, like benches. | |
| Art objects seat beadless beneath coats. | |
| Performance artists simulate poverty and beg. | |
| A day' s begging pays the entrance fee | |
| To the Cinema of Terror. A golden gas mask | |
| Throw the torturers off the trail, amongst | |
| The grazed walls of the city of the closed doors. | |
| Pa escapes, | |
| Samples the delights of raw fish, good wine, | |
| Closes the door of his inner chamber, | |
| Closes the door of his inner chamber, and sleeps. |